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####&$^«^, ,^«^$###
##¶#&$^«^, THE SKYSCRAPER THAT MOVES ,^«^$¶##
#¶#&$«^,,, ,,,^«$¶#
####&$^«^, TAINARON IS A BUILDING OWNED AND ,^«^$###
##¶#&$^«^, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,^«^$¶##
###$$^«^,, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,,^«^$$###
##&&&$^«^, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,^«^$&&#
##¶#&$^«^, UNKNOWN), DARK BLUE AND COMPLETELY ,^«^$¶##
##$«,,,,,, RECTANGULAR. IT FEATURES NO SIGNS, ,,,,,,«$##
¶¶##&$^«^, LIGHTS, OR ORNAMENTS, APART FROM A ,^«^$#¶¶
##¶#&$^«^, HELIPAD ON TOP. MOST FLOORS HAVE ,^«^$¶##
##¶#&$^«^, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,^«^$¶##
¶¶&$^«,,,, ,,,,«^$&¶¶
##¶#&$^«^, IN LATE EVENINGS, SHROUDED BY MALMö'S ,^«^$¶##
##&$«^^,,, SIGNATURE FOG ROLLING IN FROM THE SEA, ,,,^^«$#
¶&&$^^«,,, THE BUILDING COMES TO LIFE: IT MOVES ON ,,,«^^$&&¶
##¶#&$^«^, A THOUSAND ROBOTIC LEGS TO ANOTHER ,^«^$¶##
##¶#&$^«^, (SECRET) PART OF TOWN, OR PERHAPS OUT ,^«^$¶##
#&^^«««,,, TO SEA. THIS SIGNALS A NEW AND MORE ,,,«««^^
###¶#&^«^, VISCIOUS PHASE OF THE TAINARON ,^«^¶###
#$$$$^^,,, ECOSYSTEM. ,,,^^$$$$#
#¶¶#&$^«^, ,^«^$¶¶#
##¶#&$^«^, THE GUESTS ARRIVING DURING THE EARLY ,^«^$¶##
##¶#&$^«^, EVENING ARE TREATED TO FOOD AND DRINK, ,^«^$¶##
##¶#&$^«^, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,^«^$¶##
####&$^«^, COMFORTABLE BUT MAZE-LIKE INTERIOR ,^«^$###
##¶#&$^«^, STRUCTURE (THE BUILDING FEATURES A ,^«^$¶##
##¶#&$^«^, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,^«^$¶##
#$$$^^^«^, PLACED SEEMINGLY AT RANDOM, NONE GOING ,^«^^^$$$#
#¶##&$^«^, FURTHER THAN A FEW FLOORS). ,^«^$#¶#
##¶#&$^«^, ,^«^$¶##
##¶#&$^«^, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,^«^$¶##
##$^^^,,,, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,,,,^^^$##
¶#&$^«,,,, SAME QUALITY AS THE SURROUNDING MIST: ,,,,«^$¶
####&$^«^, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,^«^$###
¶¶¶#&$^«^, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,^«^$¶¶¶
##¶#&$^«^, IF YOU WOULD LOOK THROUGH THE WINDOWS ,^«^$¶##
###&$^^«^, YOU WOULD SEE THE MIST ROLLING BY, AND ,^«^^$##
###¶#&^«^, PERHAPS THE OUTLINE OF SOME OTHER ,^«^¶###
##¶#&$^«^, BUILDING, FAR BELOW. ,^«^$¶##
##¶#&$^«^, ,^«^$¶##
¶¶¶#&$^«^, DURING THE NIGHT, AFTER TAINARON HAS ,^«^$¶¶¶
##¶#&$^«^, STARTED MOVING, THE LOWER FLOORS ARE ,^«^$¶##
##¶#&$^«^, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,^«^$¶##
##¶#&$^«^, THE GUESTS. FOOD IS NO LONGER SERVED, ,^«^$¶##
¶&&&&$^«^, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,^«^$&&&&¶
##&&&$^«^, IT'S AT THIS POINT THAT THE SECOND SET ,^«^$&&#
#&$$«,,,,, OF GUEST ARRIVES, VIA HELICOPTER - ,,,,,«$$
##¶#&$^«^, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,^«^$¶##
¶###&$^«^, ,^«^$##¶
#&&^^«««^, ««««« ,^«««^^&
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¶¶#&^«««^, IN MY DREAM I AM INVITED AS A FRIEND OF ,^«««^¶¶
##¶#&$^«^, ONE OF THE SERVERS, AND THUS SAFE. WE ,^«^$¶##
¶&^«,,,,,, SIT IN ONE OF THE LARGE WINDOWS, ,,,,,,«^&¶
#&$$«^^^,, LOOKING THROUGH THE MIST FOR ANY ,,^^^«$$
###¶&$^«^, LANDMARKS TO PIERCE THROUGH THE MIST. ,^«^$&¶###
##¶#&$^«^, SHE TELLS ME THAT APART FROM COMING AND ,^«^$¶##
##&^«,,,,, GOING FROM WORK, SHE'S NEVER SEEN THE ,,,,,«^#
##&&&$^«^, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,^«^$&&#
##¶#&$^«^, ,^«^$¶##
##¶#&$^«^, THE NEXT DAY I AM INVITED TO THE PUBLIC ,^«^$¶##
#$$$$^^^,, DEMONSTRATION OF THE EXOBUBBLE. ,,^^^$$$$#
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