#@§§===,,, ,,,===§§@#
#@#@£§^=,, ,,=^§£@#@#
@@§§§=,,,, ,,,,=§§§@@
#@#@£§^=,, ,,=^§£@#@#
#@§=,,,,,, ,,,,,,=§@#
@@£^^^^=,, THE SKYSCRAPER THAT MOVES ,,=^^^^£@@
#£^,,,,,,, ,,,,,,,^£#
###@£§^=,, TAINARON IS A BUILDING OWNED AND ,,=^§£@###
@§^=,,,,,, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,,,,,,=^§@
##@#@£^=,, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,,=^£@#@##
#@#@£§^=,, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,,=^§£@#@#
#@#@£§^=,, UNKNOWN), DARK BLUE AND COMPLETELY ,,=^§£@#@#
##@@£§^=,, RECTANGULAR. IT FEATURES NO SIGNS, ,,=^§£@@##
@@#@£§^=,, LIGHTS, OR ORNAMENTS, APART FROM A ,,=^§£@#@@
#@§=,,,,,, HELIPAD ON TOP. MOST FLOORS HAVE ,,,,,,=§@#
###@£§^=,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,=^§£@###
#@#@£§^=,, ,,=^§£@#@#
@@#@£§^=,, IN LATE EVENINGS, SHROUDED BY MALMö'S ,,=^§£@#@@
#£^,,,,,,, SIGNATURE FOG ROLLING IN FROM THE SEA, ,,,,,,,^£#
#@#@£§^=,, THE BUILDING COMES TO LIFE: IT MOVES ON ,,=^§£@#@#
#@££^^^=,, A THOUSAND ROBOTIC LEGS TO ANOTHER ,,=^^^££@#
@£^,,,,,,, (SECRET) PART OF TOWN, OR PERHAPS OUT ,,,,,,,^£@
@@@§§§^=,, TO SEA. THIS SIGNALS A NEW AND MORE ,,=^§§§@@@
@@#@£§^=,, VISCIOUS PHASE OF THE TAINARON ,,=^§£@#@@
@@££§^,,,, ECOSYSTEM. ,,,,^§££@@
@££§^^^=,, ,,=^^^§££@
##@@£§^=,, THE GUESTS ARRIVING DURING THE EARLY ,,=^§£@@##
@@§§^=,,,, EVENING ARE TREATED TO FOOD AND DRINK, ,,,,=^§§@@
#££§=,,,,, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,,,,,=§££#
#@#@£§^=,, COMFORTABLE BUT MAZE-LIKE INTERIOR ,,=^§£@#@#
###@£§^=,, STRUCTURE (THE BUILDING FEATURES A ,,=^§£@###
###@£§^=,, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,,=^§£@###
#£§==,,,,, PLACED SEEMINGLY AT RANDOM, NONE GOING ,,,,,==§£#
###@£§^=,, FURTHER THAN A FEW FLOORS). ,,=^§£@###
@££^=,,,,, ,,,,,=^££@
#@#@£§^=,, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,,=^§£@#@#
#£^=,,,,,, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,,,,,,=^£#
#£££§^,,,, SAME QUALITY AS THE SURROUNDING MIST: ,,,,^§£££#
@§§^,,,,,, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,,,,,,^§§@
@@£§^=,,,, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,,,,=^§£@@
@@#@£§^=,, IF YOU WOULD LOOK THROUGH THE WINDOWS ,,=^§£@#@@
@@£^^==,,, YOU WOULD SEE THE MIST ROLLING BY, AND ,,,==^^£@@
###@£§^=,, PERHAPS THE OUTLINE OF SOME OTHER ,,=^§£@###
@##@£§^=,, BUILDING, FAR BELOW. ,,=^§£@##@
@@£§^,,,,, ,,,,,^§£@@
@@££^^^=,, DURING THE NIGHT, AFTER TAINARON HAS ,,=^^^££@@
##@@£§^=,, STARTED MOVING, THE LOWER FLOORS ARE ,,=^§£@@##
##@@£§^=,, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,,=^§£@@##
#@#@£§^=,, THE GUESTS. FOOD IS NO LONGER SERVED, ,,=^§£@#@#
##@§§§^=,, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,=^§§§@##
@§=,,,,,,, IT'S AT THIS POINT THAT THE SECOND SET ,,,,,,,=§@
###@£§^=,, OF GUEST ARRIVES, VIA HELICOPTER - ,,=^§£@###
##@#£§^=,, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,,=^§£#@##
#@@§=,,,,, ,,,,,=§@@#
###@£§^=,, ===== ,,=^§£@###
@§§=,,,,,, ,,,,,,=§§@
@@#@£§^=,, IN MY DREAM I AM INVITED AS A FRIEND OF ,,=^§£@#@@
#£§§^,,,,, ONE OF THE SERVERS, AND THUS SAFE. WE ,,,,,^§§£#
@#@@£§^=,, SIT IN ONE OF THE LARGE WINDOWS, ,,=^§£@@#@
@£^,,,,,,, LOOKING THROUGH THE MIST FOR ANY ,,,,,,,^£@
@@@@£§^=,, LANDMARKS TO PIERCE THROUGH THE MIST. ,,=^§£@@@@
###@£§^=,, SHE TELLS ME THAT APART FROM COMING AND ,,=^§£@###
#£^===,,,, GOING FROM WORK, SHE'S NEVER SEEN THE ,,,,===^£#
#@#@£§^=,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,=^§£@#@#
@@£§§==,,, ,,,==§§£@@
@§^^,,,,,, THE NEXT DAY I AM INVITED TO THE PUBLIC ,,,,,,^^§@
###@£§^=,, DEMONSTRATION OF THE EXOBUBBLE. ,,=^§£@###
@##@£§^=,, ,,=^§£@##@
#@#@£§^=,, ,,=^§£@#@#
###@£§^=,, ,,=^§£@###
@@§=,,,,,, ,,,,,,=§@@
@@@@£§^=,, ,,=^§£@@@@