,^«\^*£#@@ @@#£*^\«^,
,,,,,,,«^£ £^«,,,,,,,
,^«\^*£#@@ @@#£*^\«^,
,,,,,,«^£@ @£^«,,,,,,
,^«\^*£### ###£*^\«^,
,^«\^*£#@# train dream #@#£*^\«^,
,,,,^^^\*£ ######,,,,^«^^,,##################### £*\^^^,,,,
,^«\^*££#@ \\\ @#££*^\«^,
,^«\^*£### « ###£*^\«^,
,^«\^*££#@ « @#££*^\«^,
,^«\^*££££ ££££*^\«^,
,^«\^*£#@# (situation) #@#£*^\«^,
,^«\^***££ ££***^\«^,
,,,,,,«^££ you find yourself in a rift - a ££^«,,,,,,
,^^««\^*#@ clearing, narrow but immeasurably long. @#*^\««^^,
,^«\^*£#@@ to your sides are walls made of trees, @@#£*^\«^,
,^«\^*£££@ thick and ready to swallow you. the sun @£££*^\«^,
,^«\^*#@## is nowhere to be seen, but nontheless ##@#*^\«^,
,^«\^*£#@# it is very bright - the air feels light #@#£*^\«^,
,^«\^*£#@# blue, almost white. #@#£*^\«^,
,,,,^\\^£# #£^\\^,,,,
,^«\^*££## along the span of the clearing lay two ##££*^\«^,
,^«\^*££## parallel silvery lines, dark hard ##££*^\«^,
,^«\^*£### metal. somehow you can see how heavy ###£*^\«^,
,^«\^£#@## they are. ##@#£^\«^,
,^«\^*£#@# #@#£*^\«^,
,^«\^£#@## they emit a high pitched whine... ##@#£^\«^,
,^«\^*£### ###£*^\«^,
,^«\^*£### « ###£*^\«^,
,,,,,,^\^£ ,,^,, £^\^,,,,,,
,^«\^*#@## « ##@#*^\«^,
,,,,^\\^^£ £^^\\^,,,,
,^«\^*£#@# (situation) #@#£*^\«^,
,^«\^^^*££ ££*^^^\«^,
,,,,,^^\*£ youre at the train station, on a £*\^^,,,,,
,^«\\\^^£# catwalk above the rails. your train is #£^^\\\«^,
,^«\^*£#@# late, or you are late to the train. #@#£*^\«^,
,,,,,^^«^£ it's a summer afternoon and the station £^«^^,,,,,
,^«\^**£#@ is busy, full of relaxed confidence. @#£**^\«^,
,^«\^*£#@# #@#£*^\«^,
,^«\^*£@## you're in high spirits, although a bit ##@£*^\«^,
,^«\^*££££ stressed about the time, while moving ££££*^\«^,
,^«\^*£#@# up the stairs to your platform. the #@#£*^\«^,
,^«\^*£#@@ station is in several levels, all @@#£*^\«^,
,,,,^\**## placed within eachother by some ##**\^,,,,
,^«\^*£##@ intelligent designer, and full of @##£*^\«^,
,^«\^*£#@@ stairs, elevators, shortcuts, @@#£*^\«^,
,^«\^*££## bazaars... you sight your train through ##££*^\«^,
,^«\^*£#@# some glass windows. it's... not where #@#£*^\«^,
,,,««\^^^£ it's supposed to be? £^^^\««,,,
,,,,^\*£## ##£*\^,,,,
,^«\^*£#@# « #@#£*^\«^,
,^«\^*£#@# ^^*^^ #@#£*^\«^,
,^«\^*£#@@ « @@#£*^\«^,
,,,«\\^^*# #*^^\\«,,,
,,,,^^\\^£ (situation) £^\\^^,,,,
,^«\^*£#@# #@#£*^\«^,
,^«\^*£#@# you're finally entering the city. while #@#£*^\«^,
,,,,«^**£@ it is indeed a very high speed train @£**^«,,,,
,^«\^*£#@# you're traveling in, the journey has #@#£*^\«^,
,^«\^*£#@# been long. but it's about to end! #@#£*^\«^,
,^«\^*£#@@ @@#£*^\«^,
,,,,,«^££# society is growing denser around you, #££^«,,,,,
,,,,«^^*££ through the windows you see first small ££*^^«,,,,
,,^^««\**# shacks, built of metal and stone, then #**\««^^,,
,,,,^\^*#@ proper houses with mortar to keep them @#*^\^,,,,
,,,,«««^*£ together... who in turn make way for £*^«««,,,,
,^«\^****# the industrial buildings, the urban #****^\«^,
,^«\^*£#@# maze, protective walls, jungle #@#£*^\«^,
,^«\^*£#@# network... #@#£*^\«^,
,,^^^\\\*# #*\\\^^^,,
,^«\^^^*£# the tracks leave the ground, which is #£*^^^\«^,
,^«\^*£#@@ needed for other purposes. you are @@#£*^\«^,
,,,,««^*£# carried gently, curving upwards until #£*^««,,,,
,,,,,,^\*£ you're moving upward along the wall of £*\^,,,,,,
,,,,,«\**£ a building. it's made of slabby stone, £**\«,,,,,
,^«\^*£#@# with great glassless window holes #@#£*^\«^,
,^«\^*£@## looking out the way you came. it is ##@£*^\«^,
,,,,^««^£@ pitch black inside. @£^««^,,,,
,^«\^*£#@# #@#£*^\«^,
,,,,,^«^£# #£^«^,,,,,
,^«\^*£### ###£*^\«^,
,,,^««\*£@ @£*\««^,,,
,,,^^\^*£# #£*^\^^,,,