###%*~~,,, ,,,~~*%###
###&&%*~,, ,,~*%&##
#@##&%*~,, ,,~*%#@#
#@##&%*~,, ,,~*%#@#
##@#&%*~,, ,,~*%@##
@@##&%*~,, ######################################## ,,~*%#@@
####&%*~,, # BUILDINGS, TOWERS IN THE "GOLDEN # ,,~*%###
#&%*,,,,,, # BAY" (EVERYTHING MADE OF SANDSTONE). # ,,,,,,*%
#&*,,,,,,, # FIVE PARTICULAR HOUSES FOURTY # ,,,,,,,*
@##%**,,,, # STORIES TALL, HUNDRED METERS APART, # ,,,,**%##@
####&%*~,, # IN A SLIGHT ARC INWARDS. # ,,~*%###
####&%*~,, # # ,,~*%###
@@##&%*~,, # BETWEEN TWO MOUNTAINS; TO THE RIGHT # ,,~*%#@@
@@##&%*~,, # AND LEFT THE CITY CLIMBS QUICKLY. # ,,~*%#@@
#&%*,,,,,, # THE RIGHT PLATEAU HOSTS A LUSH AND # ,,,,,,*%
#&*,,,,,,, # SHADED GARDEN WHICH MORPHS INTO A # ,,,,,,,*
####&%*~,, # TERRACE OVERLOOKING THE SEA AND # ,,~*%###
#@##&%*~,, # THE BUILDINGS. # ,,~*%#@#
@#%~,,,,,, # # ,,,,,,~%#@
#@##&%*~,, # TO THE LEFT THE HOUSES CLIMB # ,,~*%#@#
####&%*~,, # SIMILARLY BUT A LOT OF TUNNELS AND # ,,~*%###
#@##&%*~,, # HALLS HAVE BEEN DUG FROM THE # ,,~*%#@#
#@##&%*~,, # MOUNTAIN. SOME HOUSES STAND # ,,~*%#@#
@@##&%*~,, # COMPLETELY "INSIDE". BECAUSE OF CAVE # ,,~*%#@@
##@##%*~,, # CONDITIONS THE LOWER FLOORS HERE # ,,~*%##@##
@###&%*~,, # ARE COVERED IN DARK ALGAE THAT THE # ,,~*%##@
#%~,,,,,,, # CITY LONG AGO STOPPED TRYING TO # ,,,,,,,~%#
#@##&%*~,, # REMOVE. ESTABLISHMENTS USE NEON # ,,~*%#@#
#&**,,,,,, # SIGNS AS AN ACCENT TO THE DARK. # ,,,,,,**
#@##&%*~,, # THERE'S A CASINO. # ,,~*%#@#
#@##&%*~,, # THERE'S AN INTERNET CAFE. # ,,~*%#@#
####&%*~,, # # ,,~*%###
@###&%*~,, # MOST PEOPLE LIVING HERE HAVE LONG # ,,~*%##@
@@##&%*~,, # SNOUTS AND BIG EARS. ALL SPACE IS # ,,~*%#@@
@#%%%*~,,, # SHARED (FEW ROOMS HAVE LOCKS OR # ,,,~*%%%#@
####&%*~,, # EVEN DOORS). INTERIOR DESIGN IS # ,,~*%###
@##%**,,,, # MOSTLY ART NOUVEAU AND MADE # ,,,,**%##@
@#&**~,,,, # OUT OF COPPER. # ,,,,~**@
###%%%*~,, ######################################## ,,~*%%%###
#&%*,,,,,, ,,,,,,*%
#@##&%*~,, ,,~*%#@#
#%~,,,,,,, ,,,,,,,~%#
#@##&%*~,, ,,~*%#@#
#@##&%*~,, ,,~*%#@#