,«^†£#¶@## ##@¶#£†^«,
,,,,,«†### ###†«,,,,,
,«^†£#¶@## ##@¶#£†^«,
,,,,,^££¶@ @¶££^,,,,,
,,«^†£#¶@# #@¶#£†^«,,
,,,,,,,«†# train dream #†«,,,,,,,
,,«^†£##¶@ ######,,,,,«,,,,##################### @¶##£†^«,,
,,«^†£#¶## ^^^ ##¶#£†^«,,
,,«^†£#¶@# « #@¶#£†^«,,
,,,,,,«†£# « #£†«,,,,,,
,,,,,«†### ###†«,,,,,
,,«^†#¶@## (situation) ##@¶#†^«,,
,,,,,«^££¶ ¶££^«,,,,,
,,«^†£#¶## you find yourself in a rift - a ##¶#£†^«,,
,,«^†£#¶@# clearing, narrow but immeasurably long. #@¶#£†^«,,
,,«^†£#¶@@ to your sides are walls made of trees, @@¶#£†^«,,
,,«^†£#¶@# thick and ready to swallow you. the sun #@¶#£†^«,,
,,,,,,«†## is nowhere to be seen, but nontheless ##†«,,,,,,
,,«^†£¶@## it is very bright - the air feels light ##@¶£†^«,,
,,«^£#¶@## blue, almost white. ##@¶#£^«,,
,,«^†£#¶## ##¶#£†^«,,
,,,,,«^£#@ along the span of the clearing lay two @#£^«,,,,,
,,,,^†£### parallel silvery lines, dark hard ###£†^,,,,
,,«^†£#@## metal. somehow you can see how heavy ##@#£†^«,,
,,«^^^††#¶ they are. ¶#††^^^«,,
,,«^†£#¶@# #@¶#£†^«,,
,,«^†£#¶@# they emit a high pitched whine... #@¶#£†^«,,
,,,,,,«†£¶ ¶£†«,,,,,,
,,,,««^£#@ « @#£^««,,,,
,,,«««^†£¶ ,,†,, ¶£†^«««,,,
,,,,,,^£#@ « @#£^,,,,,,
,,«^†††††# #†††††^«,,
,,«^†#¶@## (situation) ##@¶#†^«,,
,,,,,,,^£¶ ¶£^,,,,,,,
,,,,,««^£# youre at the train station, on a #£^««,,,,,
,,,««^^£¶¶ catwalk above the rails. your train is ¶¶£^^««,,,
,,,,,«^£¶@ late, or you are late to the train. @¶£^«,,,,,
,,,,,,,«†# it's a summer afternoon and the station #†«,,,,,,,
,,«^†††££# is busy, full of relaxed confidence. #££†††^«,,
,,«^^^££¶@ @¶££^^^«,,
,,«^†£#¶@# you're in high spirits, although a bit #@¶#£†^«,,
,,«^†£#¶## stressed about the time, while moving ##¶#£†^«,,
,,,,,^††£# up the stairs to your platform. the #£††^,,,,,
,,,««««†#¶ station is in several levels, all ¶#†««««,,,
,,«^†£#¶@# placed within eachother by some #@¶#£†^«,,
,,«^†£#¶@# intelligent designer, and full of #@¶#£†^«,,
,,«^†£#¶@@ stairs, elevators, shortcuts, @@¶#£†^«,,
,,,,,«††#@ bazaars... you sight your train through @#††«,,,,,
,,«^†£#¶@# some glass windows. it's... not where #@¶#£†^«,,
,,«^†£#¶@# it's supposed to be? #@¶#£†^«,,
,,«^†£#¶@# #@¶#£†^«,,
,,«^††£##¶ « ¶##£††^«,,
,,,,,,««†# ,,£,, #†««,,,,,,
,,«^†£#¶## « ##¶#£†^«,,
,,«^£#¶@## ##@¶#£^«,,
,,,,,««†#@ (situation) @#†««,,,,,
,,,,,,,^†# #†^,,,,,,,
,,«^†£#¶@# you're finally entering the city. while #@¶#£†^«,,
,,«^†£##¶¶ it is indeed a very high speed train ¶¶##£†^«,,
,,«^†£#¶@# you're traveling in, the journey has #@¶#£†^«,,
,,,,««^†#¶ been long. but it's about to end! ¶#†^««,,,,
,,«^†£#¶@# #@¶#£†^«,,
,,«^†£#¶@# society is growing denser around you, #@¶#£†^«,,
,,«^†£#¶## through the windows you see first small ##¶#£†^«,,
,,«^†£££#@ shacks, built of metal and stone, then @#£££†^«,,
,,,,,,^£#¶ proper houses with mortar to keep them ¶#£^,,,,,,
,,,,,««†## together... who in turn make way for ##†««,,,,,
,,«^^^†£## the industrial buildings, the urban ##£†^^^«,,
,,«^†£###¶ maze, protective walls, jungle ¶###£†^«,,
,,«^†£#¶@# network... #@¶#£†^«,,
,,«^†£#¶@# #@¶#£†^«,,
,,«^†£#¶¶@ the tracks leave the ground, which is @¶¶#£†^«,,
,,«^†£#¶@# needed for other purposes. you are #@¶#£†^«,,
,,«^†£#¶@# carried gently, curving upwards until #@¶#£†^«,,
,,«^†£#¶@# you're moving upward along the wall of #@¶#£†^«,,
,,«^†£#¶@# a building. it's made of slabby stone, #@¶#£†^«,,
,,«^†£#¶@# with great glassless window holes #@¶#£†^«,,
,,«^†£#¶@# looking out the way you came. it is #@¶#£†^«,,
,,«^†£#¶@@ pitch black inside. @@¶#£†^«,,
,,,,,,^£#@ @#£^,,,,,,
,,«^†£#¶@# #@¶#£†^«,,
,,«^†£££## ##£££†^«,,
,,«^†£#¶@# #@¶#£†^«,,
,,«^†£#¶@# #@¶#£†^«,,