,~-/^§## ###&§^/-~,
,,,,,~-^§& &§^-~,,,,,
,,~~--^§ #&§^--~~,,
,~-/^^§& #&&§^^/-~,
,~-/^§## ###&§^/-~,
,,,,~/§§## #&#&#&#&#&#&#&#&#&#& ##§§/~,,,,
,~~~/^^^§# & BUILDINGS, TOWERS IN THE "GOLDEN & #§^^^/~~~,
,~-/^§## & BAY" (EVERYTHING MADE OF SANDSTONE). & ###&§^/-~,
,~-/^§## # FIVE PARTICULAR HOUSES FOURTY # ###&§^/-~,
,,,,,~//§# # STORIES TALL, HUNDRED METERS APART, # #§//~,,,,,
,~-/^### & IN A SLIGHT ARC INWARDS. & ####&^/-~,
,,,,,-^§## & & ##§^-,,,,,
,~-/^§## # BETWEEN TWO MOUNTAINS; TO THE RIGHT # ###&§^/-~,
,~-/^§## # AND LEFT THE CITY CLIMBS QUICKLY. # ###&§^/-~,
,~-/^§#### & THE RIGHT PLATEAU HOSTS A LUSH AND & ####§^/-~,
,~-/^§## & SHADED GARDEN WHICH MORPHS INTO A & ###&§^/-~,
,,,,--^^ # TERRACE OVERLOOKING THE SEA AND # #&^^--,,,,
,~-/^§## # THE BUILDINGS. # ###&§^/-~,
,,,,,-//^& & & &^//-,,,,,
,~-/^§&& & TO THE LEFT THE HOUSES CLIMB & #&&&§^/-~,
,~-/^§## # SIMILARLY BUT A LOT OF TUNNELS AND # ###&§^/-~,
,~-/^§## # HALLS HAVE BEEN DUG FROM THE # ###&§^/-~,
,,,,~~-^&& & MOUNTAIN. SOME HOUSES STAND & &&^-~~,,,,
,~-/^§## & COMPLETELY "INSIDE". BECAUSE OF CAVE & ###&§^/-~,
,,,,,~/^§& # CONDITIONS THE LOWER FLOORS HERE # &§^/~,,,,,
,~-/^§## # ARE COVERED IN DARK ALGAE THAT THE # ###&§^/-~,
,~-/^§## & CITY LONG AGO STOPPED TRYING TO & ###&§^/-~,
,~-/^§#### & REMOVE. ESTABLISHMENTS USE NEON & ####§^/-~,
,,,,--^# # SIGNS AS AN ACCENT TO THE DARK. # ##&^--,,,,
,~-/^§## # THERE'S A CASINO. # ###&§^/-~,
,~-/^§## & THERE'S AN INTERNET CAFE. & ###&§^/-~,
,~-/^§&# & & ##&&§^/-~,
,,,,,~/§§& # MOST PEOPLE LIVING HERE HAVE LONG # &§§/~,,,,,
,,,-///^§& # SNOUTS AND BIG EARS. ALL SPACE IS # &§^///-,,,
,~~~////^& & SHARED (FEW ROOMS HAVE LOCKS OR & &^////~~~,
,~-/^§## & EVEN DOORS). INTERIOR DESIGN IS & ###&§^/-~,
,,,,~/§# # MOSTLY ART NOUVEAU AND MADE # ##&§/~,,,,
,,,,,-/^^& # OUT OF COPPER. # &^^/-,,,,,
,~-/^§## &#&#&#&#&###&#&#&#&#&& ###&§^/-~,
,~-/^^^§§# #§§^^^/-~,
,~-/^§&# ##&&§^/-~,
,~-/^§#### ####§^/-~,
,~-/^§## ###&§^/-~,
,~-/^§## ###&§^/-~,