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###§£$†»., THE SKYSCRAPER THAT MOVES ,.»†$£§###
#££$».,,,, ,,,,.»$££#
§$»,,,,,,, TAINARON IS A BUILDING OWNED AND ,,,,,,,»$§
###§£$†»., OPERATED BY AMATA TEXNOLOGIYASI PLACED ,.»†$£§###
###§£$†»., CLOSED TO THE HARBOR IN MALMÖ. IT'S ,.»†$£§###
###§£$†»., ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,.»†$£§###
§§§$»»»»., UNKNOWN), DARK BLUE AND COMPLETELY ,.»»»»$§§§
§§£†».,,,, RECTANGULAR. IT FEATURES NO SIGNS, ,,,,.»†£§§
###§£$†»., LIGHTS, OR ORNAMENTS, APART FROM A ,.»†$£§###
#§$».,,,,, HELIPAD ON TOP. MOST FLOORS HAVE ,,,,,.»$§#
#§$$»»..,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,..»»$$§#
##§§£$†»., ,.»†$£§§##
###§£$†»., IN LATE EVENINGS, SHROUDED BY MALMö'S ,.»†$£§###
###§£$†»., SIGNATURE FOG ROLLING IN FROM THE SEA, ,.»†$£§###
#§$$$$†»., THE BUILDING COMES TO LIFE: IT MOVES ON ,.»†$$$$§#
###§£$†»., A THOUSAND ROBOTIC LEGS TO ANOTHER ,.»†$£§###
§§£$†.,,,, (SECRET) PART OF TOWN, OR PERHAPS OUT ,,,,.†$£§§
###§£$†»., TO SEA. THIS SIGNALS A NEW AND MORE ,.»†$£§###
###§£$†»., VISCIOUS PHASE OF THE TAINARON ,.»†$£§###
####§£$†., ECOSYSTEM. ,.†$£§####
###§£$†»., ,.»†$£§###
#§$†.,,,,, THE GUESTS ARRIVING DURING THE EARLY ,,,,,.†$§#
###§£$†»., EVENING ARE TREATED TO FOOD AND DRINK, ,.»†$£§###
#§££$†»,,, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,,,»†$££§#
§££††»»,,, COMFORTABLE BUT MAZE-LIKE INTERIOR ,,,»»††££§
§£$»....,, STRUCTURE (THE BUILDING FEATURES A ,,....»$£§
####£$†»., MULTITUDE OF STAIRWELLS AND ELEVATORS, ,.»†$£####
###§£$†»., PLACED SEEMINGLY AT RANDOM, NONE GOING ,.»†$£§###
###§£$†»., FURTHER THAN A FEW FLOORS). ,.»†$£§###
#§§§£$†»., ,.»†$£§§§#
#§$$†..,,, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,,,..†$$§#
§$$†».,,,, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,,,,.»†$$§
§£†.,,,,,, SAME QUALITY AS THE SURROUNDING MIST: ,,,,,,.†£§
##£†»...,, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,,...»†£##
###§£$†»., DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,.»†$£§###
###§£$†»., IF YOU WOULD LOOK THROUGH THE WINDOWS ,.»†$£§###
###§£$†»., YOU WOULD SEE THE MIST ROLLING BY, AND ,.»†$£§###
####§$†»., PERHAPS THE OUTLINE OF SOME OTHER ,.»†$§####
###§£$†»., BUILDING, FAR BELOW. ,.»†$£§###
###§£$†»., ,.»†$£§###
§$».,,,,,, DURING THE NIGHT, AFTER TAINARON HAS ,,,,,,.»$§
###§£$†»., STARTED MOVING, THE LOWER FLOORS ARE ,.»†$£§###
###§£$†»., SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,.»†$£§###
###§£$†»., THE GUESTS. FOOD IS NO LONGER SERVED, ,.»†$£§###
#§$»»,,,,, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,,,,»»$§#
###§£$†»., IT'S AT THIS POINT THAT THE SECOND SET ,.»†$£§###
###§£$†»., OF GUEST ARRIVES, VIA HELICOPTER - ,.»†$£§###
§$††.,,,,, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,,,,,.††$§
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###§£$†»., IN MY DREAM I AM INVITED AS A FRIEND OF ,.»†$£§###
###§£$†»., ONE OF THE SERVERS, AND THUS SAFE. WE ,.»†$£§###
###§£$†»., SIT IN ONE OF THE LARGE WINDOWS, ,.»†$£§###
###§£$†»., LOOKING THROUGH THE MIST FOR ANY ,.»†$£§###
###§£$†»., LANDMARKS TO PIERCE THROUGH THE MIST. ,.»†$£§###
###§£$†»., SHE TELLS ME THAT APART FROM COMING AND ,.»†$£§###
§$†»,,,,,, GOING FROM WORK, SHE'S NEVER SEEN THE ,,,,,,»†$§
#§£†.,,,,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,,,,.†£§#
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###§£$†»., THE NEXT DAY I AM INVITED TO THE PUBLIC ,.»†$£§###
###§£$†»., DEMONSTRATION OF THE EXOBUBBLE. ,.»†$£§###
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