¨.~«»»†@$# #$@†»»«~.¨
¨,«\†&¶### ###¶&†\«,¨
.^~\^§§¶## ##¶§§^\~^.
¨,,.¨,»†^£ £^†»,¨.,,¨
.^«^†£§¶@# #@¶§£†^«^.
..=*^%&@@# statuette #@@&%^*=..
,--/*$¤@## ##@¤$*/--,
,-=\%¤#@## £§££££&@£%&¤§&£@~--~-=~»@$@£@£$%$§%$§&%£ ##@#¤%\=-,
¨:»^§%&£@# £*@$@%$$% #@£&%§^»:¨
.:»;*$###@ @###$*;»:.
.-~=§%## forests around my childhood home. thick ###&%§=~-.
¨^-=^£&@## pine arcades that were planted and ##@&£^=-^¨
..¨¨-*=%£# forgotten. wild boars roaming #£%=*-¨¨..
.,¨..,,†*# underneath, sniffing at the ground. it #*†,,..¨,.
.:«††$## is dark and moist, the canopy having ###&$††«:.
,¨¨,~†=%&@ already soaked up all the sun. @&%=†~,¨¨,
,¨.---;£§@ @§£;---.¨,
,,~/=£##@# there's a river passing by, from east #@##£=/~,,
.~~:=$&¶## to west, getting broader and deeper and ##¶&$=:~~.
..,¨.^$£#¶ slower as it goes. equisetum grow just ¶#£$^.¨,..
¨.-**@££@# where the pine hands start to let #@££@**-.¨
¨,~^=%£#@# through light, horsemint on the rocky #@#£%=^~,¨
¨¨.¨¨:~$£# river bed. #£$~:¨¨.¨¨
¨^«:*£@@@# #@@@£*:«^¨
¨^«^%$$£*# : #*£$$%^«^¨
,,,,,-\%## ##%\-,,,,,
¨:«:$§£### the riverbanks reek of magic. tonight ###£§$:«:¨
,,,¨,,¨~§§ they had been a swampworld with sylvan §§~¨,,¨,,,
.-«\*@¤@@¶ water, stone rings and floating moss. ¶@@¤@*\«-.
.,~=%£§£## you could've found me wallowing around ##£§£%=~,.
¨,-/†§£@@# on the southern shores until i got #@@£§†/-,¨
.....~*^$@ bitten. @$^*~.....
¨,~=*$%§§& &§§%$*=~,¨
¨.«/$£&¶¶# but now i'm further back, on solid #¶¶&£$/«.¨
¨^«†=$¤¶@# ground, in shoulder-high grass, with an #@¶¤$=†«^¨
.,¨¨,=%%££ orange tin radio and a translucent ££%%=,¨¨,.
¨,»=%&¤¶## umbrella which i'm sitting on. ##¶¤&%=»,¨
,.~*%$£### ###£$%*~.,
¨:-†^%¤¶@# ; #@¶¤%^†-:¨
¨,.¨:»;*#@ @#*;»:¨.,¨
.,«=%$£@@# somethings moving in the grass. it's #@@£$%=«,.
.,~-«$†**@ invisible to my eyes but i can feel @**†$«-~,.
,,~†^¤¤§¤# through the ground just how large it is. #¤§¤¤^†~,,
¨¨..^.~†§@ @§†~.^..¨¨
¨,=:=¤§£@# the soil is muddy. i slip when trying #@£§¤=:=,¨
.,.,,~»;$@ to get up, still looking at the @$;»~,,.,.
,^~†%§&¶@# direction of sound rather than at my #@¶&§%†~^,
.,=*:§†¤#@ hands, who are busy putting things in @#¤†§:*=,.
..«:$§&@## my pockets. ##@&§$:«..
.,»»»:\%¤£ £¤%\:»»»,.
¨.»^*$¤#@# then i run east toward my home. #@#¤$*^».¨
.,.,,~$¤%£ £%¤$~,,.,.
.,.,~:&¤## / ##¤&:~,.,.
.,»††$## ###&$††»,.
,--=^&@@## i am not followed, and slow down in the ##@@&^=--,
¨¨¨^~-=%@@ clearing where you at first can spot @@%=-~^¨¨¨
,¨:~;**@ the house, not yet really in the #&@**;~:¨,
,...,.~=&@ backyard. from my pockets i retrieve my @&=~.,...,
,,»^†$£### radio (now dented) but also a small ###£$†^»,,
,,~;%$&@## clay figure i've never seen before. it ##@&$%;~,,
¨~-/*%@¶## must have been laying in the wet dirt, ##¶@%*/-~¨
¨.~^*$§#@# and i must've picked it up with my #@#§$*^~.¨
,.,^»%%¤&¤ other belongings. ¤&¤%%»^,.,
¨,»†^§@£¶# #¶£@§^†»,¨
..=/%$#£## it's a statuette of a girl laying naked ##£#$%/=..
.,«**@#£## on her stomach, feet in the air, ##£#@**«,.
.,~$$§#@## roughly seven centimeters long. it's ##@#§$$~,.
,:==*^^#@¶ freshly made, not yet completely dried. ¶@#^^*==:,
¨,.¨:,=*£@ @£*=,:¨.,¨
¨--;$¤£### my mom is here now. i ask her for some ###£¤$;--¨
.,-*=§## particle board for it to dry on, but ###&§=*-,.
,.¨¨:;=$*¤ she is worried and wants me to ¤*$=;:¨¨.,
,^-;*%@% throw it away. #&%@%*;-^,
¨^-*^$@#@# #@#@$^*-^¨
.¨,..-/*££ ££*/-..,¨.
.,=*^%¤### ###¤%^*=,.
,,-†*%@@## ##@@%*†-,,
,.¨¨,:=¤£# #£¤=:,¨¨.,
,~«/$%#### ####%$/«~,