##@£@=^-~, ,~-^=@£@##
###@£=^-~, ,~-^=£@###
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##@£@=^-~, ,~-^=@£@##
##@£@=^-~, ,~-^=@£@##
#@@£@=^-~, THE SKYSCRAPER THAT MOVES ,~-^=@£@@#
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##@£@=^-~, TAINARON IS A BUILDING OWNED AND ,~-^=@£@##
##@£@=^-~, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,~-^=@£@##
@@@=-,,,,, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,,,,,-=@@@
@@@=-,,,,, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,,,,,-=@@@
@@@==-,,,, UNKNOWN), DARK BLUE AND COMPLETELY ,,,,-==@@@
@££=^^-~~, RECTANGULAR. IT FEATURES NO SIGNS, ,~~-^^=££@
##@£@=^-~, LIGHTS, OR ORNAMENTS, APART FROM A ,~-^=@£@##
@@@=--~~,, HELIPAD ON TOP. MOST FLOORS HAVE ,,~~--=@@@
£@@==^^-~, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,~-^^==@@£
##@£@=^-~, ,~-^=@£@##
@@^^-~~,,, IN LATE EVENINGS, SHROUDED BY MALMö'S ,,,~~-^^@@
##@£@=^-~, SIGNATURE FOG ROLLING IN FROM THE SEA, ,~-^=@£@##
£@@@^^-,,, THE BUILDING COMES TO LIFE: IT MOVES ON ,,,-^^@@@£
##@£@=^-~, A THOUSAND ROBOTIC LEGS TO ANOTHER ,~-^=@£@##
###£@=^-~, (SECRET) PART OF TOWN, OR PERHAPS OUT ,~-^=@£###
##@£@=^-~, TO SEA. THIS SIGNALS A NEW AND MORE ,~-^=@£@##
###£@=^-~, VISCIOUS PHASE OF THE TAINARON ,~-^=@£###
##@£@=^-~, ECOSYSTEM. ,~-^=@£@##
##@£@=^-~, ,~-^=@£@##
@@@@^~,,,, THE GUESTS ARRIVING DURING THE EARLY ,,,,~^@@@@
##@£@=^-~, EVENING ARE TREATED TO FOOD AND DRINK, ,~-^=@£@##
@£@==^~~,, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,,~~^==@£@
###£@=^-~, COMFORTABLE BUT MAZE-LIKE INTERIOR ,~-^=@£###
£@^-,,,,,, STRUCTURE (THE BUILDING FEATURES A ,,,,,,-^@£
@@@^-,,,,, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,,,,,-^@@@
@£@=^-,,,, PLACED SEEMINGLY AT RANDOM, NONE GOING ,,,,-^=@£@
#@@£@=^-~, FURTHER THAN A FEW FLOORS). ,~-^=@£@@#
£==^-~~,,, ,,,~~-^==£
££=^^~~,,, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,,,~~^^=££
#@@@=---~, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,~---=@@@#
#£@^~,,,,, SAME QUALITY AS THE SURROUNDING MIST: ,,,,,~^@£#
@££@^~,,,, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,,,,~^@££@
#@££@=^-~, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,~-^=@££@#
##@£@=^-~, IF YOU WOULD LOOK THROUGH THE WINDOWS ,~-^=@£@##
#@@===^-~, YOU WOULD SEE THE MIST ROLLING BY, AND ,~-^===@@#
##@£@=^-~, PERHAPS THE OUTLINE OF SOME OTHER ,~-^=@£@##
##@£@=^-~, BUILDING, FAR BELOW. ,~-^=@£@##
@@@^^^~,,, ,,,~^^^@@@
##@£@=^-~, DURING THE NIGHT, AFTER TAINARON HAS ,~-^=@£@##
##@£@=^-~, STARTED MOVING, THE LOWER FLOORS ARE ,~-^=@£@##
##@£@=^-~, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,~-^=@£@##
###@£=^-~, THE GUESTS. FOOD IS NO LONGER SERVED, ,~-^=£@###
@@@£@=^-~, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,~-^=@£@@@
###@£@=^-~ IT'S AT THIS POINT THAT THE SECOND SET ~-^=@£@###
££@^~,,,,, OF GUEST ARRIVES, VIA HELICOPTER - ,,,,,~^@££
@£@@@=^-~, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,~-^=@@@£@
##@£@=^-~, ,~-^=@£@##
##@£@=^-~, ----- ,~-^=@£@##
##@£@=^-~, ,~-^=@£@##
@££==-,,,, IN MY DREAM I AM INVITED AS A FRIEND OF ,,,,-==££@
#@££@=^-~, ONE OF THE SERVERS, AND THUS SAFE. WE ,~-^=@££@#
##@£@=^-~, SIT IN ONE OF THE LARGE WINDOWS, ,~-^=@£@##
@@^~,,,,,, LOOKING THROUGH THE MIST FOR ANY ,,,,,,~^@@
##@£@=^-~, LANDMARKS TO PIERCE THROUGH THE MIST. ,~-^=@£@##
@@@=-~,,,, SHE TELLS ME THAT APART FROM COMING AND ,,,,~-=@@@
##@£@=^-~, GOING FROM WORK, SHE'S NEVER SEEN THE ,~-^=@£@##
#£=^^-,,,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,,,-^^=£#
££@^~~~~~, ,~~~~~^@££
##@£@=^-~, THE NEXT DAY I AM INVITED TO THE PUBLIC ,~-^=@£@##
@£@=-,,,,, DEMONSTRATION OF THE EXOBUBBLE. ,,,,,-=@£@
##@£@=^-~, ,~-^=@£@##
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