,^»^%§&¶## ##¶&§%^»^,
,,^»^%§&¶# #¶&§%^»^,,
,,,^»^%§&¶ ¶&§%^»^,,,
,,,,^»^%§& &§%^»^,,,,
,,,,,^»^%§ §%^»^,,,,,
,,,,^»^%§& THE SKYSCRAPER THAT MOVES &§%^»^,,,,
,,,^»^%§&¶ ¶&§%^»^,,,
,,^»^%§&¶# TAINARON IS A BUILDING OWNED AND #¶&§%^»^,,
,^»^%§&¶## OPERATED BY AMATA TEXNOLOGIYASI PLACED ##¶&§%^»^,
,,^»^%§&¶# CLOSED TO THE HARBOR IN MALMÖ. IT'S #¶&§%^»^,,
,,,^»^%§&¶ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¶&§%^»^,,,
,,,,^»^%§& UNKNOWN), DARK BLUE AND COMPLETELY &§%^»^,,,,
,,,,,^»^%§ RECTANGULAR. IT FEATURES NO SIGNS, §%^»^,,,,,
,,,,^»^%§& LIGHTS, OR ORNAMENTS, APART FROM A &§%^»^,,,,
,,,^»^%§&¶ HELIPAD ON TOP. MOST FLOORS HAVE ¶&§%^»^,,,
,,^»^%§&¶# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #¶&§%^»^,,
,^»^%§&¶## ##¶&§%^»^,
,,^»^%§&¶# IN LATE EVENINGS, SHROUDED BY MALMö'S #¶&§%^»^,,
,,,^»^%§&¶ SIGNATURE FOG ROLLING IN FROM THE SEA, ¶&§%^»^,,,
,,,,^»^%§& THE BUILDING COMES TO LIFE: IT MOVES ON &§%^»^,,,,
,,,,,^»^%§ A THOUSAND ROBOTIC LEGS TO ANOTHER §%^»^,,,,,
,,,,^»^%§& (SECRET) PART OF TOWN, OR PERHAPS OUT &§%^»^,,,,
,,,^»^%§&¶ TO SEA. THIS SIGNALS A NEW AND MORE ¶&§%^»^,,,
,,^»^%§&¶# VISCIOUS PHASE OF THE TAINARON #¶&§%^»^,,
,^»^%§&¶## ECOSYSTEM. ##¶&§%^»^,
,,^»^%§&¶# #¶&§%^»^,,
,,,^»^%§&¶ THE GUESTS ARRIVING DURING THE EARLY ¶&§%^»^,,,
,,,,^»^%§& EVENING ARE TREATED TO FOOD AND DRINK, &§%^»^,,,,
,,,,,^»^%§ LIVE MUSIC, BEATUTIFUL VIEWS, AND A §%^»^,,,,,
,,,,^»^%§& COMFORTABLE BUT MAZE-LIKE INTERIOR &§%^»^,,,,
,,,^»^%§&¶ STRUCTURE (THE BUILDING FEATURES A ¶&§%^»^,,,
,,^»^%§&¶# MULTITUDE OF STAIRWELLS AND ELEVATORS, #¶&§%^»^,,
,^»^%§&¶## PLACED SEEMINGLY AT RANDOM, NONE GOING ##¶&§%^»^,
,,^»^%§&¶# FURTHER THAN A FEW FLOORS). #¶&§%^»^,,
,,,^»^%§&¶ ¶&§%^»^,,,
,,,,^»^%§& AS TIME GOES ON, THE LIGHTS SLOWLY DIM, &§%^»^,,,,
,,,,,^»^%§ UNTIL THE AIR INSIDE HAS TAKEN ON THE §%^»^,,,,,
,,,,^»^%§& SAME QUALITY AS THE SURROUNDING MIST: &§%^»^,,,,
,,,^»^%§&¶ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¶&§%^»^,,,
,,^»^%§&¶# DOT'S BY DOOR LOCKS AND CONTROL PANELS. #¶&§%^»^,,
,^»^%§&¶## IF YOU WOULD LOOK THROUGH THE WINDOWS ##¶&§%^»^,
,,^»^%§&¶# YOU WOULD SEE THE MIST ROLLING BY, AND #¶&§%^»^,,
,,,^»^%§&¶ PERHAPS THE OUTLINE OF SOME OTHER ¶&§%^»^,,,
,,,,^»^%§& BUILDING, FAR BELOW. &§%^»^,,,,
,,,,,^»^%§ §%^»^,,,,,
,,,,^»^%§& DURING THE NIGHT, AFTER TAINARON HAS &§%^»^,,,,
,,,^»^%§&¶ STARTED MOVING, THE LOWER FLOORS ARE ¶&§%^»^,,,
,,^»^%§&¶# SHUT OFF, PREVENTING ENTRY OR EXIT FOR #¶&§%^»^,,
,^»^%§&¶## THE GUESTS. FOOD IS NO LONGER SERVED, ##¶&§%^»^,
,,^»^%§&¶# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #¶&§%^»^,,
,,,^»^%§&¶ IT'S AT THIS POINT THAT THE SECOND SET ¶&§%^»^,,,
,,,,^»^%§& OF GUEST ARRIVES, VIA HELICOPTER - &§%^»^,,,,
,,,,,^»^%§ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. §%^»^,,,,,
,,,,^»^%§& &§%^»^,,,,
,,,^»^%§&¶ »»»»» ¶&§%^»^,,,
,,^»^%§&¶# #¶&§%^»^,,
,^»^%§&¶## IN MY DREAM I AM INVITED AS A FRIEND OF ##¶&§%^»^,
,,^»^%§&¶# ONE OF THE SERVERS, AND THUS SAFE. WE #¶&§%^»^,,
,,,^»^%§&¶ SIT IN ONE OF THE LARGE WINDOWS, ¶&§%^»^,,,
,,,,^»^%§& LOOKING THROUGH THE MIST FOR ANY &§%^»^,,,,
,,,,,^»^%§ LANDMARKS TO PIERCE THROUGH THE MIST. §%^»^,,,,,
,,,,^»^%§& SHE TELLS ME THAT APART FROM COMING AND &§%^»^,,,,
,,,^»^%§&¶ GOING FROM WORK, SHE'S NEVER SEEN THE ¶&§%^»^,,,
,,^»^%§&¶# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #¶&§%^»^,,
,^»^%§&¶## ##¶&§%^»^,
,,^»^%§&¶# THE NEXT DAY I AM INVITED TO THE PUBLIC #¶&§%^»^,,
,,,^»^%§&¶ DEMONSTRATION OF THE EXOBUBBLE. ¶&§%^»^,,,
,,,,^»^%§& &§%^»^,,,,
,,,,,^»^%§ §%^»^,,,,,
,,,,^»^%§& &§%^»^,,,,
,,,^»^%§&¶ ¶&§%^»^,,,
,,^»^%§&¶# #¶&§%^»^,,