.^~†*&@@@# #@@@&*†~^.
.^~†*&@@@# #@@@&*†~^.
.^~†*&@@@# #@@@&*†~^.
.^~†*&@@@@ @@@@&*†~^.
.^~††*&&@@ @@&&*††~^.
.^~†*&@@@@ TRAIN DREAM @@@@&*†~^.
.^~†*&&@@@ ######....^~^^..##################### @@@&&*†~^.
...^~††&&@ ††† @&&††~^...
.^~†*&@@@# ~ #@@@&*†~^.
....~†*&@@ ~ @@&*†~....
.^~†*&@@@# #@@@&*†~^.
.....^~†&@ (SITUATION) @&†~^.....
.^~†*&@@@# #@@@&*†~^.
....^†*&@@ YOU FIND YOURSELF IN A RIFT - A @@&*†^....
.^~†*&@@@@ CLEARING, NARROW BUT IMMEASURABLY LONG. @@@@&*†~^.
.^~†&@@@## TO YOUR SIDES ARE WALLS MADE OF TREES, ##@@@&†~^.
.^~†*&@@@# THICK AND READY TO SWALLOW YOU. THE SUN #@@@&*†~^.
.^~†*&@@@# IS NOWHERE TO BE SEEN, BUT NONTHELESS #@@@&*†~^.
.^~†*&@@@# IT IS VERY BRIGHT - THE AIR FEELS LIGHT #@@@&*†~^.
.....~†*@@ BLUE, ALMOST WHITE. @@*†~.....
..^~†**@@@ @@@**†~^..
.^~~~*&@@@ ALONG THE SPAN OF THE CLEARING LAY TWO @@@&*~~~^.
.......~*@ PARALLEL SILVERY LINES, DARK HARD @*~.......
....^†*@@@ METAL. SOMEHOW YOU CAN SEE HOW HEAVY @@@*†^....
...^^~*&@@ THEY ARE. @@&*~^^...
.^~†*&@@@# #@@@&*†~^.
.^~†*&@@@@ THEY EMIT A HIGH PITCHED WHINE... @@@@&*†~^.
..^^^~††*@ @*††~^^^..
.^~†*&@@@# ~ #@@@&*†~^.
....^~†&&@ ..*.. @&&†~^....
.^~†*&@@@@ ~ @@@@&*†~^.
.^~†*&@@@# #@@@&*†~^.
.^~†****&@ (SITUATION) @&****†~^.
.^^^†*&@@@ @@@&*†^^^.
.^~†*&@@@@ YOURE AT THE TRAIN STATION, ON A @@@@&*†~^.
.^~†*&&&&@ CATWALK ABOVE THE RAILS. YOUR TRAIN IS @&&&&*†~^.
.^~†*&@@@# LATE, OR YOU ARE LATE TO THE TRAIN. #@@@&*†~^.
.^~†*&@@@# IT'S A SUMMER AFTERNOON AND THE STATION #@@@&*†~^.
.^~†*&@@@# IS BUSY, FULL OF RELAXED CONFIDENCE. #@@@&*†~^.
.....^~*&@ @&*~^.....
.^~†*&@@@@ YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT @@@@&*†~^.
.^~†*&@@## STRESSED ABOUT THE TIME, WHILE MOVING ##@@&*†~^.
.^~†*&@@@# UP THE STAIRS TO YOUR PLATFORM. THE #@@@&*†~^.
....^^†&@@ STATION IS IN SEVERAL LEVELS, ALL @@&†^^....
.^~†*&@@@# PLACED WITHIN EACHOTHER BY SOME #@@@&*†~^.
.^~†***&&@ INTELLIGENT DESIGNER, AND FULL OF @&&***†~^.
......~*@@ STAIRS, ELEVATORS, SHORTCUTS, @@*~......
.^~†*&@@@# BAZAARS... YOU SIGHT YOUR TRAIN THROUGH #@@@&*†~^.
...^~*&&@@ SOME GLASS WINDOWS. IT'S... NOT WHERE @@&&*~^...
.^~†*&@@## IT'S SUPPOSED TO BE? ##@@&*†~^.
.^~†*&@@@@ @@@@&*†~^.
..^^†††&&@ ~ @&&†††^^..
.^~†*&&&&@ ^^&^^ @&&&&*†~^.
.^~†*&@@@@ ~ @@@@&*†~^.
.^~†*&&&&@ @&&&&*†~^.
.^~~††&@@@ (SITUATION) @@@&††~~^.
.^~†*&@@@@ @@@@&*†~^.
....~~†*@@ YOU'RE FINALLY ENTERING THE CITY. WHILE @@*†~~....
.^~†*&@@@@ IT IS INDEED A VERY HIGH SPEED TRAIN @@@@&*†~^.
.^~~††&@@@ YOU'RE TRAVELING IN, THE JOURNEY HAS @@@&††~~^.
.^~†*&@@@@ BEEN LONG. BUT IT'S ABOUT TO END! @@@@&*†~^.
.^~†***@@@ @@@***†~^.
.^~†*&@@@# SOCIETY IS GROWING DENSER AROUND YOU, #@@@&*†~^.
.^~†*&@@@@ THROUGH THE WINDOWS YOU SEE FIRST SMALL @@@@&*†~^.
.^~†††&@@@ SHACKS, BUILT OF METAL AND STONE, THEN @@@&†††~^.
.^~†*@@@## PROPER HOUSES WITH MORTAR TO KEEP THEM ##@@@*†~^.
.^~†*&@@## TOGETHER... WHO IN TURN MAKE WAY FOR ##@@&*†~^.
.^~†*&@@@# THE INDUSTRIAL BUILDINGS, THE URBAN #@@@&*†~^.
.^~†*&@@@# MAZE, PROTECTIVE WALLS, JUNGLE #@@@&*†~^.
....~~~*@@ NETWORK... @@*~~~....
.^^^^^^†*@ @*†^^^^^^.
.....^††&@ THE TRACKS LEAVE THE GROUND, WHICH IS @&††^.....
....^~†&&@ NEEDED FOR OTHER PURPOSES. YOU ARE @&&†~^....
....~**&@@ CARRIED GENTLY, CURVING UPWARDS UNTIL @@&**~....
.^~†*&@@## YOU'RE MOVING UPWARD ALONG THE WALL OF ##@@&*†~^.
.^~†*&@@@# A BUILDING. IT'S MADE OF SLABBY STONE, #@@@&*†~^.
.^^^††*&@@ WITH GREAT GLASSLESS WINDOW HOLES @@&*††^^^.
.....~~**@ LOOKING OUT THE WAY YOU CAME. IT IS @**~~.....
.....~†&@@ PITCH BLACK INSIDE. @@&†~.....
.^~†*&@@@@ @@@@&*†~^.
......^~*@ @*~^......
.^~†*&@@@# #@@@&*†~^.
.^~†*&@@## ##@@&*†~^.
.^~†*&@@@# #@@@&*†~^.