¨,,«^%%@## ##@%%^«,,¨
,¨.,~/†$## ##$†/~,.¨,
¨¨,¨^»^*$# #$*^»^¨,¨¨
.¨,,-:^§@# #@§^:-,,¨.
¨¨^~=$¤¶@# #@¶¤$=~^¨¨
..~/*@#### statuette ####@*/~..
..,~=$@£@# #@£@$=~,..
¨¨¨^»/†£#@ $$$&$%££&@%%£¤%£»--«»»~=$§%%%@@@$%£¤£%*£ @#£†/»^¨¨¨
¨,,.~~/†££ $%%*@%§%& ££†/~~.,,¨
¨.¨^-*%%#@ @#%%*-^¨.¨
,,:=^%## forests around my childhood home. thick ###&%^=:,,
¨-~:^@## pine arcades that were planted and ##@#&^:~-¨
.,~»==£### forgotten. wild boars roaming ###£==»~,.
..¨,-^^$#@ underneath, sniffing at the ground. it @#$^^-,¨..
.¨,¨.=^^$# is dark and moist, the canopy having #$^^=.¨,¨.
¨¨¨.~;=*#@ already soaked up all the sun. @#*=;~.¨¨¨
¨,:~^%¤#@# #@#¤%^~:,¨
.-~^*¤#@## there's a river passing by, from east ##@#¤*^~-.
¨,^-\*§### to west, getting broader and deeper and ###§*\-^,¨
....-**¤¶@ slower as it goes. equisetum grow just @¶¤**-....
.,¨¨~=:$££ where the pine hands start to let ££$:=~¨¨,.
¨¨,,=:§$¶# through light, horsemint on the rocky #¶$§:=,,¨¨
¨¨-»**§¶## river bed. ##¶§**»-¨¨
..-/*@#@## ##@#@*/-..
¨.~«:*$@## ^ ##@$*:«~.¨
¨,¨,«;^£#@ @#£^;«,¨,¨
.¨,..«=$¤£ the riverbanks reek of magic. tonight £¤$=«..,¨.
,¨¨~»;§@£@ they had been a swampworld with sylvan @£@§;»~¨¨,
¨.^»\%*£## water, stone rings and floating moss. ##£*%\»^.¨
,~»/=%¶@## you could've found me wallowing around ##@¶%=/»~,
.,^-*§@#@# on the southern shores until i got #@#@§*-^,.
.,¨,«^*@¶# bitten. #¶@*^«,¨,.
,¨,,~===@¶ ¶@===~,,¨,
¨,..«*%$£@ but now i'm further back, on solid @£$%*«..,¨
¨.-~^§$@@# ground, in shoulder-high grass, with an #@@$§^~-.¨
.-~;†§#### orange tin radio and a translucent ####§†;~-.
,¨,=^%*@## umbrella which i'm sitting on. ##@*%^=,¨,
¨¨.-»:$$¶@ @¶$$:»-.¨¨
.,,,,=;*££ † ££*;=,,,,.
,..-~†^§#@ @#§^†~-..,
.,--^=£@@# somethings moving in the grass. it's #@@£=^--,.
¨^-:$$£@## invisible to my eyes but i can feel ##@£$$:-^¨
..-~;%§¶## through the ground just how large it is. ##¶§%;~-..
,¨¨~-^†%@# #@%†^-~¨¨,
¨¨.¨,«:*£¶ the soil is muddy. i slip when trying ¶£*:«,¨.¨¨
..,-=^%&@# to get up, still looking at the #@&%^=-,..
¨.^~=*$£@# direction of sound rather than at my #@£$*=~^.¨
,:~/%%#@## hands, who are busy putting things in ##@#%%/~:,
¨.~~\*£¶## my pockets. ##¶£*\~~.¨
¨.¨~~:§&@@ @@&§:~~¨.¨
..,..~=% then i run east toward my home. #&%=~..,..
¨,,:~=*££# #££*=~:,,¨
...=;%§#@# * #@#§%;=...
,:-/*£@### ###@£*/-:,
..,~\*§### i am not followed, and slow down in the ###§*\~,..
,,,,«††$@@ clearing where you at first can spot @@$††«,,,,
,¨¨¨,«*^$¶ the house, not yet really in the ¶$^*«,¨¨¨,
,..~=;^£@# backyard. from my pockets i retrieve my #@£^;=~..,
¨.,~\§£### radio (now dented) but also a small ###£§\~,.¨
.,=/§@¶### clay figure i've never seen before. it ###¶@§/=,.
,,.=/^£¶## must have been laying in the wet dirt, ##¶£^/=.,,
,,¨^«=%$## and i must've picked it up with my ##$%=«^¨,,
..,,^=;*$¶ other belongings. ¶$*;=^,,..
¨,,.=\^# ##&^\=.,,¨
,¨~~^*£### it's a statuette of a girl laying naked ###£*^~~¨,
,,==†@#@## on her stomach, feet in the air, ##@#@†==,,
,,,~/%¤#@# roughly seven centimeters long. it's #@#¤%/~,,,
,.¨.-/^$## freshly made, not yet completely dried. ##$^/-.¨.,
,¨,,,«*^&@ @&^*«,,,¨,
,.¨:»=$§#@ my mom is here now. i ask her for some @#§$=»:¨.,
,.:~/†£¶## particle board for it to dry on, but ##¶£†/~:.,
¨~-^=§#### she is worried and wants me to ####§=^-~¨
,.,=*=*¶## throw it away. ##¶*=*=,.,
.,,:-=%§@@ @@§%=-:,,.
¨..,^«=§££ ££§=«^,..¨
¨.¨^«/†§@@ @@§†/«^¨.¨
,¨-~*=*@## ##@*=*~-¨,
.:«:%%@### ###@%%:«:.
¨¨,~†*@@@# #@@@*†~,¨¨