.^~†§§¤& #&&¤§§†~^.
.-~*^/†§£# #£§†/^*~-.
..~;^%£¤@@ @@¤£%^;~..
¨^=;%*## ###&*%;=^¨
.,-=%%&£## ##£&%%=-,.
.,,-*§*@§¤ statuette ¤§@*§*-,,.
¨-~~^:¤@## ##@¤:^~~-¨
,,=^\^/^$@ $&*§¤%¤&§*$¤&£%*=»«»=~==¤££@$$$£$¤%@%$£¤ @$^/^\^=,,
.,-*%$§£@# &£@££%*$$ #@£§$%*-,.
,-»*§@## ##@#&§*»-,
,:=/;:\*@§ forests around my childhood home. thick §@*\:;/=:,
,,.,,~~=&@ pine arcades that were planted and @&=~~,,.,,
,,¨:~=†¤@# forgotten. wild boars roaming #@¤†=~:¨,,
¨¨,,=:/$#@ underneath, sniffing at the ground. it @#$/:=,,¨¨
..-=%$££#@ is dark and moist, the canopy having @#££$%=-..
,¨.=~»†£@# already soaked up all the sun. #@£†»~=.¨,
,^-=%¤@#@# #@#@¤%=-^,
..~†%§§@@# there's a river passing by, from east #@@§§%†~..
,-~:%%££§@ to west, getting broader and deeper and @§££%%:~-,
.-~:$£@# slower as it goes. equisetum grow just #@#&£$:~-.
.¨.¨-=\¤@# where the pine hands start to let #@¤\=-¨.¨.
¨^~;§£§@## through light, horsemint on the rocky ##@§£§;~^¨
¨^»;%@#@## river bed. ##@#@%;»^¨
¨,:»\/;%*§ §*%;/\»:,¨
.:~:%*£### \ ###£*%:~:.
,~^~/=£@#@ @#@£=/~^~,
.,-^@@## the riverbanks reek of magic. tonight ##@#&@^-,.
¨~-=»=%% they had been a swampworld with sylvan #&%%=»=-~¨
.,,.~-%§#@ water, stone rings and floating moss. @#§%-~.,,.
¨--\%*£¶## you could've found me wallowing around ##¶£*%\--¨
.,.,«^/\$¶ on the southern shores until i got ¶$\/^«,.,.
,.~/*£#¶## bitten. ##¶#£*/~.,
¨^~^†%&¶## ##¶&%†^~^¨
¨^-;$@¤¶## but now i'm further back, on solid ##¶¤@$;-^¨
,,,~,/;§%& ground, in shoulder-high grass, with an &%§;/,~,,,
¨-.:~:§¤@@ orange tin radio and a translucent @@¤§:~:.-¨
.:=«/\£¤@@ umbrella which i'm sitting on. @@¤£\/«=:.
..,¨¨,¨~§£ £§~¨,¨¨,..
,~=/%$&£## = ##£&$%/=~,
,^»\§&&@## ##@&&§\»^,
..«\§££¶@# somethings moving in the grass. it's #@¶££§\«..
,¨¨.¨~«$@£ invisible to my eyes but i can feel £@$«~¨.¨¨,
.:=**§#### through the ground just how large it is. ####§**=:.
¨^=;†&£¶@# #@¶£&†;=^¨
.¨.¨.¨:-†@ the soil is muddy. i slip when trying @†-:¨.¨.¨.
.^-^:%*&@@ to get up, still looking at the @@&*%:^-^.
.,,»«=%§£@ direction of sound rather than at my @£§%=«»,,.
,,~,~-†@@# hands, who are busy putting things in #@@†-~,~,,
,^»;^@## my pockets. ##@#&^;»^,
...¨¨»*§@# #@§*»¨¨...
¨¨,.-=^§@@ then i run east toward my home. @@§^=-.,¨¨
.,¨.¨.~*@& &@*~.¨.¨,.
..¨¨.:=$§# ^ #§$=:.¨¨..
.^~;%%£### ###£%%;~^.
¨,-:$%§¶## i am not followed, and slow down in the ##¶§%$:-,¨
.^~=;\£¤@@ clearing where you at first can spot @@¤£\;=~^.
¨-~\%§¤@¶# the house, not yet really in the #¶@¤§%\~-¨
,~~/*$£### backyard. from my pockets i retrieve my ###£$*/~~,
-»;$#### radio (now dented) but also a small #####&$;»-
¨:«/*&£@## clay figure i've never seen before. it ##@£&*/«:¨
,,=/§&@£## must have been laying in the wet dirt, ##£@&§/=,,
¨.~=*@@#@# and i must've picked it up with my #@#@@*=~.¨
,,~~=;*£¤@ other belongings. @¤£*;=~~,,
.,^^:=*$*§ §*$*=:^^,.
.^~:§@§&§# it's a statuette of a girl laying naked #§&§@§:~^.
,.¨^-=~%@# on her stomach, feet in the air, #@%~=-^¨.,
¨-=;%@#@## roughly seven centimeters long. it's ##@#@%;=-¨
.,=:$*££@# freshly made, not yet completely dried. #@££*$:=,.
¨~-*=&§### ###§&=*-~¨
.^-;%$@&@# my mom is here now. i ask her for some #@&@$%;-^.
¨..¨,.^-=£ particle board for it to dry on, but £=-^.,¨..¨
¨~^~~«†=¤# she is worried and wants me to #¤=†«~~^~¨
,^»**&£@## throw it away. ##@£&**»^,
¨,.¨.«;*£@ @£*;«.¨.,¨
¨,..,.~*§£ £§*~.,..,¨
.:«;§$#### ####$§;«:.
¨¨,¨^^%%¤# #¤%%^^¨,¨¨
¨~~†^%§### ###§%^†~~¨
,:~\*£¤¶## ##¶¤£*\~:,