.~~\^&¤### ###¤&^\~~.
..~~\^&¤## ##¤&^\~~..
...~~\^&¤# #¤&^\~~...
....~~\^&¤ ¤&^\~~....
.....~~\^& &^\~~.....
....~~\^&¤ THE SKYSCRAPER THAT MOVES ¤&^\~~....
...~~\^&¤# #¤&^\~~...
..~~\^&¤## TAINARON IS A BUILDING OWNED AND ##¤&^\~~..
.~~\^&¤### OPERATED BY AMATA TEXNOLOGIYASI PLACED ###¤&^\~~.
..~~\^&¤## CLOSED TO THE HARBOR IN MALMÖ. IT'S ##¤&^\~~..
...~~\^&¤# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #¤&^\~~...
....~~\^&¤ UNKNOWN), DARK BLUE AND COMPLETELY ¤&^\~~....
.....~~\^& RECTANGULAR. IT FEATURES NO SIGNS, &^\~~.....
....~~\^&¤ LIGHTS, OR ORNAMENTS, APART FROM A ¤&^\~~....
...~~\^&¤# HELIPAD ON TOP. MOST FLOORS HAVE #¤&^\~~...
..~~\^&¤## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##¤&^\~~..
.~~\^&¤### ###¤&^\~~.
..~~\^&¤## IN LATE EVENINGS, SHROUDED BY MALMö'S ##¤&^\~~..
...~~\^&¤# SIGNATURE FOG ROLLING IN FROM THE SEA, #¤&^\~~...
....~~\^&¤ THE BUILDING COMES TO LIFE: IT MOVES ON ¤&^\~~....
.....~~\^& A THOUSAND ROBOTIC LEGS TO ANOTHER &^\~~.....
....~~\^&¤ (SECRET) PART OF TOWN, OR PERHAPS OUT ¤&^\~~....
...~~\^&¤# TO SEA. THIS SIGNALS A NEW AND MORE #¤&^\~~...
..~~\^&¤## VISCIOUS PHASE OF THE TAINARON ##¤&^\~~..
.~~\^&¤### ECOSYSTEM. ###¤&^\~~.
..~~\^&¤## ##¤&^\~~..
...~~\^&¤# THE GUESTS ARRIVING DURING THE EARLY #¤&^\~~...
....~~\^&¤ EVENING ARE TREATED TO FOOD AND DRINK, ¤&^\~~....
.....~~\^& LIVE MUSIC, BEATUTIFUL VIEWS, AND A &^\~~.....
....~~\^&¤ COMFORTABLE BUT MAZE-LIKE INTERIOR ¤&^\~~....
...~~\^&¤# STRUCTURE (THE BUILDING FEATURES A #¤&^\~~...
..~~\^&¤## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##¤&^\~~..
.~~\^&¤### PLACED SEEMINGLY AT RANDOM, NONE GOING ###¤&^\~~.
..~~\^&¤## FURTHER THAN A FEW FLOORS). ##¤&^\~~..
...~~\^&¤# #¤&^\~~...
....~~\^&¤ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¤&^\~~....
.....~~\^& UNTIL THE AIR INSIDE HAS TAKEN ON THE &^\~~.....
....~~\^&¤ SAME QUALITY AS THE SURROUNDING MIST: ¤&^\~~....
...~~\^&¤# BLUE-GRAY, SPRINKLED WITH THE SMALL RED #¤&^\~~...
..~~\^&¤## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##¤&^\~~..
.~~\^&¤### IF YOU WOULD LOOK THROUGH THE WINDOWS ###¤&^\~~.
..~~\^&¤## YOU WOULD SEE THE MIST ROLLING BY, AND ##¤&^\~~..
...~~\^&¤# PERHAPS THE OUTLINE OF SOME OTHER #¤&^\~~...
....~~\^&¤ BUILDING, FAR BELOW. ¤&^\~~....
.....~~\^& &^\~~.....
....~~\^&¤ DURING THE NIGHT, AFTER TAINARON HAS ¤&^\~~....
...~~\^&¤# STARTED MOVING, THE LOWER FLOORS ARE #¤&^\~~...
..~~\^&¤## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##¤&^\~~..
.~~\^&¤### THE GUESTS. FOOD IS NO LONGER SERVED, ###¤&^\~~.
..~~\^&¤## BUT THE DRINKS BECOME MORE EXTRAVAGANT. ##¤&^\~~..
...~~\^&¤# IT'S AT THIS POINT THAT THE SECOND SET #¤&^\~~...
....~~\^&¤ OF GUEST ARRIVES, VIA HELICOPTER - ¤&^\~~....
.....~~\^& AMATA TEXNOLOGIYASI AND THEIR FRIENDS. &^\~~.....
....~~\^&¤ ¤&^\~~....
...~~\^&¤# ~~~~~ #¤&^\~~...
..~~\^&¤## ##¤&^\~~..
.~~\^&¤### IN MY DREAM I AM INVITED AS A FRIEND OF ###¤&^\~~.
..~~\^&¤## ONE OF THE SERVERS, AND THUS SAFE. WE ##¤&^\~~..
...~~\^&¤# SIT IN ONE OF THE LARGE WINDOWS, #¤&^\~~...
....~~\^&¤ LOOKING THROUGH THE MIST FOR ANY ¤&^\~~....
.....~~\^& LANDMARKS TO PIERCE THROUGH THE MIST. &^\~~.....
....~~\^&¤ SHE TELLS ME THAT APART FROM COMING AND ¤&^\~~....
...~~\^&¤# GOING FROM WORK, SHE'S NEVER SEEN THE #¤&^\~~...
..~~\^&¤## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##¤&^\~~..
.~~\^&¤### ###¤&^\~~.
..~~\^&¤## THE NEXT DAY I AM INVITED TO THE PUBLIC ##¤&^\~~..
...~~\^&¤# DEMONSTRATION OF THE EXOBUBBLE. #¤&^\~~...
....~~\^&¤ ¤&^\~~....
.....~~\^& &^\~~.....
....~~\^&¤ ¤&^\~~....
...~~\^&¤# #¤&^\~~...
..~~\^&¤## ##¤&^\~~..