,-»/$%#¶## ##¶#%$/»-,
,,,,,,-/$# #$/-,,,,,,
,-»/$$%#¶@ @¶#%$$/»-,
,-»/$%%##@ @##%%$/»-,
,-»////$%¶ ¶%$////»-,
,-»/$%##¶¶ THE SKYSCRAPER THAT MOVES ¶¶##%$/»-,
,,,,,-»$%¶ ¶%$»-,,,,,
,,,---//%# TAINARON IS A BUILDING OWNED AND #%//---,,,
,,,,,»»/%# OPERATED BY AMATA TEXNOLOGIYASI PLACED #%/»»,,,,,
,-»/$%#¶¶@ CLOSED TO THE HARBOR IN MALMÖ. IT'S @¶¶#%$/»-,
,,,,,»//%¶ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¶%//»,,,,,
,-»/$%#¶@# UNKNOWN), DARK BLUE AND COMPLETELY #@¶#%$/»-,
,-»/$%#¶@# RECTANGULAR. IT FEATURES NO SIGNS, #@¶#%$/»-,
,-»/$#¶@## LIGHTS, OR ORNAMENTS, APART FROM A ##@¶#$/»-,
,-»/$#¶@## HELIPAD ON TOP. MOST FLOORS HAVE ##@¶#$/»-,
,-»/$%###¶ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¶###%$/»-,
,-»/$%#¶¶¶ ¶¶¶#%$/»-,
,-»/$%#¶@# IN LATE EVENINGS, SHROUDED BY MALMö'S #@¶#%$/»-,
,,,,--//%¶ SIGNATURE FOG ROLLING IN FROM THE SEA, ¶%//--,,,,
,-»/$%#¶@# THE BUILDING COMES TO LIFE: IT MOVES ON #@¶#%$/»-,
,-»/$%#¶## A THOUSAND ROBOTIC LEGS TO ANOTHER ##¶#%$/»-,
,-»///%%#@ (SECRET) PART OF TOWN, OR PERHAPS OUT @#%%///»-,
,,---»$%%# TO SEA. THIS SIGNALS A NEW AND MORE #%%$»---,,
,-»/$%#¶@# VISCIOUS PHASE OF THE TAINARON #@¶#%$/»-,
,,,-»//%%¶ ECOSYSTEM. ¶%%//»-,,,
,-»/$%#¶@# #@¶#%$/»-,
,,-----»$# THE GUESTS ARRIVING DURING THE EARLY #$»-----,,
,,,,-»»$%# EVENING ARE TREATED TO FOOD AND DRINK, #%$»»-,,,,
,-»/$%#¶@# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #@¶#%$/»-,
,,,,,,»$%¶ COMFORTABLE BUT MAZE-LIKE INTERIOR ¶%$»,,,,,,
,-»/$%##¶¶ STRUCTURE (THE BUILDING FEATURES A ¶¶##%$/»-,
,-»/$%#¶## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##¶#%$/»-,
,-»/$%#¶¶@ PLACED SEEMINGLY AT RANDOM, NONE GOING @¶¶#%$/»-,
,,,,--»$%# FURTHER THAN A FEW FLOORS). #%$»--,,,,
,,---»/$%¶ ¶%$/»---,,
,-»/$%#¶@# AS TIME GOES ON, THE LIGHTS SLOWLY DIM, #@¶#%$/»-,
,-»/$%#@## UNTIL THE AIR INSIDE HAS TAKEN ON THE ##@#%$/»-,
,-»/$%#¶@# SAME QUALITY AS THE SURROUNDING MIST: #@¶#%$/»-,
,,,,,,»»$# BLUE-GRAY, SPRINKLED WITH THE SMALL RED #$»»,,,,,,
,-»/$%#¶¶@ DOT'S BY DOOR LOCKS AND CONTROL PANELS. @¶¶#%$/»-,
,-»/$%###¶ IF YOU WOULD LOOK THROUGH THE WINDOWS ¶###%$/»-,
,-»//$$$## YOU WOULD SEE THE MIST ROLLING BY, AND ##$$$//»-,
,-»/$%#¶@@ PERHAPS THE OUTLINE OF SOME OTHER @@¶#%$/»-,
,,,,,-//%¶ BUILDING, FAR BELOW. ¶%//-,,,,,
,-»/$%#¶@# #@¶#%$/»-,
,--»»»$$#¶ DURING THE NIGHT, AFTER TAINARON HAS ¶#$$»»»--,
,-»/$%#¶@# STARTED MOVING, THE LOWER FLOORS ARE #@¶#%$/»-,
,-»/$%#¶@# SHUT OFF, PREVENTING ENTRY OR EXIT FOR #@¶#%$/»-,
,,,,,-/%%# THE GUESTS. FOOD IS NO LONGER SERVED, #%%/-,,,,,
,,,,-/$#¶@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @¶#$/-,,,,
,-»/$%#¶¶@ IT'S AT THIS POINT THAT THE SECOND SET @¶¶#%$/»-,
,-»/$%#¶@# OF GUEST ARRIVES, VIA HELICOPTER - #@¶#%$/»-,
,,---»//%¶ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¶%//»---,,
,-»/$%#¶@# #@¶#%$/»-,
,---»/$%¶¶ »»»»» ¶¶%$/»---,
,-»/$%#¶¶¶ ¶¶¶#%$/»-,
,-»/$%#¶@# IN MY DREAM I AM INVITED AS A FRIEND OF #@¶#%$/»-,
,,,---»$#¶ ONE OF THE SERVERS, AND THUS SAFE. WE ¶#$»---,,,
,-»/$%#¶@# SIT IN ONE OF THE LARGE WINDOWS, #@¶#%$/»-,
,,,--//%%¶ LOOKING THROUGH THE MIST FOR ANY ¶%%//--,,,
,,----»$#@ LANDMARKS TO PIERCE THROUGH THE MIST. @#$»----,,
,-»/$$$$%# SHE TELLS ME THAT APART FROM COMING AND #%$$$$/»-,
,,---/%### GOING FROM WORK, SHE'S NEVER SEEN THE ###%/---,,
,,,,,,»$#@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @#$»,,,,,,
,-»/$%#¶@@ @@¶#%$/»-,
,-»»»$$$#¶ THE NEXT DAY I AM INVITED TO THE PUBLIC ¶#$$$»»»-,
,,,-»»$$$# DEMONSTRATION OF THE EXOBUBBLE. #$$$»»-,,,
,-»/$%%%%¶ ¶%%%%$/»-,
,,,,-/$$$# #$$$/-,,,,
,,,,-/$%## ##%$/-,,,,
,,,,,»/%¶¶ ¶¶%/»,,,,,
,-»/$%#@## ##@#%$/»-,