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,.;=£¤@@## ##@@¤£=;.,
,,,,,,«;=¤ ¤=;«,,,,,,
,,,,,.«=£@ @£=«.,,,,,
,,,,,.;=£@ train dream @£=;.,,,,,
,.«;=£££¤@ ######,,,,.«..,,##################### @¤£££=;«.,
,,,.«==££¤ ;;; ¤££==«.,,,
,,,.«=££@@ « @@££=«.,,,
,.«;=££££@ « @££££=;«.,
,.«;=£¤@@# #@@¤£=;«.,
,,,,,.«=£¤ (situation) ¤£=«.,,,,,
,.«;=£¤@## ##@¤£=;«.,
,,,,,.;££¤ you find yourself in a rift - a ¤££;.,,,,,
,.«;=£¤@@# clearing, narrow but immeasurably long. #@@¤£=;«.,
,.«;=£¤@@# to your sides are walls made of trees, #@@¤£=;«.,
,.«;=£¤@@# thick and ready to swallow you. the sun #@@¤£=;«.,
,.«;=£¤@@# is nowhere to be seen, but nontheless #@@¤£=;«.,
,.«;=£¤@@# it is very bright - the air feels light #@@¤£=;«.,
,,,,,«;£@@ blue, almost white. @@£;«,,,,,
,.«;=£¤@@# #@@¤£=;«.,
,.«;=£¤@## along the span of the clearing lay two ##@¤£=;«.,
,.«;=£¤@@@ parallel silvery lines, dark hard @@@¤£=;«.,
,.«;=£¤@@# metal. somehow you can see how heavy #@@¤£=;«.,
,.«;=£¤¤¤¤ they are. ¤¤¤¤£=;«.,
,.«;=£¤@@# #@@¤£=;«.,
,.«;=£¤@## they emit a high pitched whine... ##@¤£=;«.,
,.«;=£¤¤¤¤ ¤¤¤¤£=;«.,
,.«;=£¤@@# « #@@¤£=;«.,
,.«;=£¤@@# ,,=,, #@@¤£=;«.,
,.«;=£¤@@@ « @@@¤£=;«.,
,.«;=£¤@@# #@@¤£=;«.,
,.«;=£¤@@# (situation) #@@¤£=;«.,
,.«;=£¤@@# #@@¤£=;«.,
,,,,.;==£¤ youre at the train station, on a ¤£==;.,,,,
,.«;;=££¤@ catwalk above the rails. your train is @¤££=;;«.,
,.«;=£££¤@ late, or you are late to the train. @¤£££=;«.,
,.«;=£¤@@# it's a summer afternoon and the station #@@¤£=;«.,
,.«;;;£¤¤@ is busy, full of relaxed confidence. @¤¤£;;;«.,
,,,,.«;££¤ ¤££;«.,,,,
,,,,,«;=£@ you're in high spirits, although a bit @£=;«,,,,,
,,,,,.«==¤ stressed about the time, while moving ¤==«.,,,,,
,.«;=£¤@@# up the stairs to your platform. the #@@¤£=;«.,
,.«;=¤@@## station is in several levels, all ##@@¤=;«.,
,,,,«=£¤@@ placed within eachother by some @@¤£=«,,,,
,.««««=¤¤¤ intelligent designer, and full of ¤¤¤=««««.,
,,,,,«=£¤@ stairs, elevators, shortcuts, @¤£=«,,,,,
,.«;=£¤@@# bazaars... you sight your train through #@@¤£=;«.,
,.«;=£¤@@# some glass windows. it's... not where #@@¤£=;«.,
,.«;=£¤@@# it's supposed to be? #@@¤£=;«.,
,,,,,.«=¤@ @¤=«.,,,,,
,,,««;£¤¤@ « @¤¤£;««,,,
,,,,.;;£@@ ..£.. @@£;;.,,,,
,.«;=£@@## « ##@@£=;«.,
,.«;=£¤@@@ @@@¤£=;«.,
,.«;=£¤@@# (situation) #@@¤£=;«.,
,,,,,.«;£@ @£;«.,,,,,
,,,..«;£@@ you're finally entering the city. while @@£;«..,,,
,.«;=£££@@ it is indeed a very high speed train @@£££=;«.,
,.«;=¤@@## you're traveling in, the journey has ##@@¤=;«.,
,.«;=£¤@@@ been long. but it's about to end! @@@¤£=;«.,
,.«;=£¤@## ##@¤£=;«.,
,.«;=£¤¤@@ society is growing denser around you, @@¤¤£=;«.,
,.«;=£¤@@# through the windows you see first small #@@¤£=;«.,
,,,««==£¤@ shacks, built of metal and stone, then @¤£==««,,,
,.«««;£¤@@ proper houses with mortar to keep them @@¤£;«««.,
,.«;=£¤@@# together... who in turn make way for #@@¤£=;«.,
,.«;===¤¤@ the industrial buildings, the urban @¤¤===;«.,
,.«;=£¤@## maze, protective walls, jungle ##@¤£=;«.,
,,,..;==£¤ network... ¤£==;..,,,
,,,,,,«==¤ ¤==«,,,,,,
,,,..;£¤@@ the tracks leave the ground, which is @@¤£;..,,,
,.«;=£¤@@# needed for other purposes. you are #@@¤£=;«.,
,.«;=£¤@@# carried gently, curving upwards until #@@¤£=;«.,
,.«;=£¤@@# you're moving upward along the wall of #@@¤£=;«.,
,.«;=£¤@@# a building. it's made of slabby stone, #@@¤£=;«.,
,,,«;===¤@ with great glassless window holes @¤===;«,,,
,.«;=££££@ looking out the way you came. it is @££££=;«.,
,,.«««=££¤ pitch black inside. ¤££=«««.,,
,.«;=££££@ @££££=;«.,
,,,,,««=£¤ ¤£=««,,,,,
,.«;=£¤@@# #@@¤£=;«.,
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