...--«**£# #£**«--...
.-«*%£#### ####£%*«-.
.-«*%£#### ####£%*«-.
.-«*%£#### ####£%*«-.
.-«*%£#### ####£%*«-.
.-«*%£#### THE SKYSCRAPER THAT MOVES ####£%*«-.
....-«%%## ##%%«-....
.--««*%£## TAINARON IS A BUILDING OWNED AND ##£%*««--.
.-«*%£££## OPERATED BY AMATA TEXNOLOGIYASI PLACED ##£££%*«-.
.-«*%£#### CLOSED TO THE HARBOR IN MALMÖ. IT'S ####£%*«-.
...--**£## ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ##£**--...
....--«%## UNKNOWN), DARK BLUE AND COMPLETELY ##%«--....
.-«*%£#### RECTANGULAR. IT FEATURES NO SIGNS, ####£%*«-.
....-*%%## LIGHTS, OR ORNAMENTS, APART FROM A ##%%*-....
.-«*%£#### HELIPAD ON TOP. MOST FLOORS HAVE ####£%*«-.
.-«*%£#### EXTERIOR WALLS COMPLETELY MADE OF GLASS. ####£%*«-.
.-«*%£#### ####£%*«-.
.-«*%£#### IN LATE EVENINGS, SHROUDED BY MALMö'S ####£%*«-.
....-«%%## SIGNATURE FOG ROLLING IN FROM THE SEA, ##%%«-....
......«*%# THE BUILDING COMES TO LIFE: IT MOVES ON #%*«......
......-«%# A THOUSAND ROBOTIC LEGS TO ANOTHER #%«-......
.-«*%£#### (SECRET) PART OF TOWN, OR PERHAPS OUT ####£%*«-.
.-«*%£#### TO SEA. THIS SIGNALS A NEW AND MORE ####£%*«-.
.-«*%£#### VISCIOUS PHASE OF THE TAINARON ####£%*«-.
.-«*%£#### ECOSYSTEM. ####£%*«-.
.-«*%£#### ####£%*«-.
....-«%%## THE GUESTS ARRIVING DURING THE EARLY ##%%«-....
..-«*%£### EVENING ARE TREATED TO FOOD AND DRINK, ###£%*«-..
-«*%£##### LIVE MUSIC, BEATUTIFUL VIEWS, AND A #####£%*«-
.-«*%£#### COMFORTABLE BUT MAZE-LIKE INTERIOR ####£%*«-.
.-«*%£#### STRUCTURE (THE BUILDING FEATURES A ####£%*«-.
.-«*%£#### MULTITUDE OF STAIRWELLS AND ELEVATORS, ####£%*«-.
.-«*%£#### PLACED SEEMINGLY AT RANDOM, NONE GOING ####£%*«-.
.-«*%£#### FURTHER THAN A FEW FLOORS). ####£%*«-.
.-«*%£#### ####£%*«-.
.-«*%££### AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ###££%*«-.
.-«*%£#### UNTIL THE AIR INSIDE HAS TAKEN ON THE ####£%*«-.
.-«*%£#### SAME QUALITY AS THE SURROUNDING MIST: ####£%*«-.
.-«*%£#### BLUE-GRAY, SPRINKLED WITH THE SMALL RED ####£%*«-.
.-«*%£#### DOT'S BY DOOR LOCKS AND CONTROL PANELS. ####£%*«-.
.-«««««*£# IF YOU WOULD LOOK THROUGH THE WINDOWS #£*«««««-.
....-««*%# YOU WOULD SEE THE MIST ROLLING BY, AND #%*««-....
.-«*%£#### PERHAPS THE OUTLINE OF SOME OTHER ####£%*«-.
...-««%££# BUILDING, FAR BELOW. #££%««-...
.....-*%%# #%%*-.....
.-«*%£#### DURING THE NIGHT, AFTER TAINARON HAS ####£%*«-.
.-«*%£#### STARTED MOVING, THE LOWER FLOORS ARE ####£%*«-.
.-«*%£#### SHUT OFF, PREVENTING ENTRY OR EXIT FOR ####£%*«-.
...---«%## THE GUESTS. FOOD IS NO LONGER SERVED, ##%«---...
...--«%### BUT THE DRINKS BECOME MORE EXTRAVAGANT. ###%«--...
.-«*%£#### IT'S AT THIS POINT THAT THE SECOND SET ####£%*«-.
.-«*%£#### OF GUEST ARRIVES, VIA HELICOPTER - ####£%*«-.
......-«%# AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #%«-......
.-«*%£#### ####£%*«-.
.-«*%£#### ««««« ####£%*«-.
.-«*%£#### ####£%*«-.
....--«%## IN MY DREAM I AM INVITED AS A FRIEND OF ##%«--....
.-«*%£#### ONE OF THE SERVERS, AND THUS SAFE. WE ####£%*«-.
.-«*%£#### SIT IN ONE OF THE LARGE WINDOWS, ####£%*«-.
..-«««*%## LOOKING THROUGH THE MIST FOR ANY ##%*«««-..
.-«*%£#### LANDMARKS TO PIERCE THROUGH THE MIST. ####£%*«-.
....««%### SHE TELLS ME THAT APART FROM COMING AND ###%««....
....«**£## GOING FROM WORK, SHE'S NEVER SEEN THE ##£**«....
.-«*%£#### BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ####£%*«-.
.-«*%£#### ####£%*«-.
.....«*££# THE NEXT DAY I AM INVITED TO THE PUBLIC #££*«.....
.-«*%£#### DEMONSTRATION OF THE EXOBUBBLE. ####£%*«-.
.-«*%£#### ####£%*«-.
...-««««%# #%««««-...
....--«%## ##%«--....
....«**%%# #%%**«....
.-«*%£#### ####£%*«-.