#¤¤%%†;--, ,--;†%%¤¤#
###¤%†;--, ,--;†%¤###
###¤%†;--, ,--;†%¤###
#%;;--,,,, ,,,,--;;%#
###¤%†;--, ,--;†%¤###
#¤†--,,,,, the skyscraper that moves ,,,,,--†¤#
###¤%†;--, ,--;†%¤###
####¤%;--, tainaron is a building owned and ,--;%¤####
###¤%†;--, operated by amata texnologiyasi placed ,--;†%¤###
###¤%†;--, closed to the harbor in malmÖ. it's ,--;†%¤###
###¤%†;--, roughly sixty floors high (real number ,--;†%¤###
##%%;--,,, unknown), dark blue and completely ,,,--;%%##
###¤%†;--, rectangular. it features no signs, ,--;†%¤###
###¤%†;--, lights, or ornaments, apart from a ,--;†%¤###
###¤%†;--, helipad on top. most floors have ,--;†%¤###
¤¤†;-,,,,, exterior walls completely made of glass. ,,,,,-;†¤¤
###¤%†;--, ,--;†%¤###
#¤¤†---,,, in late evenings, shrouded by malmö's ,,,---†¤¤#
###¤%†;--, signature fog rolling in from the sea, ,--;†%¤###
####¤†;--, the building comes to life: it moves on ,--;†¤####
¤†††--,,,, a thousand robotic legs to another ,,,,--†††¤
###¤%†;--, (secret) part of town, or perhaps out ,--;†%¤###
###¤%†;--, to sea. this signals a new and more ,--;†%¤###
###¤%†;--, viscious phase of the tainaron ,--;†%¤###
##¤¤%†;--, ecosystem. ,--;†%¤¤##
####%†;--, ,--;†%####
##%;;--,,, the guests arriving during the early ,,,--;;%##
¤¤¤¤%†;--, evening are treated to food and drink, ,--;†%¤¤¤¤
###¤%†;--, live music, beatutiful views, and a ,--;†%¤###
#¤¤¤%†;--, comfortable but maze-like interior ,--;†%¤¤¤#
#%††††;--, structure (the building features a ,--;††††%#
###¤%†;--, multitude of stairwells and elevators, ,--;†%¤###
¤¤¤†---,,, placed seemingly at random, none going ,,,---†¤¤¤
¤†;;-,,,,, further than a few floors). ,,,,,-;;†¤
###¤%†;--, ,--;†%¤###
#¤††--,,,, as time goes on, the lights slowly dim, ,,,,--††¤#
#¤%†;--,,, until the air inside has taken on the ,,,--;†%¤#
¤¤†;-,,,,, same quality as the surrounding mist: ,,,,,-;†¤¤
¤†;----,,, blue-gray, sprinkled with the small red ,,,----;†¤
¤†;;-,,,,, dot's by door locks and control panels. ,,,,,-;;†¤
¤%;-,,,,,, if you would look through the windows ,,,,,,-;%¤
###¤%†;--, you would see the mist rolling by, and ,--;†%¤###
###¤%†;--, perhaps the outline of some other ,--;†%¤###
###¤%†;--, building, far below. ,--;†%¤###
###¤%†;--, ,--;†%¤###
#¤†;;----, during the night, after tainaron has ,----;;†¤#
#%%;;---,, started moving, the lower floors are ,,---;;%%#
¤%%;;-,,,, shut off, preventing entry or exit for ,,,,-;;%%¤
###¤%†;--, the guests. food is no longer served, ,--;†%¤###
¤¤%††;-,,, but the drinks become more extravagant. ,,,-;††%¤¤
¤†-----,,, it's at this point that the second set ,,,-----†¤
¤%%;--,,,, of guest arrives, via helicopter - ,,,,--;%%¤
###¤%†;--, amata texnologiyasi and their friends. ,--;†%¤###
###¤%†;--, ,--;†%¤###
#%†;-,,,,, ----- ,,,,,-;†%#
#%†††;-,,, ,,,-;†††%#
¤¤††-,,,,, in my dream i am invited as a friend of ,,,,,-††¤¤
###¤%†;--, one of the servers, and thus safe. we ,--;†%¤###
¤†--,,,,,, sit in one of the large windows, ,,,,,,--†¤
¤†††--,,,, looking through the mist for any ,,,,--†††¤
###¤%†;--, landmarks to pierce through the mist. ,--;†%¤###
####%†;--, she tells me that apart from coming and ,--;†%####
###¤%†;--, going from work, she's never seen the ,--;†%¤###
####¤%;--, building from the outside. we both sigh. ,--;%¤####
#¤%%†;;--, ,--;;†%%¤#
###¤%†;--, the next day i am invited to the public ,--;†%¤###
####¤%;--, demonstration of the exobubble. ,--;%¤####
#¤††-,,,,, ,,,,,-††¤#
#¤%†††;--, ,--;†††%¤#
###¤%†;--, ,--;†%¤###
###¤%†;--, ,--;†%¤###
###¤%†;--, ,--;†%¤###