.~«*†$£@## ##@£$†*«~.
....«*††£# #£††*«....
.~«*†$£@## ##@£$†*«~.
......~*†£ £†*~......
.....~~*$£ £$*~~.....
....~~~*$£ train dream £$*~~~....
...~**††£@ ######....~«~~..##################### @£††**~...
.~«*†$£@## *** ##@£$†*«~.
....~~«†$£ « £$†«~~....
.~«*†$£@## « ##@£$†*«~.
.....~*†£@ @£†*~.....
.~«*†$££@# (situation) #@££$†*«~.
...«*†††$@ @$†††*«...
.~«**††£££ you find yourself in a rift - a £££††**«~.
.~«*†$£@## clearing, narrow but immeasurably long. ##@£$†*«~.
.~«*†$£@## to your sides are walls made of trees, ##@£$†*«~.
...~~~~«†£ thick and ready to swallow you. the sun £†«~~~~...
.~«*†$£@## is nowhere to be seen, but nontheless ##@£$†*«~.
.~«*†$£@## it is very bright - the air feels light ##@£$†*«~.
.~«*†$£@## blue, almost white. ##@£$†*«~.
.~«*†$£@## ##@£$†*«~.
....~«*$££ along the span of the clearing lay two ££$*«~....
.~«*†$£@## parallel silvery lines, dark hard ##@£$†*«~.
.....~*$$@ metal. somehow you can see how heavy @$$*~.....
...~*†$$@# they are. #@$$†*~...
.~«*†$$££@ @££$$†*«~.
.~«*†$£@## they emit a high pitched whine... ##@£$†*«~.
.~«*†$£@## ##@£$†*«~.
.~«*†$£@## « ##@£$†*«~.
.~«*†$£@## ..†.. ##@£$†*«~.
.~«*†$£@## « ##@£$†*«~.
...~~**$£@ @£$**~~...
.~«*†$£@## (situation) ##@£$†*«~.
.~«*†$£@## ##@£$†*«~.
.~«*†$£@## youre at the train station, on a ##@£$†*«~.
.~«*†$£@## catwalk above the rails. your train is ##@£$†*«~.
.~«*†$£££# late, or you are late to the train. #£££$†*«~.
.~«*†$£@## it's a summer afternoon and the station ##@£$†*«~.
...~~*†$£# is busy, full of relaxed confidence. #£$†*~~...
.....«*†£@ @£†*«.....
.~«*†$£@@@ you're in high spirits, although a bit @@@£$†*«~.
.~«*†$£### stressed about the time, while moving ###£$†*«~.
.~«*†$£@## up the stairs to your platform. the ##@£$†*«~.
.~«*†$£@## station is in several levels, all ##@£$†*«~.
.~«*$£@### placed within eachother by some ###@£$*«~.
..~«««†£££ intelligent designer, and full of £££†«««~..
.....~*$£# stairs, elevators, shortcuts, #£$*~.....
....«*†£@@ bazaars... you sight your train through @@£†*«....
.~«*†$£@## some glass windows. it's... not where ##@£$†*«~.
......~*$£ it's supposed to be? £$*~......
.....~«*$@ @$*«~.....
....«*††£@ « @£††*«....
...~««†$££ ~~$~~ ££$†««~...
.~«*†$£@## « ##@£$†*«~.
.~«*†$£££@ @£££$†*«~.
....~*†$$£ (situation) £$$†*~....
.~«*†$£@## ##@£$†*«~.
....~*$£@@ you're finally entering the city. while @@£$*~....
....~~«*$@ it is indeed a very high speed train @$*«~~....
..~~*†$£££ you're traveling in, the journey has £££$†*~~..
.~«*†††$£# been long. but it's about to end! #£$†††*«~.
....«***$@ @$***«....
.~«*†$£@## society is growing denser around you, ##@£$†*«~.
.~«*†$£@## through the windows you see first small ##@£$†*«~.
.~«*†$£@## shacks, built of metal and stone, then ##@£$†*«~.
.~«*†$£@@# proper houses with mortar to keep them #@@£$†*«~.
.~«*†$£### together... who in turn make way for ###£$†*«~.
.~«*†$£@## the industrial buildings, the urban ##@£$†*«~.
.~«*†$£££@ maze, protective walls, jungle @£££$†*«~.
.~«*†$£@## network... ##@£$†*«~.
.~«*†$£@@# #@@£$†*«~.
.~«*†$£££@ the tracks leave the ground, which is @£££$†*«~.
.~«*†$£@## needed for other purposes. you are ##@£$†*«~.
.~«*†$£@## carried gently, curving upwards until ##@£$†*«~.
.....«††£@ you're moving upward along the wall of @£††«.....
.....««*$@ a building. it's made of slabby stone, @$*««.....
.~«*†$$££# with great glassless window holes #££$$†*«~.
.~«*†$£@@@ looking out the way you came. it is @@@£$†*«~.
.~«*†$£@## pitch black inside. ##@£$†*«~.
.~«*†$£@## ##@£$†*«~.
.~«*†$£@## ##@£$†*«~.
.~«*†$£@## ##@£$†*«~.
..~~««*$$@ @$$*««~~..
.~«*†$£@## ##@£$†*«~.