@.@...@@.. @@.@@..@.@
@..@..@@@. @@.@@@...@
@@..@.@.@@ @@.@.@@..@
.@@.....@@ @@...@@@.@
.@@@....@. @@@..@.@..
.@.@@..... ....§§## VäXJö ##§§.... @.@@....@.
...@@@.... ..@@@....@
@..@.@@... THE APARTMENT SMELLS OF OLD COFFEE AND ..@.@@....
.@...@@@.. SWEETENERS. I DON'T KNOW HOW I LET IT @...@@@...
..@..@.@@. GET LIKE THIS. IT'S NOT INTENTIONAL. @@..@.@@..
...@...@@@ .@@...@@@.
....@..@.@ I WEAR YELLOW TINTED GLASSES. THE ROOM .@@@..@.@@
@....@...@ CHANGES SHAPE A LOT. RIGHT NOW THERE'S .@.@@...@@
@@....@..@ A BLUE SOFA WITH YELLOW SEAMS. I ...@@@..@.
@@@....@.. EXPERIMENT WITH DIFFERENT COLORED @..@.@@...
@.@@....@. LIGHTS. I'M LEARNING THINGS. @@...@@@..
..@@@....@ @@@..@.@@.
..@.@@.... MY THOUGHTS ARE REVOLVING AROUND TIME, @.@@...@@@
@...@@@... AND THE PERCEPTION OF IT. CAN I MAKE IT ..@@@..@.@
@@..@.@@.. RIGID? IF I REALLY WANT TO, CAN I MAKE ..@.@@...@
.@@...@@@. IT FEEL LIKE THERE IS ENOUGH OF IT? ....@@@..@
.@@@..@.@@ ALSO, AND MAYBE, ULTIMATELY, MORE ....@.@@..
.@.@@...@@ IMPORTANT - CAN I MAKE IT FEEL LIKE IT ......@@@.
...@@@..@. DOESN'T MATTER? @.....@.@@
@..@.@@... @@......@@
@@...@@@.. @@@.....@.
@@@..@.@@. @.@@......
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