#.#.#.###. .#..######
#.#.#..##. .#.#.#####
#.#.#.#.#. .#.#..####
#.#.#.#.#. .#.#.#.###
#.#.#.#.#. .#.#.#..##
#.#.#.#.#. if you follow a dirt road north just .#.#.#.#.#
#.#.#.#.#. within the second ring, and navigate .#.#.#.#..
#.#.#.#.#. the overgrown maze of the north-eastern .#.#.#.#.#
#.#.#.#.#. residential district, eventually you .#.#.#.#..
#.#.#.#.#. arrive at what looks like a large .#.#.#.#.#
#.#.#.#.#. fenced-in grove of bird cherry and .#.#.#.#..
#.#.#.#.#. juniper. it's quite large, .#.#.#.#.#
#.#.#.#.#. and will take a while to circle, .#.#.#.#..
#.#.#.#.#. especially since it's got gardens and .#.#.#.#.#
#.#.#.#.#. walls sticking out of it in more than a .#.#.#.#..
#.#.#.#.#. few places. but keep going, and .#.#.#.#.#
#.#.#.#.#. eventually there'll be lilacs, and a .#.#.#.#..
#.#.#.#.#. hole in the fence. .#.#.#.#.#
#.#.#.#.#. .#.#.#.#..
#.#.#.#.#. go inside. well, it's hollow, and hides .#.#.#.#.#
#.#.#.#.#. a pale swamp (herons, mosquitos). it's .#.#.#.#..
#.#.#.#.#. brighter here, and the sounds of the .#.#.#.#.#
#.#.#.#.#. city seem distant. but there's a second .#.#.#.#..
#.#.#.#.#. grove inside. zig zag between puddles .#.#.#.#.#
#.#.#.#.#. and sinking shipping containers, .#.#.#.#..
#.#.#.#.#. because toward the inner treeline the .#.#.#.#.#
#.#.#.#.#. ground becomes solid again. .#.#.#.#..
#.#.#.#.#. .#.#.#.#.#
#.#.#.#.#. go inside. this time there's a cracked .#.#.#.#..
#.#.#.#.#. parking lot, with sprinkled dandelions, .#.#.#.#.#
#.#.#.#.#. lined by wisteria. east of it is an .#.#.#.#..
#.#.#.#.#. abandoned building, what used to house .#.#.#.#.#
#.#.#.#.#. an old restaurant. the paint is .#.#.#.#..
#.#.#.#.#. chipping, some windows are broken, but .#.#.#.#.#
#.#.#.#.#. the signage is still there: .#.#.#.#..
#.#.#.#.#. .#.#.#.#.#
#.#.#.#.#. "indian palace". .#.#.#.#..
#.#.#.#.#. .#.#.#.#.#
#.#.#.#.#. .#.#.#.#..
#.#.#.#.#. .#.#.#.#.#
#.#.#.#.#. .#.#.#.#..
#.#.#.#.#. .#.#.#.#.#