,¨@@£¨¨¨&¨ .¨&§..,...
§,,£.,¤¨,¨ &¨¨¨.&§§£&
¨,,.,,.,#£ ..#@,,¤#@£
.§¤#&¤§¨,£ ,..,,.¨§¤.
.¨&£.,,¨ £§£¤.,,¨
§,¨¤¤,,£§¨ statuette ,&¤£#.¨¤§¤
.¨,¨.,,..¨ ,.¤&,.¨,@#
¨#§#§£¤££§ *§¤@£%%&&£%$&¤@£~~-~-~~=$*@*££%§%@§$&$££ ,¨.,,§£,,,
,.#¤§£&£ $&**¤¤&*@ ¤#&&.,¨.@£
.¨,§£&§¤#¨ ¤@§,,£&¨,,
££¨¨&§##¨. forests around my childhood home. thick @@,¨¨,.¨£§
#¨¨,¨£#¨,¨ pine arcades that were planted and .,¨¤&£&¨.#
,¨£&..,¨§& forgotten. wild boars roaming §¤.¨£&.¨¨.
¤,,¨,§&,.¤ underneath, sniffing at the ground. it .......&§#
¨.§#.,.¨,, is dark and moist, the canopy having #@##§§,,¤§
.¨.,.&&@&¨ already soaked up all the sun. #£§#@,¨¨¨.
§£¤£,.@§¨. §@@&,¨£#§£
¤#&,.,.,.¨ there's a river passing by, from east §#£.,,¨¤£#
&¤.,#£¤&¤@ to west, getting broader and deeper and £@¨,£#,¨£§
@,¨.¨¤£§¤. slower as it goes. equisetum grow just .,,..¨.¨.&
¨.§¤,,#§.¨ where the pine hands start to let @¤&¤£#§¤,,
#,.,.¨.¨,£ through light, horsemint on the rocky ¨@@¤§#¤.¨¤
..#&&§§§., river bed. ,.§§#&.,.¨
¤.¨#¤§&..@ ¨¨,,,£§£
,.,¨¤#.¨.. * §&¨.,,,.£@
,¤@.,¨.§&. #,¨¤&¤&.,.
.,¨,##¨,.. the riverbanks reek of magic. tonight .,..#§¨¨§@
¨£@..,.&§¨ they had been a swampworld with sylvan ,¤£.¨,..,,
¨.¨,#§.,., water, stone rings and floating moss. ,¨,,§£¤£§&
¨@£,¨,.§&. you could've found me wallowing around ,#§¨,@&&£.
¨..¨¤@,,.¨ on the southern shores until i got ¨¨,.¨.£@¨,
@#§.,..§£& bitten. .#§£#,,¨¨#
@#,,§#¨,@# ,,£#,.¤&,,
¨¨¨.,¨,,,. but now i'm further back, on solid ,..¨¨,¨¨,¨
££§@@££§ ground, in shoulder-high grass, with an §&£#§&£###
&§@#¤¤§§ orange tin radio and a translucent £@#§£#&£§@
§§@@@¤&@ umbrella which i'm sitting on. #&¤@££@£&§
&@£####£#& £#@§£@#£§#
§#£#§£@@££ : §¤§§@¤#@§¤
&¤§§@£&£ #§£££§&&&§
£§£¤&§£§@& somethings moving in the grass. it's §#¤@&¤&£
¤@#¤#&@§§@ invisible to my eyes but i can feel ¤&§§@&£@
#@@¤£&§§§¤ through the ground just how large it is. &&¤¤¤§¤@££
#¤@£@##### &&£¤#§§§¤¤
£##£§§&§@# the soil is muddy. i slip when trying £§§§#@¤§@¤
§§¤¤¤¤#&@§ to get up, still looking at the &¤@§£&§@&§
#@¤¤§¤@@&@ direction of sound rather than at my @£§£§@§£
@£§&&§§¤#§ hands, who are busy putting things in ¤&&£¤&@¤§£
¤#&£¤@@£@£ my pockets. ##@££##§¤£
¤§£###&¤ §¤¤&¤&¤¤
@@¤§§&£££§ then i run east toward my home. £££§££¤£££
@##¤#@@#&¤ @&§&¤§#££#
§@@#§@§@ * £¤##¤§£§&¤
¤§£@&£¤£§@ @£§¤&&¤#£#
££@£##@§&£ i am not followed, and slow down in the £¤¤£@@¤£
§£££§§@&§¤ clearing where you at first can spot #@##§£&@§¤
&&@&£¤£@§§ the house, not yet really in the @&&&@£#§£#
&§&@@¤£¤£@ backyard. from my pockets i retrieve my @£¤££#@#@#
¤@¤@#§@#¤£ radio (now dented) but also a small ¤&¤£§§§@
@&¤§#&¤& clay figure i've never seen before. it ¤@§££#&£
§£¤¤¤§&@£# must have been laying in the wet dirt, £@&¤§#§§#£
§###§¤£§ and i must've picked it up with my @¤&&££@#
@§&@£&@¤ other belongings. &¤@&£§#&
§@&@@#&& ¤§£&&£
¤&&@&¤¤##¤ it's a statuette of a girl laying naked &§£¤@£¤¤&@
&£@#¤#¤¤¤& on her stomach, feet in the air, £#@§@#¤£§§
£&@#§@¤£ roughly seven centimeters long. it's &&¤£&§§@£¤
@@£§#§£&¤@ freshly made, not yet completely dried. §¤#£#@@§
£¤£¤§#@¤@£ ¤£¤£@@#@#£
#&§@¤&&@¤& my mom is here now. i ask her for some ¤§&£#&¤§£§
##@#¤@#££@ particle board for it to dry on, but ¤£#££&£¤&&
#¤##@§¤§ she is worried and wants me to &£@@@§@£
££¤#@§§@£& throw it away. £@¤#¤¤£@@@
&¤¤¤@#@# £@£&@£¤§@£
@§@§@&&§£# £@£@#@¤#
@@£@#£@#@§ #@&@#£§#
@£&£§£¤&&@ #£&§¤§§&
§§§@§¤&&&& ¤§§¤&£@&&£
@¤¤§##@@&¤ ¤¤£&££#§