..,-;=¤# ##&¤=;-,..
.,-;=¤## ###&¤=;-,.
..,-;=¤# ##&¤=;-,..
...,-;=¤ #&¤=;-,...
....,-;=¤& &¤=;-,....
.....,-;=¤ TRAIN DREAM ¤=;-,.....
......,-;= ######....,-,,..##################### =;-,......
.......,-; ;;; ;-,.......
........,- - -,........
........., - ,.........
........,- -,........
.......,-; (SITUATION) ;-,.......
......,-;= =;-,......
.....,-;=¤ YOU FIND YOURSELF IN A RIFT - A ¤=;-,.....
....,-;=¤& CLEARING, NARROW BUT IMMEASURABLY LONG. &¤=;-,....
...,-;=¤ TO YOUR SIDES ARE WALLS MADE OF TREES, #&¤=;-,...
..,-;=¤# THICK AND READY TO SWALLOW YOU. THE SUN ##&¤=;-,..
.,-;=¤## IS NOWHERE TO BE SEEN, BUT NONTHELESS ###&¤=;-,.
..,-;=¤# IT IS VERY BRIGHT - THE AIR FEELS LIGHT ##&¤=;-,..
...,-;=¤ BLUE, ALMOST WHITE. #&¤=;-,...
....,-;=¤& &¤=;-,....
.....,-;=¤ ALONG THE SPAN OF THE CLEARING LAY TWO ¤=;-,.....
......,-;= PARALLEL SILVERY LINES, DARK HARD =;-,......
.......,-; METAL. SOMEHOW YOU CAN SEE HOW HEAVY ;-,.......
........,- THEY ARE. -,........
........., ,.........
........,- THEY EMIT A HIGH PITCHED WHINE... -,........
.......,-; ;-,.......
......,-;= - =;-,......
.....,-;=¤ ..=.. ¤=;-,.....
....,-;=¤& - &¤=;-,....
...,-;=¤ #&¤=;-,...
..,-;=¤# (SITUATION) ##&¤=;-,..
.,-;=¤## ###&¤=;-,.
..,-;=¤# YOURE AT THE TRAIN STATION, ON A ##&¤=;-,..
...,-;=¤ CATWALK ABOVE THE RAILS. YOUR TRAIN IS #&¤=;-,...
....,-;=¤& LATE, OR YOU ARE LATE TO THE TRAIN. &¤=;-,....
.....,-;=¤ IT'S A SUMMER AFTERNOON AND THE STATION ¤=;-,.....
......,-;= IS BUSY, FULL OF RELAXED CONFIDENCE. =;-,......
.......,-; ;-,.......
........,- YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT -,........
........., STRESSED ABOUT THE TIME, WHILE MOVING ,.........
........,- UP THE STAIRS TO YOUR PLATFORM. THE -,........
.......,-; STATION IS IN SEVERAL LEVELS, ALL ;-,.......
......,-;= PLACED WITHIN EACHOTHER BY SOME =;-,......
.....,-;=¤ INTELLIGENT DESIGNER, AND FULL OF ¤=;-,.....
....,-;=¤& STAIRS, ELEVATORS, SHORTCUTS, &¤=;-,....
...,-;=¤ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH #&¤=;-,...
..,-;=¤# SOME GLASS WINDOWS. IT'S... NOT WHERE ##&¤=;-,..
.,-;=¤## IT'S SUPPOSED TO BE? ###&¤=;-,.
..,-;=¤# ##&¤=;-,..
...,-;=¤ - #&¤=;-,...
....,-;=¤& ,,¤,, &¤=;-,....
.....,-;=¤ - ¤=;-,.....
......,-;= =;-,......
.......,-; (SITUATION) ;-,.......
........,- -,........
........., YOU'RE FINALLY ENTERING THE CITY. WHILE ,.........
........,- IT IS INDEED A VERY HIGH SPEED TRAIN -,........
.......,-; YOU'RE TRAVELING IN, THE JOURNEY HAS ;-,.......
......,-;= BEEN LONG. BUT IT'S ABOUT TO END! =;-,......
.....,-;=¤ ¤=;-,.....
....,-;=¤& SOCIETY IS GROWING DENSER AROUND YOU, &¤=;-,....
...,-;=¤ THROUGH THE WINDOWS YOU SEE FIRST SMALL #&¤=;-,...
..,-;=¤# SHACKS, BUILT OF METAL AND STONE, THEN ##&¤=;-,..
.,-;=¤## PROPER HOUSES WITH MORTAR TO KEEP THEM ###&¤=;-,.
..,-;=¤# TOGETHER... WHO IN TURN MAKE WAY FOR ##&¤=;-,..
...,-;=¤ THE INDUSTRIAL BUILDINGS, THE URBAN #&¤=;-,...
....,-;=¤& MAZE, PROTECTIVE WALLS, JUNGLE &¤=;-,....
.....,-;=¤ NETWORK... ¤=;-,.....
......,-;= =;-,......
.......,-; THE TRACKS LEAVE THE GROUND, WHICH IS ;-,.......
........,- NEEDED FOR OTHER PURPOSES. YOU ARE -,........
........., CARRIED GENTLY, CURVING UPWARDS UNTIL ,.........
........,- YOU'RE MOVING UPWARD ALONG THE WALL OF -,........
.......,-; A BUILDING. IT'S MADE OF SLABBY STONE, ;-,.......
......,-;= WITH GREAT GLASSLESS WINDOW HOLES =;-,......
.....,-;=¤ LOOKING OUT THE WAY YOU CAME. IT IS ¤=;-,.....
....,-;=¤& PITCH BLACK INSIDE. &¤=;-,....
...,-;=¤ #&¤=;-,...
..,-;=¤# ##&¤=;-,..
.,-;=¤## ###&¤=;-,.
..,-;=¤# ##&¤=;-,..
...,-;=¤ #&¤=;-,...