THE GLASS FACTORY.           
                                        
                                        
                                      
                                  
                                  
                                          
 SEVERAL  CENTURIES  AFTER  IT  HAD  LAST 
 BELONGED TO US, WE  WENT ON AN OUTING TO 
 THE GLASS FACTORY THAT  BORE  OUR FAMILY 
 NAME. IT  HAD  CHANGED OWNERS MANY TIMES 
 SINCE  OUR  ANCESTORS  DEATH,  AND  THEN 
 STOOD  ABANDONED   FOR   A  LONG  WHILE. 
 FINALLY,  THE  NATURAL  END STATION  FOR 
 THE  BUILDINGS THAT  SURVIVE:  A MUSEUM, 
 AND A GIFT SHOP.                         
                                          
 THERE'S  A  LONG  TIME  SINCE MY  FAMILY 
 MADE  ANYTHING.  BY  MANY, WE  WOULD  BE 
 CONSIDERED POOR.                         
                                          
 THERE ARE  TWO  MAIN  FACTORY BUILDINGS, 
 DOMED THINGS  OF SEVERAL FLOORS, MADE IN 
 YELLOW BRICK. LARGE BUT NARROW  WINDOWS, 
 REMINESCENT     OF    SOME    CATHEDRAL. 
 CUSTOM-MADE GLASS, OF  COURSE, LARGE AND 
 LEADED, AND ASHEN.  A BIT TOO DARK TO BE 
 PRACTICAL.  ON  THE  EASTERN   BUILDING, 
 SOME ARE SHATTERED.                      
                                          
 THE  OTHER ONE IS PUBLICLY OPEN. THERE'S 
 A MUSEUM, WITH WAX FIGURES  OF  MY GREAT 
 GREAT GREAT  GRANDFATHER, OR  SOMETHING. 
 VARIOUS TOOLS (OR REPLICAS)  LAID OUT ON 
 TABLES, WITH EXPLAINING TEXTS. A  LOT OF 
 GLASS     OF     VARYING      THICKNESS. 
                                          
                                        
                                      
                          
                                      
                                        
                                          
 I QUICKLY SNEAK  OUT, AND CLIMB INTO THE 
 OTHER   BUILDING.   THE    CONTRAST   IS 
 OVERWHELMING.   IT   MUST   HAVE   STOOD 
 DERELICT  FOR  A  LONG   TIME,   WINDOWS 
 BROKEN,  METALLIC  TRASH  AND  POOLS  OF 
 DARK  GLASS  ALL  OVER   THE  FLOOR.  NO 
 ELECTRIC  LIGHTS, BUT I CAN SEE  BY  THE 
 LIGHT THAT SHINES  IN WHEREVER THE  DARK 
 WINDOWS    ARE     MISSING    A    PANE. 
                                          
 HOWEVER,  THE GREATEST DIFFERENCE IS THE 
 HIGHER FLOORS: THIS  BUILDING HAS  NONE. 
 IT IS ONE MASSIVE HALL, STRETCHING  AWAY 
 INFINITELY ABOVE ME. SOMEWHERE UP  THERE 
 IS SOME  GREAT  IRON  LATTICEWORK,  FROM 
 WHERE  CHAINS  ARE SUSPENDED,  AND PARTS 
 OF  MACHINERY  HAS  BEEN  FALLING  DOWN. 
                                          
 THERE IS,  IN  THE  MIDDLE OF THE  GREAT 
 HALL,  A  THIN  SPIRAL  STAIRCASE   THAT 
 LEADS UP THERE. I SNEAK OVER THERE,  AND 
 TAKE  A FEW RELUCTANT STEPS.  AFTER JUST 
 A REVOLUTION,  I  NOTICE THAT  FOR  EACH 
 STEP  THE BUILDING STARTS  TO GLOW,  THE 
 BRICKS  TURNING  A  DARK  RED, AND  THEN 
 ORANGE, ALL THE PILED  UP  DEBREE  BEING 
 LIT FROM BEHIND.                         
                                          
 I STOP  READY TO RUN DOWN  AND  OUT, BUT 
 THERE'S SOMEONE ELSE  ON  THE  STAIRCASE 
 WITH  ME   NOW,  PRESSED   CLOSE.   HE'S 
 LOOKING  LIKE  ME, SHORT  HAIR AND  THIN 
 ARMS, BUT  WITH EARS  FROM  SOME ANIMAL, 
 AND  MORE DISTURBINGLY,  COMPLETELY MADE 
 OF DARK LIQUID GLASS.                    
                                          
                                        
                                      
                          
                                      
                                        
                                          
 MY FEAR  HOLDS  ME  IN  PLACE  WHILE  HE 
 STARTS  OPERATING  LEVERS AND  DIALS SET 
 IN THE  CENTER OF THE STAIRCASE. SLOWLY, 
 IT  STARTS  SPINNING,  CIRCLING UPWARDS. 
 IT'S  AN  ELEVATOR!  I   START   TO  RUN 
 DOWNWARDS,  BUT   NOW  THE   LIQUID  BOY 
 CREATURE  GRABS  HOLD  OF  ME. I TRY  TO 
 SHAKE HIM OFF, BUT HE'S TOO STRONG,  AND 
 PULLS    ME   BACK    UP   BESIDE   HIM. 
                                          
 THIS  TIME,  I TURN  ANGRY INSTEAD. WHAT 
 THE HELL?  WHO  IS THIS GUY, ACTING LIKE 
 THIS? I REACH  OUT MY FREE  ARM AND SLAM 
 A  RANDOM   LEVER.  SOME  METAL  BAR  IS 
 SUDDENLY RELEASED  BETWEEN  US,  HITTING 
 HIM  ON THE ARM, FORCING  MY RELEASE.  I 
 SHOVE HIM  OFF OF ME, AND HE  FALLS INTO 
 THE    LEVERS,    MESSING    THEM    UP. 
 IMMEDIATELY,  A  THIN   RUSTY  CHAINMAIL 
 CURTAIN IS  DROPPED AROUND  ME.  BUT THE 
 ELEVATOR  ALSO  SPEEDS UP SIGNIFICANTLY. 
                                          
 THE  WALLS  ARE  FLARING   NOW,  YELLOW, 
 WHITE,  ALMOST BLUE. I CLOSE MY EYES AND 
 CURL INTO A BALL.  BUT  THEN,  THE GLASS 
 BOY   SCREAMS,  A  PIERCING  SOUND  THAT 
 FORCES MY EYES BACK OPEN. I  WATCH AS HE 
 BECOMES  TOO LIQUID,  HIS  BODY  POOLING 
 DOWN  IN HIS NOW  MASSIVE TAIL, AND  THE 
 TIP OF IT SUDDENLY BREAKS OF IN A  GLASS 
 DROP  THAT  FALLS  TOWARD  THE   FACTORY 
 FLOOR.                                   
                                          
 HE'S  CRAWLING ON THE STAIRS, UNABLE  TO 
 KEEP  HIS BODY UPRIGHT. CAN'T REACH  THE 
 LEVERS,  CLAWS  AT  MY  CHAINMAIL  CAGE, 
 WHILE  HIS  BODY  IS  TURNING  INTO DARK 
 PEARLS. FINALLY, HE'S  LOST TOO MUCH  OF 
 HIMSELF  AND  THE  SCREAM  IS CUT SHORT. 
 THE    LAST    OF   HIM    RAINS   DOWN. 
                                          
 I  STILL  CAN'T  REACH  THE  LEVERS FROM 
 WITHIN  MY CAGE.  LOOKING UP, I  TRY  TO 
 MAKE  OUT THE CEILING, BUT  IT'S  ALL  A 
 WHIRLING SEA OF COLOURS. BELOW ME  GLOWS 
 THE HELLFIRE  OF THE FACTORY  WALLS, BUT 
 VERY FAINT. I  SIT DOWN,  CURL  BACK UP, 
 BECOME STILL.                            
                                          
                                        
                                      
                          
                                      
                                        
                                          
 A LARGE  CLUNK SHAKES  MY  ENTIRE  BODY, 
 AND SNAPS  ME  BACK  INTO  REALITY.  I'M 
 BACK  AT  THE  FACTORY  FLOOR,  BUT  THE 
 STAIRS   ARE   STILL   MOVING  SLIGHTLY, 
 CLICKING IN PLACE, CARRYING ME THE  LAST 
 FEW  CENTIMETERS.  I  CAME  FROM  BELOW, 
 SOMEHOW.  THE  CHAINMAIL  IS  RETRACTED, 
 AND  I  SLOWLY  DISMOUNT   THE   STAIRS. 
                                          
 SHAKING AND CRYING,  I MAKE MY  WAY OVER 
 THE  FACTORY  FLOOR, WADING THROUGH DARK 
 GLASS MARBLES. A QUICK  GLANCE DOWN, AND 
 I SEE  THERE'S  SOMETHING  FAINT  INSIDE 
 THEM.    EMBRYOS?   ARE    THESE   EGGS? 
                                          
 I   SHUDDER,   AND   CLIMB   BACK   OUT.