¨-«†@### ####&@†«-¨
¨¨.~%@££@# #@££@%~.¨¨
.~~=*&@### ###@&*=~~.
,,^-$@&@## ##@&@$-^,,
¨,«*&@@### ###@@&*«,¨
.,:~§*@¶## statuette ##¶@*§~:,.
,:»^@¤£### ###£¤@^»:,
.,:«§¤## §£*££%@¤£££*¤$@%»~-===-~§&@&@%@%@&¤¤§£%£ ###&¤§«:,.
.-«^§@@### ¤%*$*£$¤* ###@@§^«-.
,¨,-=§## ###&§=-,¨,
¨:~$¤### forests around my childhood home. thick ####&¤$~:¨
,¨,-$%§@@# pine arcades that were planted and #@@§%$-,¨,
¨:=†@&@@## forgotten. wild boars roaming ##@@&@†=:¨
¨.,»*@¤#@# underneath, sniffing at the ground. it #@#¤@*»,.¨
,-~**££### is dark and moist, the canopy having ###££**~-,
¨.:~%%@### already soaked up all the sun. ###@%%~:.¨
¨^-*$#@### ###@#$*-^¨
¨.,~*$#£@# there's a river passing by, from east #@£#$*~,.¨
,^~$¤£#### to west, getting broader and deeper and ####£¤$~^,
,¨,=§@#@## slower as it goes. equisetum grow just ##@#@§=,¨,
.~=^£&£@## where the pine hands start to let ##@£&£^=~.
,.-»†%¤### through light, horsemint on the rocky ###¤%†»-.,
,:~^$@#### river bed. ####@$^~:,
.,,~*£#### ####£*~,,.
..~$$£@@## = ##@@£$$~..
¨¨,=*%@£@# #@£@%*=,¨¨
,^»%$§£### the riverbanks reek of magic. tonight ###£§$%»^,
,¨--=*§£## they had been a swampworld with sylvan ##£§*=--¨,
.~~%&@#### water, stone rings and floating moss. ####@&%~~.
,..~§£#£## you could've found me wallowing around ##£#£§~..,
..«†*@#### on the southern shores until i got ####@*†«..
,..-^%@### bitten. ###@%^-..,
.,=%*¤¶### ###¶¤*%=,.
¨,,=%£&¶## but now i'm further back, on solid ##¶&£%=,,¨
¨-»*@@#### ground, in shoulder-high grass, with an ####@@*»-¨
.¨.»%¶@# orange tin radio and a translucent #@¶#&%».¨.
,:-$§££### umbrella which i'm sitting on. ###££§$-:,
..~=**#£## ##£#**=~..
¨.~%$@@### \ ###@@$%~.¨
¨,--%§&@## ##@&§%--,¨
,,=*£@## somethings moving in the grass. it's ##@#&£*=,,
..~~%£&¶## invisible to my eyes but i can feel ##¶&£%~~..
¨,=§#### through the ground just how large it is. #####&§=,¨
¨¨-»%£§#@# #@#§£%»-¨¨
.~«§¤&£### the soil is muddy. i slip when trying ###£&¤§«~.
¨¨^-*%#¶## to get up, still looking at the ##¶#%*-^¨¨
,:«†%¤¶### direction of sound rather than at my ###¶¤%†«:,
,..«%£## hands, who are busy putting things in ###&£%«..,
¨-«^§@## my pockets. ##@#&§^«-¨
..~~*£@# #@#&£*~~..
¨,~^$@@### then i run east toward my home. ###@@$^~,¨
.¨~-=%#@## ##@#%=-~¨.
¨-«*¤¤#### : ####¤¤*«-¨
,..»†@§£## ##£§@†»..,
,.~*$@#@## i am not followed, and slow down in the ##@#@$*~.,
¨,.~%%&£## clearing where you at first can spot ##£&%%~.,¨
,~«*£&@### the house, not yet really in the ###@&£*«~,
¨..~§¤§¶## backyard. from my pockets i retrieve my ##¶§¤§~..¨
.-=%&¤¶### radio (now dented) but also a small ###¶¤&%=-.
.¨~=§$£@## clay figure i've never seen before. it ##@£$§=~¨.
,:~*%§@### must have been laying in the wet dirt, ###@§%*~:,
,¨,~†§¤### and i must've picked it up with my ###¤§†~,¨,
,^-†$##@## other belongings. ##@##$†-^,
..,-†$#@## ##@#$†-,..
,,«§@@#### it's a statuette of a girl laying naked ####@@§«,,
.,,~%£#@@# on her stomach, feet in the air, #@@#£%~,,.
¨,-*&£#### roughly seven centimeters long. it's ####£&*-,¨
,.~«%£§£@# freshly made, not yet completely dried. #@£§£%«~.,
.,~=%&@### ###@&%=~,.
¨,.~%%§### my mom is here now. i ask her for some ###§%%~.,¨
,:~*%@## particle board for it to dry on, but ##@#&%*~:,
..,»*%££## she is worried and wants me to ##££%*»,..
¨--%%@@### throw it away. ###@@%%--¨
¨.-~^%#### ####%^~-.¨
¨-=%%### ####&%%=-¨
...»^%&@@# #@@&%^»...
.,~§¤&£### ###£&¤§~,.
,,--=%¤¶@# #@¶¤%=--,,
¨-~^%#£@## ##@£#%^~-¨