§§¨¨§¨¨¨¨§ §§¨¨§¨§§§¨
¨§¨§§¨¨¨§¨ ¨§¨§§§¨¨§§
§§§¨§¨¨§§§ §§§¨¨§¨§¨§
¨¨§§§¨§¨¨§ ¨¨§¨§§§§§¨
¨§¨¨§§§¨§¨ ¨§§§¨¨¨¨§¨
§§¨§¨¨§§§§ THE SKYSCRAPER THAT MOVES §¨¨§¨¨¨§§¨
¨§§§¨§¨¨¨§ §¨§§¨¨§¨§§
§¨¨§§§¨¨§§ TAINARON IS A BUILDING OWNED AND §§¨§¨§§§¨§
§¨§¨¨§¨§¨¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨§§§§¨¨§§¨
§§§¨§§§§¨§ CLOSED TO THE HARBOR IN MALMÖ. IT'S §¨¨¨§¨§¨§§
¨¨§§¨¨¨§§¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER §¨¨§§§§§¨¨
¨§¨§¨¨§¨§§ UNKNOWN), DARK BLUE AND COMPLETELY §¨§¨¨¨¨§¨¨
§§§§¨§§§¨§ RECTANGULAR. IT FEATURES NO SIGNS, §§§¨¨¨§§¨¨
¨¨¨§§¨¨§§§ LIGHTS, OR ORNAMENTS, APART FROM A ¨¨§¨¨§¨§¨§
¨¨§¨§¨§¨¨§ HELIPAD ON TOP. MOST FLOORS HAVE ¨§§¨§§§§§§
¨§§§§§§¨§¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. §¨§§¨¨¨¨¨§
§¨¨¨¨¨§§§¨ §§¨§¨¨¨¨§§
§¨¨¨¨§¨¨§§ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨§§§¨¨¨§¨¨
§¨¨¨§§¨§¨¨ SIGNATURE FOG ROLLING IN FROM THE SEA, §¨¨§¨¨§§¨§
§¨¨§¨§§§¨¨ THE BUILDING COMES TO LIFE: IT MOVES ON §¨§§¨§¨§§¨
§¨§§§¨¨§¨¨ A THOUSAND ROBOTIC LEGS TO ANOTHER §§¨§§§§¨§§
§§¨¨§¨§§¨§ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨§§¨¨¨§§¨¨
¨§¨§§§¨§§¨ TO SEA. THIS SIGNALS A NEW AND MORE §¨§¨¨§¨§¨§
§§§¨¨§§¨§¨ VISCIOUS PHASE OF THE TAINARON §§§¨§§§§§§
¨¨§¨§¨§§§§ ECOSYSTEM. ¨¨§§¨¨¨¨¨¨
¨§§§§§¨¨¨§ ¨§¨§¨¨¨¨¨¨
§¨¨¨¨§¨¨§¨ THE GUESTS ARRIVING DURING THE EARLY §§§§¨¨¨¨¨¨
§¨¨¨§§¨§§¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨¨¨§¨¨¨¨¨§
§¨¨§¨§§¨§¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨¨§§¨¨¨¨§¨
§¨§§§¨§§§§ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨§¨§¨¨¨§§§
§§¨¨§§¨¨¨§ STRUCTURE (THE BUILDING FEATURES A §§§§¨¨§¨¨¨
¨§¨§¨§¨¨§§ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨¨¨§¨§§¨¨§
§§§§§§¨§¨¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨¨§§§¨§¨§§
¨¨¨¨¨§§§¨§ FURTHER THAN A FEW FLOORS). ¨§¨¨§§§§¨¨
¨¨¨¨§¨¨§§§ §§¨§¨¨¨§¨¨
¨¨¨§§¨§¨¨¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨§§§¨¨§§¨¨
¨¨§¨§§§¨¨¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE §¨¨§¨§¨§¨¨
¨§§§¨¨§¨¨§ SAME QUALITY AS THE SURROUNDING MIST: §¨§§§§§§¨¨
§¨¨§¨§§¨§¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED §§¨¨¨¨¨§¨¨
§¨§§§¨§§§§ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨§¨¨¨¨§§¨§
§§¨¨§§¨¨¨¨ IF YOU WOULD LOOK THROUGH THE WINDOWS §§¨¨¨§¨§§¨
¨§¨§¨§¨¨¨§ YOU WOULD SEE THE MIST ROLLING BY, AND ¨§¨¨§§§¨§§
§§§§§§¨¨§¨ PERHAPS THE OUTLINE OF SOME OTHER §§¨§¨¨§§¨§
¨¨¨¨¨§¨§§§ BUILDING, FAR BELOW. ¨§§§¨§¨§§¨
¨¨¨¨§§§¨¨§ §¨¨§§§§¨§¨
¨¨¨§¨¨§¨§§ DURING THE NIGHT, AFTER TAINARON HAS §¨§¨¨¨§§§¨
¨¨§§¨§§§¨§ STARTED MOVING, THE LOWER FLOORS ARE §§§¨¨§¨¨§¨
¨§¨§§¨¨§§§ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨¨§¨§§¨§§¨
§§§¨§¨§¨¨§ THE GUESTS. FOOD IS NO LONGER SERVED, ¨§§§¨§§¨§¨
¨¨§§§§§¨§§ BUT THE DRINKS BECOME MORE EXTRAVAGANT. §¨¨§§¨§§§§
¨§¨¨¨¨§§¨§ IT'S AT THIS POINT THAT THE SECOND SET §¨§¨§§¨¨¨§
§§¨¨¨§¨§§¨ OF GUEST ARRIVES, VIA HELICOPTER - §§§§¨§¨¨§§
¨§¨¨§§§¨§¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨¨¨§§§¨§¨¨
§§¨§¨¨§§§§ ¨¨§¨¨§§§¨¨
¨§§§¨§¨¨¨§ ~~~~~ ¨§§¨§¨¨§¨§
§¨¨§§§¨¨§§ §¨§§§¨§§§§
§¨§¨¨§¨§¨§ IN MY DREAM I AM INVITED AS A FRIEND OF §§¨¨§§¨¨¨¨
§§§¨§§§§§§ ONE OF THE SERVERS, AND THUS SAFE. WE ¨§¨§¨§¨¨¨§
¨¨§§¨¨¨¨¨§ SIT IN ONE OF THE LARGE WINDOWS, §§§§§§¨¨§¨
¨§¨§¨¨¨¨§¨ LOOKING THROUGH THE MIST FOR ANY ¨¨¨¨¨§¨§§¨
§§§§¨¨¨§§¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨¨¨¨§§§¨§¨
¨¨¨§¨¨§¨§¨ SHE TELLS ME THAT APART FROM COMING AND ¨¨¨§¨¨§§§§
¨¨§§¨§§§§¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨¨§§¨§¨¨¨§
¨§¨§§¨¨¨§¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨§¨§§§¨¨§§
§§§¨§¨¨§§§ §§§¨¨§¨§¨§
¨¨§§§¨§¨¨§ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨¨§¨§§§§§¨
¨§¨¨§§§¨§¨ DEMONSTRATION OF THE EXOBUBBLE. ¨§§§¨¨¨¨§¨
§§¨§¨¨§§§§ §¨¨§¨¨¨§§¨
¨§§§¨§¨¨¨§ §¨§§¨¨§¨§§
§¨¨§§§¨¨§§ §§¨§¨§§§¨§
§¨§¨¨§¨§¨¨ ¨§§§§¨¨§§¨
§§§¨§§§§¨§ §¨¨¨§¨§¨§§