@@@@@..@.@ @@@.@@.@@@
....@.@@@. ..@@.@@...
...@@@..@@ .@.@@.@...
..@..@.@.. @@@.@@@...
.@@.@@@@.@ ..@@..@...
@.@@...@@. TRAIN DREAM .@.@.@@...
@@.@..@.@. ######....~~~~..##################### @@@@@.@..@
.@@@.@@@@@ \\\ ....@@@.@.
@..@@....@ ~ ...@..@@@.
@.@.@...@. ~ ..@@.@..@@
@@@@@..@@. .@.@@@.@..
....@.@.@@ (SITUATION) @@@..@@@.@
...@@@@@.. ..@.@..@@@
..@....@.. YOU FIND YOURSELF IN A RIFT - A .@@@@.@..@
.@@...@@.@ CLEARING, NARROW BUT IMMEASURABLY LONG. @...@@@.@@
@.@..@.@@@ TO YOUR SIDES ARE WALLS MADE OF TREES, @..@..@@.@
@@@.@@@... THICK AND READY TO SWALLOW YOU. THE SUN @.@@.@.@@.
..@@..@... IS NOWHERE TO BE SEEN, BUT NONTHELESS @@.@@@@.@@
.@.@.@@..@ IT IS VERY BRIGHT - THE AIR FEELS LIGHT .@@...@@.@
@@@@@.@.@. BLUE, ALMOST WHITE. @.@..@.@@@
....@@@@@. @@@.@@@...
...@....@@ ALONG THE SPAN OF THE CLEARING LAY TWO ..@@..@...
..@@...@.. PARALLEL SILVERY LINES, DARK HARD .@.@.@@...
.@.@..@@.@ METAL. SOMEHOW YOU CAN SEE HOW HEAVY @@@@@.@...
@@@@.@.@@@ THEY ARE. ....@@@...
...@@@@... ...@..@..@
..@...@..@ THEY EMIT A HIGH PITCHED WHINE... ..@@.@@.@@
.@@..@@.@. .@.@@.@@.@
@.@.@.@@@. ~ @@@.@@.@@@
@@@@@@..@@ ..$.. ..@@.@@...
.....@.@.@ ~ .@.@@.@..@
....@@@@@. @@@.@@@.@@
...@....@. (SITUATION) ..@@..@@.@
..@@...@@@ .@.@.@.@@@
.@.@..@... YOURE AT THE TRAIN STATION, ON A @@@@@@@..@
@@@@.@@... CATWALK ABOVE THE RAILS. YOUR TRAIN IS ......@.@@
...@@.@..@ LATE, OR YOU ARE LATE TO THE TRAIN. .....@@@..
..@.@@@.@. IT'S A SUMMER AFTERNOON AND THE STATION ....@..@..
.@@@..@@@. IS BUSY, FULL OF RELAXED CONFIDENCE. ...@@.@@..
@..@.@..@. ..@.@@.@..
@.@@@@.@@@ YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT .@@@.@@@.@
@@...@@..@ STRESSED ABOUT THE TIME, WHILE MOVING @..@@..@@.
.@..@.@.@@ UP THE STAIRS TO YOUR PLATFORM. THE @.@.@.@.@@
@@.@@@@@.@ STATION IS IN SEVERAL LEVELS, ALL @@@@@@@@.@
.@@....@@. PLACED WITHIN EACHOTHER BY SOME .......@@.
@.@...@.@. INTELLIGENT DESIGNER, AND FULL OF ......@.@.
@@@..@@@@. STAIRS, ELEVATORS, SHORTCUTS, .....@@@@@
..@.@...@@ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ....@.....
.@@@@..@.. SOME GLASS WINDOWS. IT'S... NOT WHERE ...@@.....
@...@.@@.. IT'S SUPPOSED TO BE? ..@.@.....
@..@@@.@.. .@@@@....@
@.@..@@@.@ ~ @...@...@.
@@@.@..@@. ~~£~~ @..@@..@@@
..@@@.@.@. ~ @.@.@.@...
.@..@@@@@. @@@@@@@...
@@.@....@@ (SITUATION) ......@...
.@@@...@.@ .....@@..@
@..@..@@@. YOU'RE FINALLY ENTERING THE CITY. WHILE ....@.@.@@
@.@@.@..@@ IT IS INDEED A VERY HIGH SPEED TRAIN ...@@@@@..
@@.@@@.@.@ YOU'RE TRAVELING IN, THE JOURNEY HAS ..@....@.@
.@@..@@@@. BEEN LONG. BUT IT'S ABOUT TO END! .@@...@@@.
@.@.@...@@ @.@..@..@.
@@@@@..@.@ SOCIETY IS GROWING DENSER AROUND YOU, @@@.@@.@@@
....@.@@@. THROUGH THE WINDOWS YOU SEE FIRST SMALL ..@@.@@...
...@@@..@@ SHACKS, BUILT OF METAL AND STONE, THEN .@.@@.@...
..@..@.@.. PROPER HOUSES WITH MORTAR TO KEEP THEM @@@.@@@...
.@@.@@@@.@ TOGETHER... WHO IN TURN MAKE WAY FOR ..@@..@...
@.@@...@@. THE INDUSTRIAL BUILDINGS, THE URBAN .@.@.@@...
@@.@..@.@. MAZE, PROTECTIVE WALLS, JUNGLE @@@@@.@..@
.@@@.@@@@@ NETWORK... ....@@@.@.
@..@@....@ ...@..@@@.
@.@.@...@. THE TRACKS LEAVE THE GROUND, WHICH IS ..@@.@..@@
@@@@@..@@. NEEDED FOR OTHER PURPOSES. YOU ARE .@.@@@.@..
....@.@.@@ CARRIED GENTLY, CURVING UPWARDS UNTIL @@@..@@@.@
...@@@@@.. YOU'RE MOVING UPWARD ALONG THE WALL OF ..@.@..@@@
..@....@.. A BUILDING. IT'S MADE OF SLABBY STONE, .@@@@.@..@
.@@...@@.@ WITH GREAT GLASSLESS WINDOW HOLES @...@@@.@@
@.@..@.@@@ LOOKING OUT THE WAY YOU CAME. IT IS @..@..@@.@
@@@.@@@... PITCH BLACK INSIDE. @.@@.@.@@.
..@@..@... @@.@@@@.@@
.@.@.@@..@ .@@...@@.@
@@@@@.@.@. @.@..@.@@@
....@@@@@. @@@.@@@...
...@....@@ ..@@..@...