,.¨,¤£¨¨,¨ ¨¨¨.¨¨¨¨¨¨
§§¤,.,,@#, #¤@¤¤§¤£££
§#,.@§¨.,. @&££¤¤##£@
@,.¨..¨¤§, ##&&&¤£#£@
,.@£@&¨¨,, £&@£&@§§
¨¨,@§,.##. statuette £@¤§#&££¤,
§#..¨.¨,¨. #&@¤#£#¤..
.,¨£§@§&§£ *%&$$££&$%%§§&%§=~-~»»»»£%@$*£**%%%&@£$$ #@¤@§&§.,.
§§,.@££&¤£ &£$£%%%@£ §¤##¨.§&
@¨¨,¨§§&£@ #@@&£¨,¨¨&
.,.,#¤§¨ forests around my childhood home. thick @#..§§,.
@,,¨¨,.£¨, pine arcades that were planted and #&¤.¨.,.¨&
¨,#¤¤¤¨,.& forgotten. wild boars roaming ¤¤.,¤@&¤,¨
¤,.#£,.¤¨. underneath, sniffing at the ground. it §¨.,.££,,@
¨,,¨..,.¨. is dark and moist, the canopy having .,£§..,,¨,
§#@¤§&@##¤ already soaked up all the sun. ¨,,¨.£¤#£&
@§&&¤#£§¤¨ @¤@£.,¤§§§
£&£¤¤¤¤£,, there's a river passing by, from east ,#§,.¨¨¤§@
###@£@¤¨¨£ to west, getting broader and deeper and ,,¨¨@¤,.&&
§@§¤¤¤.,¨, slower as it goes. equisetum grow just &&¤..¨,¨,§
¤@@#@,¨§@# where the pine hands start to let @@,¨@#§£¨.
.¤#£..¨. through light, horsemint on the rocky #,¨¨,£§¨¨.
,,£,,&£,¨# river bed. ..§#...,&£
.¨.¨.¨,,., ,,,..@#.,,
#£¤@£&&§£# : £¤§&¨¨¨,@£
¤£@&££§¤@& #§¤,¨¤@¨.&
¤&@&¤#¤£@# the riverbanks reek of magic. tonight ,¤¨.,,,¨,¨
,¤£§§§&§&£ they had been a swampworld with sylvan ...¤£@#¤§.
.,§£@#&@££ water, stone rings and floating moss. £#¨,£@§§¨¨
§¨.£¤££§#& you could've found me wallowing around ¤...¨@£.¨¤
.¨¨,##&££, on the southern shores until i got .,@£.,¨,¨¨
#¤#¨.§#&¨. bitten. &,,.,#@#
@&,.¨,¤,¨. ,¨@&,¨&§#@
#¨¨££,.¨§# but now i'm further back, on solid .,,¨..,§§¤
,,¨¨¨¨¤.,¨ ground, in shoulder-high grass, with an #&@£&§¨,£#
¨££#£.¨.§£ orange tin radio and a translucent ,¤#§¤..,¨¨
,,@¤,¨£¨¨& umbrella which i'm sitting on. ¨¨¤#.¨&£@£
,,¨¨,.¨¨,¨ ,,,.¨,.§§.
£@&¤&§££ ^ &§¤#£@,¨¨.
.@&¤@¤#§@¤ @#&¤£,.#¤¨
.¨£@#£#. somethings moving in the grass. it's ¤#££¨.¨.¨.
£,.#@¤#&.¨ invisible to my eyes but i can feel £¤£..£§@
¨¨,,&&§¨,. through the ground just how large it is. ¤#,.¨.#@
,§£¨.&¨.@@ &¨.@§¨.#§.
¨.¨.¨,¨¨¨. the soil is muddy. i slip when trying ¨,,....,¨,
&@£§¤£§@£§ to get up, still looking at the £@£¤¤&
¤£##§§&¤ direction of sound rather than at my £¤@@¤#¤§
#§#&££#¤&& hands, who are busy putting things in §¤&§¤#&§&&
§¤##@££@ my pockets. ££££¤§@£#£
#&££¤¤§£¤£ @@£#£#§&§&
@&§§¤££¤@# then i run east toward my home. ¤¤¤¤£&@¤#§
@¤&£#&£§¤§ £££¤##
§¤¤#¤&¤¤¤@ † ¤§@&@&££#§
£¤###¤£&@@ &#§£#§£&
££&¤££§@§¤ i am not followed, and slow down in the §&&&&#¤£
£££#§@&¤£¤ clearing where you at first can spot £¤#§&@¤#@£
¤§¤@£¤¤&&¤ the house, not yet really in the ¤&¤&£&£&£§
¤@£&£¤@£@# backyard. from my pockets i retrieve my &£&£@§#¤£@
@£@@&££¤£§ radio (now dented) but also a small ££@#¤£@#§#
#¤§#&@###& clay figure i've never seen before. it £¤&£¤#&&§¤
¤#¤§#&¤# must have been laying in the wet dirt, &@&££§§£¤@
#§@@@££# and i must've picked it up with my #£#§#£§£&¤
§£¤&£#£#&@ other belongings. @##£¤&@¤
£@#§£§£@#§ #&§#@£&§¤@
§#&&&&&¤&£ it's a statuette of a girl laying naked ¤@¤§&#&¤
§@§#§# on her stomach, feet in the air, £§§#¤£#&
¤¤&&@@§¤§¤ roughly seven centimeters long. it's §@@¤¤£#¤£¤
£¤§§£&@£¤& freshly made, not yet completely dried. &§&&¤£§@#§
§@@@£#¤##§ &¤£¤@££#
£§&¤¤#§§ my mom is here now. i ask her for some @#£#§§§¤#&
&&@§£@§&&§ particle board for it to dry on, but ¤§§§#¤¤@¤§
#¤§¤@¤¤#§& she is worried and wants me to @§£#£&§¤&§
££@&¤£@&£# throw it away. #@##¤@
#£&§@¤¤#&§ #¤#@&£#¤§@
#¤¤&£&¤@ §¤@&¤#¤£@&
§§@@¤@#£ #£#£@@@&@&
¤@£@#§£¤£@ @£####@§££
#££¤£§@#§£ §@§£&§§§&¤
¤&£§£¤&§ #&£#¤£@#