.~=\*%£### ###£%*\=~.
....=\\%£# #£%\\=....
.~=\*%££££ ££££%*\=~.
.~=\*%£### ###£%*\=~.
.~=\*%£### ###£%*\=~.
.~=\*%£### A DYSTOPIAN MC DONALDS TOILET STEALS MY ###£%*\=~.
.~=\*%£### AGENCY. TOO MUCH AGENCY ALREADY IN THIS ###£%*\=~.
.~=\*%£### ROOM. SATURATED. I CAN ONLY DO WHAT IT ###£%*\=~.
...~\\%%## WANTS IN THE WAY IT WANTS. ##%%\\~...
.~=\*%£### ###£%*\=~.
....~\*£££ = \ = = \ = = \ = £££*\~....
....==*£## ##£*==....
...~=**%## BUT: IN A MIRACOLOUS FRACTION OF A ##%**=~...
.~====\%## SECOND, ITS TRUE THOUGHTS SLIP THROUGH ##%\====~.
.~=\*%£### TO ME, PREVIOUSLY UNHEARD EVEN BY ITS ###£%*\=~.
.~=\*%£### BUILDERS (THE ROOM WAS THOUGHT TO BE ###£%*\=~.
......=*%# WITHOUT CONSCIOUSNESS). #%*=......
.~=\\\\**£ £**\\\\=~.
....~\*%%# THE ROOM THINKS ABOUT CREATURES LYING #%%*\~....
...~~~=\%£ DOWN, GOING OFF TO SLEEP, MAKING £%\=~~~...
.~=\*%£### THEMSELVES COMFORTABLE FIRST... IS THIS ###£%*\=~.
......~\*£ ONLY OPTIMIZING A RESTING POSITION FOR £*\~......
.~=\*%£### THE BODY? OR IS THERE ANOTHER WILL ###£%*\=~.
....=**£££ INVOLVED? £££**=....
.~=\*%£### ###£%*\=~.
..~=\***%# A DARK LISTENING TAKING PLACE, #%***\=~..
.~=\*%£### A SILENT CONCERT. ###£%*\=~.
.~=\*%£### ###£%*\=~.
....~=*%## IS THERE ANOTHER DESIRE INJECTED AT ##%*=~....
.~=\*%£### HYPNAGOGIA? SOMETHING FROM THE OTHER ###£%*\=~.
.~=\**%££# SIDE, GUIDING THEM, #££%**\=~.
.~=\*%£### ARRANGING THEIR BODIES. ###£%*\=~.
.~=\*%#### ####%*\=~.
...~\\\*%£ £%*\\\~...
.~=\*%£### ###£%*\=~.
.~=\*%£### ###£%*\=~.
.~=\\\\\*£ £*\\\\\=~.