,,«\%§#¶## ##¶#§%\«,,
,,«\%§#¶## ##¶#§%\«,,
,,«\%§#¶## ##¶#§%\«,,
,,«\%§#¶## ##¶#§%\«,,
,,«\%§§§## ##§§§%\«,,
,,,,««\%## the skyscraper that moves ##%\««,,,,
,,«\%§#¶## ##¶#§%\«,,
,,«\%§#¶## tainaron is a building owned and ##¶#§%\«,,
,,«\%§#¶## operated by amata texnologiyasi placed ##¶#§%\«,,
,,«\%%%##¶ closed to the harbor in malmÖ. it's ¶##%%%\«,,
,,\%§#¶### roughly sixty floors high (real number ###¶#§%\,,
,,,«\%%%#¶ unknown), dark blue and completely ¶#%%%\«,,,
,,,,,,«%%# rectangular. it features no signs, #%%«,,,,,,
,,,,,«%%## lights, or ornaments, apart from a ##%%«,,,,,
,,«\%§#¶## helipad on top. most floors have ##¶#§%\«,,
,,«\%§#¶## exterior walls completely made of glass. ##¶#§%\«,,
,,,«\%§§§# #§§§%\«,,,
,,,,,,««%# in late evenings, shrouded by malmö's #%««,,,,,,
,,«\%§#¶## signature fog rolling in from the sea, ##¶#§%\«,,
,,,,,\\\%# the building comes to life: it moves on #%\\\,,,,,
,,,,,\%%## a thousand robotic legs to another ##%%\,,,,,
,,«\%§#¶¶¶ (secret) part of town, or perhaps out ¶¶¶#§%\«,,
,,,,,«\%## to sea. this signals a new and more ##%\«,,,,,
,,«\%§#¶## viscious phase of the tainaron ##¶#§%\«,,
,,,,,,«%#¶ ecosystem. ¶#%«,,,,,,
,,,,\%%#¶¶ ¶¶#%%\,,,,
,,«\%§#¶## the guests arriving during the early ##¶#§%\«,,
,,«\%§#¶## evening are treated to food and drink, ##¶#§%\«,,
,,«\%#¶### live music, beatutiful views, and a ###¶#%\«,,
,,«\%§#¶## comfortable but maze-like interior ##¶#§%\«,,
,,«\%§#¶## structure (the building features a ##¶#§%\«,,
,,«\%§#¶## multitude of stairwells and elevators, ##¶#§%\«,,
,,«\%§#### placed seemingly at random, none going ####§%\«,,
,,,,,,««%# further than a few floors). #%««,,,,,,
,,«\%§#¶## ##¶#§%\«,,
,,,,,\%#¶# as time goes on, the lights slowly dim, #¶#%\,,,,,
,,,,,«%%#¶ until the air inside has taken on the ¶#%%«,,,,,
,,,,,,,\%# same quality as the surrounding mist: #%\,,,,,,,
,,«\\\§§§# blue-gray, sprinkled with the small red #§§§\\\«,,
,,«\%§#### dot's by door locks and control panels. ####§%\«,,
,,«\%§#¶## if you would look through the windows ##¶#§%\«,,
,,«\\%§§¶# you would see the mist rolling by, and #¶§§%\\«,,
,,«\%§¶### perhaps the outline of some other ###¶§%\«,,
,,«\%§#¶## building, far below. ##¶#§%\«,,
,,,«\%%%§¶ ¶§%%%\«,,,
,,,,,,«\%# during the night, after tainaron has #%\«,,,,,,
,«\%§#¶### started moving, the lower floors are ###¶#§%\«,
,,,,«%%%## shut off, preventing entry or exit for ##%%%«,,,,
,,,,«\%%%# the guests. food is no longer served, #%%%\«,,,,
,,«\%§§§## but the drinks become more extravagant. ##§§§%\«,,
,,«\%§§§¶¶ it's at this point that the second set ¶¶§§§%\«,,
,,«\%§#¶## of guest arrives, via helicopter - ##¶#§%\«,,
,,,,,,«\§¶ amata texnologiyasi and their friends. ¶§\«,,,,,,
,,«\%§#¶## ##¶#§%\«,,
,,,«\%§#¶¶ ««««« ¶¶#§%\«,,,
,,«\%§#¶## ##¶#§%\«,,
,,,,«\\%#¶ in my dream i am invited as a friend of ¶#%\\«,,,,
,,,,\\\§¶# one of the servers, and thus safe. we #¶§\\\,,,,
,,«\%§#¶## sit in one of the large windows, ##¶#§%\«,,
,,,,,«\§#¶ looking through the mist for any ¶#§\«,,,,,
,,«\\\%#¶¶ landmarks to pierce through the mist. ¶¶#%\\\«,,
,,,,,«%§¶¶ she tells me that apart from coming and ¶¶§%«,,,,,
,,,,,,\%#¶ going from work, she's never seen the ¶#%\,,,,,,
,,«\%§#¶## building from the outside. we both sigh. ##¶#§%\«,,
,,«\%§#¶## ##¶#§%\«,,
,,,«\\%### the next day i am invited to the public ###%\\«,,,
,,,,,«%%%# demonstration of the exobubble. #%%%«,,,,,
,,«\%§###¶ ¶###§%\«,,
,,,,,,«%## ##%«,,,,,,
,,,,,,«%§¶ ¶§%«,,,,,,
,,,,,\%§§¶ ¶§§%\,,,,,
,,«\%§#¶## ##¶#§%\«,,