¨,-:=&#@## ##@#&=:-,¨
¨¨¨¨¨¨-=&# #&=-¨¨¨¨¨¨
¨¨¨¨¨,:=## ##=:,¨¨¨¨¨
¨,-:=&#### ####&=:-,¨
¨,-:=&#@## ##@#&=:-,¨
¨,-:====## TRAIN DREAM ##====:-,¨
¨,-:=&##@# ######¨¨¨¨,-,,¨¨##################### #@##&=:-,¨
¨,-:=&#@## ::: ##@#&=:-,¨
¨,-:=&#@## - ##@#&=:-,¨
¨,-:=&#@## - ##@#&=:-,¨
¨,-:=&&&@@ @@&&&=:-,¨
¨,-:=&#@## (SITUATION) ##@#&=:-,¨
¨¨¨¨,,--=# #=--,,¨¨¨¨
¨,-:=&#@## YOU FIND YOURSELF IN A RIFT - A ##@#&=:-,¨
¨,-:=&#### CLEARING, NARROW BUT IMMEASURABLY LONG. ####&=:-,¨
¨,-:=&#@## TO YOUR SIDES ARE WALLS MADE OF TREES, ##@#&=:-,¨
¨,-:=&#### THICK AND READY TO SWALLOW YOU. THE SUN ####&=:-,¨
¨,-:=&#@## IS NOWHERE TO BE SEEN, BUT NONTHELESS ##@#&=:-,¨
¨¨¨¨,:&#@# IT IS VERY BRIGHT - THE AIR FEELS LIGHT #@#&:,¨¨¨¨
¨,-:=&#@## BLUE, ALMOST WHITE. ##@#&=:-,¨
¨,-:=&#@## ##@#&=:-,¨
¨,-:=&&#@# ALONG THE SPAN OF THE CLEARING LAY TWO #@#&&=:-,¨
¨,-:=&#@## PARALLEL SILVERY LINES, DARK HARD ##@#&=:-,¨
¨,,,-::&@@ METAL. SOMEHOW YOU CAN SEE HOW HEAVY @@&::-,,,¨
¨¨¨¨¨¨,:&@ THEY ARE. @&:,¨¨¨¨¨¨
¨,-:====## ##====:-,¨
¨,-:=&#@## THEY EMIT A HIGH PITCHED WHINE... ##@#&=:-,¨
¨,-:=&#@## ##@#&=:-,¨
¨¨¨,-=&&&@ - @&&&=-,¨¨¨
¨,-:=&#@## ¨¨=¨¨ ##@#&=:-,¨
¨,-:=&&&## - ##&&&=:-,¨
¨,-:=&#@## ##@#&=:-,¨
¨,-:=&#@## (SITUATION) ##@#&=:-,¨
¨,-:=&#@## ##@#&=:-,¨
¨,-:=&#@## YOURE AT THE TRAIN STATION, ON A ##@#&=:-,¨
¨¨¨¨-::&&# CATWALK ABOVE THE RAILS. YOUR TRAIN IS #&&::-¨¨¨¨
¨¨¨¨,:&&@# LATE, OR YOU ARE LATE TO THE TRAIN. #@&&:,¨¨¨¨
¨¨¨¨,:::&# IT'S A SUMMER AFTERNOON AND THE STATION #&:::,¨¨¨¨
¨¨¨¨¨¨,:&@ IS BUSY, FULL OF RELAXED CONFIDENCE. @&:,¨¨¨¨¨¨
¨,-:=&&&## ##&&&=:-,¨
¨¨¨¨¨,::=# YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT #=::,¨¨¨¨¨
¨,-:=&#@## STRESSED ABOUT THE TIME, WHILE MOVING ##@#&=:-,¨
¨,-:=&&##@ UP THE STAIRS TO YOUR PLATFORM. THE @##&&=:-,¨
¨,-:=&###@ STATION IS IN SEVERAL LEVELS, ALL @###&=:-,¨
¨¨¨¨¨¨¨-=# PLACED WITHIN EACHOTHER BY SOME #=-¨¨¨¨¨¨¨
¨,-:=&#@## INTELLIGENT DESIGNER, AND FULL OF ##@#&=:-,¨
¨,-:=&#@## STAIRS, ELEVATORS, SHORTCUTS, ##@#&=:-,¨
¨¨¨,-:=&## BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ##&=:-,¨¨¨
¨,-:=&#@## SOME GLASS WINDOWS. IT'S... NOT WHERE ##@#&=:-,¨
¨¨¨¨,::=&@ IT'S SUPPOSED TO BE? @&=::,¨¨¨¨
¨,-::==&@@ @@&==::-,¨
¨¨¨¨,--=&@ - @&=--,¨¨¨¨
¨,-:=&#@## ,,&,, ##@#&=:-,¨
¨¨¨¨¨¨-=## - ##=-¨¨¨¨¨¨
¨,-:=&#@## ##@#&=:-,¨
¨,-:=&#@## (SITUATION) ##@#&=:-,¨
¨¨¨¨¨,-:&# #&:-,¨¨¨¨¨
¨¨¨¨¨¨-:&# YOU'RE FINALLY ENTERING THE CITY. WHILE #&:-¨¨¨¨¨¨
¨,-:=&#@@@ IT IS INDEED A VERY HIGH SPEED TRAIN @@@#&=:-,¨
¨¨¨,-:::&@ YOU'RE TRAVELING IN, THE JOURNEY HAS @&:::-,¨¨¨
¨,-:=&#@## BEEN LONG. BUT IT'S ABOUT TO END! ##@#&=:-,¨
¨,-:=&#@## ##@#&=:-,¨
¨¨¨¨-:&##@ SOCIETY IS GROWING DENSER AROUND YOU, @##&:-¨¨¨¨
¨¨¨,:==&@# THROUGH THE WINDOWS YOU SEE FIRST SMALL #@&==:,¨¨¨
¨,-:=&#@## SHACKS, BUILT OF METAL AND STONE, THEN ##@#&=:-,¨
¨,,,,-:=## PROPER HOUSES WITH MORTAR TO KEEP THEM ##=:-,,,,¨
¨,-:=&#@## TOGETHER... WHO IN TURN MAKE WAY FOR ##@#&=:-,¨
¨,-:=&#@## THE INDUSTRIAL BUILDINGS, THE URBAN ##@#&=:-,¨
¨,-:=&#@@# MAZE, PROTECTIVE WALLS, JUNGLE #@@#&=:-,¨
¨¨¨¨¨,:=&# NETWORK... #&=:,¨¨¨¨¨
¨¨¨¨,--=&# #&=--,¨¨¨¨
¨,-:=&&&&# THE TRACKS LEAVE THE GROUND, WHICH IS #&&&&=:-,¨
¨,-:=&#@## NEEDED FOR OTHER PURPOSES. YOU ARE ##@#&=:-,¨
¨,-:=&#@## CARRIED GENTLY, CURVING UPWARDS UNTIL ##@#&=:-,¨
¨,-:=&#@## YOU'RE MOVING UPWARD ALONG THE WALL OF ##@#&=:-,¨
¨,-:=&#@## A BUILDING. IT'S MADE OF SLABBY STONE, ##@#&=:-,¨
¨¨¨¨,-=&## WITH GREAT GLASSLESS WINDOW HOLES ##&=-,¨¨¨¨
¨¨¨¨¨,:=&@ LOOKING OUT THE WAY YOU CAME. IT IS @&=:,¨¨¨¨¨
¨,-:=&#### PITCH BLACK INSIDE. ####&=:-,¨
¨,-:=&#@## ##@#&=:-,¨
¨,-:=&#@@# #@@#&=:-,¨
¨,-:=&#@## ##@#&=:-,¨
¨,-:=&#@## ##@#&=:-,¨
¨,-:=&@### ###@&=:-,¨