,~==$¤##@# #@##¤$==~,
,~«*££@### ###@££*«~,
.,»††§@&@@ @@&@§††»,.
,^-=%££### ###££%=-^,
¨..¨~=\††# #††\=~¨..¨
,¨.¨«»/$#¤ statuette ¤#$/»«¨.¨,
,..,,=†&¶# #¶&†=,,..,
.^~=§£@#@# %@&@$@$£@£$%§&*@-~«=~«~«*$&@$¤¤%&$*£$¤%$ #@#@£§=~^.
,:=\§&&¶@# &£$&*%$$$ #@¶&&§\=:,
,.~^%£¤¶#@ @#¶¤£%^~.,
,-»/%%#@@# forests around my childhood home. thick #@@#%%/»-,
¨¨¨.,.~/^¤ pine arcades that were planted and ¤^/~.,.¨¨¨
¨~«:†£&£## forgotten. wild boars roaming ##£&£†:«~¨
.-~/^£§### underneath, sniffing at the ground. it ###§£^/~-.
,..,¨^/@¤¶ is dark and moist, the canopy having ¶¤@/^¨,..,
¨~«:$&¤@## already soaked up all the sun. ##@¤&$:«~¨
¨-~/=§&#@# #@#&§=/~-¨
..«:%@§£## there's a river passing by, from east ##£§@%:«..
¨,¨,¨.-:*¤ to west, getting broader and deeper and ¤*:-.¨,¨,¨
.,,.,.,^§# slower as it goes. equisetum grow just #§^,.,.,,.
,-~^*§¤¶@@ where the pine hands start to let @@¶¤§*^~-,
,,~/*£#@@# through light, horsemint on the rocky #@@#£*/~,,
.~«;$£#@## river bed. ##@#£$;«~.
¨:-~=~$¤@@ @@¤$~=~-:¨
¨.,,,¨-*&& ; &&*-¨,,,.¨
.,,,¨,~/$# #$/~,¨,,,.
,-»†*££@## the riverbanks reek of magic. tonight ##@££*†»-,
..-:$£#### they had been a swampworld with sylvan ####£$:-..
,-«^%£&### water, stone rings and floating moss. ###&£%^«-,
.,~^†%¤£## you could've found me wallowing around ##£¤%†^~,.
..=:^%£### on the southern shores until i got ###£%^:=..
.,~:%@$§£# bitten. #£§$@%:~,.
,,¨»--%£@@ @@£%--»¨,,
,.,~,:†&££ but now i'm further back, on solid ££&†:,~,.,
.--††%&@#@ ground, in shoulder-high grass, with an @#@&%††--.
,.=«~*%@£@ orange tin radio and a translucent @£@%*~«=.,
,:~:=@¤#@# umbrella which i'm sitting on. #@#¤@=:~:,
¨,¨¨,,:=*§ §*=:,,¨¨,¨
,¨,.,-:*†£ = £†*:-,.,¨,
.«/*£¤@### ###@¤£*/«.
¨,.~»~**@# somethings moving in the grass. it's #@**~»~.,¨
¨--\$%§¶## invisible to my eyes but i can feel ##¶§%$\--¨
¨,=*§&£### through the ground just how large it is. ###£&§*=,¨
¨-~=*¤#£## ##£#¤*=~-¨
.-~\%§&### the soil is muddy. i slip when trying ###&§%\~-.
¨,»=%*#### to get up, still looking at the ####*%=»,¨
.,,,¨~†*%# direction of sound rather than at my #%*†~¨,,,.
,.~;^*#¶## hands, who are busy putting things in ##¶#*^;~.,
.~-=%$@@&§ my pockets. §&@@$%=-~.
.--/*@§@## ##@§@*/--.
.~~/$*$£§@ then i run east toward my home. @§£$*$/~~.
,¨¨.^«*$£# #£$*«^.¨¨,
,..^*;$¤@@ / @@¤$;*^..,
.,=~††@¤&§ §&¤@††~=,.
.,,««=$§#@ i am not followed, and slow down in the @#§$=««,,.
¨.¨..^^†%§ clearing where you at first can spot §%†^^..¨.¨
.¨,~**%&#@ the house, not yet really in the @#&%**~,¨.
,,=*%%£### backyard. from my pockets i retrieve my ###£%%*=,,
¨.,..,»;$¶ radio (now dented) but also a small ¶$;»,..,.¨
¨~~†/*%†§# clay figure i've never seen before. it #§†%*/†~~¨
,,«=*£@### must have been laying in the wet dirt, ###@£*=«,,
.-=*$$#### and i must've picked it up with my ####$$*=-.
.-=†§%@### other belongings. ###@%§†=-.
,...¨~*££@ @££*~¨...,
.,,~~«~*@¤ it's a statuette of a girl laying naked ¤@*~«~~,,.
¨,=\**£### on her stomach, feet in the air, ###£**\=,¨
¨~~==†%%@@ roughly seven centimeters long. it's @@%%†==~~¨
,,¨.,-~%@# freshly made, not yet completely dried. #@%~-,.¨,,
¨.¨.,-††§£ £§††-,.¨.¨
.,~/^§££@@ my mom is here now. i ask her for some @@££§^/~,.
,¨¨,¨,^%@@ particle board for it to dry on, but @@%^,¨,¨¨,
,.,¨.-/%&@ she is worried and wants me to @&%/-.¨,.,
.^-†§&#£## throw it away. ##£#&§†-^.
,.¨,~~.-†£ £†-.~~,¨.,
,~~/=£@@@# #@@@£=/~~,
¨,:~/§$£## ##£$§/~:,¨
¨.,¨¨~:-^@ @^-:~¨¨,.¨
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