¨¨¨¨:-\$*# #*$\-:¨¨¨¨
¨:-\$*¤¤¤# #¤¤¤*$\-:¨
¨:-\$*¤### ###¤*$\-:¨
¨:-\$*¤### ###¤*$\-:¨
¨¨¨::\*¤## ##¤*\::¨¨¨
¨:---\*¤¤¤ THE SKYSCRAPER THAT MOVES ¤¤¤*\---:¨
¨:-\$*¤### ###¤*$\-:¨
¨:-\$*#### TAINARON IS A BUILDING OWNED AND ####*$\-:¨
¨:-\$*¤### OPERATED BY AMATA TEXNOLOGIYASI PLACED ###¤*$\-:¨
¨¨:-\$$*¤# CLOSED TO THE HARBOR IN MALMÖ. IT'S #¤*$$\-:¨¨
¨¨¨¨:-$*¤# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #¤*$-:¨¨¨¨
¨:-\*¤#### UNKNOWN), DARK BLUE AND COMPLETELY ####¤*\-:¨
¨:-\$*¤### RECTANGULAR. IT FEATURES NO SIGNS, ###¤*$\-:¨
¨:-\$*¤### LIGHTS, OR ORNAMENTS, APART FROM A ###¤*$\-:¨
¨¨¨¨::-\$¤ HELIPAD ON TOP. MOST FLOORS HAVE ¤$\-::¨¨¨¨
¨:-\$*¤¤## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##¤¤*$\-:¨
¨:-\$*¤### ###¤*$\-:¨
¨:-\$*¤### IN LATE EVENINGS, SHROUDED BY MALMö'S ###¤*$\-:¨
¨:-\$***¤# SIGNATURE FOG ROLLING IN FROM THE SEA, #¤***$\-:¨
¨¨¨¨¨:\$¤¤ THE BUILDING COMES TO LIFE: IT MOVES ON ¤¤$\:¨¨¨¨¨
¨:-\$*¤### A THOUSAND ROBOTIC LEGS TO ANOTHER ###¤*$\-:¨
¨:-\$*¤### (SECRET) PART OF TOWN, OR PERHAPS OUT ###¤*$\-:¨
¨:-\$$$$¤¤ TO SEA. THIS SIGNALS A NEW AND MORE ¤¤$$$$\-:¨
¨:-\$*¤### VISCIOUS PHASE OF THE TAINARON ###¤*$\-:¨
¨¨¨¨¨::\*# ECOSYSTEM. #*\::¨¨¨¨¨
¨:-\$¤#### ####¤$\-:¨
¨:-\*¤#### THE GUESTS ARRIVING DURING THE EARLY ####¤*\-:¨
¨:-\$*¤### EVENING ARE TREATED TO FOOD AND DRINK, ###¤*$\-:¨
¨:-\$*¤### LIVE MUSIC, BEATUTIFUL VIEWS, AND A ###¤*$\-:¨
¨:-\$*¤### COMFORTABLE BUT MAZE-LIKE INTERIOR ###¤*$\-:¨
¨:-\$*¤### STRUCTURE (THE BUILDING FEATURES A ###¤*$\-:¨
¨:-\$*¤### MULTITUDE OF STAIRWELLS AND ELEVATORS, ###¤*$\-:¨
¨:-\$*¤### PLACED SEEMINGLY AT RANDOM, NONE GOING ###¤*$\-:¨
¨¨¨¨¨¨:\*# FURTHER THAN A FEW FLOORS). #*\:¨¨¨¨¨¨
¨¨¨¨¨-\$¤¤ ¤¤$\-¨¨¨¨¨
¨:-\$*¤### AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ###¤*$\-:¨
¨¨¨¨¨¨:\$¤ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¤$\:¨¨¨¨¨¨
¨¨¨::\$$¤# SAME QUALITY AS THE SURROUNDING MIST: #¤$$\::¨¨¨
¨¨¨:-$*¤¤¤ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¤¤¤*$-:¨¨¨
¨:-\$*¤¤## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##¤¤*$\-:¨
¨:-\$*¤### IF YOU WOULD LOOK THROUGH THE WINDOWS ###¤*$\-:¨
¨:-\$$**## YOU WOULD SEE THE MIST ROLLING BY, AND ##**$$\-:¨
¨:-\$*¤### PERHAPS THE OUTLINE OF SOME OTHER ###¤*$\-:¨
¨¨¨¨¨¨¨-$¤ BUILDING, FAR BELOW. ¤$-¨¨¨¨¨¨¨
¨::-\$***# #***$\-::¨
¨:-\$*¤¤## DURING THE NIGHT, AFTER TAINARON HAS ##¤¤*$\-:¨
¨¨¨¨¨¨-$¤# STARTED MOVING, THE LOWER FLOORS ARE #¤$-¨¨¨¨¨¨
¨:-\$*¤### SHUT OFF, PREVENTING ENTRY OR EXIT FOR ###¤*$\-:¨
¨:-\$*#### THE GUESTS. FOOD IS NO LONGER SERVED, ####*$\-:¨
¨:-\$*¤### BUT THE DRINKS BECOME MORE EXTRAVAGANT. ###¤*$\-:¨
¨¨¨¨¨:\$*# IT'S AT THIS POINT THAT THE SECOND SET #*$\:¨¨¨¨¨
¨¨¨-\\$*¤# OF GUEST ARRIVES, VIA HELICOPTER - #¤*$\\-¨¨¨
¨:-\$*¤### AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ###¤*$\-:¨
¨¨¨¨--$*¤# #¤*$--¨¨¨¨
¨¨¨::::\*¤ ----- ¤*\::::¨¨¨
¨:-\$*¤### ###¤*$\-:¨
¨:-\$*#### IN MY DREAM I AM INVITED AS A FRIEND OF ####*$\-:¨
¨¨¨:\$$$*¤ ONE OF THE SERVERS, AND THUS SAFE. WE ¤*$$$\:¨¨¨
¨¨¨::\$*## SIT IN ONE OF THE LARGE WINDOWS, ##*$\::¨¨¨
¨:-\$*¤### LOOKING THROUGH THE MIST FOR ANY ###¤*$\-:¨
¨¨¨¨:::\$¤ LANDMARKS TO PIERCE THROUGH THE MIST. ¤$\:::¨¨¨¨
¨¨¨¨¨:--$¤ SHE TELLS ME THAT APART FROM COMING AND ¤$--:¨¨¨¨¨
¨:-\$*¤### GOING FROM WORK, SHE'S NEVER SEEN THE ###¤*$\-:¨
¨¨¨¨¨:\$¤# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #¤$\:¨¨¨¨¨
¨¨¨¨¨--\$¤ ¤$\--¨¨¨¨¨
¨:---\*¤## THE NEXT DAY I AM INVITED TO THE PUBLIC ##¤*\---:¨
¨¨¨¨¨¨¨-$¤ DEMONSTRATION OF THE EXOBUBBLE. ¤$-¨¨¨¨¨¨¨
¨:-\$*¤### ###¤*$\-:¨
¨:-\$*¤### ###¤*$\-:¨
¨:-\$*¤### ###¤*$\-:¨
¨:-\$***¤# #¤***$\-:¨
¨:-\$*¤### ###¤*$\-:¨