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* the glass factory. *
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#@£*\~.,,, several centuries after it had last ,,,.~\*£@#
##@£*\~.,, belonged to us, we went on an outing to ,,.~\*£@##
###@£*\~., the glass factory that bore our family ,.~\*£@###
##@£*\~.,, name. it had changed owners many times ,,.~\*£@##
#@£*\~.,,, since our ancestors death, and then ,,,.~\*£@#
@£*\~.,,,, stood abandoned for a long while. ,,,,.~\*£@
£*\~.,,,,, finally, the natural end station for ,,,,,.~\*£
*\~.,,,,,, the buildings that survive: a museum, ,,,,,,.~\*
£*\~.,,,,, and a gift shop. ,,,,,.~\*£
@£*\~.,,,, ,,,,.~\*£@
#@£*\~.,,, there's a long time since my family ,,,.~\*£@#
##@£*\~.,, made anything. by many, we would be ,,.~\*£@##
###@£*\~., considered poor. ,.~\*£@###
##@£*\~.,, ,,.~\*£@##
#@£*\~.,,, there are two main factory buildings, ,,,.~\*£@#
@£*\~.,,,, domed things of several floors, made in ,,,,.~\*£@
£*\~.,,,,, yellow brick. large but narrow windows, ,,,,,.~\*£
*\~.,,,,,, reminescent of some cathedral. ,,,,,,.~\*
£*\~.,,,,, custom-made glass, of course, large and ,,,,,.~\*£
@£*\~.,,,, leaded, and ashen. a bit too dark to be ,,,,.~\*£@
#@£*\~.,,, practical. on the eastern building, ,,,.~\*£@#
##@£*\~.,, some are shattered. ,,.~\*£@##
###@£*\~., ,.~\*£@###
##@£*\~.,, the other one is publicly open. there's ,,.~\*£@##
#@£*\~.,,, a museum, with wax figures of my great ,,,.~\*£@#
@£*\~.,,,, great great grandfather, or something. ,,,,.~\*£@
£*\~.,,,,, various tools (or replicas) laid out on ,,,,,.~\*£
*\~.,,,,,, tables, with explaining texts. a lot of ,,,,,,.~\*
£*\~.,,,,, glass of varying thickness. ,,,,,.~\*£
@£*\~.,,,, ,,,,.~\*£@
#@£*\~.,,, ** ,,,.~\*£@#
##@£*\~.,, ** ** ,,.~\*£@##
###@£*\~., ~~~~~~~ * * ~~~~~~~ ,.~\*£@###
##@£*\~.,, ** ** ,,.~\*£@##
#@£*\~.,,, ** ,,,.~\*£@#
@£*\~.,,,, ,,,,.~\*£@
£*\~.,,,,, i quickly sneak out, and climb into the ,,,,,.~\*£
*\~.,,,,,, other building. the contrast is ,,,,,,.~\*
£*\~.,,,,, overwhelming. it must have stood ,,,,,.~\*£
@£*\~.,,,, derelict for a long time, windows ,,,,.~\*£@
#@£*\~.,,, broken, metallic trash and pools of ,,,.~\*£@#
##@£*\~.,, dark glass all over the floor. no ,,.~\*£@##
###@£*\~., electric lights, but i can see by the ,.~\*£@###
##@£*\~.,, light that shines in wherever the dark ,,.~\*£@##
#@£*\~.,,, windows are missing a pane. ,,,.~\*£@#
@£*\~.,,,, ,,,,.~\*£@
£*\~.,,,,, however, the greatest difference is the ,,,,,.~\*£
*\~.,,,,,, higher floors: this building has none. ,,,,,,.~\*
£*\~.,,,,, it is one massive hall, stretching away ,,,,,.~\*£
@£*\~.,,,, infinitely above me. somewhere up there ,,,,.~\*£@
#@£*\~.,,, is some great iron latticework, from ,,,.~\*£@#
##@£*\~.,, where chains are suspended, and parts ,,.~\*£@##
###@£*\~., of machinery has been falling down. ,.~\*£@###
##@£*\~.,, ,,.~\*£@##
#@£*\~.,,, there is, in the middle of the great ,,,.~\*£@#
@£*\~.,,,, hall, a thin spiral staircase that ,,,,.~\*£@
£*\~.,,,,, leads up there. i sneak over there, and ,,,,,.~\*£
*\~.,,,,,, take a few reluctant steps. after just ,,,,,,.~\*
£*\~.,,,,, a revolution, i notice that for each ,,,,,.~\*£
@£*\~.,,,, step the building starts to glow, the ,,,,.~\*£@
#@£*\~.,,, bricks turning a dark red, and then ,,,.~\*£@#
##@£*\~.,, orange, all the piled up debree being ,,.~\*£@##
###@£*\~., lit from behind. ,.~\*£@###
##@£*\~.,, ,,.~\*£@##
#@£*\~.,,, i stop ready to run down and out, but ,,,.~\*£@#
@£*\~.,,,, there's someone else on the staircase ,,,,.~\*£@
£*\~.,,,,, with me now, pressed close. he's ,,,,,.~\*£
*\~.,,,,,, looking like me, short hair and thin ,,,,,,.~\*
£*\~.,,,,, arms, but with ears from some animal, ,,,,,.~\*£
@£*\~.,,,, and more disturbingly, completely made ,,,,.~\*£@
#@£*\~.,,, of dark liquid glass. ,,,.~\*£@#
##@£*\~.,, ,,.~\*£@##
###@£*\~., ** ,.~\*£@###
##@£*\~.,, ** ** ,,.~\*£@##
#@£*\~.,,, ~~~~~~~ * * ~~~~~~~ ,,,.~\*£@#
@£*\~.,,,, ** ** ,,,,.~\*£@
£*\~.,,,,, ** ,,,,,.~\*£
*\~.,,,,,, ,,,,,,.~\*
£*\~.,,,,, my fear holds me in place while he ,,,,,.~\*£
@£*\~.,,,, starts operating levers and dials set ,,,,.~\*£@
#@£*\~.,,, in the center of the staircase. slowly, ,,,.~\*£@#
##@£*\~.,, it starts spinning, circling upwards. ,,.~\*£@##
###@£*\~., it's an elevator! i start to run ,.~\*£@###
##@£*\~.,, downwards, but now the liquid boy ,,.~\*£@##
#@£*\~.,,, creature grabs hold of me. i try to ,,,.~\*£@#
@£*\~.,,,, shake him off, but he's too strong, and ,,,,.~\*£@
£*\~.,,,,, pulls me back up beside him. ,,,,,.~\*£
*\~.,,,,,, ,,,,,,.~\*
£*\~.,,,,, this time, i turn angry instead. what ,,,,,.~\*£
@£*\~.,,,, the hell? who is this guy, acting like ,,,,.~\*£@
#@£*\~.,,, this? i reach out my free arm and slam ,,,.~\*£@#
##@£*\~.,, a random lever. some metal bar is ,,.~\*£@##
###@£*\~., suddenly released between us, hitting ,.~\*£@###
##@£*\~.,, him on the arm, forcing my release. i ,,.~\*£@##
#@£*\~.,,, shove him off of me, and he falls into ,,,.~\*£@#
@£*\~.,,,, the levers, messing them up. ,,,,.~\*£@
£*\~.,,,,, immediately, a thin rusty chainmail ,,,,,.~\*£
*\~.,,,,,, curtain is dropped around me. but the ,,,,,,.~\*
£*\~.,,,,, elevator also speeds up significantly. ,,,,,.~\*£
@£*\~.,,,, ,,,,.~\*£@
#@£*\~.,,, the walls are flaring now, yellow, ,,,.~\*£@#
##@£*\~.,, white, almost blue. i close my eyes and ,,.~\*£@##
###@£*\~., curl into a ball. but then, the glass ,.~\*£@###
##@£*\~.,, boy screams, a piercing sound that ,,.~\*£@##
#@£*\~.,,, forces my eyes back open. i watch as he ,,,.~\*£@#
@£*\~.,,,, becomes too liquid, his body pooling ,,,,.~\*£@
£*\~.,,,,, down in his now massive tail, and the ,,,,,.~\*£
*\~.,,,,,, tip of it suddenly breaks of in a glass ,,,,,,.~\*
£*\~.,,,,, drop that falls toward the factory ,,,,,.~\*£
@£*\~.,,,, floor. ,,,,.~\*£@
#@£*\~.,,, ,,,.~\*£@#
##@£*\~.,, he's crawling on the stairs, unable to ,,.~\*£@##
###@£*\~., keep his body upright. can't reach the ,.~\*£@###
##@£*\~.,, levers, claws at my chainmail cage, ,,.~\*£@##
#@£*\~.,,, while his body is turning into dark ,,,.~\*£@#
@£*\~.,,,, pearls. finally, he's lost too much of ,,,,.~\*£@
£*\~.,,,,, himself and the scream is cut short. ,,,,,.~\*£
*\~.,,,,,, the last of him rains down. ,,,,,,.~\*
£*\~.,,,,, ,,,,,.~\*£
@£*\~.,,,, i still can't reach the levers from ,,,,.~\*£@
#@£*\~.,,, within my cage. looking up, i try to ,,,.~\*£@#
##@£*\~.,, make out the ceiling, but it's all a ,,.~\*£@##
###@£*\~., whirling sea of colours. below me glows ,.~\*£@###
##@£*\~.,, the hellfire of the factory walls, but ,,.~\*£@##
#@£*\~.,,, very faint. i sit down, curl back up, ,,,.~\*£@#
@£*\~.,,,, become still. ,,,,.~\*£@
£*\~.,,,,, ,,,,,.~\*£
*\~.,,,,,, ** ,,,,,,.~\*
£*\~.,,,,, ** ** ,,,,,.~\*£
@£*\~.,,,, ~~~~~~~ * * ~~~~~~~ ,,,,.~\*£@
#@£*\~.,,, ** ** ,,,.~\*£@#
##@£*\~.,, ** ,,.~\*£@##
###@£*\~., ,.~\*£@###
##@£*\~.,, a large clunk shakes my entire body, ,,.~\*£@##
#@£*\~.,,, and snaps me back into reality. i'm ,,,.~\*£@#
@£*\~.,,,, back at the factory floor, but the ,,,,.~\*£@
£*\~.,,,,, stairs are still moving slightly, ,,,,,.~\*£
*\~.,,,,,, clicking in place, carrying me the last ,,,,,,.~\*
£*\~.,,,,, few centimeters. i came from below, ,,,,,.~\*£
@£*\~.,,,, somehow. the chainmail is retracted, ,,,,.~\*£@
#@£*\~.,,, and i slowly dismount the stairs. ,,,.~\*£@#
##@£*\~.,, ,,.~\*£@##
###@£*\~., shaking and crying, i make my way over ,.~\*£@###
##@£*\~.,, the factory floor, wading through dark ,,.~\*£@##
#@£*\~.,,, glass marbles. a quick glance down, and ,,,.~\*£@#
@£*\~.,,,, i see there's something faint inside ,,,,.~\*£@
£*\~.,,,,, them. embryos? are these eggs? ,,,,,.~\*£
*\~.,,,,,, ,,,,,,.~\*
£*\~.,,,,, i shudder, and climb back out. ,,,,,.~\*£
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