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.£.£.£..£. just off the coast to the baltic sea .£.£.£.£.£
.£.£.£.££. there's a freshwater pond, secluded ££.£.£.£.£
.£.£.£..£. among ashen and juniper. a cleft in the .£.£.£.£.£
.£.£.£.££. limestone bedrock, sharp-cut from the ££.£.£.£.£
.£.£.£..£. surrounding plains, a ninety degree .£.£.£.£.£
.£.£.£.££. drop down, down, to the midnight-black ££.£.£.£.£
.£.£.£..£. water. .£.£.£.£.£
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.£.£.£..£. they speak to the sloane, caress it, .£.£.£.£.£
.£.£.£.££. urge it to grow thicker, tangled, with ££.£.£.£.£
.£.£.£..£. longer and sharper thorns. they tell it .£.£.£.£.£
.£.£.£.££. to stay just below the grass, so that ££.£.£.£.£
.£.£.£..£. the animals what come to drink the .£.£.£.£.£
.£.£.£.££. water cannot see it before it draws ££.£.£.£.£
.£.£.£..£. their blood. closer to the pond, the .£.£.£.£.£
.£.£.£.££. sloane can grow taller, being able to ££.£.£.£.£
.£.£.£..£. hide also in the juniper. .£.£.£.£.£
.£.£.£.££. ££.£.£.£.£
.£.£.£..£. the fairies will beckon the animals to .£.£.£.£.£
.£.£.£.££. push forward, tell them that they're ££.£.£.£.£
.£.£.£..£. almost at the water, that they may .£.£.£.£.£
.£.£.£.££. drink soon. and they will tug on the ££.£.£.£.£
.£.£.£..£. sloane to make sure that the thorns cut .£.£.£.£.£
.£.£.£.££. deep. when they finally find the path ££.£.£.£.£
.£.£.£..£. down between the rocks, away from the .£.£.£.£.£
.£.£.£.££. bushwork and into the cleft, they are ££.£.£.£.£
.£.£.£..£. bleeding from a thousand wounds. as .£.£.£.£.£
.£.£.£.££. they drink from the dark water, it is ££.£.£.£.£
.£.£.£..£. in turn drinking the animals blood. .£.£.£.£.£
.£.£.£.££. ££.£.£.£.£
.£.£.£..£. the circle is complete, the contract .£.£.£.£.£
.£.£.£.££. carried out; the animal is abandoned to ££.£.£.£.£
.£.£.£..£. find its own way back. the bushes roots .£.£.£.£.£
.£.£.£.££. drink the nutrutious water. the fairies ££.£.£.£.£
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