,:~*%&¤£@@ @@£¤&%*~:,
,:~*%¤£@## ##@£¤%*~:,
,:~*%&&&¤¤ ¤¤&&&%*~:,
,,,,::*%&¤ ¤&%*::,,,,
,:~*%&¤£@# #@£¤&%*~:,
,:~*%%&&¤¤ THE SKYSCRAPER THAT MOVES ¤¤&&%%*~:,
,:~*%&¤£@# #@£¤&%*~:,
,:~*%&&&¤@ TAINARON IS A BUILDING OWNED AND @¤&&&%*~:,
,:~*%&¤£@# OPERATED BY AMATA TEXNOLOGIYASI PLACED #@£¤&%*~:,
,,,::~~*&¤ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¤&*~~::,,,
,:~*%&¤£@# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #@£¤&%*~:,
,:~*%&¤££@ UNKNOWN), DARK BLUE AND COMPLETELY @££¤&%*~:,
,:::~%%%¤£ RECTANGULAR. IT FEATURES NO SIGNS, £¤%%%~:::,
,:~*%&¤££@ LIGHTS, OR ORNAMENTS, APART FROM A @££¤&%*~:,
,:~*%&¤£@# HELIPAD ON TOP. MOST FLOORS HAVE #@£¤&%*~:,
,:~*%&¤£@# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #@£¤&%*~:,
,:~*%&¤££@ @££¤&%*~:,
,:::~~**%¤ IN LATE EVENINGS, SHROUDED BY MALMö'S ¤%**~~:::,
,,,,,~%&&¤ SIGNATURE FOG ROLLING IN FROM THE SEA, ¤&&%~,,,,,
,,,,:**&¤¤ THE BUILDING COMES TO LIFE: IT MOVES ON ¤¤&**:,,,,
,,,:~*%%¤¤ A THOUSAND ROBOTIC LEGS TO ANOTHER ¤¤%%*~:,,,
,,,,:~*%¤£ (SECRET) PART OF TOWN, OR PERHAPS OUT £¤%*~:,,,,
,,,,,:*&¤@ TO SEA. THIS SIGNALS A NEW AND MORE @¤&*:,,,,,
,:~*%&¤£@# VISCIOUS PHASE OF THE TAINARON #@£¤&%*~:,
,:~*%&¤£@# ECOSYSTEM. #@£¤&%*~:,
,,,,,~~%¤@ @¤%~~,,,,,
,:~*%&¤£@# THE GUESTS ARRIVING DURING THE EARLY #@£¤&%*~:,
,,,,,~%&££ EVENING ARE TREATED TO FOOD AND DRINK, ££&%~,,,,,
,:~*%&¤£@# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #@£¤&%*~:,
,:~**%%%%¤ COMFORTABLE BUT MAZE-LIKE INTERIOR ¤%%%%**~:,
,:~*%&¤£## STRUCTURE (THE BUILDING FEATURES A ##£¤&%*~:,
,:~*%&¤£@@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @@£¤&%*~:,
,,,,,:~*%¤ PLACED SEEMINGLY AT RANDOM, NONE GOING ¤%*~:,,,,,
,,,,:~~%¤@ FURTHER THAN A FEW FLOORS). @¤%~~:,,,,
,,,,:~%&¤¤ ¤¤&%~:,,,,
,:~*%&¤¤££ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ££¤¤&%*~:,
,:~*%&¤£@# UNTIL THE AIR INSIDE HAS TAKEN ON THE #@£¤&%*~:,
,,,::*%%¤£ SAME QUALITY AS THE SURROUNDING MIST: £¤%%*::,,,
,,,,,,,~%¤ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¤%~,,,,,,,
,:~*%&¤£@# DOT'S BY DOOR LOCKS AND CONTROL PANELS. #@£¤&%*~:,
,,,,,:*&¤£ IF YOU WOULD LOOK THROUGH THE WINDOWS £¤&*:,,,,,
,,,,,,,~%¤ YOU WOULD SEE THE MIST ROLLING BY, AND ¤%~,,,,,,,
,:~*%&¤¤¤£ PERHAPS THE OUTLINE OF SOME OTHER £¤¤¤&%*~:,
,:~*%&¤¤££ BUILDING, FAR BELOW. ££¤¤&%*~:,
,::~~~~%%¤ ¤%%~~~~::,
,:~*%&¤£@# DURING THE NIGHT, AFTER TAINARON HAS #@£¤&%*~:,
,,:~~~%¤£@ STARTED MOVING, THE LOWER FLOORS ARE @£¤%~~~:,,
,:~*%&¤£@@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @@£¤&%*~:,
,:~*%&¤£@# THE GUESTS. FOOD IS NO LONGER SERVED, #@£¤&%*~:,
,:~*%&¤£@# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #@£¤&%*~:,
,,,,:**&£@ IT'S AT THIS POINT THAT THE SECOND SET @£&**:,,,,
,:~*%&&&¤¤ OF GUEST ARRIVES, VIA HELICOPTER - ¤¤&&&%*~:,
,:~*%&¤£@# AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #@£¤&%*~:,
,:~*%&¤£@# #@£¤&%*~:,
,:~*%&¤£@# ~~~~~ #@£¤&%*~:,
,,,,~~~*%¤ ¤%*~~~,,,,
,,,,,:*&¤£ IN MY DREAM I AM INVITED AS A FRIEND OF £¤&*:,,,,,
,~*%&¤£@## ONE OF THE SERVERS, AND THUS SAFE. WE ##@£¤&%*~,
,,::*%&&&¤ SIT IN ONE OF THE LARGE WINDOWS, ¤&&&%*::,,
,,,,:**&¤@ LOOKING THROUGH THE MIST FOR ANY @¤&**:,,,,
,:~*%%%&&¤ LANDMARKS TO PIERCE THROUGH THE MIST. ¤&&%%%*~:,
,:~*%&¤£@# SHE TELLS ME THAT APART FROM COMING AND #@£¤&%*~:,
,,,,:*%&¤¤ GOING FROM WORK, SHE'S NEVER SEEN THE ¤¤&%*:,,,,
,,,:***&£@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @£&***:,,,
,:~*%&¤£@# #@£¤&%*~:,
,,,,,,~%%¤ THE NEXT DAY I AM INVITED TO THE PUBLIC ¤%%~,,,,,,
,,,,,:~*&¤ DEMONSTRATION OF THE EXOBUBBLE. ¤&*~:,,,,,
,:~*%&£@## ##@£&%*~:,
,:~*%&¤££@ @££¤&%*~:,
,:~*%&¤££@ @££¤&%*~:,
,:~*%&¤£## ##£¤&%*~:,
,,,:~~~~%¤ ¤%~~~~:,,,