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.@...@@.@.                                          @.@.@@@@@.
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.@.@@@...@         ....$$@# VäXJö #@$$....          ...@...@@@
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..@.@@.@.. THE APARTMENT SMELLS OF  OLD COFFEE  AND .@.@.@@.@.
.@@@.@@@.@ SWEETENERS. I DON'T  KNOW  HOW I LET  IT @@@@@.@@@.
@..@@..@@. GET  LIKE  THIS.  IT'S NOT  INTENTIONAL. ....@@..@.
@.@.@.@.@.                                          ...@.@.@@@
@@@@@@@@@@ I WEAR YELLOW TINTED  GLASSES. THE  ROOM ..@@@@@...
.......... CHANGES  SHAPE  A LOT. RIGHT NOW THERE'S .@....@..@
.........@ A  BLUE  SOFA   WITH  YELLOW  SEAMS.   I @@...@@.@@
........@@     EXPERIMENT WITH DIFFERENT COLORED    .@..@.@@.@
.......@.@       LIGHTS. I'M LEARNING THINGS.       @@.@@@.@@@
......@@@.                                          .@@..@@..@
.....@..@. MY THOUGHTS ARE  REVOLVING  AROUND TIME, @.@.@.@.@@
....@@.@@@ AND THE PERCEPTION OF IT. CAN I MAKE  IT @@@@@@@@.@
...@.@@... RIGID? IF  I REALLY WANT TO, CAN  I MAKE .......@@@
..@@@.@..@ IT  FEEL LIKE  THERE  IS ENOUGH  OF  IT? ......@..@
.@..@@@.@.    ALSO, AND MAYBE, ULTIMATELY, MORE     .....@@.@@
@@.@..@@@@ IMPORTANT - CAN I  MAKE IT FEEL  LIKE IT ....@.@@.@
.@@@.@....              DOESN'T MATTER?             ...@@@.@@.
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