##£@%=*~-, ,-~*=%@£##
##£@%=*~-, ,-~*=%@£##
@%*--,,,,, ,,,,,--*%@
##£@%=*~-, ,-~*=%@£##
££%*-,,,,, ,,,,,-*%££
#@@%*-,,,, THE SKYSCRAPER THAT MOVES ,,,,-*%@@#
###£%=*~-, ,-~*=%£###
#@==*~,,,, TAINARON IS A BUILDING OWNED AND ,,,,~*==@#
##£@%=*~-, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,-~*=%@£##
@%*-,,,,,, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,,,,,,-*%@
##£@%=*~-, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,-~*=%@£##
##£@%=*~-, UNKNOWN), DARK BLUE AND COMPLETELY ,-~*=%@£##
#££@%=*~-, RECTANGULAR. IT FEATURES NO SIGNS, ,-~*=%@££#
##£@%=*~-, LIGHTS, OR ORNAMENTS, APART FROM A ,-~*=%@£##
#£%%%=*~-, HELIPAD ON TOP. MOST FLOORS HAVE ,-~*=%%%£#
##£@%=*~-, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,-~*=%@£##
##£@%=*~-, ,-~*=%@£##
##£@%=*~-, IN LATE EVENINGS, SHROUDED BY MALMö'S ,-~*=%@£##
##£@%=*~-, SIGNATURE FOG ROLLING IN FROM THE SEA, ,-~*=%@£##
#££@%=*~-, THE BUILDING COMES TO LIFE: IT MOVES ON ,-~*=%@££#
#@%*-,,,,, A THOUSAND ROBOTIC LEGS TO ANOTHER ,,,,,-*%@#
##£@%=*~-, (SECRET) PART OF TOWN, OR PERHAPS OUT ,-~*=%@£##
#£%*-,,,,, TO SEA. THIS SIGNALS A NEW AND MORE ,,,,,-*%£#
£%*~~---,, VISCIOUS PHASE OF THE TAINARON ,,---~~*%£
@@=***~~-, ECOSYSTEM. ,-~~***=@@
@=~~~~~,,, ,,,~~~~~=@
##£@%=*~-, THE GUESTS ARRIVING DURING THE EARLY ,-~*=%@£##
##£@%=*~-, EVENING ARE TREATED TO FOOD AND DRINK, ,-~*=%@£##
@@@=~~,,,, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,,,,~~=@@@
@=~~,,,,,, COMFORTABLE BUT MAZE-LIKE INTERIOR ,,,,,,~~=@
##£@%=*~-, STRUCTURE (THE BUILDING FEATURES A ,-~*=%@£##
@=~~,,,,,, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,,,,,,~~=@
@@%*-,,,,, PLACED SEEMINGLY AT RANDOM, NONE GOING ,,,,,-*%@@
#££@%=*~-, FURTHER THAN A FEW FLOORS). ,-~*=%@££#
@@@==~~,,, ,,,~~==@@@
£@%=~~~~-, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,-~~~~=%@£
£@=~,,,,,, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,,,,,,~=@£
##£@%=*~-, SAME QUALITY AS THE SURROUNDING MIST: ,-~*=%@£##
##£@%=*~-, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,-~*=%@£##
££@%***~-, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,-~***%@££
£%%%**~,,, IF YOU WOULD LOOK THROUGH THE WINDOWS ,,,~**%%%£
##£@%=*~-, YOU WOULD SEE THE MIST ROLLING BY, AND ,-~*=%@£##
#@==~~,,,, PERHAPS THE OUTLINE OF SOME OTHER ,,,,~~==@#
###£%=*~-, BUILDING, FAR BELOW. ,-~*=%£###
##£@%=*~-, ,-~*=%@£##
##£@%=*~-, DURING THE NIGHT, AFTER TAINARON HAS ,-~*=%@£##
#@%%%=*~-, STARTED MOVING, THE LOWER FLOORS ARE ,-~*=%%%@#
###£@=*~-, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,-~*=@£###
###£%=*~-, THE GUESTS. FOOD IS NO LONGER SERVED, ,-~*=%£###
@@=~~~-,,, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,,-~~~=@@
£@@@%=*~-, IT'S AT THIS POINT THAT THE SECOND SET ,-~*=%@@@£
##£@%=*~-, OF GUEST ARRIVES, VIA HELICOPTER - ,-~*=%@£##
##£@%=*~-, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,-~*=%@£##
@%=***~-,, ,,-~***=%@
£%%%**~,,, ~~~~~ ,,,~**%%%£
##£@%=*~-, ,-~*=%@£##
##£@%=*~-, IN MY DREAM I AM INVITED AS A FRIEND OF ,-~*=%@£##
#£@%*-,,,, ONE OF THE SERVERS, AND THUS SAFE. WE ,,,,-*%@£#
##£@%=*~-, SIT IN ONE OF THE LARGE WINDOWS, ,-~*=%@£##
£%*~~,,,,, LOOKING THROUGH THE MIST FOR ANY ,,,,,~~*%£
##£@%=*~-, LANDMARKS TO PIERCE THROUGH THE MIST. ,-~*=%@£##
##£@%=*~-, SHE TELLS ME THAT APART FROM COMING AND ,-~*=%@£##
##£@%=*~-, GOING FROM WORK, SHE'S NEVER SEEN THE ,-~*=%@£##
@@@%*~,,,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,,,~*%@@@
##£@%=*~-, ,-~*=%@£##
##£@%=*~-, THE NEXT DAY I AM INVITED TO THE PUBLIC ,-~*=%@£##
###£@%*~-, DEMONSTRATION OF THE EXOBUBBLE. ,-~*%@£###
##£@%=*~-, ,-~*=%@£##
#££@%=*~-, ,-~*=%@££#
##£@%=*~-, ,-~*=%@£##
£%%=*~,,,, ,,,,~*=%%£
#£@@%=*~-, ,-~*=%@@£#