#.#..#.#.# ..#.###..#
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#.#..#.#.# #.#.#.#.#.
#.#.##.#.. #.#.#.#.#.
#.#..#.#.# #.#.#.#.#.
#.#.##.#.. £ DREAM PALACE £ #.#.#.#.#.
#.#..#.#.# , ----- ------ , #.#.#.#.#.
#.#.##.#.. £ ..... ...... £ #.#.#.#.#.
#.#..#.#.# \ ..... ...... \ #.#.#.#.#.
#.#.##.#.. , ..... ...... , #.#.#.#.#.
#.#..#.#.# , ..... ...... , #.#.#.#.#.
#.#.##.#.. . ..... ...... . #.#.#.#.#.
#.#..#.#.# #.#.#.#.#.
#.#.##.#.. #.#.#.#.#.
#.#..#.#.# NOT ACTUALLY A PALACE. A COTTAGE IN THE #.#.#.#.#.
#.#.##.#.. WOODS (TEMPERATE CLIMATE, RAINS EVERY #.#.#.#.#.
#.#..#.#.# OTHER DAY, SPRINGS AND STREAMS AND #.#.#.#.#.
#.#.##.#.. MYSTERIOUS IRON AND STONE ARTIFACTS, #.#.#.#.#.
#.#..#.#.# BIRDLAND-ISH ETERNAL SPRING (LATE #.#.#.#.#.
#.#.##.#.. SPRING)) #.#.#.#.#.
#.#..#.#.# #.#.#.#.#.
#.#.##.#.. ~ #.#.#.#.#.
#.#..#.#.# #.#.#.#.#.
#.#.##.#.. I WAKE UP EVERY MORNING AT SIX AM. IT'S #.#.#.#.#.
#.#..#.#.# DARK, AND THE STARS ARE OUT, BUT THE #.#.#.#.#.
#.#.##.#.. SUN IS ABOUT TO RISE. ITS A LONG DAY, #.#.#.#.#.
#.#..#.#.# BEFORE IT FADES TO NIGHT AGAIN, AND #.#.#.#.#.
#.#.##.#.. THEN IT STAYS SO UNTIL I FALL ASLEEP. #.#.#.#.#.
#.#..#.#.# IT DOESN'T RISE UNLESS I'VE HAD MY #.#.#.#.#.
#.#.##.#.. DREAMS. #.#.#.#.#.
#.#..#.#.# #.#.#.#.#.
#.#.##.#.. * #.#.#.#.#.
#.#..#.#.# #.#.#.#.#.
#.#.##.#.. IN THIS COTTAGE THERE'S A LOT OF RADIO #.#.#.#.#.
#.#..#.#.# EQUIPMENT, SOUND STUFF, SYNTHS, TAPE #.#.#.#.#.
#.#.##.#.. PLAYERS. PEN AND PAPER, BOOKS, CAMERAS, #.#.#.#.#.
#.#..#.#.# MIRRORS, PRISMS, AND VARIOUS THINGS TO #.#.#.#.#.
#.#.##.#.. DO ART WITH. THE FRIDGE IS FILLED WITH #.#.#.#.#.
#.#..#.#.# DIFFERET FOODS, ALL OF THEM INTRIGUING, #.#.#.#.#.
#.#.##.#.. SLIGHTLY WEIRD. #.#.#.#.#.
#.#..#.#.# #.#.#.#.#.
#.#.##.#.. # #.#.#.#.#.
#.#..#.#.# #.#.#.#.#.
#.#.##.#.. I HAVE FRIENDS - THERE'S A CAT, AND A #.#.#.#.#.
#.#..#.#.# DOG (WHO IS RIDICOLOUSLY LARGE AND #.#.#.#.#.
#.#.##.#.. WANTS TO BE THE BIG SPOON). I LISTEN TO #.#.#.#.#.
#.#..#.#.# THE SHORTWAVE RADIO, AND TRANSMIT A BIT #.#.#.#.#.
#.#.##.#.. MYSELF, SONGS AND POETRY, AND FOUND #.#.#.#.#.
#.#..#.#.# SOUNDS FROM THE FOREST. THE OTHERS TELL #.#.#.#.#.
#.#.##.#.. OF THEIR LIVES, PLAY THE GUITAR FOR ME, #.#.#.#.#.
#.#..#.#.# AND TELL TALES OF THE OLD WORLD. I #.#.#.#.#.
#.#.##.#.. CONSIDER THEM FRIENDS AS WELL. #.#.#.#.#.
#.#..#.#.# #.#.#.#.#.
#.#.##.#.. @ #.#.#.#.#.
#.#..#.#.# #.#.#.#.#.
#.#.##.#.. MOST IMPORTANTLY, THERE'S A TWO SQUARE #.#.#.#.#.
#.#..#.#.# METER AREA ON THE FLOOR WHERE I CAN #.#.#.#.#.
#.#.##.#.. "SAVE" THINGS. WHATEVER I PUT IN HERE #.#.#.#.#.
#.#..#.#.# WILL NOT BE AFFECTED BY THE NIGHTLY #.#.#.#.#.
#.#.##.#.. RESET. EVERYTHING ELSE, HOWEVER, IS #.#.#.#.#.
#.#..#.#.# COMPLETELY RESET OVERNIGHT: SYNTH #.#.#.#.#.
#.#.##.#.. PATCHES REMOVED, FOOD UNEATEN, WOUNDS #.#.#.#.#.
#.#..#.#.# HEALED, AND WHEREVER AND WHENEVER I'D #.#.#.#.#.
#.#.##.#.. FALL ASLEEP I'D ALWAYS WAKE UP FULLY #.#.#.#.#.
#.#..#.#.# RESTED IN MY BED. SOMETIMES THERE'S #.#.#.#.#.
#.#.##.#.. ACCIDENTS WHERE I LOSE STUFF BY #.#.#.#.#.
#.#..#.#.# FORGETTING TO PUT THEM IN THE SQUARE. #.#.#.#.#.
#.#.##.#.. #.#.#.#.#.
#.#..#.#.# . #.#.#.#.#.
#.#.##.#.. #.#.#.#.#.
#.#..#.#.# AT NIGHT, I HAVE DEMI-LUCID DREAMS #.#.#.#.#.
#.#.##.#.. WHERE THE SPIRITS OF THE FOREST AROUND #.#.#.#.#.
#.#..#.#.# THE COTTAGE TRIES TO COMMUNICATE. HERE, #.#.#.#.#.
#.#.##.#.. IT'S NOT ENDLESS BUT CONNECTED TO A #.#.#.#.#.
#.#..#.#.# LARGE SPRAWLING CITY, WHERE MY RADIO #.#.#.#.#.
#.#.##.#.. FRIENDS LIVE. WE GO EXPLORING TOGETHER #.#.#.#.#.
#.#..#.#.# - THINGS ARE DEEP AND DARK - BUT UNLIKE #.#.#.#.#.
#.#.##.#.. ME, THEY NEVER REMEMBER DURING THE DAY. #.#.#.#.#.
#.#..#.#.# THIS IS A MYSTERY WE OFTEN DISCUSS. #.#.#.#.#.
#.#.##.#.. #.#.#.#.#.
#.#..#.#.# #.#.#.#.#.
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