,^»^*$§£@# #@£§$*^»^,
^»^*$§£@## ##@£§$*^»^
,^»^*$§£@# #@£§$*^»^,
,,^»^*$§£@ @£§$*^»^,,
,,,^»^*$§£ £§$*^»^,,,
,,,,^»^*$§ THE SKYSCRAPER THAT MOVES §$*^»^,,,,
,,,,,^»^*$ $*^»^,,,,,
,,,,,,^»^* TAINARON IS A BUILDING OWNED AND *^»^,,,,,,
,,,,,^»^*$ OPERATED BY AMATA TEXNOLOGIYASI PLACED $*^»^,,,,,
,,,,^»^*$§ CLOSED TO THE HARBOR IN MALMÖ. IT'S §$*^»^,,,,
,,,^»^*$§£ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER £§$*^»^,,,
,,^»^*$§£@ UNKNOWN), DARK BLUE AND COMPLETELY @£§$*^»^,,
,^»^*$§£@# RECTANGULAR. IT FEATURES NO SIGNS, #@£§$*^»^,
^»^*$§£@## LIGHTS, OR ORNAMENTS, APART FROM A ##@£§$*^»^
,^»^*$§£@# HELIPAD ON TOP. MOST FLOORS HAVE #@£§$*^»^,
,,^»^*$§£@ EXTERIOR WALLS COMPLETELY MADE OF GLASS. @£§$*^»^,,
,,,^»^*$§£ £§$*^»^,,,
,,,,^»^*$§ IN LATE EVENINGS, SHROUDED BY MALMö'S §$*^»^,,,,
,,,,,^»^*$ SIGNATURE FOG ROLLING IN FROM THE SEA, $*^»^,,,,,
,,,,,,^»^* THE BUILDING COMES TO LIFE: IT MOVES ON *^»^,,,,,,
,,,,,^»^*$ A THOUSAND ROBOTIC LEGS TO ANOTHER $*^»^,,,,,
,,,,^»^*$§ (SECRET) PART OF TOWN, OR PERHAPS OUT §$*^»^,,,,
,,,^»^*$§£ TO SEA. THIS SIGNALS A NEW AND MORE £§$*^»^,,,
,,^»^*$§£@ VISCIOUS PHASE OF THE TAINARON @£§$*^»^,,
,^»^*$§£@# ECOSYSTEM. #@£§$*^»^,
^»^*$§£@## ##@£§$*^»^
,^»^*$§£@# THE GUESTS ARRIVING DURING THE EARLY #@£§$*^»^,
,,^»^*$§£@ EVENING ARE TREATED TO FOOD AND DRINK, @£§$*^»^,,
,,,^»^*$§£ LIVE MUSIC, BEATUTIFUL VIEWS, AND A £§$*^»^,,,
,,,,^»^*$§ COMFORTABLE BUT MAZE-LIKE INTERIOR §$*^»^,,,,
,,,,,^»^*$ STRUCTURE (THE BUILDING FEATURES A $*^»^,,,,,
,,,,,,^»^* MULTITUDE OF STAIRWELLS AND ELEVATORS, *^»^,,,,,,
,,,,,^»^*$ PLACED SEEMINGLY AT RANDOM, NONE GOING $*^»^,,,,,
,,,,^»^*$§ FURTHER THAN A FEW FLOORS). §$*^»^,,,,
,,,^»^*$§£ £§$*^»^,,,
,,^»^*$§£@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @£§$*^»^,,
,^»^*$§£@# UNTIL THE AIR INSIDE HAS TAKEN ON THE #@£§$*^»^,
^»^*$§£@## SAME QUALITY AS THE SURROUNDING MIST: ##@£§$*^»^
,^»^*$§£@# BLUE-GRAY, SPRINKLED WITH THE SMALL RED #@£§$*^»^,
,,^»^*$§£@ DOT'S BY DOOR LOCKS AND CONTROL PANELS. @£§$*^»^,,
,,,^»^*$§£ IF YOU WOULD LOOK THROUGH THE WINDOWS £§$*^»^,,,
,,,,^»^*$§ YOU WOULD SEE THE MIST ROLLING BY, AND §$*^»^,,,,
,,,,,^»^*$ PERHAPS THE OUTLINE OF SOME OTHER $*^»^,,,,,
,,,,,,^»^* BUILDING, FAR BELOW. *^»^,,,,,,
,,,,,^»^*$ $*^»^,,,,,
,,,,^»^*$§ DURING THE NIGHT, AFTER TAINARON HAS §$*^»^,,,,
,,,^»^*$§£ STARTED MOVING, THE LOWER FLOORS ARE £§$*^»^,,,
,,^»^*$§£@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @£§$*^»^,,
,^»^*$§£@# THE GUESTS. FOOD IS NO LONGER SERVED, #@£§$*^»^,
^»^*$§£@## BUT THE DRINKS BECOME MORE EXTRAVAGANT. ##@£§$*^»^
,^»^*$§£@# IT'S AT THIS POINT THAT THE SECOND SET #@£§$*^»^,
,,^»^*$§£@ OF GUEST ARRIVES, VIA HELICOPTER - @£§$*^»^,,
,,,^»^*$§£ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. £§$*^»^,,,
,,,,^»^*$§ §$*^»^,,,,
,,,,,^»^*$ »»»»» $*^»^,,,,,
,,,,,,^»^* *^»^,,,,,,
,,,,,^»^*$ IN MY DREAM I AM INVITED AS A FRIEND OF $*^»^,,,,,
,,,,^»^*$§ ONE OF THE SERVERS, AND THUS SAFE. WE §$*^»^,,,,
,,,^»^*$§£ SIT IN ONE OF THE LARGE WINDOWS, £§$*^»^,,,
,,^»^*$§£@ LOOKING THROUGH THE MIST FOR ANY @£§$*^»^,,
,^»^*$§£@# LANDMARKS TO PIERCE THROUGH THE MIST. #@£§$*^»^,
^»^*$§£@## SHE TELLS ME THAT APART FROM COMING AND ##@£§$*^»^
,^»^*$§£@# GOING FROM WORK, SHE'S NEVER SEEN THE #@£§$*^»^,
,,^»^*$§£@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @£§$*^»^,,
,,,^»^*$§£ £§$*^»^,,,
,,,,^»^*$§ THE NEXT DAY I AM INVITED TO THE PUBLIC §$*^»^,,,,
,,,,,^»^*$ DEMONSTRATION OF THE EXOBUBBLE. $*^»^,,,,,
,,,,,,^»^* *^»^,,,,,,
,,,,,^»^*$ $*^»^,,,,,
,,,,^»^*$§ §$*^»^,,,,
,,,^»^*$§£ £§$*^»^,,,
,,^»^*$§£@ @£§$*^»^,,