,~«**£@@## ##@@£**«~,
,,~«**£@@# #@@£**«~,,
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,,~«**£@@# ,,,,**@# växjö #@**,,,, #@@£**«~,,
,~«**£@@## ##@@£**«~,
,,~«**£@@# the apartment smells of old coffee and #@@£**«~,,
,~«**£@@## sweeteners. i don't know how i let it ##@@£**«~,
,,~«**£@@# get like this. it's not intentional. #@@£**«~,,
,~«**£@@## ##@@£**«~,
,,~«**£@@# i wear yellow tinted glasses. the room #@@£**«~,,
,~«**£@@## changes shape a lot. right now there's ##@@£**«~,
,,~«**£@@# a blue sofa with yellow seams. i #@@£**«~,,
,~«**£@@## experiment with different colored ##@@£**«~,
,,~«**£@@# lights. i'm learning things. #@@£**«~,,
,~«**£@@## ##@@£**«~,
,,~«**£@@# my thoughts are revolving around time, #@@£**«~,,
,~«**£@@## and the perception of it. can i make it ##@@£**«~,
,,~«**£@@# rigid? if i really want to, can i make #@@£**«~,,
,~«**£@@## it feel like there is enough of it? ##@@£**«~,
,,~«**£@@# also, and maybe, ultimately, more #@@£**«~,,
,~«**£@@## important - can i make it feel like it ##@@£**«~,
,,~«**£@@# doesn't matter? #@@£**«~,,
,~«**£@@## ##@@£**«~,
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