.-~;^*@### ###@*^;~-.
..-~;^*@## ##@*^;~-..
.-~;^*@### ###@*^;~-.
..-~;^*@## ##@*^;~-..
.-~;^*@### ###@*^;~-.
..-~;^*@## TRAIN DREAM ##@*^;~-..
.-~;^*@### ######....-~--..##################### ###@*^;~-.
..-~;^*@## ;;; ##@*^;~-..
.-~;^*@### ~ ###@*^;~-.
..-~;^*@## ~ ##@*^;~-..
.-~;^*@### ###@*^;~-.
..-~;^*@## (SITUATION) ##@*^;~-..
.-~;^*@### ###@*^;~-.
..-~;^*@## YOU FIND YOURSELF IN A RIFT - A ##@*^;~-..
.-~;^*@### CLEARING, NARROW BUT IMMEASURABLY LONG. ###@*^;~-.
..-~;^*@## TO YOUR SIDES ARE WALLS MADE OF TREES, ##@*^;~-..
.-~;^*@### THICK AND READY TO SWALLOW YOU. THE SUN ###@*^;~-.
..-~;^*@## IS NOWHERE TO BE SEEN, BUT NONTHELESS ##@*^;~-..
.-~;^*@### IT IS VERY BRIGHT - THE AIR FEELS LIGHT ###@*^;~-.
..-~;^*@## BLUE, ALMOST WHITE. ##@*^;~-..
.-~;^*@### ###@*^;~-.
..-~;^*@## ALONG THE SPAN OF THE CLEARING LAY TWO ##@*^;~-..
.-~;^*@### PARALLEL SILVERY LINES, DARK HARD ###@*^;~-.
..-~;^*@## METAL. SOMEHOW YOU CAN SEE HOW HEAVY ##@*^;~-..
.-~;^*@### THEY ARE. ###@*^;~-.
..-~;^*@## ##@*^;~-..
.-~;^*@### THEY EMIT A HIGH PITCHED WHINE... ###@*^;~-.
..-~;^*@## ##@*^;~-..
.-~;^*@### ~ ###@*^;~-.
..-~;^*@## ..^.. ##@*^;~-..
.-~;^*@### ~ ###@*^;~-.
..-~;^*@## ##@*^;~-..
.-~;^*@### (SITUATION) ###@*^;~-.
..-~;^*@## ##@*^;~-..
.-~;^*@### YOURE AT THE TRAIN STATION, ON A ###@*^;~-.
..-~;^*@## CATWALK ABOVE THE RAILS. YOUR TRAIN IS ##@*^;~-..
.-~;^*@### LATE, OR YOU ARE LATE TO THE TRAIN. ###@*^;~-.
..-~;^*@## IT'S A SUMMER AFTERNOON AND THE STATION ##@*^;~-..
.-~;^*@### IS BUSY, FULL OF RELAXED CONFIDENCE. ###@*^;~-.
..-~;^*@## ##@*^;~-..
.-~;^*@### YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ###@*^;~-.
..-~;^*@## STRESSED ABOUT THE TIME, WHILE MOVING ##@*^;~-..
.-~;^*@### UP THE STAIRS TO YOUR PLATFORM. THE ###@*^;~-.
..-~;^*@## STATION IS IN SEVERAL LEVELS, ALL ##@*^;~-..
.-~;^*@### PLACED WITHIN EACHOTHER BY SOME ###@*^;~-.
..-~;^*@## INTELLIGENT DESIGNER, AND FULL OF ##@*^;~-..
.-~;^*@### STAIRS, ELEVATORS, SHORTCUTS, ###@*^;~-.
..-~;^*@## BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ##@*^;~-..
.-~;^*@### SOME GLASS WINDOWS. IT'S... NOT WHERE ###@*^;~-.
..-~;^*@## IT'S SUPPOSED TO BE? ##@*^;~-..
.-~;^*@### ###@*^;~-.
..-~;^*@## ~ ##@*^;~-..
.-~;^*@### --*-- ###@*^;~-.
..-~;^*@## ~ ##@*^;~-..
.-~;^*@### ###@*^;~-.
..-~;^*@## (SITUATION) ##@*^;~-..
.-~;^*@### ###@*^;~-.
..-~;^*@## YOU'RE FINALLY ENTERING THE CITY. WHILE ##@*^;~-..
.-~;^*@### IT IS INDEED A VERY HIGH SPEED TRAIN ###@*^;~-.
..-~;^*@## YOU'RE TRAVELING IN, THE JOURNEY HAS ##@*^;~-..
.-~;^*@### BEEN LONG. BUT IT'S ABOUT TO END! ###@*^;~-.
..-~;^*@## ##@*^;~-..
.-~;^*@### SOCIETY IS GROWING DENSER AROUND YOU, ###@*^;~-.
..-~;^*@## THROUGH THE WINDOWS YOU SEE FIRST SMALL ##@*^;~-..
.-~;^*@### SHACKS, BUILT OF METAL AND STONE, THEN ###@*^;~-.
..-~;^*@## PROPER HOUSES WITH MORTAR TO KEEP THEM ##@*^;~-..
.-~;^*@### TOGETHER... WHO IN TURN MAKE WAY FOR ###@*^;~-.
..-~;^*@## THE INDUSTRIAL BUILDINGS, THE URBAN ##@*^;~-..
.-~;^*@### MAZE, PROTECTIVE WALLS, JUNGLE ###@*^;~-.
..-~;^*@## NETWORK... ##@*^;~-..
.-~;^*@### ###@*^;~-.
..-~;^*@## THE TRACKS LEAVE THE GROUND, WHICH IS ##@*^;~-..
.-~;^*@### NEEDED FOR OTHER PURPOSES. YOU ARE ###@*^;~-.
..-~;^*@## CARRIED GENTLY, CURVING UPWARDS UNTIL ##@*^;~-..
.-~;^*@### YOU'RE MOVING UPWARD ALONG THE WALL OF ###@*^;~-.
..-~;^*@## A BUILDING. IT'S MADE OF SLABBY STONE, ##@*^;~-..
.-~;^*@### WITH GREAT GLASSLESS WINDOW HOLES ###@*^;~-.
..-~;^*@## LOOKING OUT THE WAY YOU CAME. IT IS ##@*^;~-..
.-~;^*@### PITCH BLACK INSIDE. ###@*^;~-.
..-~;^*@## ##@*^;~-..
.-~;^*@### ###@*^;~-.
..-~;^*@## ##@*^;~-..
.-~;^*@### ###@*^;~-.
..-~;^*@## ##@*^;~-..