¨^-/=&## ###&&=/-^¨
¨¨¨¨¨--==& &==--¨¨¨¨¨
¨^-/=&## ###&&=/-^¨
¨^-/=&## ###&&=/-^¨
¨^-/=&## ###&&=/-^¨
¨^-/=&## THE SKYSCRAPER THAT MOVES ###&&=/-^¨
¨¨^--//&&& &&&//--^¨¨
¨^-/=&## TAINARON IS A BUILDING OWNED AND ###&&=/-^¨
¨^-/=&&& OPERATED BY AMATA TEXNOLOGIYASI PLACED #&&&&=/-^¨
¨^-/=&## CLOSED TO THE HARBOR IN MALMÖ. IT'S ###&&=/-^¨
¨¨¨¨¨¨-/ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #&/-¨¨¨¨¨¨
¨^^----/&& UNKNOWN), DARK BLUE AND COMPLETELY &&/----^^¨
¨^-/=&## RECTANGULAR. IT FEATURES NO SIGNS, ###&&=/-^¨
¨^-/=&## LIGHTS, OR ORNAMENTS, APART FROM A ###&&=/-^¨
¨¨^^/=&& HELIPAD ON TOP. MOST FLOORS HAVE #&&&=/^^¨¨
¨^-/=### EXTERIOR WALLS COMPLETELY MADE OF GLASS. ####&=/-^¨
¨^-/=&## ###&&=/-^¨
¨^-/=&&# IN LATE EVENINGS, SHROUDED BY MALMö'S ##&&&=/-^¨
¨¨¨¨¨¨^/=& SIGNATURE FOG ROLLING IN FROM THE SEA, &=/^¨¨¨¨¨¨
¨^-/=&## THE BUILDING COMES TO LIFE: IT MOVES ON ###&&=/-^¨
¨¨¨¨¨¨^-=& A THOUSAND ROBOTIC LEGS TO ANOTHER &=-^¨¨¨¨¨¨
¨^-/=&## (SECRET) PART OF TOWN, OR PERHAPS OUT ###&&=/-^¨
¨^-/===& TO SEA. THIS SIGNALS A NEW AND MORE #&&===/-^¨
¨¨¨¨¨¨^/ VISCIOUS PHASE OF THE TAINARON #&/^¨¨¨¨¨¨
¨^-/=&## ECOSYSTEM. ###&&=/-^¨
¨¨¨¨^^-= #&=-^^¨¨¨¨
¨^-/=&## THE GUESTS ARRIVING DURING THE EARLY ###&&=/-^¨
¨^-/=&## EVENING ARE TREATED TO FOOD AND DRINK, ###&&=/-^¨
¨^-/=&## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ###&&=/-^¨
¨¨¨¨¨^-/&& COMFORTABLE BUT MAZE-LIKE INTERIOR &&/-^¨¨¨¨¨
¨^-/=&## STRUCTURE (THE BUILDING FEATURES A ###&&=/-^¨
¨^-/=&&# MULTITUDE OF STAIRWELLS AND ELEVATORS, ##&&&=/-^¨
¨^-/=&## PLACED SEEMINGLY AT RANDOM, NONE GOING ###&&=/-^¨
¨^^^-/== FURTHER THAN A FEW FLOORS). #&==/-^^^¨
¨^-/=&## ###&&=/-^¨
¨^-/=&## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ###&&=/-^¨
¨^-/=&## UNTIL THE AIR INSIDE HAS TAKEN ON THE ###&&=/-^¨
¨¨¨^^/&# SAME QUALITY AS THE SURROUNDING MIST: ##&&/^^¨¨¨
¨^-/=&## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ###&&=/-^¨
¨¨¨--/=& DOT'S BY DOOR LOCKS AND CONTROL PANELS. #&&=/--¨¨¨
¨^-/=&## IF YOU WOULD LOOK THROUGH THE WINDOWS ###&&=/-^¨
¨¨¨¨¨¨-==& YOU WOULD SEE THE MIST ROLLING BY, AND &==-¨¨¨¨¨¨
¨¨¨¨^-/& PERHAPS THE OUTLINE OF SOME OTHER #&&/-^¨¨¨¨
¨¨¨¨¨¨^-=& BUILDING, FAR BELOW. &=-^¨¨¨¨¨¨
¨^-/=&## ###&&=/-^¨
¨¨^--/==&& DURING THE NIGHT, AFTER TAINARON HAS &&==/--^¨¨
¨^-/=&## STARTED MOVING, THE LOWER FLOORS ARE ###&&=/-^¨
¨^-/=&## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ###&&=/-^¨
¨^-/=&&# THE GUESTS. FOOD IS NO LONGER SERVED, ##&&&=/-^¨
¨^-/=&## BUT THE DRINKS BECOME MORE EXTRAVAGANT. ###&&=/-^¨
¨¨¨¨^-=& IT'S AT THIS POINT THAT THE SECOND SET #&&=-^¨¨¨¨
¨¨¨¨¨^/= OF GUEST ARRIVES, VIA HELICOPTER - #&=/^¨¨¨¨¨
¨¨¨¨¨¨^/=& AMATA TEXNOLOGIYASI AND THEIR FRIENDS. &=/^¨¨¨¨¨¨
¨^-/=&## ###&&=/-^¨
¨¨¨¨¨---=& ----- &=---¨¨¨¨¨
¨¨¨¨^-/= #&=/-^¨¨¨¨
¨¨¨^^/=# IN MY DREAM I AM INVITED AS A FRIEND OF ##&=/^^¨¨¨
¨^-/===# ONE OF THE SERVERS, AND THUS SAFE. WE ##&===/-^¨
¨^-/==&&&& SIT IN ONE OF THE LARGE WINDOWS, &&&&==/-^¨
¨^-/=&&& LOOKING THROUGH THE MIST FOR ANY #&&&&=/-^¨
¨^-/=&&& LANDMARKS TO PIERCE THROUGH THE MIST. #&&&&=/-^¨
¨^-/=&## SHE TELLS ME THAT APART FROM COMING AND ###&&=/-^¨
¨¨¨^-=&& GOING FROM WORK, SHE'S NEVER SEEN THE #&&&=-^¨¨¨
¨^-/=&## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ###&&=/-^¨
¨^-/=&## ###&&=/-^¨
¨^-/=&## THE NEXT DAY I AM INVITED TO THE PUBLIC ###&&=/-^¨
¨^-/=&## DEMONSTRATION OF THE EXOBUBBLE. ###&&=/-^¨
¨¨¨¨-/=# ##&=/-¨¨¨¨
¨^-/===& #&&===/-^¨
¨¨¨¨^-// #&//-^¨¨¨¨
¨^-/=&## ###&&=/-^¨
¨^-/=&&# ##&&&=/-^¨