###@¤*=~,. .,~=*¤@###
##@¤*=~,.. ..,~=*¤@##
###@¤*=~,. .,~=*¤@###
##@¤*=~,.. ..,~=*¤@##
###@¤*=~,. .,~=*¤@###
##@¤*=~,.. TRAIN DREAM ..,~=*¤@##
###@¤*=~,. ######....,~,,..##################### .,~=*¤@###
##@¤*=~,.. === ..,~=*¤@##
###@¤*=~,. ~ .,~=*¤@###
##@¤*=~,.. ~ ..,~=*¤@##
###@¤*=~,. .,~=*¤@###
##@¤*=~,.. (SITUATION) ..,~=*¤@##
###@¤*=~,. .,~=*¤@###
##@¤*=~,.. YOU FIND YOURSELF IN A RIFT - A ..,~=*¤@##
###@¤*=~,. CLEARING, NARROW BUT IMMEASURABLY LONG. .,~=*¤@###
##@¤*=~,.. TO YOUR SIDES ARE WALLS MADE OF TREES, ..,~=*¤@##
###@¤*=~,. THICK AND READY TO SWALLOW YOU. THE SUN .,~=*¤@###
##@¤*=~,.. IS NOWHERE TO BE SEEN, BUT NONTHELESS ..,~=*¤@##
###@¤*=~,. IT IS VERY BRIGHT - THE AIR FEELS LIGHT .,~=*¤@###
##@¤*=~,.. BLUE, ALMOST WHITE. ..,~=*¤@##
###@¤*=~,. .,~=*¤@###
##@¤*=~,.. ALONG THE SPAN OF THE CLEARING LAY TWO ..,~=*¤@##
###@¤*=~,. PARALLEL SILVERY LINES, DARK HARD .,~=*¤@###
##@¤*=~,.. METAL. SOMEHOW YOU CAN SEE HOW HEAVY ..,~=*¤@##
###@¤*=~,. THEY ARE. .,~=*¤@###
##@¤*=~,.. ..,~=*¤@##
###@¤*=~,. THEY EMIT A HIGH PITCHED WHINE... .,~=*¤@###
##@¤*=~,.. ..,~=*¤@##
###@¤*=~,. ~ .,~=*¤@###
##@¤*=~,.. ..*.. ..,~=*¤@##
###@¤*=~,. ~ .,~=*¤@###
##@¤*=~,.. ..,~=*¤@##
###@¤*=~,. (SITUATION) .,~=*¤@###
##@¤*=~,.. ..,~=*¤@##
###@¤*=~,. YOURE AT THE TRAIN STATION, ON A .,~=*¤@###
##@¤*=~,.. CATWALK ABOVE THE RAILS. YOUR TRAIN IS ..,~=*¤@##
###@¤*=~,. LATE, OR YOU ARE LATE TO THE TRAIN. .,~=*¤@###
##@¤*=~,.. IT'S A SUMMER AFTERNOON AND THE STATION ..,~=*¤@##
###@¤*=~,. IS BUSY, FULL OF RELAXED CONFIDENCE. .,~=*¤@###
##@¤*=~,.. ..,~=*¤@##
###@¤*=~,. YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT .,~=*¤@###
##@¤*=~,.. STRESSED ABOUT THE TIME, WHILE MOVING ..,~=*¤@##
###@¤*=~,. UP THE STAIRS TO YOUR PLATFORM. THE .,~=*¤@###
##@¤*=~,.. STATION IS IN SEVERAL LEVELS, ALL ..,~=*¤@##
###@¤*=~,. PLACED WITHIN EACHOTHER BY SOME .,~=*¤@###
##@¤*=~,.. INTELLIGENT DESIGNER, AND FULL OF ..,~=*¤@##
###@¤*=~,. STAIRS, ELEVATORS, SHORTCUTS, .,~=*¤@###
##@¤*=~,.. BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ..,~=*¤@##
###@¤*=~,. SOME GLASS WINDOWS. IT'S... NOT WHERE .,~=*¤@###
##@¤*=~,.. IT'S SUPPOSED TO BE? ..,~=*¤@##
###@¤*=~,. .,~=*¤@###
##@¤*=~,.. ~ ..,~=*¤@##
###@¤*=~,. ,,*,, .,~=*¤@###
##@¤*=~,.. ~ ..,~=*¤@##
###@¤*=~,. .,~=*¤@###
##@¤*=~,.. (SITUATION) ..,~=*¤@##
###@¤*=~,. .,~=*¤@###
##@¤*=~,.. YOU'RE FINALLY ENTERING THE CITY. WHILE ..,~=*¤@##
###@¤*=~,. IT IS INDEED A VERY HIGH SPEED TRAIN .,~=*¤@###
##@¤*=~,.. YOU'RE TRAVELING IN, THE JOURNEY HAS ..,~=*¤@##
###@¤*=~,. BEEN LONG. BUT IT'S ABOUT TO END! .,~=*¤@###
##@¤*=~,.. ..,~=*¤@##
###@¤*=~,. SOCIETY IS GROWING DENSER AROUND YOU, .,~=*¤@###
##@¤*=~,.. THROUGH THE WINDOWS YOU SEE FIRST SMALL ..,~=*¤@##
###@¤*=~,. SHACKS, BUILT OF METAL AND STONE, THEN .,~=*¤@###
##@¤*=~,.. PROPER HOUSES WITH MORTAR TO KEEP THEM ..,~=*¤@##
###@¤*=~,. TOGETHER... WHO IN TURN MAKE WAY FOR .,~=*¤@###
##@¤*=~,.. THE INDUSTRIAL BUILDINGS, THE URBAN ..,~=*¤@##
###@¤*=~,. MAZE, PROTECTIVE WALLS, JUNGLE .,~=*¤@###
##@¤*=~,.. NETWORK... ..,~=*¤@##
###@¤*=~,. .,~=*¤@###
##@¤*=~,.. THE TRACKS LEAVE THE GROUND, WHICH IS ..,~=*¤@##
###@¤*=~,. NEEDED FOR OTHER PURPOSES. YOU ARE .,~=*¤@###
##@¤*=~,.. CARRIED GENTLY, CURVING UPWARDS UNTIL ..,~=*¤@##
###@¤*=~,. YOU'RE MOVING UPWARD ALONG THE WALL OF .,~=*¤@###
##@¤*=~,.. A BUILDING. IT'S MADE OF SLABBY STONE, ..,~=*¤@##
###@¤*=~,. WITH GREAT GLASSLESS WINDOW HOLES .,~=*¤@###
##@¤*=~,.. LOOKING OUT THE WAY YOU CAME. IT IS ..,~=*¤@##
###@¤*=~,. PITCH BLACK INSIDE. .,~=*¤@###
##@¤*=~,.. ..,~=*¤@##
###@¤*=~,. .,~=*¤@###
##@¤*=~,.. ..,~=*¤@##
###@¤*=~,. .,~=*¤@###
##@¤*=~,.. ..,~=*¤@##