¨¨¨¨.-:*$¤ ¤$*:-.¨¨¨¨
¨¨¨¨¨.-:*$ $*:-.¨¨¨¨¨
¨¨¨¨¨¨.-:* *:-.¨¨¨¨¨¨
¨¨¨¨¨.-:*$ $*:-.¨¨¨¨¨
¨¨¨¨.-:*$¤ ¤$*:-.¨¨¨¨
¨¨¨.-:*$¤¶ THE SKYSCRAPER THAT MOVES ¶¤$*:-.¨¨¨
¨¨.-:*$¤¶# #¶¤$*:-.¨¨
¨.-:*$¤¶## TAINARON IS A BUILDING OWNED AND ##¶¤$*:-.¨
¨¨.-:*$¤¶# OPERATED BY AMATA TEXNOLOGIYASI PLACED #¶¤$*:-.¨¨
¨¨¨.-:*$¤¶ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¶¤$*:-.¨¨¨
¨¨¨¨.-:*$¤ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¤$*:-.¨¨¨¨
¨¨¨¨¨.-:*$ UNKNOWN), DARK BLUE AND COMPLETELY $*:-.¨¨¨¨¨
¨¨¨¨¨¨.-:* RECTANGULAR. IT FEATURES NO SIGNS, *:-.¨¨¨¨¨¨
¨¨¨¨¨.-:*$ LIGHTS, OR ORNAMENTS, APART FROM A $*:-.¨¨¨¨¨
¨¨¨¨.-:*$¤ HELIPAD ON TOP. MOST FLOORS HAVE ¤$*:-.¨¨¨¨
¨¨¨.-:*$¤¶ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¶¤$*:-.¨¨¨
¨¨.-:*$¤¶# #¶¤$*:-.¨¨
¨.-:*$¤¶## IN LATE EVENINGS, SHROUDED BY MALMö'S ##¶¤$*:-.¨
¨¨.-:*$¤¶# SIGNATURE FOG ROLLING IN FROM THE SEA, #¶¤$*:-.¨¨
¨¨¨.-:*$¤¶ THE BUILDING COMES TO LIFE: IT MOVES ON ¶¤$*:-.¨¨¨
¨¨¨¨.-:*$¤ A THOUSAND ROBOTIC LEGS TO ANOTHER ¤$*:-.¨¨¨¨
¨¨¨¨¨.-:*$ (SECRET) PART OF TOWN, OR PERHAPS OUT $*:-.¨¨¨¨¨
¨¨¨¨¨¨.-:* TO SEA. THIS SIGNALS A NEW AND MORE *:-.¨¨¨¨¨¨
¨¨¨¨¨.-:*$ VISCIOUS PHASE OF THE TAINARON $*:-.¨¨¨¨¨
¨¨¨¨.-:*$¤ ECOSYSTEM. ¤$*:-.¨¨¨¨
¨¨¨.-:*$¤¶ ¶¤$*:-.¨¨¨
¨¨.-:*$¤¶# THE GUESTS ARRIVING DURING THE EARLY #¶¤$*:-.¨¨
¨.-:*$¤¶## EVENING ARE TREATED TO FOOD AND DRINK, ##¶¤$*:-.¨
¨¨.-:*$¤¶# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #¶¤$*:-.¨¨
¨¨¨.-:*$¤¶ COMFORTABLE BUT MAZE-LIKE INTERIOR ¶¤$*:-.¨¨¨
¨¨¨¨.-:*$¤ STRUCTURE (THE BUILDING FEATURES A ¤$*:-.¨¨¨¨
¨¨¨¨¨.-:*$ MULTITUDE OF STAIRWELLS AND ELEVATORS, $*:-.¨¨¨¨¨
¨¨¨¨¨¨.-:* PLACED SEEMINGLY AT RANDOM, NONE GOING *:-.¨¨¨¨¨¨
¨¨¨¨¨.-:*$ FURTHER THAN A FEW FLOORS). $*:-.¨¨¨¨¨
¨¨¨¨.-:*$¤ ¤$*:-.¨¨¨¨
¨¨¨.-:*$¤¶ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¶¤$*:-.¨¨¨
¨¨.-:*$¤¶# UNTIL THE AIR INSIDE HAS TAKEN ON THE #¶¤$*:-.¨¨
¨.-:*$¤¶## SAME QUALITY AS THE SURROUNDING MIST: ##¶¤$*:-.¨
¨¨.-:*$¤¶# BLUE-GRAY, SPRINKLED WITH THE SMALL RED #¶¤$*:-.¨¨
¨¨¨.-:*$¤¶ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¶¤$*:-.¨¨¨
¨¨¨¨.-:*$¤ IF YOU WOULD LOOK THROUGH THE WINDOWS ¤$*:-.¨¨¨¨
¨¨¨¨¨.-:*$ YOU WOULD SEE THE MIST ROLLING BY, AND $*:-.¨¨¨¨¨
¨¨¨¨¨¨.-:* PERHAPS THE OUTLINE OF SOME OTHER *:-.¨¨¨¨¨¨
¨¨¨¨¨.-:*$ BUILDING, FAR BELOW. $*:-.¨¨¨¨¨
¨¨¨¨.-:*$¤ ¤$*:-.¨¨¨¨
¨¨¨.-:*$¤¶ DURING THE NIGHT, AFTER TAINARON HAS ¶¤$*:-.¨¨¨
¨¨.-:*$¤¶# STARTED MOVING, THE LOWER FLOORS ARE #¶¤$*:-.¨¨
¨.-:*$¤¶## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##¶¤$*:-.¨
¨¨.-:*$¤¶# THE GUESTS. FOOD IS NO LONGER SERVED, #¶¤$*:-.¨¨
¨¨¨.-:*$¤¶ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¶¤$*:-.¨¨¨
¨¨¨¨.-:*$¤ IT'S AT THIS POINT THAT THE SECOND SET ¤$*:-.¨¨¨¨
¨¨¨¨¨.-:*$ OF GUEST ARRIVES, VIA HELICOPTER - $*:-.¨¨¨¨¨
¨¨¨¨¨¨.-:* AMATA TEXNOLOGIYASI AND THEIR FRIENDS. *:-.¨¨¨¨¨¨
¨¨¨¨¨.-:*$ $*:-.¨¨¨¨¨
¨¨¨¨.-:*$¤ ----- ¤$*:-.¨¨¨¨
¨¨¨.-:*$¤¶ ¶¤$*:-.¨¨¨
¨¨.-:*$¤¶# IN MY DREAM I AM INVITED AS A FRIEND OF #¶¤$*:-.¨¨
¨.-:*$¤¶## ONE OF THE SERVERS, AND THUS SAFE. WE ##¶¤$*:-.¨
¨¨.-:*$¤¶# SIT IN ONE OF THE LARGE WINDOWS, #¶¤$*:-.¨¨
¨¨¨.-:*$¤¶ LOOKING THROUGH THE MIST FOR ANY ¶¤$*:-.¨¨¨
¨¨¨¨.-:*$¤ LANDMARKS TO PIERCE THROUGH THE MIST. ¤$*:-.¨¨¨¨
¨¨¨¨¨.-:*$ SHE TELLS ME THAT APART FROM COMING AND $*:-.¨¨¨¨¨
¨¨¨¨¨¨.-:* GOING FROM WORK, SHE'S NEVER SEEN THE *:-.¨¨¨¨¨¨
¨¨¨¨¨.-:*$ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. $*:-.¨¨¨¨¨
¨¨¨¨.-:*$¤ ¤$*:-.¨¨¨¨
¨¨¨.-:*$¤¶ THE NEXT DAY I AM INVITED TO THE PUBLIC ¶¤$*:-.¨¨¨
¨¨.-:*$¤¶# DEMONSTRATION OF THE EXOBUBBLE. #¶¤$*:-.¨¨
¨.-:*$¤¶## ##¶¤$*:-.¨
¨¨.-:*$¤¶# #¶¤$*:-.¨¨
¨¨¨.-:*$¤¶ ¶¤$*:-.¨¨¨
¨¨¨¨.-:*$¤ ¤$*:-.¨¨¨¨
¨¨¨¨¨.-:*$ $*:-.¨¨¨¨¨