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,,,,,,,=/* @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@ */=,,,,,,,
,,,,,,=/*£ @ buildings, towers in the "golden @ £*/=,,,,,,
,,,,,=/*£@ @ bay" (everything made of sandstone). @ @£*/=,,,,,
,,,,=/*£@# @ five particular houses fourty @ #@£*/=,,,,
,,,=/*£@## @ stories tall, hundred meters apart, @ ##@£*/=,,,
,,=/*£@### @ in a slight arc inwards. @ ###@£*/=,,
,,,=/*£@## @ @ ##@£*/=,,,
,,,,=/*£@# @ between two mountains; to the right @ #@£*/=,,,,
,,,,,=/*£@ @ and left the city climbs quickly. @ @£*/=,,,,,
,,,,,,=/*£ @ the right plateau hosts a lush and @ £*/=,,,,,,
,,,,,,,=/* @ shaded garden which morphs into a @ */=,,,,,,,
,,,,,,,,=/ @ terrace overlooking the sea and @ /=,,,,,,,,
,,,,,,,,,= @ the buildings. @ =,,,,,,,,,
,,,,,,,,,, @ @ ,,,,,,,,,,
,,,,,,,,,, @ to the left the houses climb @ ,,,,,,,,,,
,,,,,,,,,, @ similarly but a lot of tunnels and @ ,,,,,,,,,,
,,,,,,,,,, @ halls have been dug from the @ ,,,,,,,,,,
,,,,,,,,,, @ mountain. some houses stand @ ,,,,,,,,,,
,,,,,,,,,, @ completely "inside". because of cave @ ,,,,,,,,,,
,,,,,,,,,, @ conditions the lower floors here @ ,,,,,,,,,,
,,,,,,,,,, @ are covered in dark algae that the @ ,,,,,,,,,,
,,,,,,,,,, @ city long ago stopped trying to @ ,,,,,,,,,,
,,,,,,,,,= @ remove. establishments use neon @ =,,,,,,,,,
,,,,,,,,=/ @ signs as an accent to the dark. @ /=,,,,,,,,
,,,,,,,=/* @ there's a casino. @ */=,,,,,,,
,,,,,,=/*£ @ there's an internet cafe. @ £*/=,,,,,,
,,,,,=/*£@ @ @ @£*/=,,,,,
,,,,=/*£@# @ most people living here have long @ #@£*/=,,,,
,,,=/*£@## @ snouts and big ears. all space is @ ##@£*/=,,,
,,=/*£@### @ shared (few rooms have locks or @ ###@£*/=,,
,,,=/*£@## @ even doors). interior design is @ ##@£*/=,,,
,,,,=/*£@# @ mostly art nouveau and made @ #@£*/=,,,,
,,,,,=/*£@ @ out of copper. @ @£*/=,,,,,
,,,,,,=/*£ @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@ £*/=,,,,,,
,,,,,,,=/* */=,,,,,,,
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