#@££%%\-:. .:-\%%££@#
@££%%\-:.. ..:-\%%££@
#@££%%\-:. .:-\%%££@#
@££%%\-:.. ..:-\%%££@
#@££%%\-:. .:-\%%££@#
@££%%\-:.. THE SKYSCRAPER THAT MOVES ..:-\%%££@
#@££%%\-:. .:-\%%££@#
@££%%\-:.. TAINARON IS A BUILDING OWNED AND ..:-\%%££@
#@££%%\-:. OPERATED BY AMATA TEXNOLOGIYASI PLACED .:-\%%££@#
@££%%\-:.. CLOSED TO THE HARBOR IN MALMÖ. IT'S ..:-\%%££@
#@££%%\-:. ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER .:-\%%££@#
@££%%\-:.. UNKNOWN), DARK BLUE AND COMPLETELY ..:-\%%££@
#@££%%\-:. RECTANGULAR. IT FEATURES NO SIGNS, .:-\%%££@#
@££%%\-:.. LIGHTS, OR ORNAMENTS, APART FROM A ..:-\%%££@
#@££%%\-:. HELIPAD ON TOP. MOST FLOORS HAVE .:-\%%££@#
@££%%\-:.. EXTERIOR WALLS COMPLETELY MADE OF GLASS. ..:-\%%££@
#@££%%\-:. .:-\%%££@#
@££%%\-:.. IN LATE EVENINGS, SHROUDED BY MALMö'S ..:-\%%££@
#@££%%\-:. SIGNATURE FOG ROLLING IN FROM THE SEA, .:-\%%££@#
@££%%\-:.. THE BUILDING COMES TO LIFE: IT MOVES ON ..:-\%%££@
#@££%%\-:. A THOUSAND ROBOTIC LEGS TO ANOTHER .:-\%%££@#
@££%%\-:.. (SECRET) PART OF TOWN, OR PERHAPS OUT ..:-\%%££@
#@££%%\-:. TO SEA. THIS SIGNALS A NEW AND MORE .:-\%%££@#
@££%%\-:.. VISCIOUS PHASE OF THE TAINARON ..:-\%%££@
#@££%%\-:. ECOSYSTEM. .:-\%%££@#
@££%%\-:.. ..:-\%%££@
#@££%%\-:. THE GUESTS ARRIVING DURING THE EARLY .:-\%%££@#
@££%%\-:.. EVENING ARE TREATED TO FOOD AND DRINK, ..:-\%%££@
#@££%%\-:. LIVE MUSIC, BEATUTIFUL VIEWS, AND A .:-\%%££@#
@££%%\-:.. COMFORTABLE BUT MAZE-LIKE INTERIOR ..:-\%%££@
#@££%%\-:. STRUCTURE (THE BUILDING FEATURES A .:-\%%££@#
@££%%\-:.. MULTITUDE OF STAIRWELLS AND ELEVATORS, ..:-\%%££@
#@££%%\-:. PLACED SEEMINGLY AT RANDOM, NONE GOING .:-\%%££@#
@££%%\-:.. FURTHER THAN A FEW FLOORS). ..:-\%%££@
#@££%%\-:. .:-\%%££@#
@££%%\-:.. AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ..:-\%%££@
#@££%%\-:. UNTIL THE AIR INSIDE HAS TAKEN ON THE .:-\%%££@#
@££%%\-:.. SAME QUALITY AS THE SURROUNDING MIST: ..:-\%%££@
#@££%%\-:. BLUE-GRAY, SPRINKLED WITH THE SMALL RED .:-\%%££@#
@££%%\-:.. DOT'S BY DOOR LOCKS AND CONTROL PANELS. ..:-\%%££@
#@££%%\-:. IF YOU WOULD LOOK THROUGH THE WINDOWS .:-\%%££@#
@££%%\-:.. YOU WOULD SEE THE MIST ROLLING BY, AND ..:-\%%££@
#@££%%\-:. PERHAPS THE OUTLINE OF SOME OTHER .:-\%%££@#
@££%%\-:.. BUILDING, FAR BELOW. ..:-\%%££@
#@££%%\-:. .:-\%%££@#
@££%%\-:.. DURING THE NIGHT, AFTER TAINARON HAS ..:-\%%££@
#@££%%\-:. STARTED MOVING, THE LOWER FLOORS ARE .:-\%%££@#
@££%%\-:.. SHUT OFF, PREVENTING ENTRY OR EXIT FOR ..:-\%%££@
#@££%%\-:. THE GUESTS. FOOD IS NO LONGER SERVED, .:-\%%££@#
@££%%\-:.. BUT THE DRINKS BECOME MORE EXTRAVAGANT. ..:-\%%££@
#@££%%\-:. IT'S AT THIS POINT THAT THE SECOND SET .:-\%%££@#
@££%%\-:.. OF GUEST ARRIVES, VIA HELICOPTER - ..:-\%%££@
#@££%%\-:. AMATA TEXNOLOGIYASI AND THEIR FRIENDS. .:-\%%££@#
@££%%\-:.. ..:-\%%££@
#@££%%\-:. ----- .:-\%%££@#
@££%%\-:.. ..:-\%%££@
#@££%%\-:. IN MY DREAM I AM INVITED AS A FRIEND OF .:-\%%££@#
@££%%\-:.. ONE OF THE SERVERS, AND THUS SAFE. WE ..:-\%%££@
#@££%%\-:. SIT IN ONE OF THE LARGE WINDOWS, .:-\%%££@#
@££%%\-:.. LOOKING THROUGH THE MIST FOR ANY ..:-\%%££@
#@££%%\-:. LANDMARKS TO PIERCE THROUGH THE MIST. .:-\%%££@#
@££%%\-:.. SHE TELLS ME THAT APART FROM COMING AND ..:-\%%££@
#@££%%\-:. GOING FROM WORK, SHE'S NEVER SEEN THE .:-\%%££@#
@££%%\-:.. BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ..:-\%%££@
#@££%%\-:. .:-\%%££@#
@££%%\-:.. THE NEXT DAY I AM INVITED TO THE PUBLIC ..:-\%%££@
#@££%%\-:. DEMONSTRATION OF THE EXOBUBBLE. .:-\%%££@#
@££%%\-:.. ..:-\%%££@
#@££%%\-:. .:-\%%££@#
@££%%\-:.. ..:-\%%££@
#@££%%\-:. .:-\%%££@#
@££%%\-:.. ..:-\%%££@