¨,-:§@¤### ###¤@§:-,¨
¨¨¨,-§§@¤¤ ¤¤@§§-,¨¨¨
¨¨¨,::@@@¶ ¶@@@::,¨¨¨
¨,-:§@@@¶¶ ¶¶@@@§:-,¨
¨,-::§§§@¤ ¤@§§§::-,¨
¨,-:§@¤¶## THE SKYSCRAPER THAT MOVES ##¶¤@§:-,¨
¨,-:§@¤¶## ##¶¤@§:-,¨
¨¨¨¨--:§¤¤ TAINARON IS A BUILDING OWNED AND ¤¤§:--¨¨¨¨
¨,-::::@@¶ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¶@@::::-,¨
¨¨¨¨¨¨,:§¤ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¤§:,¨¨¨¨¨¨
¨,-:§@¤¶¶¶ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¶¶¶¤@§:-,¨
¨,-:§@¤¶## UNKNOWN), DARK BLUE AND COMPLETELY ##¶¤@§:-,¨
¨¨¨,,-§§@¤ RECTANGULAR. IT FEATURES NO SIGNS, ¤@§§-,,¨¨¨
¨,-:§@¤¶## LIGHTS, OR ORNAMENTS, APART FROM A ##¶¤@§:-,¨
¨,-:§@¤¶## HELIPAD ON TOP. MOST FLOORS HAVE ##¶¤@§:-,¨
¨,-:§@¤¶## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##¶¤@§:-,¨
¨,-:@¤¶### ###¶¤@:-,¨
¨,-:§@¤¶## IN LATE EVENINGS, SHROUDED BY MALMö'S ##¶¤@§:-,¨
¨¨¨¨-:@@¶# SIGNATURE FOG ROLLING IN FROM THE SEA, #¶@@:-¨¨¨¨
¨,-:§@@¤¤¶ THE BUILDING COMES TO LIFE: IT MOVES ON ¶¤¤@@§:-,¨
¨¨¨¨,-::@¤ A THOUSAND ROBOTIC LEGS TO ANOTHER ¤@::-,¨¨¨¨
¨,-:§@¤¶## (SECRET) PART OF TOWN, OR PERHAPS OUT ##¶¤@§:-,¨
¨¨¨¨¨¨,:@¶ TO SEA. THIS SIGNALS A NEW AND MORE ¶@:,¨¨¨¨¨¨
¨,-:§@¤¶## VISCIOUS PHASE OF THE TAINARON ##¶¤@§:-,¨
¨¨¨,,-§§¤# ECOSYSTEM. #¤§§-,,¨¨¨
¨¨¨¨,:§§@¤ ¤@§§:,¨¨¨¨
¨¨¨¨¨¨-§¤¶ THE GUESTS ARRIVING DURING THE EARLY ¶¤§-¨¨¨¨¨¨
¨,-:§@¤¤¤¶ EVENING ARE TREATED TO FOOD AND DRINK, ¶¤¤¤@§:-,¨
¨,-:§@¤¶## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##¶¤@§:-,¨
¨¨¨,::@¤¶¶ COMFORTABLE BUT MAZE-LIKE INTERIOR ¶¶¤@::,¨¨¨
¨,-:§@¤¶## STRUCTURE (THE BUILDING FEATURES A ##¶¤@§:-,¨
¨,-:§@¤¶## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##¶¤@§:-,¨
¨,-:§@¤¶## PLACED SEEMINGLY AT RANDOM, NONE GOING ##¶¤@§:-,¨
¨¨¨¨,:@@¤¶ FURTHER THAN A FEW FLOORS). ¶¤@@:,¨¨¨¨
¨,-:§@¤¶¶¶ ¶¶¶¤@§:-,¨
¨,-:§@¤¶## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##¶¤@§:-,¨
¨,-:§@¤¶## UNTIL THE AIR INSIDE HAS TAKEN ON THE ##¶¤@§:-,¨
¨,-:§@¤¶## SAME QUALITY AS THE SURROUNDING MIST: ##¶¤@§:-,¨
¨¨¨,-::§@¶ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¶@§::-,¨¨¨
¨,,--§§§¤¶ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¶¤§§§--,,¨
¨,-:§@¤¶¶# IF YOU WOULD LOOK THROUGH THE WINDOWS #¶¶¤@§:-,¨
¨¨¨¨,--§¤¶ YOU WOULD SEE THE MIST ROLLING BY, AND ¶¤§--,¨¨¨¨
¨¨¨---:@¤¤ PERHAPS THE OUTLINE OF SOME OTHER ¤¤@:---¨¨¨
¨¨¨¨¨¨-§¤¤ BUILDING, FAR BELOW. ¤¤§-¨¨¨¨¨¨
¨,-:§@¤### ###¤@§:-,¨
¨,-:§@¤¶## DURING THE NIGHT, AFTER TAINARON HAS ##¶¤@§:-,¨
¨,-:@¤¶### STARTED MOVING, THE LOWER FLOORS ARE ###¶¤@:-,¨
¨,-:§@@@¤¤ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¤¤@@@§:-,¨
¨¨¨¨¨¨¨-§¤ THE GUESTS. FOOD IS NO LONGER SERVED, ¤§-¨¨¨¨¨¨¨
¨¨¨¨,-:@@¶ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¶@@:-,¨¨¨¨
¨¨¨,,:@¤¤¤ IT'S AT THIS POINT THAT THE SECOND SET ¤¤¤@:,,¨¨¨
¨,-:§@¤¶## OF GUEST ARRIVES, VIA HELICOPTER - ##¶¤@§:-,¨
¨,-:§@¤¶## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ##¶¤@§:-,¨
¨,-:§@¶### ###¶@§:-,¨
¨¨¨¨¨,:@@¤ ----- ¤@@:,¨¨¨¨¨
¨¨¨¨¨--§@¤ ¤@§--¨¨¨¨¨
¨,-:§@¤¶## IN MY DREAM I AM INVITED AS A FRIEND OF ##¶¤@§:-,¨
¨,-::§§§@¤ ONE OF THE SERVERS, AND THUS SAFE. WE ¤@§§§::-,¨
¨¨¨-::::§¤ SIT IN ONE OF THE LARGE WINDOWS, ¤§::::-¨¨¨
¨¨¨¨¨¨¨-§¤ LOOKING THROUGH THE MIST FOR ANY ¤§-¨¨¨¨¨¨¨
¨¨¨¨---:§¤ LANDMARKS TO PIERCE THROUGH THE MIST. ¤§:---¨¨¨¨
¨,--::§§@¶ SHE TELLS ME THAT APART FROM COMING AND ¶@§§::--,¨
¨¨¨¨¨¨,:@¤ GOING FROM WORK, SHE'S NEVER SEEN THE ¤@:,¨¨¨¨¨¨
¨,-:§@¤¶## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##¶¤@§:-,¨
¨,-:§@¤¤¤¶ ¶¤¤¤@§:-,¨
¨,-:§@¤### THE NEXT DAY I AM INVITED TO THE PUBLIC ###¤@§:-,¨
¨¨¨¨--§§¤# DEMONSTRATION OF THE EXOBUBBLE. #¤§§--¨¨¨¨
¨¨¨¨¨¨-§@¤ ¤@§-¨¨¨¨¨¨
¨,-:::§@¶¶ ¶¶@§:::-,¨
¨,-:§@¤¶## ##¶¤@§:-,¨
¨,-:§@¤¶¶# #¶¶¤@§:-,¨
¨,-:§@¤¶## ##¶¤@§:-,¨