..-«*$#@##                                          ##@#$*«-..
...-«*$#@#                                          #@#$*«-...
....-«*$#@                                          @#$*«-....
.....-«*$#                                          #$*«-.....
......-«*$                                          $*«-......
.....-«*$#                    --                    #$*«-.....
....-«*$#@                   -$$-                   @#$*«-....
...-«*$#@#                  -$##$-                  #@#$*«-...
..-«*$#@##                   -$$-                   ##@#$*«-..
.-«*$#@###                    --                    ###@#$*«-.
..-«*$#@##                                          ##@#$*«-..
...-«*$#@#                                          #@#$*«-...
....-«*$#@   *** teenage engineering presents ***   @#$*«-....
.....-«*$# #$««««««  the pocket operators  ««««««$# #$*«-.....
......-«*$           --- ------ ---------           $*«-......
.....-«*$#                                          #$*«-.....
....-«*$#@             they break easily            @#$*«-....
...-«*$#@# for example if you would  be to put them #@#$*«-...
..-«*$#@##              in your pocket              ##@#$*«-..
.-«*$#@###                                          ###@#$*«-.
..-«*$#@##                 .^###^.                  ##@#$*«-..
...-«*$#@# here  presented in  an ascending fashion #@#$*«-...
....-«*$#@                 .^###^.                  @#$*«-....
.....-«*$#                                          #$*«-.....
......-«*$                                          $*«-......
.....-«*$#              $$ po twelve $$             #$*«-.....
....-«*$#@      (drum machine, see po twelve)       @#$*«-....
...-«*$#@#                                          #@#$*«-...
..-«*$#@##                                          ##@#$*«-..
.-«*$#@###             $$ po fourteen $$            ###@#$*«-.
..-«*$#@## lame   base  synth  i   had   and   sold ##@#$*«-..
...-«*$#@#                                          #@#$*«-...
....-«*$#@                                          @#$*«-....
.....-«*$#             $$ po sixteen $$             #$*«-.....
......-«*$    (melody and stuff, see po sixteen)    $*«-......
.....-«*$#                                          #$*«-.....
....-«*$#@                                          @#$*«-....
...-«*$#@#             $$ po twenty $$              #@#$*«-...
..-«*$#@##  a chiptune-sounding blip blop machine   ##@#$*«-..
.-«*$#@### good for chords and stuff. never used it ###@#$*«-.
..-«*$#@##                                          ##@#$*«-..
...-«*$#@#                                          #@#$*«-...
....-«*$#@            $$ po twentyfour $$           @#$*«-....
.....-«*$#     office rompler? for what reason?     #$*«-.....
......-«*$                                          $*«-......
.....-«*$#                                          #$*«-.....
....-«*$#@           $$ po twentyeight $$           @#$*«-....
...-«*$#@#         melody and stuff mark two        #@#$*«-...
..-«*$#@##        (only melodies this time)         ##@#$*«-..
.-«*$#@###                                          ###@#$*«-.
..-«*$#@##                                          ##@#$*«-..
...-«*$#@#            $$ po thirtytwo $$            #@#$*«-...
....-«*$#@          drum machine mark two           @#$*«-....
.....-«*$# runs on some  computer software  to make #$*«-.....
......-«*$ your own  drums and  whatnot. but it  is $*«-......
.....-«*$#            expensive this one            #$*«-.....
....-«*$#@                                          @#$*«-....
...-«*$#@#                                          #@#$*«-...
..-«*$#@##                                          ##@#$*«-..
.-«*$#@###                                          ###@#$*«-.
..-«*$#@##                                          ##@#$*«-..