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.#.#.##.#. #        @         #         @         # #.#..#.##.
##.#..#.#. the    train    is   a   dashing   arrow #.#.##..#.
.#.#.##.#. over              the               sea. #.#..#.##.
##.#..#.#. #         @         ,         @        # #.#.##..#.
.#.#.##.#. #      §       *       *       §       # #.#..#.##.
##.#..#.#. #         §         ,        §         # #.#.##..#.
.#.#.##.#. look   closer    -   it's   not   water. #.#..#.##.
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.#.#.##.#. #     =    *    .     .     *     =    # #.#..#.##.
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.#.#.##.#. the lowland which  was  once the midriff #.#..#.##.
##.#..#.#. of  sweden.  the  salt  flats  span  for #.#.##..#.
.#.#.##.#. hundreds of  miles. from  a narrow  line #.#..#.##.
##.#..#.#. of  hills the train lowers  itself  onto #.#.##..#.
.#.#.##.#. the crystals and  shoots  north, like  a #.#..#.##.
##.#..#.#. syringe       into       a       baloon. #.#.##..#.
.#.#.##.#. #    %    ,     .     .     ,    %     # #.#..#.##.
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.#.#.##.#. #    %     ,     .     .    ,     %    # #.#..#.##.
##.#..#.#. they  call  it  the "mandelbrot crater", #.#.##..#.
.#.#.##.#. and it is the rest of a mining disaster. #.#..#.##.
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##.#..#.#. #       §       ,       ,      §       # #.#.##..#.
.#.#.##.#. sun hits  the  four-railed track,  as it #.#..#.##.
##.#..#.#. fractures into villages  or  past  them. #.#.##..#.
.#.#.##.#. the people  here  are  pale  but  crisp, #.#..#.##.
##.#..#.#. reflections   of   some   other    world #.#.##..#.
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##.#..#.#. they always seem a bit annoyed  that you #.#.##..#.
.#.#.##.#. are   manifesting   them  into  physical #.#..#.##.
##.#..#.#. form. like  if  you  weren't  here, they #.#.##..#.
.#.#.##.#. would  be  nothing  more  than  the  sun #.#..#.##.
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