..^^^«*%&¶                                          ¶&%*«^^^..
.^«/*%&¶##                                          ##¶&%*/«^.
.^«/*%&¶##                                          ##¶&%*/«^.
.^«/*%&¶##                                          ##¶&%*/«^.
.....«/*&¶                                          ¶&*/«.....
.....^«*%¶         THE SKYSCRAPER THAT MOVES        ¶%*«^.....
.^«/*%&¶¶#                                          #¶¶&%*/«^.
.^«/*%&¶## TAINARON   IS   A  BUILDING   OWNED  AND ##¶&%*/«^.
.^«/*%&¶¶#  OPERATED BY AMATA TEXNOLOGIYASI PLACED  #¶¶&%*/«^.
.^«/*%&### CLOSED  TO THE  HARBOR  IN  MALMÖ.  IT'S ###&%*/«^.
.^«/*%&¶¶# ROUGHLY  SIXTY FLOORS HIGH  (REAL NUMBER #¶¶&%*/«^.
.^«/*%&¶##    UNKNOWN), DARK BLUE AND COMPLETELY    ##¶&%*/«^.
....^«/%&#    RECTANGULAR. IT FEATURES NO SIGNS,    #&%/«^....
.^«/*%&¶## LIGHTS,   OR  ORNAMENTS,  APART  FROM  A ##¶&%*/«^.
.^«/*%&¶## HELIPAD  ON   TOP.   MOST   FLOORS  HAVE ##¶&%*/«^.
.^«/*%%%&# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #&%%%*/«^.
.^«/*%&¶##                                          ##¶&%*/«^.
.^«/*%&¶## IN  LATE  EVENINGS, SHROUDED BY  MALMö'S ##¶&%*/«^.
.^«/***%%& SIGNATURE  FOG ROLLING IN  FROM THE SEA, &%%***/«^.
.....^«/*& THE BUILDING COMES TO  LIFE: IT MOVES ON &*/«^.....
.^^«//*%%& A   THOUSAND  ROBOTIC  LEGS  TO  ANOTHER &%%*//«^^.
.^««//%&&¶ (SECRET)  PART OF  TOWN,  OR PERHAPS OUT ¶&&%//««^.
.^^«///%&# TO  SEA.  THIS  SIGNALS  A NEW  AND MORE #&%///«^^.
.^«/*%&¶##      VISCIOUS PHASE OF THE TAINARON      ##¶&%*/«^.
.^«/*%¶###                ECOSYSTEM.                ###¶%*/«^.
.^«/*%&¶##                                          ##¶&%*/«^.
.^«/*%&¶## THE  GUESTS  ARRIVING  DURING  THE EARLY ##¶&%*/«^.
.^«/*%&¶## EVENING  ARE TREATED TO FOOD  AND DRINK, ##¶&%*/«^.
.^«/*%&&¶¶ LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A ¶¶&&%*/«^.
.^«/*%&¶##    COMFORTABLE BUT MAZE-LIKE INTERIOR    ##¶&%*/«^.
.^«/*%&¶¶#    STRUCTURE (THE BUILDING FEATURES A    #¶¶&%*/«^.
.^««««**%&  MULTITUDE OF STAIRWELLS AND ELEVATORS,  &%**««««^.
.^^«/***&¶ PLACED  SEEMINGLY AT RANDOM,  NONE GOING ¶&***/«^^.
.^«/*%&¶##       FURTHER THAN A FEW FLOORS).        ##¶&%*/«^.
.^«/*%¶###                                          ###¶%*/«^.
.^«/*%&¶## AS TIME  GOES ON, THE LIGHTS SLOWLY DIM, ##¶&%*/«^.
.^«/*%&¶## UNTIL THE AIR INSIDE  HAS  TAKEN  ON THE ##¶&%*/«^.
.^«/*%&¶## SAME  QUALITY  AS  THE SURROUNDING MIST: ##¶&%*/«^.
.^«/**%%&¶ BLUE-GRAY, SPRINKLED WITH  THE SMALL RED ¶&%%**/«^.
.^«/*%&&&& DOT'S BY DOOR LOCKS AND  CONTROL PANELS. &&&&%*/«^.
......«*&& IF  YOU WOULD  LOOK THROUGH  THE WINDOWS &&*«......
.....^«*&# YOU  WOULD SEE THE MIST ROLLING BY,  AND #&*«^.....
.^«/*%¶### PERHAPS   THE  OUTLINE  OF  SOME   OTHER ###¶%*/«^.
.^«/*%&¶¶¶           BUILDING, FAR BELOW.           ¶¶¶&%*/«^.
.^«/*%&¶##                                          ##¶&%*/«^.
.^«/*%&¶¶# DURING THE  NIGHT,  AFTER  TAINARON  HAS #¶¶&%*/«^.
.^«/*%&¶## STARTED  MOVING, THE  LOWER  FLOORS  ARE ##¶&%*/«^.
.^«/*%&¶## SHUT OFF,  PREVENTING ENTRY  OR EXIT FOR ##¶&%*/«^.
.^«/*%&¶## THE GUESTS. FOOD IS  NO  LONGER  SERVED, ##¶&%*/«^.
.^«/*%&¶¶¶ BUT THE  DRINKS BECOME MORE EXTRAVAGANT. ¶¶¶&%*/«^.
.^«/*&¶### IT'S AT  THIS POINT THAT  THE SECOND SET ###¶&*/«^.
.^«/*%&¶## OF  GUEST   ARRIVES,  VIA  HELICOPTER  - ##¶&%*/«^.
.^«/*%&¶##  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  ##¶&%*/«^.
.^«/**%%&¶                                          ¶&%%**/«^.
......««*&                  «««««                   &*««......
.^«/*%&¶##                                          ##¶&%*/«^.
.^«/*%&¶¶¶ IN MY DREAM I  AM INVITED AS A FRIEND OF ¶¶¶&%*/«^.
..^^«/***& ONE OF  THE  SERVERS,  AND THUS SAFE. WE &***/«^^..
.^«/*%&### SIT  IN  ONE  OF  THE   LARGE   WINDOWS, ###&%*/«^.
.^«/*%&¶## LOOKING  THROUGH   THE   MIST   FOR  ANY ##¶&%*/«^.
.^«/*%&¶## LANDMARKS  TO PIERCE  THROUGH THE  MIST. ##¶&%*/«^.
.^«/*%&¶¶¶ SHE TELLS ME  THAT APART FROM COMING AND ¶¶¶&%*/«^.
.^«/*%&¶## GOING FROM WORK,  SHE'S  NEVER  SEEN THE ##¶&%*/«^.
.^«/*%&¶## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##¶&%*/«^.
...«//%%&¶                                          ¶&%%//«...
.^«/*%&¶## THE NEXT DAY I AM INVITED  TO THE PUBLIC ##¶&%*/«^.
.^«/*%&¶##     DEMONSTRATION OF THE EXOBUBBLE.      ##¶&%*/«^.
.^/*%&¶###                                          ###¶&%*/^.
.^«/*%&¶##                                          ##¶&%*/«^.
..^«««/*%&                                          &%*/«««^..
.^«/*%&###                                          ###&%*/«^.
......«/%&                                          &%/«......