,,,,,^*£&@ @&£*^,,,,,
,^~**£&@@# #@@&£**~^,
,^~**£&@@@ @@@&£**~^,
,^~****&&@ @&&****~^,
,^~**&@@## ##@@&**~^,
^~**£&@@## TRAIN DREAM ##@@&£**~^
,,,,~*£&@@ ######,,,,^~^^,,##################### @@&£*~,,,,
,^~**£&@@# *** #@@&£**~^,
,^~~~~**£& ~ &£**~~~~^,
,^~**£&@@# ~ #@@&£**~^,
,,,,,^*£@@ @@£*^,,,,,
,,,,^^*£&& (SITUATION) &&£*^^,,,,
,,,,,~~*£& &£*~~,,,,,
,,,,,,^*£@ YOU FIND YOURSELF IN A RIFT - A @£*^,,,,,,
,,,,,,~~*& CLEARING, NARROW BUT IMMEASURABLY LONG. &*~~,,,,,,
,^~****&&& TO YOUR SIDES ARE WALLS MADE OF TREES, &&&****~^,
,,,,^^*££& THICK AND READY TO SWALLOW YOU. THE SUN &££*^^,,,,
,,,,^*£&&& IS NOWHERE TO BE SEEN, BUT NONTHELESS &&&£*^,,,,
,^~**£&@@# IT IS VERY BRIGHT - THE AIR FEELS LIGHT #@@&£**~^,
,,,,,~*£&@ BLUE, ALMOST WHITE. @&£*~,,,,,
,^~***£&&@ @&&£***~^,
,,,,~**£&@ ALONG THE SPAN OF THE CLEARING LAY TWO @&£**~,,,,
,^~***£&@@ PARALLEL SILVERY LINES, DARK HARD @@&£***~^,
,^~**£&@@# METAL. SOMEHOW YOU CAN SEE HOW HEAVY #@@&£**~^,
,,,,^^~**& THEY ARE. &**~^^,,,,
,^~**£&@@@ @@@&£**~^,
,^~****£&& THEY EMIT A HIGH PITCHED WHINE... &&£****~^,
,,,,,^**£@ @£**^,,,,,
,,,,~***&@ ~ @&***~,,,,
,,,,~~~*£& ,,*,, &£*~~~,,,,
,^~~~**&@@ ~ @@&**~~~^,
,^~**£&@@@ @@@&£**~^,
,^~**£&@@@ (SITUATION) @@@&£**~^,
,,,,,^*£@@ @@£*^,,,,,
,^~**£&@## YOURE AT THE TRAIN STATION, ON A ##@&£**~^,
,,,,^**£&@ CATWALK ABOVE THE RAILS. YOUR TRAIN IS @&£**^,,,,
,^~**£&@@@ LATE, OR YOU ARE LATE TO THE TRAIN. @@@&£**~^,
,^~**£&@@# IT'S A SUMMER AFTERNOON AND THE STATION #@@&£**~^,
,^~**£&@@# IS BUSY, FULL OF RELAXED CONFIDENCE. #@@&£**~^,
,^~~~***&@ @&***~~~^,
,,,,~~*£@@ YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT @@£*~~,,,,
,^~**£&@## STRESSED ABOUT THE TIME, WHILE MOVING ##@&£**~^,
,,,,,,^~*& UP THE STAIRS TO YOUR PLATFORM. THE &*~^,,,,,,
,^~**£&@@@ STATION IS IN SEVERAL LEVELS, ALL @@@&£**~^,
,^~****££@ PLACED WITHIN EACHOTHER BY SOME @££****~^,
,,,^**£&&@ INTELLIGENT DESIGNER, AND FULL OF @&&£**^,,,
,^~**£&@@# STAIRS, ELEVATORS, SHORTCUTS, #@@&£**~^,
,,,,~*£&&@ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH @&&£*~,,,,
,,,,,^**£& SOME GLASS WINDOWS. IT'S... NOT WHERE &£**^,,,,,
,,,^^^~*&& IT'S SUPPOSED TO BE? &&*~^^^,,,
,,,,,,~*&@ @&*~,,,,,,
,^~**£&&@@ ~ @@&&£**~^,
,,,,,~*££@ ^^£^^ @££*~,,,,,
,^~**£&&&@ ~ @&&&£**~^,
,^~**£&@@# #@@&£**~^,
,^~**£&@@@ (SITUATION) @@@&£**~^,
,^~**£&@@@ @@@&£**~^,
,^~**£&&&& YOU'RE FINALLY ENTERING THE CITY. WHILE &&&&£**~^,
,^~**£&@@# IT IS INDEED A VERY HIGH SPEED TRAIN #@@&£**~^,
,,,^***&&& YOU'RE TRAVELING IN, THE JOURNEY HAS &&&***^,,,
,^~**£&@@# BEEN LONG. BUT IT'S ABOUT TO END! #@@&£**~^,
,^~**£&@## ##@&£**~^,
,,^^^**££& SOCIETY IS GROWING DENSER AROUND YOU, &££**^^^,,
,^~**£&@@# THROUGH THE WINDOWS YOU SEE FIRST SMALL #@@&£**~^,
,^~**£&&&& SHACKS, BUILT OF METAL AND STONE, THEN &&&&£**~^,
,,,^^~*££@ PROPER HOUSES WITH MORTAR TO KEEP THEM @££*~^^,,,
,^~**£&@## TOGETHER... WHO IN TURN MAKE WAY FOR ##@&£**~^,
,,,,^***&& THE INDUSTRIAL BUILDINGS, THE URBAN &&***^,,,,
,,,^^~*£&& MAZE, PROTECTIVE WALLS, JUNGLE &&£*~^^,,,
,^~**£&@@@ NETWORK... @@@&£**~^,
,,,,^*£&&@ @&&£*^,,,,
,^~**£&@@# THE TRACKS LEAVE THE GROUND, WHICH IS #@@&£**~^,
,^~**£&@@# NEEDED FOR OTHER PURPOSES. YOU ARE #@@&£**~^,
,^~**£&@## CARRIED GENTLY, CURVING UPWARDS UNTIL ##@&£**~^,
,^^^~***&@ YOU'RE MOVING UPWARD ALONG THE WALL OF @&***~^^^,
,^~**££&&& A BUILDING. IT'S MADE OF SLABBY STONE, &&&££**~^,
,^~**£££&& WITH GREAT GLASSLESS WINDOW HOLES &&£££**~^,
,^~**£&@## LOOKING OUT THE WAY YOU CAME. IT IS ##@&£**~^,
,^~**£&&@@ PITCH BLACK INSIDE. @@&&£**~^,
,^~**£&@@# #@@&£**~^,
,^~**£&@## ##@&£**~^,
,^~*****&& &&*****~^,
,,,^~***£@ @£***~^,,,
,^~**£&@@# #@@&£**~^,