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###¶@£%:~: THE SKYSCRAPER THAT MOVES :~:%£@¶###
##¶@£%:~:¨ ¨:~:%£@¶##
##¶@£%:~:¨ TAINARON IS A BUILDING OWNED AND ¨:~:%£@¶##
##¶@£%:~:¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨:~:%£@¶##
@@@£::::¨¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨¨::::£@@@
##¶@£%:~:¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨:~:%£@¶##
##¶@£%:~:¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨:~:%£@¶##
###¶@£%:~¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨~:%£@¶###
##¶@£%:~:¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨:~:%£@¶##
#¶@%%~¨¨¨¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨¨¨¨~%%@¶#
##¶@£%:~:¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨:~:%£@¶##
##¶@£%:~:¨ ¨:~:%£@¶##
##¶@£%:~:¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨:~:%£@¶##
#@@@£%:~:¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨:~:%£@@@#
@%::¨¨¨¨¨¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨¨¨¨¨¨::%@
#¶£%:::~:¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨:~:::%£¶#
¶¶@@£%:~:¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨:~:%£@@¶¶
###¶@£:~:¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨:~:£@¶###
@£££:~:¨¨¨ VISCIOUS PHASE OF THE TAINARON ¨¨¨:~:£££@
##¶@£%:~:¨ ECOSYSTEM. ¨:~:%£@¶##
#@££:~¨¨¨¨ ¨¨¨¨~:££@#
@%~¨¨¨¨¨¨¨ THE GUESTS ARRIVING DURING THE EARLY ¨¨¨¨¨¨¨~%@
##¶@£%:~:¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨:~:%£@¶##
##¶@£%:~:¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨:~:%£@¶##
@@@@£%:~:¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨:~:%£@@@@
##¶@£%:~:¨ STRUCTURE (THE BUILDING FEATURES A ¨:~:%£@¶##
##¶@£%:~:¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨:~:%£@¶##
##¶@£%:~:¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨:~:%£@¶##
##¶@£%:~:¨ FURTHER THAN A FEW FLOORS). ¨:~:%£@¶##
¶¶¶@£%:~:¨ ¨:~:%£@¶¶¶
#¶¶@£%:~:¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨:~:%£@¶¶#
##¶@£%:~:¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨:~:%£@¶##
###¶@£:~:¨ SAME QUALITY AS THE SURROUNDING MIST: ¨:~:£@¶###
##¶@£%:~:¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨:~:%£@¶##
¶@@%:~::¨¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨¨::~:%@@¶
##¶@£%:~:¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨:~:%£@¶##
##¶@£%:~:¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨:~:%£@¶##
#¶@%%::¨¨¨ PERHAPS THE OUTLINE OF SOME OTHER ¨¨¨::%%@¶#
#@£::~~~:¨ BUILDING, FAR BELOW. ¨:~~~::£@#
@%%~:¨¨¨¨¨ ¨¨¨¨¨:~%%@
¶£%~~~¨¨¨¨ DURING THE NIGHT, AFTER TAINARON HAS ¨¨¨¨~~~%£¶
¶££%~:¨¨¨¨ STARTED MOVING, THE LOWER FLOORS ARE ¨¨¨¨:~%££¶
@@@££%:~:¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨:~:%££@@@
@£:::¨¨¨¨¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨¨¨¨¨:::£@
¶£%%:::¨¨¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨¨¨:::%%£¶
#¶@£:~~~:¨ IT'S AT THIS POINT THAT THE SECOND SET ¨:~~~:£@¶#
##¶@£%:~:¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨:~:%£@¶##
¶¶@@£%:~:¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨:~:%£@@¶¶
¶¶@%:~:¨¨¨ ¨¨¨:~:%@¶¶
###¶@£:~:¨ ~~~~~ ¨:~:£@¶###
¶@@@£%:~:¨ ¨:~:%£@@@¶
@£::~¨¨¨¨¨ IN MY DREAM I AM INVITED AS A FRIEND OF ¨¨¨¨¨~::£@
¶£::¨¨¨¨¨¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨¨¨¨¨¨::£¶
##¶@£%:~:¨ SIT IN ONE OF THE LARGE WINDOWS, ¨:~:%£@¶##
##¶@£%:~:¨ LOOKING THROUGH THE MIST FOR ANY ¨:~:%£@¶##
##¶@£%:~:¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨:~:%£@¶##
¶@%%~~~¨¨¨ SHE TELLS ME THAT APART FROM COMING AND ¨¨¨~~~%%@¶
#@£%~:¨¨¨¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨¨¨¨:~%£@#
##¶@£%:~:¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨:~:%£@¶##
###¶@£%::¨ ¨::%£@¶###
##¶@£%:~:¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨:~:%£@¶##
##¶@£%:~:¨ DEMONSTRATION OF THE EXOBUBBLE. ¨:~:%£@¶##
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