..@..@....                                          ..@.@.@@..
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@.@@....@.                 ..¤###¤..                @@........
..@@@....@       :: pittsburgh electronics ::       @@@.......
..@.@@....             ~~ lifeforms ~~              @.@@......
....@@@...               †† sv one ††               ..@@@.....
....@.@@..                                          ..@.@@....
......@@@. this is a eurorack module but  i  bought @...@@@...
......@.@@ the  blackbox  one  so  it's  also  not. .@..@.@@..
........@@                                          ..@...@@@.
........@. it  ships  with  too  few patch  cables. ...@..@.@@
@.........                                          @...@...@@
@@........             .§# contains #§.             .@...@..@.
@@@.......           midi to cv converter           ..@...@...
@.@@......                two vco's                 @..@...@..
..@@@..... four channel  or two x two channel mixer .@..@...@.
..@.@@....       two sub oscillators i think        ..@..@...@
@...@@@...         two one to two splitters         ...@..@...
.@..@.@@..           white noise generator          @...@..@..
..@...@@@.              sample and hold             .@...@..@.
...@..@.@@          lfo plus a digital lfo          ..@...@..@
@...@...@@   filter (lowpass, bandpass, highpass)   @..@...@..
.@...@..@.               adsr envelope              .@..@...@.
..@...@...                  one vca                 ..@..@...@
@..@...@..               headphone amp              ...@..@...
.@..@...@.         fourty nine patchpoints!         ....@..@..
..@..@...@                                          .....@..@.
...@..@...                  .:###:.                 @.....@..@
@...@..@..            ~§§ so what now §§~           .@.....@..
.@...@..@.                  .:###:.                 ..@.....@.
..@...@..@                                          @..@.....@
@..@...@.. clock io  goes  to asdr in  i think  and .@..@.....
.@..@...@. maybe  also  to the sample and hold. put ..@..@....
..@..@...@ subbase  and noise in channel  three and @..@..@...
...@..@... four.  oscillator  one  saw  to  channel @@..@..@..
....@..@.. two, and oscillator two  saw to  channel @@@..@..@.
.....@..@. one.   sample   and  hold  out   to  the @.@@..@..@
@.....@..@   filter... maybe... resonance at half.  ..@@@..@..
.@.....@.. some frequency in  the  first oscillator ..@.@@..@.
..@.....@. and then the  second osc  four semitones ....@@@..@
@..@.....@                 higher.                  ....@.@@..
.@..@.....                                          ......@@@.
..@..@....                  :~@#@~:                 ......@.@@
@..@..@...           †¤¤ desktop synth ¤¤†          @.......@@
@@..@..@..                  :~@#@~:                 .@......@.
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