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@&$§§;;=,, TRAIN DREAM ,,=;;§§$&@
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#@#&$§;=,, (SITUATION) ,,=;§$@#
#@#&$§;=,, ,,=;§$@#
&§=,,,,,,, YOU FIND YOURSELF IN A RIFT - A ,,,,,,,=§&
#@#&$§;=,, CLEARING, NARROW BUT IMMEASURABLY LONG. ,,=;§$@#
#@#&$§;=,, TO YOUR SIDES ARE WALLS MADE OF TREES, ,,=;§$@#
#$§;;;;=,, THICK AND READY TO SWALLOW YOU. THE SUN ,,=;;;;§$#
#@#&$§;=,, IS NOWHERE TO BE SEEN, BUT NONTHELESS ,,=;§$@#
#&$;=,,,,, IT IS VERY BRIGHT - THE AIR FEELS LIGHT ,,,,,=;$
#@#&$§;=,, BLUE, ALMOST WHITE. ,,=;§$@#
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#@#&$§;=,, ALONG THE SPAN OF THE CLEARING LAY TWO ,,=;§$@#
###&$§;=,, PARALLEL SILVERY LINES, DARK HARD ,,=;§$##
#&&$§;;=,, METAL. SOMEHOW YOU CAN SEE HOW HEAVY ,,=;;§$&
&§;,,,,,,, THEY ARE. ,,,,,,,;§&
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##@&$§;=,, THEY EMIT A HIGH PITCHED WHINE... ,,=;§$&@##
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@&§;=,,,,, (SITUATION) ,,,,,=;§&@
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#@#&$§;=,, YOURE AT THE TRAIN STATION, ON A ,,=;§$@#
&&§=,,,,,, CATWALK ABOVE THE RAILS. YOUR TRAIN IS ,,,,,,=§&&
###&$§;=,, LATE, OR YOU ARE LATE TO THE TRAIN. ,,=;§$##
&&&&$§;=,, IT'S A SUMMER AFTERNOON AND THE STATION ,,=;§$&&&&
##@#&§;=,, IS BUSY, FULL OF RELAXED CONFIDENCE. ,,=;§@##
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##@#$§;=,, YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ,,=;§$#@##
#@#&$§;=,, STRESSED ABOUT THE TIME, WHILE MOVING ,,=;§$@#
@@#&$§;=,, UP THE STAIRS TO YOUR PLATFORM. THE ,,=;§$@@
##&&$§;=,, STATION IS IN SEVERAL LEVELS, ALL ,,=;§$&#
##@&$§;=,, PLACED WITHIN EACHOTHER BY SOME ,,=;§$&@##
@##&$§;=,, INTELLIGENT DESIGNER, AND FULL OF ,,=;§$#@
@#$$$§;=,, STAIRS, ELEVATORS, SHORTCUTS, ,,=;§$$$#@
&§;;;,,,,, BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ,,,,,;;;§&
#@#&$§;=,, SOME GLASS WINDOWS. IT'S... NOT WHERE ,,=;§$@#
#@#&$§;=,, IT'S SUPPOSED TO BE? ,,=;§$@#
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#&&§§§;=,, IT IS INDEED A VERY HIGH SPEED TRAIN ,,=;§§§&
#@#&$§;=,, YOU'RE TRAVELING IN, THE JOURNEY HAS ,,=;§$@#
#&&$$§;=,, BEEN LONG. BUT IT'S ABOUT TO END! ,,=;§$$&
#@#&$§;=,, ,,=;§$@#
#@#&$§;=,, SOCIETY IS GROWING DENSER AROUND YOU, ,,=;§$@#
##$;;;,,,, THROUGH THE WINDOWS YOU SEE FIRST SMALL ,,,,;;;$##
###&$§;=,, SHACKS, BUILT OF METAL AND STONE, THEN ,,=;§$##
###&$§;=,, PROPER HOUSES WITH MORTAR TO KEEP THEM ,,=;§$##
##@#&$§;=, TOGETHER... WHO IN TURN MAKE WAY FOR ,=;§$@##
#$§§;;,,,, THE INDUSTRIAL BUILDINGS, THE URBAN ,,,,;;§§$#
#@#&$§;=,, MAZE, PROTECTIVE WALLS, JUNGLE ,,=;§$@#
#@#&$§;=,, NETWORK... ,,=;§$@#
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#@#&$§;=,, THE TRACKS LEAVE THE GROUND, WHICH IS ,,=;§$@#
&$$§§===,, NEEDED FOR OTHER PURPOSES. YOU ARE ,,===§§$$&
&&&§§§;=,, CARRIED GENTLY, CURVING UPWARDS UNTIL ,,=;§§§&&&
#@#&$§;=,, YOU'RE MOVING UPWARD ALONG THE WALL OF ,,=;§$@#
#@#&$§;=,, A BUILDING. IT'S MADE OF SLABBY STONE, ,,=;§$@#
@@#&$§;=,, WITH GREAT GLASSLESS WINDOW HOLES ,,=;§$@@
#@#&$§;=,, LOOKING OUT THE WAY YOU CAME. IT IS ,,=;§$@#
#$;;,,,,,, PITCH BLACK INSIDE. ,,,,,,;;$#
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