,.«;^&§###                                          ###§&^;«.,
,.«;^&§§§#                                          #§§§&^;«.,
,,,,,,«^&#                                          #&^«,,,,,,
,,,.«^&&§#                                          #§&&^«.,,,
,,,.«;;&&#                                          #&&;;«.,,,
,.«;^&§###         THE SKYSCRAPER THAT MOVES        ###§&^;«.,
,.«;;;&&§#                                          #§&&;;;«.,
,.««;^&&§§ TAINARON  IS   A  BUILDING   OWNED   AND §§&&^;««.,
,,,,,,«^§§  OPERATED BY AMATA TEXNOLOGIYASI PLACED  §§^«,,,,,,
,.«;^&§### CLOSED  TO THE  HARBOR  IN  MALMÖ.  IT'S ###§&^;«.,
,.«;^&§### ROUGHLY  SIXTY FLOORS  HIGH (REAL NUMBER ###§&^;«.,
,,,,,,«^^§    UNKNOWN), DARK BLUE AND COMPLETELY    §^^«,,,,,,
,.«;^&§###    RECTANGULAR. IT FEATURES NO SIGNS,    ###§&^;«.,
,.«;^§#### LIGHTS,  OR  ORNAMENTS,  APART  FROM   A ####§^;«.,
,.««««^^§# HELIPAD   ON  TOP.   MOST  FLOORS   HAVE #§^^««««.,
,,,.««;^^§ EXTERIOR WALLS COMPLETELY MADE OF GLASS. §^^;««.,,,
,.«;^&§###                                          ###§&^;«.,
,.«;^&§### IN LATE EVENINGS,  SHROUDED  BY  MALMö'S ###§&^;«.,
,.«««;;&&§ SIGNATURE FOG ROLLING  IN  FROM THE SEA, §&&;;«««.,
,.«;^^&§## THE BUILDING  COMES TO LIFE: IT MOVES ON ##§&^^;«.,
,.«;&§#### A  THOUSAND  ROBOTIC  LEGS  TO   ANOTHER ####§&;«.,
,.«;^&§### (SECRET)  PART OF TOWN, OR  PERHAPS  OUT ###§&^;«.,
,.«;^&§### TO  SEA.  THIS  SIGNALS A  NEW  AND MORE ###§&^;«.,
,,,,.«^^&#      VISCIOUS PHASE OF THE TAINARON      #&^^«.,,,,
,.«;^&####                ECOSYSTEM.                ####&^;«.,
,.«;^&§###                                          ###§&^;«.,
,.«;^&§### THE  GUESTS ARRIVING  DURING  THE  EARLY ###§&^;«.,
,.«;^&§### EVENING ARE  TREATED TO FOOD  AND DRINK, ###§&^;«.,
,.«;^&§### LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A ###§&^;«.,
,.«;^&§###    COMFORTABLE BUT MAZE-LIKE INTERIOR    ###§&^;«.,
,,,,,,.«^§    STRUCTURE (THE BUILDING FEATURES A    §^«.,,,,,,
,.«;^&§###  MULTITUDE OF STAIRWELLS AND ELEVATORS,  ###§&^;«.,
,.«;^&&§## PLACED  SEEMINGLY AT RANDOM,  NONE GOING ##§&&^;«.,
,,,,..«^§#       FURTHER THAN A FEW FLOORS).        #§^«..,,,,
,.«;^&&§##                                          ##§&&^;«.,
,,,,«;;^§§ AS TIME GOES ON, THE LIGHTS SLOWLY  DIM, §§^;;«,,,,
,.«;^&§### UNTIL THE  AIR  INSIDE  HAS TAKEN ON THE ###§&^;«.,
,.«;^&§### SAME  QUALITY  AS THE  SURROUNDING MIST: ###§&^;«.,
,,,.;^^§## BLUE-GRAY, SPRINKLED WITH THE SMALL  RED ##§^^;.,,,
,,.«;;;^&§ DOT'S BY  DOOR LOCKS AND CONTROL PANELS. §&^;;;«.,,
.«;^&§#### IF YOU  WOULD  LOOK THROUGH THE  WINDOWS ####§&^;«.
,.«;^&§### YOU WOULD SEE THE  MIST ROLLING BY,  AND ###§&^;«.,
,.«;^&§### PERHAPS   THE  OUTLINE  OF   SOME  OTHER ###§&^;«.,
,,,,,.«^&§           BUILDING, FAR BELOW.           §&^«.,,,,,
,,,,..;;^§                                          §^;;..,,,,
,.«;^&§§§# DURING THE  NIGHT,  AFTER  TAINARON  HAS #§§§&^;«.,
,.«;^&§### STARTED  MOVING,  THE  LOWER FLOORS  ARE ###§&^;«.,
,,,,.««^§# SHUT  OFF, PREVENTING ENTRY OR EXIT  FOR #§^««.,,,,
,,,,.«;^^§ THE  GUESTS. FOOD  IS NO  LONGER SERVED, §^^;«.,,,,
,,,..;&§§# BUT THE  DRINKS BECOME MORE EXTRAVAGANT. #§§&;..,,,
,,,,,,,«^§ IT'S  AT THIS  POINT THAT THE SECOND SET §^«,,,,,,,
,.«;^&§### OF  GUEST  ARRIVES,   VIA  HELICOPTER  - ###§&^;«.,
,.«;^&§§##  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  ##§§&^;«.,
,,,,.«^§§#                                          #§§^«.,,,,
,,.«;^^^§#                  «««««                   #§^^^;«.,,
,.«;^&§###                                          ###§&^;«.,
,,,,.;;;^§ IN MY DREAM I AM INVITED AS A FRIEND  OF §^;;;.,,,,
,,,,,.«;^§ ONE OF  THE  SERVERS, AND  THUS SAFE. WE §^;«.,,,,,
,.«;^&§§§# SIT   IN  ONE  OF   THE  LARGE  WINDOWS, #§§§&^;«.,
,.«;^&§### LOOKING   THROUGH   THE  MIST  FOR   ANY ###§&^;«.,
,.«;^&§§## LANDMARKS TO  PIERCE  THROUGH THE  MIST. ##§§&^;«.,
,.«;^^^&§§ SHE TELLS ME THAT  APART FROM COMING AND §§&^^^;«.,
,,,,,..;&# GOING FROM  WORK,  SHE'S NEVER SEEN  THE #&;..,,,,,
,,,,,.«^&# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #&^«.,,,,,
,.«;^&####                                          ####&^;«.,
,,,,,,«;&# THE  NEXT DAY I AM INVITED TO THE PUBLIC #&;«,,,,,,
,....«;^§§     DEMONSTRATION OF THE EXOBUBBLE.      §§^;«....,
,.«;^&§###                                          ###§&^;«.,
,.«;^^&&§#                                          #§&&^^;«.,
,.«;^&§###                                          ###§&^;«.,
,,,..;^^^§                                          §^^^;..,,,
,.«««;^&&#                                          #&&^;«««.,