,^»\*%%%%@ @%%%%*\»^,
,,,,^»\\%@ @%\\»^,,,,
,^»\*%#@## ##@#%*\»^,
,^»\*%#@## ##@#%*\»^,
,^»\*%#@## ##@#%*\»^,
,^»\*%@### #### ##### ###@%*\»^,
,^»\**%%## tape dream ##%%**\»^,
,,,»\*%### #### ##### ###%*\»,,,
,,,,,»*%#@ @#%*»,,,,,
,^»\*%#@## for storing music on. also data but ##@#%*\»^,
,^»\*%#@@@ at this point in time that's not @@@#%*\»^,
,^»\*%#@@# really important i think. #@@#%*\»^,
,^»\*%#@## ##@#%*\»^,
,,^^»*%%@@ @@%%*»^^,,
,^»\*%#@## \\\\\\\\ types of tape \\\\\\\\ ##@#%*\»^,
,,,,,»**%@ @%**»,,,,,
,^»\*%#@## class i - "bad" iron ##@#%*\»^,
,^»\*%#@## class ii - good chromium ##@#%*\»^,
,^»\*%#@@@ class iii - bad iron part two @@@#%*\»^,
,^»\*%#### class iv - dangerous metals ####%*\»^,
,^»\*%%#@@ @@#%%*\»^,
,^»\*%#@## rumors exist about a secret class v tape ##@#%*\»^,
,,,,,»\%%@ that is actually useful. @%%\»,,,,,
,^»\*%#@## ##@#%*\»^,
,^»\*%#@## \\ bias \\ ##@#%*\»^,
,^»\\**%## ##%**\\»^,
,^»\*%#@## class i uses one hundred and twenty ##@#%*\»^,
,,,,,^^»*# micro-something while the others all #*»^^,,,,,
,^»\*%#@## use seventy of the same unit. ##@#%*\»^,
,,,,»***#@ @#***»,,,,
,^»\*%#### ####%*\»^,
,,,,,,^»*# ********* aha and ********* #*»^,,,,,,
,,,,,,»*## ##*»,,,,,,
,^»\*%%### class iv is apparently too strong to ###%%*\»^,
,,,,,^»\%# be used on class i players. it will #%\»^,,,,,
,^»\*%#@## sound too lound and it cannot be ##@#%*\»^,
,,,,,,»**# completely erased. this is very well. #**»,,,,,,
,^»\*%#@## maybe some wonderful blending effects ##@#%*\»^,
,,,,»\\\*# could be achieved? #*\\\»,,,,
,^»\*%#@## ##@#%*\»^,
,^»\*%#@## they also gnaw at the tape heads a bit ##@#%*\»^,
,,,»»»»*%# better than earlier tape types. #%*»»»»,,,
,,,,,,^»*# #*»^,,,,,,
,,,^»»»*%@ @%*»»»^,,,
,^»\*%#@@@ \\\\\\\\ artifacts \\\\\\\\ @@@#%*\»^,
,^»\*%#@## ##@#%*\»^,
,^»\*%#@## good tapes are decent and have a good ##@#%*\»^,
,^»\**%##@ high frequency presence, bad tapes are @##%**\»^,
,^»\**%%## lofi if not outright bad. idk, i kinda ##%%**\»^,
,^»\\\***# like it. #***\\\»^,
,^»\*#@### ###@#*\»^,
,^»\*%#@## bias loss: if you forget the bias who ##@#%*\»^,
,^»\*%#@@# knows whats even on there anymore #@@#%*\»^,
,^»\*%#@## ##@#%*\»^,
,,^^^\*#@# flutter: kinda quick pitch variations. #@#*\^^^,,
,^»\*%#@@@ beautiful, wonderful, extraordinary. @@@#%*\»^,
,,,,^»»**# #**»»^,,,,
,^»\*%#### wow: a slower flutter, usually several ####%*\»^,
,,,,»\*%%# seconds long. what up. both of these #%%*\»,,,,
,^»\*%#### increase when tape speed decreases. ####%*\»^,
,,,^^^»\%@ @%\»^^^,,,
,^»\*%#@## print through: tapes rub sound on each ##@#%*\»^,
,^»\*%#### other if theyre alone for too long ####%*\»^,
,^»\*%#@## ##@#%*\»^,
,^»\*%#@## ##@#%*\»^,
,^»\*%#@## ##@#%*\»^,
,^»\*%%%## ##%%%*\»^,
,,,,,»\%## ##%\»,,,,,
,,,,,^»*%# #%*»^,,,,,