.¤.......¤ ¤.....¤¤¤.
¤¤......¤. ¤....¤..¤.
.¤.....¤¤. ¤...¤¤.¤¤¤
¤¤....¤.¤. ¤..¤.¤¤..¤
.¤...¤¤¤¤¤ ¤.¤¤¤.¤.¤.
¤¤..¤....¤ THE SKYSCRAPER THAT MOVES ¤¤..¤¤¤¤¤.
.¤.¤¤...¤¤ .¤.¤....¤¤
¤¤¤.¤..¤.. TAINARON IS A BUILDING OWNED AND ¤¤¤¤...¤.¤
..¤¤¤.¤¤.. OPERATED BY AMATA TEXNOLOGIYASI PLACED ...¤..¤¤¤.
.¤..¤¤.¤.¤ CLOSED TO THE HARBOR IN MALMÖ. IT'S ..¤¤.¤..¤.
¤¤.¤.¤¤¤¤. ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER .¤.¤¤¤.¤¤.
.¤¤¤¤...¤¤ UNKNOWN), DARK BLUE AND COMPLETELY ¤¤¤..¤¤.¤¤
¤...¤..¤.¤ RECTANGULAR. IT FEATURES NO SIGNS, ..¤.¤.¤¤.¤
¤..¤¤.¤¤¤¤ LIGHTS, OR ORNAMENTS, APART FROM A .¤¤¤¤¤.¤¤.
¤.¤.¤¤.... HELIPAD ON TOP. MOST FLOORS HAVE ¤....¤¤.¤¤
¤¤¤¤.¤...¤ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¤...¤.¤¤..
...¤¤¤..¤¤ ¤..¤¤¤.¤.¤
..¤..¤.¤.. IN LATE EVENINGS, SHROUDED BY MALMö'S ¤.¤..¤¤¤¤¤
.¤¤.¤¤¤¤.. SIGNATURE FOG ROLLING IN FROM THE SEA, ¤¤¤.¤....¤
¤.¤¤...¤.¤ THE BUILDING COMES TO LIFE: IT MOVES ON ..¤¤¤...¤¤
¤¤.¤..¤¤¤. A THOUSAND ROBOTIC LEGS TO ANOTHER .¤..¤..¤..
.¤¤¤.¤..¤¤ (SECRET) PART OF TOWN, OR PERHAPS OUT ¤¤.¤¤.¤¤.¤
¤..¤¤¤.¤.¤ TO SEA. THIS SIGNALS A NEW AND MORE .¤¤.¤¤.¤¤¤
¤.¤..¤¤¤¤¤ VISCIOUS PHASE OF THE TAINARON ¤.¤¤.¤¤...
¤¤¤.¤....¤ ECOSYSTEM. ¤¤.¤¤.¤..¤
..¤¤¤...¤¤ .¤¤.¤¤¤.¤.
.¤..¤..¤.. THE GUESTS ARRIVING DURING THE EARLY ¤.¤¤..¤¤¤.
¤¤.¤¤.¤¤.¤ EVENING ARE TREATED TO FOOD AND DRINK, ¤¤.¤.¤..¤.
.¤¤.¤¤.¤¤¤ LIVE MUSIC, BEATUTIFUL VIEWS, AND A .¤¤¤¤¤.¤¤¤
¤.¤¤.¤¤... COMFORTABLE BUT MAZE-LIKE INTERIOR ¤....¤¤..¤
¤¤.¤¤.¤..¤ STRUCTURE (THE BUILDING FEATURES A ¤...¤.¤.¤.
.¤¤.¤¤¤.¤. MULTITUDE OF STAIRWELLS AND ELEVATORS, ¤..¤¤¤¤¤¤¤
¤.¤¤..¤¤¤¤ PLACED SEEMINGLY AT RANDOM, NONE GOING ¤.¤......¤
¤¤.¤.¤...¤ FURTHER THAN A FEW FLOORS). ¤¤¤.....¤.
.¤¤¤¤¤..¤. ..¤....¤¤¤
¤....¤.¤¤. AS TIME GOES ON, THE LIGHTS SLOWLY DIM, .¤¤...¤..¤
¤...¤¤¤.¤. UNTIL THE AIR INSIDE HAS TAKEN ON THE ¤.¤..¤¤.¤.
¤..¤..¤¤¤¤ SAME QUALITY AS THE SURROUNDING MIST: ¤¤¤.¤.¤¤¤¤
¤.¤¤.¤...¤ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ..¤¤¤¤....
¤¤.¤¤¤..¤. DOT'S BY DOOR LOCKS AND CONTROL PANELS. .¤...¤...¤
.¤¤..¤.¤¤¤ IF YOU WOULD LOOK THROUGH THE WINDOWS ¤¤..¤¤..¤.
¤.¤.¤¤¤... YOU WOULD SEE THE MIST ROLLING BY, AND .¤.¤.¤.¤¤.
¤¤¤¤..¤... PERHAPS THE OUTLINE OF SOME OTHER ¤¤¤¤¤¤¤.¤¤
...¤.¤¤..¤ BUILDING, FAR BELOW. ......¤¤..
..¤¤¤.¤.¤¤ .....¤.¤..
.¤..¤¤¤¤.¤ DURING THE NIGHT, AFTER TAINARON HAS ....¤¤¤¤..
¤¤.¤...¤¤. STARTED MOVING, THE LOWER FLOORS ARE ...¤...¤..
.¤¤¤..¤.¤¤ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ..¤¤..¤¤.¤
¤..¤.¤¤¤.¤ THE GUESTS. FOOD IS NO LONGER SERVED, .¤.¤.¤.¤¤¤
¤.¤¤¤..¤¤. BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¤¤¤¤¤¤¤...
¤¤..¤.¤.¤¤ IT'S AT THIS POINT THAT THE SECOND SET ......¤..¤
.¤.¤¤¤¤¤.. OF GUEST ARRIVES, VIA HELICOPTER - .....¤¤.¤.
¤¤¤....¤.¤ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ....¤.¤¤¤.
..¤...¤¤¤. ...¤¤¤..¤¤
.¤¤..¤..¤¤ ~~~~~ ..¤..¤.¤.¤
¤.¤.¤¤.¤.¤ .¤¤.¤¤¤¤¤¤
¤¤¤¤.¤¤¤¤. IN MY DREAM I AM INVITED AS A FRIEND OF ¤.¤¤......
...¤¤...¤¤ ONE OF THE SERVERS, AND THUS SAFE. WE ¤¤.¤.....¤
..¤.¤..¤.¤ SIT IN ONE OF THE LARGE WINDOWS, .¤¤¤....¤¤
.¤¤¤¤.¤¤¤. LOOKING THROUGH THE MIST FOR ANY ¤..¤...¤.¤
¤...¤¤..¤¤ LANDMARKS TO PIERCE THROUGH THE MIST. ¤.¤¤..¤¤¤¤
¤..¤.¤.¤.¤ SHE TELLS ME THAT APART FROM COMING AND ¤¤.¤.¤....
¤.¤¤¤¤¤¤¤. GOING FROM WORK, SHE'S NEVER SEEN THE .¤¤¤¤¤...¤
¤¤......¤. BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¤....¤..¤.
.¤.....¤¤. ¤...¤¤.¤¤¤
¤¤....¤.¤. THE NEXT DAY I AM INVITED TO THE PUBLIC ¤..¤.¤¤..¤
.¤...¤¤¤¤¤ DEMONSTRATION OF THE EXOBUBBLE. ¤.¤¤¤.¤.¤.
¤¤..¤....¤ ¤¤..¤¤¤¤¤.
.¤.¤¤...¤¤ .¤.¤....¤¤
¤¤¤.¤..¤.. ¤¤¤¤...¤.¤
..¤¤¤.¤¤.. ...¤..¤¤¤.
.¤..¤¤.¤.¤ ..¤¤.¤..¤.