##@&¤$:-.. ..-:$¤&@##
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&&¤$-..... .....-$¤&&
#@@&¤$:-.. ..-:$¤&@@#
@¤$:--.... @@@@ ##### ....--:$¤@
##@&¤$:-.. TAPE DREAM ..-:$¤&@##
&¤¤¤¤$:-.. #### @@@@@ ..-:$¤¤¤¤&
&&&$$:-... ...-:$$&&&
##@&¤$:-.. FOR STORING MUSIC ON. ALSO DATA BUT ..-:$¤&@##
&¤:-...... AT THIS POINT IN TIME THAT'S NOT ......-:¤&
@&$-...... REALLY IMPORTANT I THINK. ......-$&@
#@@&¤$:-.. ..-:$¤&@@#
@&¤::::-.. ..-::::¤&@
@&¤¤¤$:-.. :::::::: TYPES OF TAPE :::::::: ..-:$¤¤¤&@
@@@&¤$:-.. ..-:$¤&@@@
#@@&¤$:-.. CLASS I - "BAD" IRON ..-:$¤&@@#
&&¤¤:..... CLASS II - GOOD CHROMIUM .....:¤¤&&
#@@&¤$:-.. CLASS III - BAD IRON PART TWO ..-:$¤&@@#
@@&$:..... CLASS IV - DANGEROUS METALS .....:$&@@
#@@&¤$:-.. ..-:$¤&@@#
&¤:-...... RUMORS EXIST ABOUT A SECRET CLASS V TAPE ......-:¤&
##@&¤$:-.. THAT IS ACTUALLY USEFUL. ..-:$¤&@##
@&¤$$:-... ...-:$$¤&@
&$::-..... :: BIAS :: .....-::$&
@&&&¤$:-.. ..-:$¤&&&@
&&$-...... CLASS I USES ONE HUNDRED AND TWENTY ......-$&&
@&¤:-..... MICRO-SOMETHING WHILE THE OTHERS ALL .....-:¤&@
#@@&¤$:-.. USE SEVENTY OF THE SAME UNIT. ..-:$¤&@@#
@¤$:-..... .....-:$¤@
#@@&¤$:-.. ..-:$¤&@@#
#@@&¤$:-.. $$$$$$$$$ AHA AND $$$$$$$$$ ..-:$¤&@@#
#@@&¤$:-.. ..-:$¤&@@#
@@@&¤$:-.. CLASS IV IS APPARENTLY TOO STRONG TO ..-:$¤&@@@
#@@&¤$:-.. BE USED ON CLASS I PLAYERS. IT WILL ..-:$¤&@@#
@&¤::..... SOUND TOO LOUND AND IT CANNOT BE .....::¤&@
@@@&¤$:-.. COMPLETELY ERASED. THIS IS VERY WELL. ..-:$¤&@@@
@@&$$:-... MAYBE SOME WONDERFUL BLENDING EFFECTS ...-:$$&@@
@@¤$-..... COULD BE ACHIEVED? .....-$¤@@
#@@&¤$:-.. ..-:$¤&@@#
@&&$-..... THEY ALSO GNAW AT THE TAPE HEADS A BIT .....-$&&@
@¤:-...... BETTER THAN EARLIER TAPE TYPES. ......-:¤@
#@@&¤$:-.. ..-:$¤&@@#
##@&¤$:-.. ..-:$¤&@##
##@&¤$:-.. :::::::: ARTIFACTS :::::::: ..-:$¤&@##
@¤¤$:..... .....:$¤¤@
@@@&¤$:-.. GOOD TAPES ARE DECENT AND HAVE A GOOD ..-:$¤&@@@
@&¤::..... HIGH FREQUENCY PRESENCE, BAD TAPES ARE .....::¤&@
@¤$:...... LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ......:$¤@
#@@&¤$:-.. LIKE IT. ..-:$¤&@@#
@&$$-..... .....-$$&@
#@@&¤$:-.. BIAS LOSS: IF YOU FORGET THE BIAS WHO ..-:$¤&@@#
&¤¤:--.... KNOWS WHATS EVEN ON THERE ANYMORE ....--:¤¤&
#@@&¤$:-.. ..-:$¤&@@#
@@&&¤$:-.. FLUTTER: KINDA QUICK PITCH VARIATIONS. ..-:$¤&&@@
##@@&$:-.. BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ..-:$&@@##
#@@&¤$:-.. ..-:$¤&@@#
#@@&¤$:-.. WOW: A SLOWER FLUTTER, USUALLY SEVERAL ..-:$¤&@@#
&$::----.. SECONDS LONG. WHAT UP. BOTH OF THESE ..----::$&
@@@&¤$:-.. INCREASE WHEN TAPE SPEED DECREASES. ..-:$¤&@@@
#@@&¤$:-.. ..-:$¤&@@#
##@&¤$:-.. PRINT THROUGH: TAPES RUB SOUND ON EACH ..-:$¤&@##
@@&$$$:-.. OTHER IF THEYRE ALONE FOR TOO LONG ..-:$$$&@@
@&¤$-..... .....-$¤&@
@@@&¤$:-.. ..-:$¤&@@@
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&&$::---.. ..---::$&&
&¤$-...... ......-$¤&