,^»^*$§£@#                                          #@£§$*^»^,
^»^*$§£@##                                          ##@£§$*^»^
,^»^*$§£@#                                          #@£§$*^»^,
,,^»^*$§£@                                          @£§$*^»^,,
,,,^»^*$§£                                          £§$*^»^,,,
,,,,^»^*$§         THE SKYSCRAPER THAT MOVES        §$*^»^,,,,
,,,,,^»^*$                                          $*^»^,,,,,
,,,,,,^»^* TAINARON  IS  A   BUILDING   OWNED   AND *^»^,,,,,,
,,,,,^»^*$  OPERATED BY AMATA TEXNOLOGIYASI PLACED  $*^»^,,,,,
,,,,^»^*$§ CLOSED  TO  THE  HARBOR  IN  MALMÖ. IT'S §$*^»^,,,,
,,,^»^*$§£ ROUGHLY SIXTY FLOORS  HIGH  (REAL NUMBER £§$*^»^,,,
,,^»^*$§£@    UNKNOWN), DARK BLUE AND COMPLETELY    @£§$*^»^,,
,^»^*$§£@#    RECTANGULAR. IT FEATURES NO SIGNS,    #@£§$*^»^,
^»^*$§£@## LIGHTS,  OR   ORNAMENTS,  APART  FROM  A ##@£§$*^»^
,^»^*$§£@# HELIPAD  ON   TOP.   MOST   FLOORS  HAVE #@£§$*^»^,
,,^»^*$§£@ EXTERIOR WALLS COMPLETELY MADE OF GLASS. @£§$*^»^,,
,,,^»^*$§£                                          £§$*^»^,,,
,,,,^»^*$§ IN  LATE  EVENINGS, SHROUDED BY  MALMö'S §$*^»^,,,,
,,,,,^»^*$ SIGNATURE  FOG ROLLING IN FROM THE  SEA, $*^»^,,,,,
,,,,,,^»^* THE BUILDING COMES TO LIFE: IT MOVES  ON *^»^,,,,,,
,,,,,^»^*$ A  THOUSAND   ROBOTIC  LEGS  TO  ANOTHER $*^»^,,,,,
,,,,^»^*$§ (SECRET) PART  OF  TOWN,  OR PERHAPS OUT §$*^»^,,,,
,,,^»^*$§£ TO  SEA. THIS  SIGNALS A  NEW  AND  MORE £§$*^»^,,,
,,^»^*$§£@      VISCIOUS PHASE OF THE TAINARON      @£§$*^»^,,
,^»^*$§£@#                ECOSYSTEM.                #@£§$*^»^,
^»^*$§£@##                                          ##@£§$*^»^
,^»^*$§£@# THE GUESTS  ARRIVING  DURING  THE  EARLY #@£§$*^»^,
,,^»^*$§£@ EVENING ARE TREATED TO FOOD  AND  DRINK, @£§$*^»^,,
,,,^»^*$§£ LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A £§$*^»^,,,
,,,,^»^*$§    COMFORTABLE BUT MAZE-LIKE INTERIOR    §$*^»^,,,,
,,,,,^»^*$    STRUCTURE (THE BUILDING FEATURES A    $*^»^,,,,,
,,,,,,^»^*  MULTITUDE OF STAIRWELLS AND ELEVATORS,  *^»^,,,,,,
,,,,,^»^*$ PLACED  SEEMINGLY AT  RANDOM, NONE GOING $*^»^,,,,,
,,,,^»^*$§       FURTHER THAN A FEW FLOORS).        §$*^»^,,,,
,,,^»^*$§£                                          £§$*^»^,,,
,,^»^*$§£@ AS TIME GOES ON, THE LIGHTS SLOWLY  DIM, @£§$*^»^,,
,^»^*$§£@# UNTIL  THE  AIR  INSIDE HAS TAKEN ON THE #@£§$*^»^,
^»^*$§£@## SAME  QUALITY AS THE  SURROUNDING  MIST: ##@£§$*^»^
,^»^*$§£@# BLUE-GRAY, SPRINKLED WITH THE  SMALL RED #@£§$*^»^,
,,^»^*$§£@ DOT'S BY  DOOR LOCKS AND CONTROL PANELS. @£§$*^»^,,
,,,^»^*$§£ IF  YOU WOULD  LOOK  THROUGH THE WINDOWS £§$*^»^,,,
,,,,^»^*$§ YOU WOULD  SEE  THE MIST ROLLING BY, AND §$*^»^,,,,
,,,,,^»^*$ PERHAPS  THE   OUTLINE   OF  SOME  OTHER $*^»^,,,,,
,,,,,,^»^*           BUILDING, FAR BELOW.           *^»^,,,,,,
,,,,,^»^*$                                          $*^»^,,,,,
,,,,^»^*$§ DURING  THE  NIGHT,  AFTER TAINARON  HAS §$*^»^,,,,
,,,^»^*$§£ STARTED  MOVING,  THE LOWER  FLOORS  ARE £§$*^»^,,,
,,^»^*$§£@ SHUT OFF, PREVENTING  ENTRY OR EXIT  FOR @£§$*^»^,,
,^»^*$§£@# THE  GUESTS. FOOD  IS  NO LONGER SERVED, #@£§$*^»^,
^»^*$§£@## BUT THE  DRINKS BECOME MORE EXTRAVAGANT. ##@£§$*^»^
,^»^*$§£@# IT'S AT THIS POINT THAT  THE  SECOND SET #@£§$*^»^,
,,^»^*$§£@ OF   GUEST  ARRIVES,  VIA  HELICOPTER  - @£§$*^»^,,
,,,^»^*$§£  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  £§$*^»^,,,
,,,,^»^*$§                                          §$*^»^,,,,
,,,,,^»^*$                   »»»»»                  $*^»^,,,,,
,,,,,,^»^*                                          *^»^,,,,,,
,,,,,^»^*$ IN MY DREAM I AM INVITED AS A  FRIEND OF $*^»^,,,,,
,,,,^»^*$§ ONE OF  THE  SERVERS, AND  THUS SAFE. WE §$*^»^,,,,
,,,^»^*$§£ SIT  IN  ONE  OF   THE  LARGE   WINDOWS, £§$*^»^,,,
,,^»^*$§£@ LOOKING   THROUGH  THE  MIST   FOR   ANY @£§$*^»^,,
,^»^*$§£@# LANDMARKS  TO PIERCE  THROUGH THE  MIST. #@£§$*^»^,
^»^*$§£@## SHE TELLS ME THAT APART FROM  COMING AND ##@£§$*^»^
,^»^*$§£@# GOING  FROM  WORK,  SHE'S NEVER SEEN THE #@£§$*^»^,
,,^»^*$§£@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @£§$*^»^,,
,,,^»^*$§£                                          £§$*^»^,,,
,,,,^»^*$§ THE NEXT DAY I AM INVITED TO THE  PUBLIC §$*^»^,,,,
,,,,,^»^*$      DEMONSTRATION OF THE EXOBUBBLE.     $*^»^,,,,,
,,,,,,^»^*                                          *^»^,,,,,,
,,,,,^»^*$                                          $*^»^,,,,,
,,,,^»^*$§                                          §$*^»^,,,,
,,,^»^*$§£                                          £§$*^»^,,,
,,^»^*$§£@                                          @£§$*^»^,,