,==%@@¶@## ##@¶@@%==,
.,==%@@¶@# #@¶@@%==,.
,==%@@¶@## ##@¶@@%==,
.,==%@@¶@# #@¶@@%==,.
,==%@@¶@## ##@¶@@%==,
.,==%@@¶@# TRAIN DREAM #@¶@@%==,.
,==%@@¶@## ######....,=,,..##################### ##@¶@@%==,
.,==%@@¶@# === #@¶@@%==,.
,==%@@¶@## = ##@¶@@%==,
.,==%@@¶@# = #@¶@@%==,.
,==%@@¶@## ##@¶@@%==,
.,==%@@¶@# (SITUATION) #@¶@@%==,.
,==%@@¶@## ##@¶@@%==,
.,==%@@¶@# YOU FIND YOURSELF IN A RIFT - A #@¶@@%==,.
,==%@@¶@## CLEARING, NARROW BUT IMMEASURABLY LONG. ##@¶@@%==,
.,==%@@¶@# TO YOUR SIDES ARE WALLS MADE OF TREES, #@¶@@%==,.
,==%@@¶@## THICK AND READY TO SWALLOW YOU. THE SUN ##@¶@@%==,
.,==%@@¶@# IS NOWHERE TO BE SEEN, BUT NONTHELESS #@¶@@%==,.
,==%@@¶@## IT IS VERY BRIGHT - THE AIR FEELS LIGHT ##@¶@@%==,
.,==%@@¶@# BLUE, ALMOST WHITE. #@¶@@%==,.
,==%@@¶@## ##@¶@@%==,
.,==%@@¶@# ALONG THE SPAN OF THE CLEARING LAY TWO #@¶@@%==,.
,==%@@¶@## PARALLEL SILVERY LINES, DARK HARD ##@¶@@%==,
.,==%@@¶@# METAL. SOMEHOW YOU CAN SEE HOW HEAVY #@¶@@%==,.
,==%@@¶@## THEY ARE. ##@¶@@%==,
.,==%@@¶@# #@¶@@%==,.
,==%@@¶@## THEY EMIT A HIGH PITCHED WHINE... ##@¶@@%==,
.,==%@@¶@# #@¶@@%==,.
,==%@@¶@## = ##@¶@@%==,
.,==%@@¶@# ..%.. #@¶@@%==,.
,==%@@¶@## = ##@¶@@%==,
.,==%@@¶@# #@¶@@%==,.
,==%@@¶@## (SITUATION) ##@¶@@%==,
.,==%@@¶@# #@¶@@%==,.
,==%@@¶@## YOURE AT THE TRAIN STATION, ON A ##@¶@@%==,
.,==%@@¶@# CATWALK ABOVE THE RAILS. YOUR TRAIN IS #@¶@@%==,.
,==%@@¶@## LATE, OR YOU ARE LATE TO THE TRAIN. ##@¶@@%==,
.,==%@@¶@# IT'S A SUMMER AFTERNOON AND THE STATION #@¶@@%==,.
,==%@@¶@## IS BUSY, FULL OF RELAXED CONFIDENCE. ##@¶@@%==,
.,==%@@¶@# #@¶@@%==,.
,==%@@¶@## YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ##@¶@@%==,
.,==%@@¶@# STRESSED ABOUT THE TIME, WHILE MOVING #@¶@@%==,.
,==%@@¶@## UP THE STAIRS TO YOUR PLATFORM. THE ##@¶@@%==,
.,==%@@¶@# STATION IS IN SEVERAL LEVELS, ALL #@¶@@%==,.
,==%@@¶@## PLACED WITHIN EACHOTHER BY SOME ##@¶@@%==,
.,==%@@¶@# INTELLIGENT DESIGNER, AND FULL OF #@¶@@%==,.
,==%@@¶@## STAIRS, ELEVATORS, SHORTCUTS, ##@¶@@%==,
.,==%@@¶@# BAZAARS... YOU SIGHT YOUR TRAIN THROUGH #@¶@@%==,.
,==%@@¶@## SOME GLASS WINDOWS. IT'S... NOT WHERE ##@¶@@%==,
.,==%@@¶@# IT'S SUPPOSED TO BE? #@¶@@%==,.
,==%@@¶@## ##@¶@@%==,
.,==%@@¶@# = #@¶@@%==,.
,==%@@¶@## ,,@,, ##@¶@@%==,
.,==%@@¶@# = #@¶@@%==,.
,==%@@¶@## ##@¶@@%==,
.,==%@@¶@# (SITUATION) #@¶@@%==,.
,==%@@¶@## ##@¶@@%==,
.,==%@@¶@# YOU'RE FINALLY ENTERING THE CITY. WHILE #@¶@@%==,.
,==%@@¶@## IT IS INDEED A VERY HIGH SPEED TRAIN ##@¶@@%==,
.,==%@@¶@# YOU'RE TRAVELING IN, THE JOURNEY HAS #@¶@@%==,.
,==%@@¶@## BEEN LONG. BUT IT'S ABOUT TO END! ##@¶@@%==,
.,==%@@¶@# #@¶@@%==,.
,==%@@¶@## SOCIETY IS GROWING DENSER AROUND YOU, ##@¶@@%==,
.,==%@@¶@# THROUGH THE WINDOWS YOU SEE FIRST SMALL #@¶@@%==,.
,==%@@¶@## SHACKS, BUILT OF METAL AND STONE, THEN ##@¶@@%==,
.,==%@@¶@# PROPER HOUSES WITH MORTAR TO KEEP THEM #@¶@@%==,.
,==%@@¶@## TOGETHER... WHO IN TURN MAKE WAY FOR ##@¶@@%==,
.,==%@@¶@# THE INDUSTRIAL BUILDINGS, THE URBAN #@¶@@%==,.
,==%@@¶@## MAZE, PROTECTIVE WALLS, JUNGLE ##@¶@@%==,
.,==%@@¶@# NETWORK... #@¶@@%==,.
,==%@@¶@## ##@¶@@%==,
.,==%@@¶@# THE TRACKS LEAVE THE GROUND, WHICH IS #@¶@@%==,.
,==%@@¶@## NEEDED FOR OTHER PURPOSES. YOU ARE ##@¶@@%==,
.,==%@@¶@# CARRIED GENTLY, CURVING UPWARDS UNTIL #@¶@@%==,.
,==%@@¶@## YOU'RE MOVING UPWARD ALONG THE WALL OF ##@¶@@%==,
.,==%@@¶@# A BUILDING. IT'S MADE OF SLABBY STONE, #@¶@@%==,.
,==%@@¶@## WITH GREAT GLASSLESS WINDOW HOLES ##@¶@@%==,
.,==%@@¶@# LOOKING OUT THE WAY YOU CAME. IT IS #@¶@@%==,.
,==%@@¶@## PITCH BLACK INSIDE. ##@¶@@%==,
.,==%@@¶@# #@¶@@%==,.
,==%@@¶@## ##@¶@@%==,
.,==%@@¶@# #@¶@@%==,.
,==%@@¶@## ##@¶@@%==,
.,==%@@¶@# #@¶@@%==,.