¨§¨§§§¨§§§ ¨¨§§¨¨¨¨¨¨
§§§¨¨§§¨¨¨ ¨§¨§¨¨¨¨¨¨
¨¨§¨§¨§¨¨¨ §§§§¨¨¨¨¨§
¨§§§§§§¨¨§ ¨¨¨§¨¨¨¨§§
§¨¨¨¨¨§¨§¨ ¨¨§§¨¨¨§¨§
§¨¨¨¨§§§§§ THE SKYSCRAPER THAT MOVES ¨§¨§¨¨§§§¨
§¨¨¨§¨¨¨¨§ §§§§¨§¨¨§§
§¨¨§§¨¨¨§§ TAINARON IS A BUILDING OWNED AND ¨¨¨§§§¨§¨¨
§¨§¨§¨¨§¨¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨¨§¨¨§§§¨§
§§§§§¨§§¨¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨§§¨§¨¨§§¨
¨¨¨¨§§¨§¨§ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER §¨§§§¨§¨§§
¨¨¨§¨§§§§§ UNKNOWN), DARK BLUE AND COMPLETELY §§¨¨§§§§¨§
¨¨§§§¨¨¨¨§ RECTANGULAR. IT FEATURES NO SIGNS, ¨§¨§¨¨¨§§§
¨§¨¨§¨¨¨§§ LIGHTS, OR ORNAMENTS, APART FROM A §§§§¨¨§¨¨§
§§¨§§¨¨§¨¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨¨¨§¨§§¨§§
¨§§¨§¨§§¨¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨¨§§§¨§§¨¨
§¨§§§§¨§¨¨ ¨§¨¨§§¨§¨¨
§§¨¨¨§§§¨¨ IN LATE EVENINGS, SHROUDED BY MALMö'S §§¨§¨§§§¨§
¨§¨¨§¨¨§¨§ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨§§§§¨¨§§¨
§§¨§§¨§§§¨ THE BUILDING COMES TO LIFE: IT MOVES ON §¨¨¨§¨§¨§¨
¨§§¨§§¨¨§¨ A THOUSAND ROBOTIC LEGS TO ANOTHER §¨¨§§§§§§§
§¨§§¨§¨§§§ (SECRET) PART OF TOWN, OR PERHAPS OUT §¨§¨¨¨¨¨¨§
§§¨§§§§¨¨§ TO SEA. THIS SIGNALS A NEW AND MORE §§§¨¨¨¨¨§¨
¨§§¨¨¨§¨§¨ VISCIOUS PHASE OF THE TAINARON ¨¨§¨¨¨¨§§§
§¨§¨¨§§§§¨ ECOSYSTEM. ¨§§¨¨¨§¨¨§
§§§¨§¨¨¨§¨ §¨§¨¨§§¨§¨
¨¨§§§¨¨§§¨ THE GUESTS ARRIVING DURING THE EARLY §§§¨§¨§§§§
¨§¨¨§¨§¨§§ EVENING ARE TREATED TO FOOD AND DRINK, ¨¨§§§§¨¨¨§
§§¨§§§§§¨¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨§¨¨¨§¨¨§§
¨§§¨¨¨¨§¨¨ COMFORTABLE BUT MAZE-LIKE INTERIOR §§¨¨§§¨§¨¨
§¨§¨¨¨§§¨§ STRUCTURE (THE BUILDING FEATURES A ¨§¨§¨§§§¨¨
§§§¨¨§¨§§¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, §§§§§¨¨§¨§
¨¨§¨§§§¨§¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨¨¨¨§¨§§§¨
¨§§§¨¨§§§¨ FURTHER THAN A FEW FLOORS). ¨¨¨§§§¨¨§¨
§¨¨§¨§¨¨§§ ¨¨§¨¨§¨§§¨
§¨§§§§¨§¨§ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨§§¨§§§¨§§
§§¨¨¨§§§§§ UNTIL THE AIR INSIDE HAS TAKEN ON THE §¨§§¨¨§§¨¨
¨§¨¨§¨¨¨¨§ SAME QUALITY AS THE SURROUNDING MIST: §§¨§¨§¨§¨§
§§¨§§¨¨¨§§ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨§§§§§§§§§
¨§§¨§¨¨§¨¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. §¨¨¨¨¨¨¨¨¨
§¨§§§¨§§¨§ IF YOU WOULD LOOK THROUGH THE WINDOWS §¨¨¨¨¨¨¨¨¨
§§¨¨§§¨§§¨ YOU WOULD SEE THE MIST ROLLING BY, AND §¨¨¨¨¨¨¨¨§
¨§¨§¨§§¨§§ PERHAPS THE OUTLINE OF SOME OTHER §¨¨¨¨¨¨¨§¨
§§§§§¨§§¨¨ BUILDING, FAR BELOW. §¨¨¨¨¨¨§§¨
¨¨¨¨§§¨§¨¨ §¨¨¨¨¨§¨§§
¨¨¨§¨§§§¨¨ DURING THE NIGHT, AFTER TAINARON HAS §¨¨¨¨§§§¨§
¨¨§§§¨¨§¨¨ STARTED MOVING, THE LOWER FLOORS ARE §¨¨¨§¨¨§§§
¨§¨¨§¨§§¨¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR §¨¨§§¨§¨¨§
§§¨§§§¨§¨§ THE GUESTS. FOOD IS NO LONGER SERVED, §¨§¨§§§¨§§
¨§§¨¨§§§§¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. §§§§¨¨§§¨¨
§¨§¨§¨¨¨§¨ IT'S AT THIS POINT THAT THE SECOND SET ¨¨¨§¨§¨§¨¨
§§§§§¨¨§§¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨¨§§§§§§¨§
¨¨¨¨§¨§¨§§ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨§¨¨¨¨¨§§¨
¨¨¨§§§§§¨§ §§¨¨¨¨§¨§¨
¨¨§¨¨¨¨§§¨ ===== ¨§¨¨¨§§§§¨
¨§§¨¨¨§¨§¨ §§¨¨§¨¨¨§¨
§¨§¨¨§§§§¨ IN MY DREAM I AM INVITED AS A FRIEND OF ¨§¨§§¨¨§§¨
§§§¨§¨¨¨§¨ ONE OF THE SERVERS, AND THUS SAFE. WE §§§¨§¨§¨§§
¨¨§§§¨¨§§¨ SIT IN ONE OF THE LARGE WINDOWS, ¨¨§§§§§§¨¨
¨§¨¨§¨§¨§§ LOOKING THROUGH THE MIST FOR ANY ¨§¨¨¨¨¨§¨¨
§§¨§§§§§¨§ LANDMARKS TO PIERCE THROUGH THE MIST. §§¨¨¨¨§§¨¨
¨§§¨¨¨¨§§§ SHE TELLS ME THAT APART FROM COMING AND ¨§¨¨¨§¨§¨§
§¨§¨¨¨§¨¨¨ GOING FROM WORK, SHE'S NEVER SEEN THE §§¨¨§§§§§§
§§§¨¨§§¨¨¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨§¨§¨¨¨¨¨¨
¨¨§¨§¨§¨¨¨ §§§§¨¨¨¨¨§
¨§§§§§§¨¨§ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨¨¨§¨¨¨¨§§
§¨¨¨¨¨§¨§¨ DEMONSTRATION OF THE EXOBUBBLE. ¨¨§§¨¨¨§¨§
§¨¨¨¨§§§§§ ¨§¨§¨¨§§§¨
§¨¨¨§¨¨¨¨§ §§§§¨§¨¨§§
§¨¨§§¨¨¨§§ ¨¨¨§§§¨§¨¨
§¨§¨§¨¨§¨¨ ¨¨§¨¨§§§¨§
§§§§§¨§§¨¨ ¨§§¨§¨¨§§¨