.:-*****§¤ ¤§*****-:.
......-§§¤ ¤§§-......
.....---§¤ ¤§---.....
.:-*§§¤@## ##@¤§§*-:.
......-*§# #§*-......
.:-*§§¤#@@ THE SKYSCRAPER THAT MOVES @@#¤§§*-:.
.:-*§§¤#@# #@#¤§§*-:.
....:*§§§¤ TAINARON IS A BUILDING OWNED AND ¤§§§*:....
.:-*§§¤### OPERATED BY AMATA TEXNOLOGIYASI PLACED ###¤§§*-:.
...:--*§§# CLOSED TO THE HARBOR IN MALMÖ. IT'S #§§*--:...
.:-*§§¤#@# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #@#¤§§*-:.
..::--*§§¤ UNKNOWN), DARK BLUE AND COMPLETELY ¤§§*--::..
.:-*§§¤#@# RECTANGULAR. IT FEATURES NO SIGNS, #@#¤§§*-:.
.......-§¤ LIGHTS, OR ORNAMENTS, APART FROM A ¤§-.......
.:-*§§¤#@# HELIPAD ON TOP. MOST FLOORS HAVE #@#¤§§*-:.
.:---§§§§# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #§§§§---:.
.....-§§¤@ @¤§§-.....
.:-*§§§§#@ IN LATE EVENINGS, SHROUDED BY MALMö'S @#§§§§*-:.
.:-*§§¤#@# SIGNATURE FOG ROLLING IN FROM THE SEA, #@#¤§§*-:.
.:-*§§¤##@ THE BUILDING COMES TO LIFE: IT MOVES ON @##¤§§*-:.
.:-*§§¤#@@ A THOUSAND ROBOTIC LEGS TO ANOTHER @@#¤§§*-:.
.....:*§#@ (SECRET) PART OF TOWN, OR PERHAPS OUT @#§*:.....
.:-*§§¤#@# TO SEA. THIS SIGNALS A NEW AND MORE #@#¤§§*-:.
.:-*§§¤#@# VISCIOUS PHASE OF THE TAINARON #@#¤§§*-:.
.:-*§§¤### ECOSYSTEM. ###¤§§*-:.
.:-*§§¤#@# #@#¤§§*-:.
.:-*§§¤#@@ THE GUESTS ARRIVING DURING THE EARLY @@#¤§§*-:.
......:*§¤ EVENING ARE TREATED TO FOOD AND DRINK, ¤§*:......
.....:-§§¤ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¤§§-:.....
.:-*§§¤### COMFORTABLE BUT MAZE-LIKE INTERIOR ###¤§§*-:.
...:--*§¤# STRUCTURE (THE BUILDING FEATURES A #¤§*--:...
.....-§§¤# MULTITUDE OF STAIRWELLS AND ELEVATORS, #¤§§-.....
.....:*§§# PLACED SEEMINGLY AT RANDOM, NONE GOING #§§*:.....
.:-*§§¤@## FURTHER THAN A FEW FLOORS). ##@¤§§*-:.
.:-*§§¤### ###¤§§*-:.
.:-*§§¤#@# AS TIME GOES ON, THE LIGHTS SLOWLY DIM, #@#¤§§*-:.
.:-*§§¤#@@ UNTIL THE AIR INSIDE HAS TAKEN ON THE @@#¤§§*-:.
....-***§# SAME QUALITY AS THE SURROUNDING MIST: #§***-....
.:-*§§¤##@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @##¤§§*-:.
.:-*§§¤### DOT'S BY DOOR LOCKS AND CONTROL PANELS. ###¤§§*-:.
.:-**§§§#@ IF YOU WOULD LOOK THROUGH THE WINDOWS @#§§§**-:.
.:-*§§¤#@@ YOU WOULD SEE THE MIST ROLLING BY, AND @@#¤§§*-:.
.:-*§§¤#@# PERHAPS THE OUTLINE OF SOME OTHER #@#¤§§*-:.
.....::-§¤ BUILDING, FAR BELOW. ¤§-::.....
.:-*§§¤#@@ @@#¤§§*-:.
.:-*§§¤#@# DURING THE NIGHT, AFTER TAINARON HAS #@#¤§§*-:.
.:-*§§¤##@ STARTED MOVING, THE LOWER FLOORS ARE @##¤§§*-:.
...::**§¤¤ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¤¤§**::...
.:-*§§¤#@# THE GUESTS. FOOD IS NO LONGER SERVED, #@#¤§§*-:.
.:-*§§¤#@# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #@#¤§§*-:.
..:-**§§¤¤ IT'S AT THIS POINT THAT THE SECOND SET ¤¤§§**-:..
.:-*§§¤#@# OF GUEST ARRIVES, VIA HELICOPTER - #@#¤§§*-:.
.:-*§§¤#@# AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #@#¤§§*-:.
...:-*§§¤¤ ¤¤§§*-:...
.:-*§§¤#@# ----- #@#¤§§*-:.
.:-*§§¤#@# #@#¤§§*-:.
....:-*§¤¤ IN MY DREAM I AM INVITED AS A FRIEND OF ¤¤§*-:....
....::*§§# ONE OF THE SERVERS, AND THUS SAFE. WE #§§*::....
.:-*§§¤#@# SIT IN ONE OF THE LARGE WINDOWS, #@#¤§§*-:.
.....:-§¤# LOOKING THROUGH THE MIST FOR ANY #¤§-:.....
.....-§§¤@ LANDMARKS TO PIERCE THROUGH THE MIST. @¤§§-.....
.:-*§§¤#@# SHE TELLS ME THAT APART FROM COMING AND #@#¤§§*-:.
.:-*§§¤#@# GOING FROM WORK, SHE'S NEVER SEEN THE #@#¤§§*-:.
.....:*§¤# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #¤§*:.....
.:-*§§¤#@# #@#¤§§*-:.
.:-*§§¤#@# THE NEXT DAY I AM INVITED TO THE PUBLIC #@#¤§§*-:.
.:-*§§¤### DEMONSTRATION OF THE EXOBUBBLE. ###¤§§*-:.
.:-*§§§¤## ##¤§§§*-:.
.:-*§§§§## ##§§§§*-:.
.:-*§§¤@## ##@¤§§*-:.
.....:*§§¤ ¤§§*:.....
.:-*§§¤#@# #@#¤§§*-:.