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* the glass factory. *
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,,,,,,,-;* several centuries after it had last *;-,,,,,,,
,,,,,,,,-; belonged to us, we went on an outing to ;-,,,,,,,,
,,,,,,,,,- the glass factory that bore our family -,,,,,,,,,
,,,,,,,,-; name. it had changed owners many times ;-,,,,,,,,
,,,,,,,-;* since our ancestors death, and then *;-,,,,,,,
,,,,,,-;*§ stood abandoned for a long while. §*;-,,,,,,
,,,,,-;*§@ finally, the natural end station for @§*;-,,,,,
,,,,-;*§@@ the buildings that survive: a museum, @@§*;-,,,,
,,,-;*§@@@ and a gift shop. @@@§*;-,,,
,,-;*§@@@# #@@@§*;-,,
,,,-;*§@@@ there's a long time since my family @@@§*;-,,,
,,,,-;*§@@ made anything. by many, we would be @@§*;-,,,,
,,,,,-;*§@ considered poor. @§*;-,,,,,
,,,,,,-;*§ §*;-,,,,,,
,,,,,,,-;* there are two main factory buildings, *;-,,,,,,,
,,,,,,,,-; domed things of several floors, made in ;-,,,,,,,,
,,,,,,,,,- yellow brick. large but narrow windows, -,,,,,,,,,
,,,,,,,,-; reminescent of some cathedral. ;-,,,,,,,,
,,,,,,,-;* custom-made glass, of course, large and *;-,,,,,,,
,,,,,,-;*§ leaded, and ashen. a bit too dark to be §*;-,,,,,,
,,,,,-;*§@ practical. on the eastern building, @§*;-,,,,,
,,,,-;*§@@ some are shattered. @@§*;-,,,,
,,,-;*§@@@ @@@§*;-,,,
,,-;*§@@@# the other one is publicly open. there's #@@@§*;-,,
,,,-;*§@@@ a museum, with wax figures of my great @@@§*;-,,,
,,,,-;*§@@ great great grandfather, or something. @@§*;-,,,,
,,,,,-;*§@ various tools (or replicas) laid out on @§*;-,,,,,
,,,,,,-;*§ tables, with explaining texts. a lot of §*;-,,,,,,
,,,,,,,-;* glass of varying thickness. *;-,,,,,,,
,,,,,,,,-; ;-,,,,,,,,
,,,,,,,,,- ** -,,,,,,,,,
,,,,,,,,-; ** ** ;-,,,,,,,,
,,,,,,,-;* ------- * * ------- *;-,,,,,,,
,,,,,,-;*§ ** ** §*;-,,,,,,
,,,,,-;*§@ ** @§*;-,,,,,
,,,,-;*§@@ @@§*;-,,,,
,,,-;*§@@@ i quickly sneak out, and climb into the @@@§*;-,,,
,,-;*§@@@# other building. the contrast is #@@@§*;-,,
,,,-;*§@@@ overwhelming. it must have stood @@@§*;-,,,
,,,,-;*§@@ derelict for a long time, windows @@§*;-,,,,
,,,,,-;*§@ broken, metallic trash and pools of @§*;-,,,,,
,,,,,,-;*§ dark glass all over the floor. no §*;-,,,,,,
,,,,,,,-;* electric lights, but i can see by the *;-,,,,,,,
,,,,,,,,-; light that shines in wherever the dark ;-,,,,,,,,
,,,,,,,,,- windows are missing a pane. -,,,,,,,,,
,,,,,,,,-; ;-,,,,,,,,
,,,,,,,-;* however, the greatest difference is the *;-,,,,,,,
,,,,,,-;*§ higher floors: this building has none. §*;-,,,,,,
,,,,,-;*§@ it is one massive hall, stretching away @§*;-,,,,,
,,,,-;*§@@ infinitely above me. somewhere up there @@§*;-,,,,
,,,-;*§@@@ is some great iron latticework, from @@@§*;-,,,
,,-;*§@@@# where chains are suspended, and parts #@@@§*;-,,
,,,-;*§@@@ of machinery has been falling down. @@@§*;-,,,
,,,,-;*§@@ @@§*;-,,,,
,,,,,-;*§@ there is, in the middle of the great @§*;-,,,,,
,,,,,,-;*§ hall, a thin spiral staircase that §*;-,,,,,,
,,,,,,,-;* leads up there. i sneak over there, and *;-,,,,,,,
,,,,,,,,-; take a few reluctant steps. after just ;-,,,,,,,,
,,,,,,,,,- a revolution, i notice that for each -,,,,,,,,,
,,,,,,,,-; step the building starts to glow, the ;-,,,,,,,,
,,,,,,,-;* bricks turning a dark red, and then *;-,,,,,,,
,,,,,,-;*§ orange, all the piled up debree being §*;-,,,,,,
,,,,,-;*§@ lit from behind. @§*;-,,,,,
,,,,-;*§@@ @@§*;-,,,,
,,,-;*§@@@ i stop ready to run down and out, but @@@§*;-,,,
,,-;*§@@@# there's someone else on the staircase #@@@§*;-,,
,,,-;*§@@@ with me now, pressed close. he's @@@§*;-,,,
,,,,-;*§@@ looking like me, short hair and thin @@§*;-,,,,
,,,,,-;*§@ arms, but with ears from some animal, @§*;-,,,,,
,,,,,,-;*§ and more disturbingly, completely made §*;-,,,,,,
,,,,,,,-;* of dark liquid glass. *;-,,,,,,,
,,,,,,,,-; ;-,,,,,,,,
,,,,,,,,,- ** -,,,,,,,,,
,,,,,,,,-; ** ** ;-,,,,,,,,
,,,,,,,-;* ------- * * ------- *;-,,,,,,,
,,,,,,-;*§ ** ** §*;-,,,,,,
,,,,,-;*§@ ** @§*;-,,,,,
,,,,-;*§@@ @@§*;-,,,,
,,,-;*§@@@ my fear holds me in place while he @@@§*;-,,,
,,-;*§@@@# starts operating levers and dials set #@@@§*;-,,
,,,-;*§@@@ in the center of the staircase. slowly, @@@§*;-,,,
,,,,-;*§@@ it starts spinning, circling upwards. @@§*;-,,,,
,,,,,-;*§@ it's an elevator! i start to run @§*;-,,,,,
,,,,,,-;*§ downwards, but now the liquid boy §*;-,,,,,,
,,,,,,,-;* creature grabs hold of me. i try to *;-,,,,,,,
,,,,,,,,-; shake him off, but he's too strong, and ;-,,,,,,,,
,,,,,,,,,- pulls me back up beside him. -,,,,,,,,,
,,,,,,,,-; ;-,,,,,,,,
,,,,,,,-;* this time, i turn angry instead. what *;-,,,,,,,
,,,,,,-;*§ the hell? who is this guy, acting like §*;-,,,,,,
,,,,,-;*§@ this? i reach out my free arm and slam @§*;-,,,,,
,,,,-;*§@@ a random lever. some metal bar is @@§*;-,,,,
,,,-;*§@@@ suddenly released between us, hitting @@@§*;-,,,
,,-;*§@@@# him on the arm, forcing my release. i #@@@§*;-,,
,,,-;*§@@@ shove him off of me, and he falls into @@@§*;-,,,
,,,,-;*§@@ the levers, messing them up. @@§*;-,,,,
,,,,,-;*§@ immediately, a thin rusty chainmail @§*;-,,,,,
,,,,,,-;*§ curtain is dropped around me. but the §*;-,,,,,,
,,,,,,,-;* elevator also speeds up significantly. *;-,,,,,,,
,,,,,,,,-; ;-,,,,,,,,
,,,,,,,,,- the walls are flaring now, yellow, -,,,,,,,,,
,,,,,,,,-; white, almost blue. i close my eyes and ;-,,,,,,,,
,,,,,,,-;* curl into a ball. but then, the glass *;-,,,,,,,
,,,,,,-;*§ boy screams, a piercing sound that §*;-,,,,,,
,,,,,-;*§@ forces my eyes back open. i watch as he @§*;-,,,,,
,,,,-;*§@@ becomes too liquid, his body pooling @@§*;-,,,,
,,,-;*§@@@ down in his now massive tail, and the @@@§*;-,,,
,,-;*§@@@# tip of it suddenly breaks of in a glass #@@@§*;-,,
,,,-;*§@@@ drop that falls toward the factory @@@§*;-,,,
,,,,-;*§@@ floor. @@§*;-,,,,
,,,,,-;*§@ @§*;-,,,,,
,,,,,,-;*§ he's crawling on the stairs, unable to §*;-,,,,,,
,,,,,,,-;* keep his body upright. can't reach the *;-,,,,,,,
,,,,,,,,-; levers, claws at my chainmail cage, ;-,,,,,,,,
,,,,,,,,,- while his body is turning into dark -,,,,,,,,,
,,,,,,,,-; pearls. finally, he's lost too much of ;-,,,,,,,,
,,,,,,,-;* himself and the scream is cut short. *;-,,,,,,,
,,,,,,-;*§ the last of him rains down. §*;-,,,,,,
,,,,,-;*§@ @§*;-,,,,,
,,,,-;*§@@ i still can't reach the levers from @@§*;-,,,,
,,,-;*§@@@ within my cage. looking up, i try to @@@§*;-,,,
,,-;*§@@@# make out the ceiling, but it's all a #@@@§*;-,,
,,,-;*§@@@ whirling sea of colours. below me glows @@@§*;-,,,
,,,,-;*§@@ the hellfire of the factory walls, but @@§*;-,,,,
,,,,,-;*§@ very faint. i sit down, curl back up, @§*;-,,,,,
,,,,,,-;*§ become still. §*;-,,,,,,
,,,,,,,-;* *;-,,,,,,,
,,,,,,,,-; ** ;-,,,,,,,,
,,,,,,,,,- ** ** -,,,,,,,,,
,,,,,,,,-; ------- * * ------- ;-,,,,,,,,
,,,,,,,-;* ** ** *;-,,,,,,,
,,,,,,-;*§ ** §*;-,,,,,,
,,,,,-;*§@ @§*;-,,,,,
,,,,-;*§@@ a large clunk shakes my entire body, @@§*;-,,,,
,,,-;*§@@@ and snaps me back into reality. i'm @@@§*;-,,,
,,-;*§@@@# back at the factory floor, but the #@@@§*;-,,
,,,-;*§@@@ stairs are still moving slightly, @@@§*;-,,,
,,,,-;*§@@ clicking in place, carrying me the last @@§*;-,,,,
,,,,,-;*§@ few centimeters. i came from below, @§*;-,,,,,
,,,,,,-;*§ somehow. the chainmail is retracted, §*;-,,,,,,
,,,,,,,-;* and i slowly dismount the stairs. *;-,,,,,,,
,,,,,,,,-; ;-,,,,,,,,
,,,,,,,,,- shaking and crying, i make my way over -,,,,,,,,,
,,,,,,,,-; the factory floor, wading through dark ;-,,,,,,,,
,,,,,,,-;* glass marbles. a quick glance down, and *;-,,,,,,,
,,,,,,-;*§ i see there's something faint inside §*;-,,,,,,
,,,,,-;*§@ them. embryos? are these eggs? @§*;-,,,,,
,,,,-;*§@@ @@§*;-,,,,
,,,-;*§@@@ i shudder, and climb back out. @@@§*;-,,,
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