......¤¤¤. ...¤.¤¤..¤
.....¤..¤¤ ..¤¤¤.¤.¤¤
....¤¤.¤.. .¤..¤¤¤¤.¤
...¤.¤¤¤.. ¤¤.¤...¤¤¤
..¤¤¤..¤.¤ .¤¤¤..¤..¤
.¤..¤.¤¤¤¤ THE SKYSCRAPER THAT MOVES ¤..¤.¤¤.¤¤
¤¤.¤¤¤...¤ ¤.¤¤¤.¤¤.¤
.¤¤..¤..¤. TAINARON IS A BUILDING OWNED AND ¤¤..¤¤.¤¤.
¤.¤.¤¤.¤¤¤ OPERATED BY AMATA TEXNOLOGIYASI PLACED .¤.¤.¤¤.¤.
¤¤¤¤.¤¤... CLOSED TO THE HARBOR IN MALMÖ. IT'S ¤¤¤¤¤.¤¤¤¤
...¤¤.¤..¤ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ....¤¤....
..¤.¤¤¤.¤¤ UNKNOWN), DARK BLUE AND COMPLETELY ...¤.¤....
.¤¤¤..¤¤.. RECTANGULAR. IT FEATURES NO SIGNS, ..¤¤¤¤....
¤..¤.¤.¤.¤ LIGHTS, OR ORNAMENTS, APART FROM A .¤...¤....
¤.¤¤¤¤¤¤¤¤ HELIPAD ON TOP. MOST FLOORS HAVE ¤¤..¤¤...¤
¤¤........ EXTERIOR WALLS COMPLETELY MADE OF GLASS. .¤.¤.¤..¤.
.¤........ ¤¤¤¤¤¤.¤¤¤
¤¤.......¤ IN LATE EVENINGS, SHROUDED BY MALMö'S .....¤¤..¤
.¤......¤. SIGNATURE FOG ROLLING IN FROM THE SEA, ....¤.¤.¤.
¤¤.....¤¤. THE BUILDING COMES TO LIFE: IT MOVES ON ...¤¤¤¤¤¤.
.¤....¤.¤. A THOUSAND ROBOTIC LEGS TO ANOTHER ..¤.....¤¤
¤¤...¤¤¤¤¤ (SECRET) PART OF TOWN, OR PERHAPS OUT .¤¤....¤.¤
.¤..¤..... TO SEA. THIS SIGNALS A NEW AND MORE ¤.¤...¤¤¤.
¤¤.¤¤..... VISCIOUS PHASE OF THE TAINARON ¤¤¤..¤..¤.
.¤¤.¤..... ECOSYSTEM. ..¤.¤¤.¤¤¤
¤.¤¤¤....¤ .¤¤¤.¤¤..¤
¤¤..¤...¤. THE GUESTS ARRIVING DURING THE EARLY ¤..¤¤.¤.¤.
.¤.¤¤..¤¤. EVENING ARE TREATED TO FOOD AND DRINK, ¤.¤.¤¤¤¤¤¤
¤¤¤.¤.¤.¤. LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¤¤¤¤.....¤
..¤¤¤¤¤¤¤¤ COMFORTABLE BUT MAZE-LIKE INTERIOR ...¤....¤.
.¤.......¤ STRUCTURE (THE BUILDING FEATURES A ..¤¤...¤¤.
¤¤......¤. MULTITUDE OF STAIRWELLS AND ELEVATORS, .¤.¤..¤.¤.
.¤.....¤¤¤ PLACED SEEMINGLY AT RANDOM, NONE GOING ¤¤¤¤.¤¤¤¤¤
¤¤....¤... FURTHER THAN A FEW FLOORS). ...¤¤....¤
.¤...¤¤... ..¤.¤...¤.
¤¤..¤.¤... AS TIME GOES ON, THE LIGHTS SLOWLY DIM, .¤¤¤¤..¤¤.
.¤.¤¤¤¤... UNTIL THE AIR INSIDE HAS TAKEN ON THE ¤...¤.¤.¤¤
¤¤¤...¤... SAME QUALITY AS THE SURROUNDING MIST: ¤..¤¤¤¤¤.¤
..¤..¤¤..¤ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¤.¤....¤¤.
.¤¤.¤.¤.¤. DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¤¤¤...¤.¤.
¤.¤¤¤¤¤¤¤¤ IF YOU WOULD LOOK THROUGH THE WINDOWS ..¤..¤¤¤¤.
¤¤.......¤ YOU WOULD SEE THE MIST ROLLING BY, AND .¤¤.¤...¤¤
.¤......¤¤ PERHAPS THE OUTLINE OF SOME OTHER ¤.¤¤¤..¤..
¤¤.....¤.. BUILDING, FAR BELOW. ¤¤..¤.¤¤..
.¤....¤¤.. .¤.¤¤¤.¤.¤
¤¤...¤.¤.. DURING THE NIGHT, AFTER TAINARON HAS ¤¤¤..¤¤¤¤¤
.¤..¤¤¤¤.. STARTED MOVING, THE LOWER FLOORS ARE ..¤.¤.....
¤¤.¤...¤.. SHUT OFF, PREVENTING ENTRY OR EXIT FOR .¤¤¤¤.....
.¤¤¤..¤¤.. THE GUESTS. FOOD IS NO LONGER SERVED, ¤...¤....¤
¤..¤.¤.¤.. BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¤..¤¤...¤¤
¤.¤¤¤¤¤¤.¤ IT'S AT THIS POINT THAT THE SECOND SET ¤.¤.¤..¤..
¤¤.....¤¤. OF GUEST ARRIVES, VIA HELICOPTER - ¤¤¤¤¤.¤¤.¤
.¤....¤.¤¤ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ....¤¤.¤¤.
¤¤...¤¤¤.¤ ...¤.¤¤.¤.
.¤..¤..¤¤. ~~~~~ ..¤¤¤.¤¤¤¤
¤¤.¤¤.¤.¤¤ .¤..¤¤...¤
.¤¤.¤¤¤¤.¤ IN MY DREAM I AM INVITED AS A FRIEND OF ¤¤.¤.¤..¤.
¤.¤¤...¤¤. ONE OF THE SERVERS, AND THUS SAFE. WE .¤¤¤¤¤.¤¤.
¤¤.¤..¤.¤¤ SIT IN ONE OF THE LARGE WINDOWS, ¤....¤¤.¤¤
.¤¤¤.¤¤¤.. LOOKING THROUGH THE MIST FOR ANY ¤...¤.¤¤..
¤..¤¤..¤.¤ LANDMARKS TO PIERCE THROUGH THE MIST. ¤..¤¤¤.¤..
¤.¤.¤.¤¤¤¤ SHE TELLS ME THAT APART FROM COMING AND ¤.¤..¤¤¤.¤
¤¤¤¤¤¤...¤ GOING FROM WORK, SHE'S NEVER SEEN THE ¤¤¤.¤..¤¤.
.....¤..¤¤ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ..¤¤¤.¤.¤¤
....¤¤.¤.. .¤..¤¤¤¤.¤
...¤.¤¤¤.. THE NEXT DAY I AM INVITED TO THE PUBLIC ¤¤.¤...¤¤¤
..¤¤¤..¤.¤ DEMONSTRATION OF THE EXOBUBBLE. .¤¤¤..¤..¤
.¤..¤.¤¤¤¤ ¤..¤.¤¤.¤¤
¤¤.¤¤¤...¤ ¤.¤¤¤.¤¤.¤
.¤¤..¤..¤. ¤¤..¤¤.¤¤.
¤.¤.¤¤.¤¤¤ .¤.¤.¤¤.¤.
¤¤¤¤.¤¤... ¤¤¤¤¤.¤¤¤¤