#@£&¤§/«~. .~«/§¤&£@#
#@£&¤§/«~. .~«/§¤&£@#
@@£&¤§/«~. .~«/§¤&£@@
£¤§//~.... ....~//§¤£
££¤§««.... ....««§¤££
##£&¤§/«~. @@@@ ##### .~«/§¤&£##
#@£&¤§/«~. TAPE DREAM .~«/§¤&£@#
#@£&¤§/«~. #### @@@@@ .~«/§¤&£@#
##£&¤§/«~. .~«/§¤&£##
&&¤§§«~... FOR STORING MUSIC ON. ALSO DATA BUT ...~«§§¤&&
#@£&¤§/«~. AT THIS POINT IN TIME THAT'S NOT .~«/§¤&£@#
@££&¤§/«~. REALLY IMPORTANT I THINK. .~«/§¤&££@
@@£&¤§/«~. .~«/§¤&£@@
&§«~...... ......~«§&
£&&¤§§/«~. //////// TYPES OF TAPE //////// .~«/§§¤&&£
@@£&¤§/«~. .~«/§¤&£@@
£&&§§«.... CLASS I - "BAD" IRON ....«§§&&£
##@&¤§/«~. CLASS II - GOOD CHROMIUM .~«/§¤&@##
@&¤§§§/«~. CLASS III - BAD IRON PART TWO .~«/§§§¤&@
@@£&¤§/«~. CLASS IV - DANGEROUS METALS .~«/§¤&£@@
##@&¤§/«~. .~«/§¤&@##
##@£&¤§«~. RUMORS EXIST ABOUT A SECRET CLASS V TAPE .~«§¤&£@##
@&&&¤§/«~. THAT IS ACTUALLY USEFUL. .~«/§¤&&&@
##@&¤§/«~. .~«/§¤&@##
&¤¤§§§/«~. // BIAS // .~«/§§§¤¤&
&&¤//«.... ....«//¤&&
##£&¤§/«~. CLASS I USES ONE HUNDRED AND TWENTY .~«/§¤&£##
#@£&¤§/«~. MICRO-SOMETHING WHILE THE OTHERS ALL .~«/§¤&£@#
#@£&¤§/«~. USE SEVENTY OF THE SAME UNIT. .~«/§¤&£@#
£¤/~...... ......~/¤£
#@£&¤§/«~. .~«/§¤&£@#
&&&&¤§/«~. §§§§§§§§§ AHA AND §§§§§§§§§ .~«/§¤&&&&
&¤§«~..... .....~«§¤&
@&§/««.... CLASS IV IS APPARENTLY TOO STRONG TO ....««/§&@
&¤¤¤§«.... BE USED ON CLASS I PLAYERS. IT WILL ....«§¤¤¤&
#@£&¤§/«~. SOUND TOO LOUND AND IT CANNOT BE .~«/§¤&£@#
&&&§/«««~. COMPLETELY ERASED. THIS IS VERY WELL. .~«««/§&&&
&§««««~~.. MAYBE SOME WONDERFUL BLENDING EFFECTS ..~~««««§&
#@£&¤§/«~. COULD BE ACHIEVED? .~«/§¤&£@#
#@£&¤§/«~. .~«/§¤&£@#
@&§§«..... THEY ALSO GNAW AT THE TAPE HEADS A BIT .....«§§&@
#@£&¤§/«~. BETTER THAN EARLIER TAPE TYPES. .~«/§¤&£@#
##@&¤§/«~. .~«/§¤&@##
#@£&¤§/«~. .~«/§¤&£@#
##@£¤§/«~. //////// ARTIFACTS //////// .~«/§¤£@##
£&§§§//«~. .~«//§§§&£
#@£&¤§/«~. GOOD TAPES ARE DECENT AND HAVE A GOOD .~«/§¤&£@#
£¤/«~..... HIGH FREQUENCY PRESENCE, BAD TAPES ARE .....~«/¤£
&§§§§«~~.. LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ..~~«§§§§&
#@£&¤§/«~. LIKE IT. .~«/§¤&£@#
@@£&¤§/«~. .~«/§¤&£@@
&&¤¤/«~... BIAS LOSS: IF YOU FORGET THE BIAS WHO ...~«/¤¤&&
£¤//~~.... KNOWS WHATS EVEN ON THERE ANYMORE ....~~//¤£
##£&¤§/«~. .~«/§¤&£##
##@£¤§/«~. FLUTTER: KINDA QUICK PITCH VARIATIONS. .~«/§¤£@##
#@£&¤§/«~. BEAUTIFUL, WONDERFUL, EXTRAORDINARY. .~«/§¤&£@#
&&&§/«.... ....«/§&&&
@££&¤§/«~. WOW: A SLOWER FLUTTER, USUALLY SEVERAL .~«/§¤&££@
#@£&¤§/«~. SECONDS LONG. WHAT UP. BOTH OF THESE .~«/§¤&£@#
@££&¤§/«~. INCREASE WHEN TAPE SPEED DECREASES. .~«/§¤&££@
#@£&¤§/«~. .~«/§¤&£@#
&§/««..... PRINT THROUGH: TAPES RUB SOUND ON EACH .....««/§&
@&§/~..... OTHER IF THEYRE ALONE FOR TOO LONG .....~/§&@
@££&¤§/«~. .~«/§¤&££@
##£&¤§/«~. .~«/§¤&£##
#@£&¤§/«~. .~«/§¤&£@#
&§///~.... ....~///§&
#@£&¤§/«~. .~«/§¤&£@#
#@£&¤§/«~. .~«/§¤&£@#