,.,,,¤#@&£ ¨§#@,¨,.,.
@¤&&¨.§@@£ ,¨¤..¤§@¤@
¤#&,.,.§¤. ¨¨¨¨.,¤#&¤
#¤,.£&.¨,¨ &@§£¤,.@§¤
¤..¨..¨@&, ¨¤§#...,#¤
,.#&£#,¨,. statuette ¨,§¨,¤#,,£
¨.¨§¤¨¨£¤¨ #¨.¨,,.¨.,
&&.¨,¨..,, *$%$¤%%$&§£@%%£¤-=«=»=-=&££*%£§*£$*$§@%$ ,.§#¤##@
#.¨¤##§@&. &&$$£%*$§ ,..&§#££§§
¨,¨,&&§#¨¨ #&¨,§££¤##
¨##.¨£&¨,¨ forests around my childhood home. thick ,,.,¨@£&§.
.,¨¨,.,¨@@ pine arcades that were planted and &@@&¨¨¤£¨¨
£§§£&@£¨., forgotten. wild boars roaming ¨##¨,..¨.£
§#§¤£§,¨ underneath, sniffing at the ground. it ..,,@¤##¨¨
,#¤¨.,.§ is dark and moist, the canopy having ¤§#.¨§£¨¨,
.,#§,¨§£,. already soaked up all the sun. &¤.¨..,.§¤
¨.,¨¨.¨¨.& @.¨§§#&¨¨,
#@#§¤§@&., there's a river passing by, from east .¨..#£,.£&
£§¤@§¨¨, to west, getting broader and deeper and .¤#.¨,.¨¨£
§§&§§¤¨,£& slower as it goes. equisetum grow just ,¨..£¤£§,.
.¤¤@&.¨¨.# where the pine hands start to let ¨#@.,§§,¨.
.¨§¤.¨#¤.¨ through light, horsemint on the rocky ,,.¨..¨¨¤§
,.¨.¨¨,,¨£ river bed. ¨£§@@#@¨.¨
@@&@@§§#,¨ .,££§§..£¤
££#§&§&.., / ¨¨.@§¨,¨,#
@§£¤¤£,.&& &¤,¨,,§£¨.
¨§#§#¨¨¨¨¤ the riverbanks reek of magic. tonight @,,¤#¨,¨¨¨
,.§#,,£#,, they had been a swampworld with sylvan ¨¨¨..¨§#£¤
¨¨.,..,¨¨# water, stone rings and floating moss. ,#@§@,.@£.
£#@@#¤@&.. you could've found me wallowing around .¨¤@,.,¨¨,
,&¤#&¤#¨,. on the southern shores until i got @¨,.¨£@@@.
,.¤&£&..@& bitten. ,.£§¨,¤§¨.
#.,&@.¨¨¨. ¨.¨.,¨¨..§
.,,¨..¤£#£ but now i'm further back, on solid ¤&&&¤£§§¨,
@#&§£¨,&@& ground, in shoulder-high grass, with an ¨§£§@¤£,,#
££@£,...@¤ orange tin radio and a translucent ..§@@§¨,.,
.££..§@,,& umbrella which i'm sitting on. ¤,,&£.¨¤#¨
,,¨,...,,. ,..,,¨¨¨¨¨
££@@£&£¤ † @§£@&&@@££
&§£@#&¤£§# §¤£¤¤£@#¤£
£@¤§#¤§#¤§ somethings moving in the grass. it's ¤¤§#&£#¤£&
£¤£££¤@§§§ invisible to my eyes but i can feel #@£@@¤@£#¤
@£§£@¤££&§ through the ground just how large it is. @£&¤@£#§§¤
§£££§£§§ ##£@&@£¤££
@§§@&§@£@§ the soil is muddy. i slip when trying #&¤##@#£¤¤
#@¤£@&@#@¤ to get up, still looking at the §##¤#¤£&
¤¤¤§&&@§ direction of sound rather than at my £#&&£§@££#
#§&¤¤¤¤#@@ hands, who are busy putting things in £££@£@£#¤¤
#&§#¤&£#§# my pockets. £¤¤§§§¤¤@&
¤¤£#¤&¤¤#@ @£§@§#§&£@
¤§&§#&@@ then i run east toward my home. &@¤§£¤&¤§§
§¤@§§&&¤¤@ £§#&&£§¤¤£
§£§§@@§¤&§ / §###§&@££@
§#¤¤#¤@¤£§ #@§£§£&£§#
£@££&¤&& i am not followed, and slow down in the §@#§&@§@¤@
&&§£@§§@#£ clearing where you at first can spot #¤£¤&§£&
&£@¤¤¤§@ the house, not yet really in the ££§#§##£#&
£@£@@££&£¤ backyard. from my pockets i retrieve my §§£&£#@§
&£@@£&¤¤¤@ radio (now dented) but also a small £§@#¤¤§&£&
#£££&£@@#& clay figure i've never seen before. it &&@&¤§
#&@£&£#§&¤ must have been laying in the wet dirt, £§##@#§#&£
@#&¤@¤#@¤¤ and i must've picked it up with my #¤&§£¤#¤#¤
##&§§§¤¤ other belongings. @¤£&£¤§&£§
§£#&§£@£ ¤&@¤#@£@#@
§¤@&§£¤& it's a statuette of a girl laying naked ££&£¤§#¤££
¤##££¤£§ on her stomach, feet in the air, £&¤££¤&££#
§&@¤§#£#@£ roughly seven centimeters long. it's ¤&¤¤¤#§&£@
£&&§&£§@§§ freshly made, not yet completely dried. §¤¤&§£@@@§
&£@@£@¤¤#£ §&@@£&§£@£
¤§@£§¤ my mom is here now. i ask her for some @§¤£&£¤#§&
£#¤#@&§@§& particle board for it to dry on, but ##££££#&
¤@£@@@&&&§ she is worried and wants me to ¤&¤£@@&¤¤@
£#¤#&¤§@#¤ throw it away. £§#£¤£@§@#
§&¤§@£&&¤& &¤§££¤£@@@
§£¤&¤££§@£ ¤£##&@£¤§#
¤¤£@¤§@¤@@ #¤#&&&&¤@£
§¤&@#§@#@@ &£¤§@#&@
@@#&££&&&£ £££&&¤#¤#¤
&£@#£££@#§ @@&£¤@&£@£