¨-~:^%%%@@ @@%%%^:~-¨
¨¨¨--~^^^¤ ¤^^^~--¨¨¨
¨-~:^%¤@@@ @@@¤%^:~-¨
¨-~~:^%%¤¤ ¤¤%%^:~~-¨
¨-~:^%¤@@@ @@@¤%^:~-¨
¨-:^%¤@@## THE SKYSCRAPER THAT MOVES ##@@¤%^:-¨
¨-~:^%¤@@@ @@@¤%^:~-¨
¨-~:^%%%¤@ TAINARON IS A BUILDING OWNED AND @¤%%%^:~-¨
¨-~:::^%¤@ OPERATED BY AMATA TEXNOLOGIYASI PLACED @¤%^:::~-¨
¨-~:^%¤@@# CLOSED TO THE HARBOR IN MALMÖ. IT'S #@@¤%^:~-¨
¨-~:^%¤@@# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #@@¤%^:~-¨
¨-~:^%¤@## UNKNOWN), DARK BLUE AND COMPLETELY ##@¤%^:~-¨
¨¨¨¨-:%%%@ RECTANGULAR. IT FEATURES NO SIGNS, @%%%:-¨¨¨¨
¨-~:^%¤@@# LIGHTS, OR ORNAMENTS, APART FROM A #@@¤%^:~-¨
¨-~:^^%¤¤@ HELIPAD ON TOP. MOST FLOORS HAVE @¤¤%^^:~-¨
¨-~~~~^%¤¤ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¤¤%^~~~~-¨
¨-~:^%¤@@# #@@¤%^:~-¨
¨¨¨¨¨¨-:%@ IN LATE EVENINGS, SHROUDED BY MALMö'S @%:-¨¨¨¨¨¨
¨-~:^%¤@## SIGNATURE FOG ROLLING IN FROM THE SEA, ##@¤%^:~-¨
¨-~:^%¤@@# THE BUILDING COMES TO LIFE: IT MOVES ON #@@¤%^:~-¨
¨-~:^%¤@## A THOUSAND ROBOTIC LEGS TO ANOTHER ##@¤%^:~-¨
¨¨¨¨--~:%@ (SECRET) PART OF TOWN, OR PERHAPS OUT @%:~--¨¨¨¨
¨¨¨¨-::%%¤ TO SEA. THIS SIGNALS A NEW AND MORE ¤%%::-¨¨¨¨
¨-~:^%¤@@# VISCIOUS PHASE OF THE TAINARON #@@¤%^:~-¨
¨-~~~~^^¤¤ ECOSYSTEM. ¤¤^^~~~~-¨
¨-~:^%%%%¤ ¤%%%%^:~-¨
¨-~:^%¤¤¤¤ THE GUESTS ARRIVING DURING THE EARLY ¤¤¤¤%^:~-¨
¨¨¨¨-:^%%@ EVENING ARE TREATED TO FOOD AND DRINK, @%%^:-¨¨¨¨
¨-~:^%¤@## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##@¤%^:~-¨
¨¨¨¨¨~:^¤@ COMFORTABLE BUT MAZE-LIKE INTERIOR @¤^:~¨¨¨¨¨
¨-~:^%¤@## STRUCTURE (THE BUILDING FEATURES A ##@¤%^:~-¨
¨-~:^%¤@@# MULTITUDE OF STAIRWELLS AND ELEVATORS, #@@¤%^:~-¨
¨-~:^%¤@@@ PLACED SEEMINGLY AT RANDOM, NONE GOING @@@¤%^:~-¨
¨¨¨-::::^¤ FURTHER THAN A FEW FLOORS). ¤^::::-¨¨¨
¨¨¨~:::%@@ @@%:::~¨¨¨
¨¨¨-~^%%¤¤ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¤¤%%^~-¨¨¨
¨-~:^%¤@@# UNTIL THE AIR INSIDE HAS TAKEN ON THE #@@¤%^:~-¨
¨-~:^%¤@## SAME QUALITY AS THE SURROUNDING MIST: ##@¤%^:~-¨
¨-~:^¤@@## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##@@¤^:~-¨
¨-~:^%¤@@# DOT'S BY DOOR LOCKS AND CONTROL PANELS. #@@¤%^:~-¨
¨-~:^%¤@@@ IF YOU WOULD LOOK THROUGH THE WINDOWS @@@¤%^:~-¨
¨¨¨-~^%%¤@ YOU WOULD SEE THE MIST ROLLING BY, AND @¤%%^~-¨¨¨
¨-~~~~~:^¤ PERHAPS THE OUTLINE OF SOME OTHER ¤^:~~~~~-¨
¨-~:^%¤@## BUILDING, FAR BELOW. ##@¤%^:~-¨
¨-~:^%¤@@@ @@@¤%^:~-¨
¨----~:^¤@ DURING THE NIGHT, AFTER TAINARON HAS @¤^:~----¨
¨-~:::::%@ STARTED MOVING, THE LOWER FLOORS ARE @%:::::~-¨
¨-~^%¤@@## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##@@¤%^~-¨
¨-~:^%¤@@@ THE GUESTS. FOOD IS NO LONGER SERVED, @@@¤%^:~-¨
¨¨¨¨¨¨-:%@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @%:-¨¨¨¨¨¨
¨¨¨--::^^¤ IT'S AT THIS POINT THAT THE SECOND SET ¤^^::--¨¨¨
¨-~:^%¤@## OF GUEST ARRIVES, VIA HELICOPTER - ##@¤%^:~-¨
¨-~:^%¤@@# AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #@@¤%^:~-¨
¨-~:^%¤@@# #@@¤%^:~-¨
¨-~:^%¤@@# ~~~~~ #@@¤%^:~-¨
¨-~:^%¤@@# #@@¤%^:~-¨
¨-~:^%¤@@# IN MY DREAM I AM INVITED AS A FRIEND OF #@@¤%^:~-¨
¨¨¨-~~~^¤@ ONE OF THE SERVERS, AND THUS SAFE. WE @¤^~~~-¨¨¨
¨-~:^%¤@@# SIT IN ONE OF THE LARGE WINDOWS, #@@¤%^:~-¨
¨¨---~:^%@ LOOKING THROUGH THE MIST FOR ANY @%^:~---¨¨
¨-~:^%¤@@@ LANDMARKS TO PIERCE THROUGH THE MIST. @@@¤%^:~-¨
¨¨¨¨-:^%¤@ SHE TELLS ME THAT APART FROM COMING AND @¤%^:-¨¨¨¨
¨-~:^%¤@@# GOING FROM WORK, SHE'S NEVER SEEN THE #@@¤%^:~-¨
¨-~:^%¤@@@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @@@¤%^:~-¨
¨-~:^%¤@@@ @@@¤%^:~-¨
¨¨¨¨¨¨-:%¤ THE NEXT DAY I AM INVITED TO THE PUBLIC ¤%:-¨¨¨¨¨¨
¨-~:^%¤@## DEMONSTRATION OF THE EXOBUBBLE. ##@¤%^:~-¨
¨¨¨--~~~^¤ ¤^~~~--¨¨¨
¨-~:^%¤@@# #@@¤%^:~-¨
¨-~:^%¤@@# #@@¤%^:~-¨
¨¨¨¨--:^%¤ ¤%^:--¨¨¨¨
¨-~:^%%¤¤@ @¤¤%%^:~-¨