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.#.##.#.#. # # # .#.#.#.#.#
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.#.##.#.#. # # # # # .#.#.#.#.#
.#..#.#.#. the train is a dashing arrow .#.#.#.#.#
.#.##.#.#. over the sea. .#.#.#.#.#
.#..#.#.#. # @ . @ # .#.#.#.#.#
.#.##.#.#. # ¤ † † ¤ # .#.#.#.#.#
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.#.##.#.#. look closer - it's not water. .#.#.#.#.#
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.#.##.#.#. the lowland which was once the midriff .#.#.#.#.#
.#..#.#.#. of sweden. the salt flats span for .#.#.#.#.#
.#.##.#.#. hundreds of miles. from a narrow line .#.#.#.#.#
.#..#.#.#. of hills the train lowers itself onto .#.#.#.#.#
.#.##.#.#. the crystals and shoots north, like a .#.#.#.#.#
.#..#.#.#. syringe into a baloon. .#.#.#.#.#
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.#.##.#.#. # ^ . . . . ^ # .#.#.#.#.#
.#..#.#.#. they call it the "mandelbrot crater", .#.#.#.#.#
.#.##.#.#. and it is the rest of a mining disaster. .#.#.#.#.#
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.#.##.#.#. sun hits the four-railed track, as it .#.#.#.#.#
.#..#.#.#. fractures into villages or past them. .#.#.#.#.#
.#.##.#.#. the people here are pale but crisp, .#.#.#.#.#
.#..#.#.#. reflections of some other world .#.#.#.#.#
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.#..#.#.#. they always seem a bit annoyed that you .#.#.#.#.#
.#.##.#.#. are manifesting them into physical .#.#.#.#.#
.#..#.#.#. form. like if you weren't here, they .#.#.#.#.#
.#.##.#.#. would be nothing more than the sun .#.#.#.#.#
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