THE GLASS FACTORY.           
                                        
                                        
                                      
                                  
                                  
                                          
 SEVERAL  CENTURIES  AFTER  IT  HAD  LAST 
 BELONGED TO US, WE WENT ON AN OUTING  TO 
 THE  GLASS  FACTORY THAT BORE OUR FAMILY 
 NAME. IT  HAD CHANGED  OWNERS MANY TIMES 
 SINCE  OUR  ANCESTORS  DEATH,  AND  THEN 
 STOOD  ABANDONED   FOR  A   LONG  WHILE. 
 FINALLY,  THE  NATURAL  END STATION  FOR 
 THE  BUILDINGS THAT  SURVIVE:  A MUSEUM, 
 AND A GIFT SHOP.                         
                                          
 THERE'S  A  LONG  TIME  SINCE  MY FAMILY 
 MADE ANYTHING.  BY  MANY,  WE  WOULD  BE 
 CONSIDERED POOR.                         
                                          
 THERE  ARE TWO  MAIN FACTORY  BUILDINGS, 
 DOMED THINGS OF  SEVERAL FLOORS, MADE IN 
 YELLOW BRICK. LARGE BUT NARROW  WINDOWS, 
 REMINESCENT    OF     SOME    CATHEDRAL. 
 CUSTOM-MADE GLASS,  OF COURSE, LARGE AND 
 LEADED, AND ASHEN. A BIT TOO  DARK TO BE 
 PRACTICAL.   ON  THE  EASTERN  BUILDING, 
 SOME ARE SHATTERED.                      
                                          
 THE OTHER ONE  IS PUBLICLY OPEN. THERE'S 
 A MUSEUM,  WITH WAX FIGURES OF MY  GREAT 
 GREAT GREAT  GRANDFATHER, OR  SOMETHING. 
 VARIOUS TOOLS  (OR REPLICAS) LAID OUT ON 
 TABLES, WITH EXPLAINING TEXTS. A  LOT OF 
 GLASS     OF     VARYING      THICKNESS. 
                                          
                                        
                                      
                          
                                      
                                        
                                          
 I QUICKLY SNEAK OUT, AND CLIMB  INTO THE 
 OTHER   BUILDING.   THE    CONTRAST   IS 
 OVERWHELMING.   IT   MUST   HAVE   STOOD 
 DERELICT  FOR  A  LONG   TIME,   WINDOWS 
 BROKEN,  METALLIC  TRASH  AND  POOLS  OF 
 DARK   GLASS  ALL  OVER  THE  FLOOR.  NO 
 ELECTRIC LIGHTS,  BUT I CAN  SEE  BY THE 
 LIGHT THAT  SHINES IN  WHEREVER THE DARK 
 WINDOWS    ARE    MISSING     A    PANE. 
                                          
 HOWEVER, THE GREATEST DIFFERENCE IS  THE 
 HIGHER FLOORS: THIS  BUILDING HAS  NONE. 
 IT IS ONE  MASSIVE HALL, STRETCHING AWAY 
 INFINITELY ABOVE  ME. SOMEWHERE UP THERE 
 IS  SOME GREAT  IRON  LATTICEWORK,  FROM 
 WHERE  CHAINS  ARE SUSPENDED, AND  PARTS 
 OF  MACHINERY  HAS  BEEN  FALLING  DOWN. 
                                          
 THERE  IS,  IN THE MIDDLE  OF THE  GREAT 
 HALL,  A  THIN  SPIRAL   STAIRCASE  THAT 
 LEADS UP THERE.  I SNEAK OVER THERE, AND 
 TAKE A  FEW RELUCTANT  STEPS. AFTER JUST 
 A  REVOLUTION, I  NOTICE THAT  FOR  EACH 
 STEP THE  BUILDING STARTS  TO GLOW,  THE 
 BRICKS TURNING  A  DARK  RED,  AND  THEN 
 ORANGE, ALL THE  PILED  UP  DEBREE BEING 
 LIT FROM BEHIND.                         
                                          
 I STOP  READY  TO RUN DOWN  AND OUT, BUT 
 THERE'S  SOMEONE  ELSE ON  THE STAIRCASE 
 WITH   ME  NOW,  PRESSED   CLOSE.   HE'S 
 LOOKING  LIKE  ME, SHORT HAIR  AND  THIN 
 ARMS,  BUT  WITH EARS FROM SOME  ANIMAL, 
 AND MORE DISTURBINGLY,  COMPLETELY  MADE 
 OF DARK LIQUID GLASS.                    
                                          
                                        
                                      
                          
                                      
                                        
                                          
 MY  FEAR  HOLDS  ME  IN PLACE  WHILE  HE 
 STARTS  OPERATING LEVERS  AND  DIALS SET 
 IN THE CENTER OF THE  STAIRCASE. SLOWLY, 
 IT  STARTS SPINNING,  CIRCLING  UPWARDS. 
 IT'S  AN  ELEVATOR!   I  START   TO  RUN 
 DOWNWARDS,  BUT   NOW  THE  LIQUID   BOY 
 CREATURE  GRABS HOLD  OF  ME.  I  TRY TO 
 SHAKE HIM OFF, BUT HE'S TOO  STRONG, AND 
 PULLS   ME    BACK   UP   BESIDE    HIM. 
                                          
 THIS  TIME,  I TURN ANGRY INSTEAD.  WHAT 
 THE  HELL? WHO  IS THIS GUY, ACTING LIKE 
 THIS?  I REACH OUT MY  FREE ARM AND SLAM 
 A   RANDOM  LEVER.  SOME  METAL  BAR  IS 
 SUDDENLY  RELEASED  BETWEEN  US, HITTING 
 HIM ON  THE ARM,  FORCING MY RELEASE.  I 
 SHOVE HIM OFF OF  ME, AND HE FALLS  INTO 
 THE    LEVERS,    MESSING    THEM    UP. 
 IMMEDIATELY,  A  THIN  RUSTY   CHAINMAIL 
 CURTAIN  IS  DROPPED  AROUND ME. BUT THE 
 ELEVATOR  ALSO  SPEEDS UP SIGNIFICANTLY. 
                                          
 THE  WALLS  ARE  FLARING   NOW,  YELLOW, 
 WHITE, ALMOST BLUE. I CLOSE MY  EYES AND 
 CURL INTO  A BALL.  BUT THEN,  THE GLASS 
 BOY  SCREAMS,  A   PIERCING  SOUND  THAT 
 FORCES MY  EYES BACK OPEN. I WATCH AS HE 
 BECOMES  TOO  LIQUID,  HIS  BODY POOLING 
 DOWN IN  HIS NOW MASSIVE  TAIL, AND  THE 
 TIP OF IT SUDDENLY BREAKS OF IN  A GLASS 
 DROP  THAT  FALLS  TOWARD   THE  FACTORY 
 FLOOR.                                   
                                          
 HE'S CRAWLING ON THE STAIRS,  UNABLE  TO 
 KEEP  HIS  BODY UPRIGHT. CAN'T REACH THE 
 LEVERS,  CLAWS  AT  MY  CHAINMAIL  CAGE, 
 WHILE  HIS  BODY IS  TURNING  INTO  DARK 
 PEARLS.  FINALLY, HE'S  LOST TOO MUCH OF 
 HIMSELF  AND  THE SCREAM  IS CUT  SHORT. 
 THE    LAST   OF   HIM    RAINS    DOWN. 
                                          
 I  STILL  CAN'T  REACH  THE  LEVERS FROM 
 WITHIN  MY CAGE. LOOKING  UP, I  TRY  TO 
 MAKE  OUT THE  CEILING, BUT IT'S  ALL  A 
 WHIRLING SEA OF COLOURS. BELOW  ME GLOWS 
 THE  HELLFIRE OF THE  FACTORY WALLS, BUT 
 VERY FAINT. I  SIT  DOWN, CURL BACK  UP, 
 BECOME STILL.                            
                                          
                                        
                                      
                          
                                      
                                        
                                          
 A LARGE  CLUNK SHAKES  MY  ENTIRE  BODY, 
 AND  SNAPS  ME  BACK  INTO  REALITY. I'M 
 BACK  AT  THE  FACTORY  FLOOR,  BUT  THE 
 STAIRS   ARE  STILL   MOVING   SLIGHTLY, 
 CLICKING IN  PLACE, CARRYING ME THE LAST 
 FEW  CENTIMETERS.  I  CAME  FROM  BELOW, 
 SOMEHOW.  THE  CHAINMAIL  IS  RETRACTED, 
 AND  I  SLOWLY   DISMOUNT   THE  STAIRS. 
                                          
 SHAKING AND CRYING, I  MAKE MY  WAY OVER 
 THE  FACTORY  FLOOR, WADING THROUGH DARK 
 GLASS MARBLES. A QUICK GLANCE DOWN,  AND 
 I  SEE  THERE'S  SOMETHING  FAINT INSIDE 
 THEM.   EMBRYOS?    ARE   THESE    EGGS? 
                                          
 I   SHUDDER,   AND   CLIMB   BACK   OUT.