#£%=-.¨¨¨¨ ¨¨¨¨.-=%£#
£%=-.¨¨¨¨¨ ¨¨¨¨¨.-=%£
%=-.¨¨¨¨¨¨ ¨¨¨¨¨¨.-=%
=-.¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨.-=
-.¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨.-
.¨¨¨¨¨¨¨¨¨ THE SKYSCRAPER THAT MOVES ¨¨¨¨¨¨¨¨¨.
-.¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨.-
=-.¨¨¨¨¨¨¨ TAINARON IS A BUILDING OWNED AND ¨¨¨¨¨¨¨.-=
%=-.¨¨¨¨¨¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨¨¨¨¨¨.-=%
£%=-.¨¨¨¨¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨¨¨¨¨.-=%£
#£%=-.¨¨¨¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨¨¨¨.-=%£#
@#£%=-.¨¨¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨¨¨.-=%£#@
#@#£%=-.¨¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨¨.-=%£#@#
##@#£%=-.¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨.-=%£#@##
#@#£%=-.¨¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨¨.-=%£#@#
@#£%=-.¨¨¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨¨¨.-=%£#@
#£%=-.¨¨¨¨ ¨¨¨¨.-=%£#
£%=-.¨¨¨¨¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨¨¨¨¨.-=%£
%=-.¨¨¨¨¨¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨¨¨¨¨¨.-=%
=-.¨¨¨¨¨¨¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨¨¨¨¨¨¨.-=
-.¨¨¨¨¨¨¨¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨¨¨¨¨¨¨¨.-
.¨¨¨¨¨¨¨¨¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨¨¨¨¨¨¨¨¨.
-.¨¨¨¨¨¨¨¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨¨¨¨¨¨¨¨.-
=-.¨¨¨¨¨¨¨ VISCIOUS PHASE OF THE TAINARON ¨¨¨¨¨¨¨.-=
%=-.¨¨¨¨¨¨ ECOSYSTEM. ¨¨¨¨¨¨.-=%
£%=-.¨¨¨¨¨ ¨¨¨¨¨.-=%£
#£%=-.¨¨¨¨ THE GUESTS ARRIVING DURING THE EARLY ¨¨¨¨.-=%£#
@#£%=-.¨¨¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨¨¨.-=%£#@
#@#£%=-.¨¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨¨.-=%£#@#
##@#£%=-.¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨.-=%£#@##
#@#£%=-.¨¨ STRUCTURE (THE BUILDING FEATURES A ¨¨.-=%£#@#
@#£%=-.¨¨¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨¨¨.-=%£#@
#£%=-.¨¨¨¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨¨¨¨.-=%£#
£%=-.¨¨¨¨¨ FURTHER THAN A FEW FLOORS). ¨¨¨¨¨.-=%£
%=-.¨¨¨¨¨¨ ¨¨¨¨¨¨.-=%
=-.¨¨¨¨¨¨¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨¨¨¨¨¨¨.-=
-.¨¨¨¨¨¨¨¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨¨¨¨¨¨¨¨.-
.¨¨¨¨¨¨¨¨¨ SAME QUALITY AS THE SURROUNDING MIST: ¨¨¨¨¨¨¨¨¨.
-.¨¨¨¨¨¨¨¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨¨¨¨¨¨¨¨.-
=-.¨¨¨¨¨¨¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨¨¨¨¨¨¨.-=
%=-.¨¨¨¨¨¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨¨¨¨¨¨.-=%
£%=-.¨¨¨¨¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨¨¨¨¨.-=%£
#£%=-.¨¨¨¨ PERHAPS THE OUTLINE OF SOME OTHER ¨¨¨¨.-=%£#
@#£%=-.¨¨¨ BUILDING, FAR BELOW. ¨¨¨.-=%£#@
#@#£%=-.¨¨ ¨¨.-=%£#@#
##@#£%=-.¨ DURING THE NIGHT, AFTER TAINARON HAS ¨.-=%£#@##
#@#£%=-.¨¨ STARTED MOVING, THE LOWER FLOORS ARE ¨¨.-=%£#@#
@#£%=-.¨¨¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨¨¨.-=%£#@
#£%=-.¨¨¨¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨¨¨¨.-=%£#
£%=-.¨¨¨¨¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨¨¨¨¨.-=%£
%=-.¨¨¨¨¨¨ IT'S AT THIS POINT THAT THE SECOND SET ¨¨¨¨¨¨.-=%
=-.¨¨¨¨¨¨¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨¨¨¨¨¨¨.-=
-.¨¨¨¨¨¨¨¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨¨¨¨¨¨¨¨.-
.¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨.
-.¨¨¨¨¨¨¨¨ ----- ¨¨¨¨¨¨¨¨.-
=-.¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨.-=
%=-.¨¨¨¨¨¨ IN MY DREAM I AM INVITED AS A FRIEND OF ¨¨¨¨¨¨.-=%
£%=-.¨¨¨¨¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨¨¨¨¨.-=%£
#£%=-.¨¨¨¨ SIT IN ONE OF THE LARGE WINDOWS, ¨¨¨¨.-=%£#
@#£%=-.¨¨¨ LOOKING THROUGH THE MIST FOR ANY ¨¨¨.-=%£#@
#@#£%=-.¨¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨¨.-=%£#@#
##@#£%=-.¨ SHE TELLS ME THAT APART FROM COMING AND ¨.-=%£#@##
#@#£%=-.¨¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨¨.-=%£#@#
@#£%=-.¨¨¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨¨¨.-=%£#@
#£%=-.¨¨¨¨ ¨¨¨¨.-=%£#
£%=-.¨¨¨¨¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨¨¨¨¨.-=%£
%=-.¨¨¨¨¨¨ DEMONSTRATION OF THE EXOBUBBLE. ¨¨¨¨¨¨.-=%
=-.¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨.-=
-.¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨.-
.¨¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨¨.
-.¨¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨¨.-
=-.¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨.-=