,,--†*££@# #@££*†--,,
.,-^=£¤@## ##@¤£=^-,.
.¨^-=§$&@# #@&$§=-^¨.
,¨,^~=§¤ #&¤§=~^,¨,
.¨.¨,»/%*& &*%/»,¨.¨.
¨.¨~~*%$¤¶ statuette ¶¤$%*~~¨.¨
¨.:-^*£# ##&£*^-:.¨
,^«\%@@### %%%*£§@$$$£$%*&§=~~»~~=»§£§&@%*@$£$$%@@¤ ###@@%\«^,
,.-«=*&££# ¤£%@&&&¤$ #££&*=«-.,
¨,¨^~:†%&@ @&%†:~^¨,¨
,¨.¨,-***@ forests around my childhood home. thick @***-,¨.¨,
,..~-*†%#£ pine arcades that were planted and £#%†*-~..,
.¨-~*%@§£# forgotten. wild boars roaming #£§@%*~-¨.
,.~†*%§¶## underneath, sniffing at the ground. it ##¶§%*†~.,
¨,-«/$&§¶# is dark and moist, the canopy having #¶§&$/«-,¨
.,,~»=†£§£ already soaked up all the sun. £§£†=»~,,.
¨¨.,:=*^£§ §£^*=:,.¨¨
,,¨.-/*%¤@ there's a river passing by, from east @¤%*/-.¨,,
¨,.=;*@¤¶# to west, getting broader and deeper and #¶¤@*;=.,¨
¨~~\^£§@## slower as it goes. equisetum grow just ##@§£^\~~¨
,¨:=:%$#¶# where the pine hands start to let #¶#$%:=:¨,
.,,:~†$§## through light, horsemint on the rocky ##§$†~:,,.
¨,¨,,=†*¤§ river bed. §¤*†=,,¨,¨
.,¨.=†$§££ ££§$†=.¨,.
¨,^-=^@#¶# * #¶#@^=-^,¨
.,»:=$§@## ##@§$=:»,.
¨.:-:=$§## the riverbanks reek of magic. tonight ##§$=:-:.¨
.,,.~;§$#@ they had been a swampworld with sylvan @#$§;~.,,.
¨,,¨~~/%$@ water, stone rings and floating moss. @$%/~~¨,,¨
,,.~~/^&&£ you could've found me wallowing around £&&^/~~.,,
¨.~=:%£#@# on the southern shores until i got #@#£%:=~.¨
,-~;*@¤@## bitten. ##@¤@*;~-,
¨¨,»:$$¤@# #@¤$$:»,¨¨
¨..^»\%&£# but now i'm further back, on solid #£&%\»^..¨
.¨..^«**£& ground, in shoulder-high grass, with an &£**«^..¨.
..,:-/†%@¶ orange tin radio and a translucent ¶@%†/-:,..
,¨:«;%%££# umbrella which i'm sitting on. #££%%;«:¨,
,,~==¤@@## ##@@¤==~,,
,.-~=*&@¶# : #¶@&*=~-.,
,,¨:-^*@§¶ ¶§@*^-:¨,,
.¨¨,-«^*£@ somethings moving in the grass. it's @£*^«-,¨¨.
¨.,,-†=$¤@ invisible to my eyes but i can feel @¤$=†-,,.¨
,¨,-†^£¤## through the ground just how large it is. ##¤£^†-,¨,
¨~~†*$@£## ##£@$*†~~¨
,.^«/$£@@# the soil is muddy. i slip when trying #@@£$/«^.,
¨¨,-~:$%#@ to get up, still looking at the @#%$:~-,¨¨
¨¨¨,.»†*&@ direction of sound rather than at my @&*†».,¨¨¨
,,,.-***## hands, who are busy putting things in ##***-.,,,
.¨:«=§*### my pockets. ###*§=«:¨.
¨,=†$£@£## ##£@£$†=,¨
,¨,=;=£§## then i run east toward my home. ##§£=;=,¨,
,¨,^~**%£# #£%**~^,¨,
.¨¨¨^=/^$# / #$^/=^¨¨¨.
¨¨,.»/%$§¶ ¶§$%/».,¨¨
..:=/%¤¤@# i am not followed, and slow down in the #@¤¤%/=:..
¨.-*†*¤¶## clearing where you at first can spot ##¶¤*†*-.¨
¨.,~:%$# the house, not yet really in the ##&$%:~,.¨
,¨¨-~;%¤§@ backyard. from my pockets i retrieve my @§¤%;~-¨¨,
,,..,«;§%§ radio (now dented) but also a small §%§;«,..,,
,,¨~=^†$@@ clay figure i've never seen before. it @@$†^=~¨,,
,.,«**%&@# must have been laying in the wet dirt, #@&%**«,.,
.-=^%@§### and i must've picked it up with my ###§@%^=-.
¨..~\*¤@@# other belongings. #@@¤*\~..¨
.,¨^=/^£ #&£^/=^¨,.
¨,.¨,«/^%@ it's a statuette of a girl laying naked @%^/«,¨.,¨
.¨.~~†*@¤£ on her stomach, feet in the air, £¤@*†~~.¨.
.,.-††%£@# roughly seven centimeters long. it's #@£%††-.,.
¨,»;*¤@### freshly made, not yet completely dried. ###@¤*;»,¨
¨¨.-=%$#¶# #¶#$%=-.¨¨
¨¨,--^§&¤¶ my mom is here now. i ask her for some ¶¤&§^--,¨¨
...¨.~†^@@ particle board for it to dry on, but @@^†~.¨...
..¨^»\$$#¶ she is worried and wants me to ¶#$$\»^¨..
.¨,==%£# throw it away. ##&£%==,¨.
,^=\*%@### ###@%*\=^,
..:~\§§¤@# #@¤§§\~:..
.,,^~=§%¤@ @¤%§=~^,,.
¨.,¨,~^§¤@ @¤§^~,¨,.¨
,¨.~-†§%¤¶ ¶¤%§†-~.¨,
,¨,~/^¤££# #££¤^/~,¨,