.@..@.@..@ .@.@@..@@@
..@....@.. ...@@@.@.@
@..@....@. ...@.@....
.@..@....@ ......@...
..@..@.... .......@..
...@..@... A COOL ENOUGH SONY WALKMAN CALLED @.......@.
....@..@.. .@.......@
@....@..@. # # # ..@.......
.@....@..@ ### TCM ONEFIFTY ### ...@......
..@....@.. # # # @...@.....
...@....@. @@...@....
....@....@ IT'S BATTERY POWERED (TWO AA BATTERIES) @@@...@...
.....@.... AND HAS A MICROPHONE. IT DOES FEATURE A @.@@...@..
......@... SPEED HOLE BUT IT'S HIDDEN BENEATH ITS ..@@@...@.
.......@.. SHELL. ..@.@@...@
@.......@. ....@@@...
.@.......@ A COOL THING IS THE SPEAKER ON THE @...@.@@..
..@....... FRONT. BUT ISN'T THAT A MAGNET CLOSE TO .@....@@@.
...@...... THE TAPE? YES ..@...@.@@
@...@..... ...@....@@
@@...@.... ## IS IT GOOD ## ....@...@.
@@@...@... @....@....
@.@@...@.. WELL. IT HAS SOME VERY REAL COMPRESSION .@....@...
..@@@...@. GOING ON SO CLOSE VOX AND OTHER HIGH ..@....@..
..@.@@...@ VOLUME THINGS ARE VERY CRISP AND WITH @..@....@.
....@@@... KIND OF LOW NOISE. BUT WHEN THERE'S .@..@....@
@...@.@@.. MORE OF AN AMBIENCE, ALL YOU HEAR IS ..@..@....
.@....@@@. HISS AND MOTOR NOISE. ...@..@...
..@...@.@@ ....@..@..
...@....@@ DENOISING TECHNIQUES ARE SIMPLE. ACTUAL @....@..@.
....@...@. DENOISING FOR THE NOISE, AND MAYBE AN .@....@..@
@....@.... EQ FOR THE MOTOR. ..@....@..
.@....@... ...@....@.
..@....@.. ## WHAT IS IT FOR ## ....@....@
@..@....@. @....@....
.@..@....@ I USE IT FOR TALKING TO WHEN I'M DRUNK. .@....@...
..@..@.... IT DOES THIS VERY GOOD. THE PAUSE ..@....@..
...@..@... BUTTON IS A SMALL STOP, THE STOP BUTTON @..@....@.
....@..@.. IS A MAJOR STOP. @@..@....@
@....@..@. @@@..@....
.@....@..@ ## SOME QUIRKS ## @.@@..@...
..@....@.. ..@@@..@..
...@....@. WHEN UNPAUSING, RECORDING BEGINS BEFORE ..@.@@..@.
....@....@ THE ENGINE IS FULLY SPUN UP, RESULTING @...@@@..@
@....@.... IN A NICE SWOOP BEING RECORDED. @@..@.@@..
.@....@... .@@...@@@.
..@....@.. IT MADE ME BUY A VHS CAM .@@@..@.@@
@..@....@. .@.@@...@@
@@..@....@ ...@@@..@.
@@@..@.... # # # ...@.@@...
@.@@..@... .....@@@..
..@@@..@.. REST IN PIECES, LITERALLY @....@.@@.
..@.@@..@. .@.....@@@
@...@@@..@ - MAY TWENTY FIFTEEN - ..@....@.@
@@..@.@@.. . TO . @..@.....@
.@@...@@@. » JULY TWENTY EIGHTEEN » .@..@....@
.@@@..@.@@ ..@..@....
.@.@@...@@ SUPERSEDED BY THE TCM TWENTY ...@..@...
...@@@..@. ....@..@..
...@.@@... @....@..@.
.....@@@.. .@....@..@
@....@.@@. ..@....@..
.@.....@@@ ...@....@.