,.»**£#@## ##@#£**».,
,¨..¨¨~*%§ §%*~¨¨..¨,
.^=:†$&¶## ##¶&$†:=^.
¨¨.:=††%§@ @§%††=:.¨¨
,~-/^==*§# #§*==^/-~,
¨,«†%@%*¤¶ statuette ¶¤*%@%†«,¨
¨:~:%### ####&%:~:¨
¨¨.^~~;*§@ §%%£&@$*%$¤£§*@&«=»~»~«-$&@$¤££&£§&*£&@$ @§*;~~^.¨¨
¨:~;%¤@@@# ¤@&*§§$%£ #@@@¤%;~:¨
..~=;=%¤¶# #¶¤%=;=~..
,,=†$%#### forests around my childhood home. thick ####%$†=,,
¨¨.¨:-^§§& pine arcades that were planted and &§§^-:¨.¨¨
..»*$@@### forgotten. wild boars roaming ###@@$*»..
,:-/$@@### underneath, sniffing at the ground. it ###@@$/-:,
,.»**%£### is dark and moist, the canopy having ###£%**».,
¨.~^%$¤@## already soaked up all the sun. ##@¤$%^~.¨
.:-;§@@@@# #@@@@§;-:.
.^=*=£§#@# there's a river passing by, from east #@#§£=*=^.
¨:-:^§¤¶## to west, getting broader and deeper and ##¶¤§^:-:¨
.,.:-~§&£@ slower as it goes. equisetum grow just @£&§~-:.,.
.,~*§¤¤@## where the pine hands start to let ##@¤¤§*~,.
.~~\^£## through light, horsemint on the rocky ###&£^\~~.
¨....~»%¤@ river bed. @¤%»~....¨
¨,»*$§§@## ##@§§$*»,¨
,.,¨..;*@¤ : ¤@*;..¨,.,
,...»»=£@# #@£=»»...,
¨:»=§$¤@¶# the riverbanks reek of magic. tonight #¶@¤$§=»:¨
¨,-\†§@### they had been a swampworld with sylvan ###@§†\-,¨
¨^=*§£@### water, stone rings and floating moss. ###@£§*=^¨
¨.¨¨^:^:*¤ you could've found me wallowing around ¤*:^:^¨¨.¨
,~-;^£££@# on the southern shores until i got #@£££^;-~,
.¨^,~\%¤%@ bitten. @%¤%\~,^¨.
..¨,=^£§#¶ ¶#§£^=,¨..
¨.,,¨-~*£# but now i'm further back, on solid #£*~-¨,,.¨
,,=«/*@¤@@ ground, in shoulder-high grass, with an @@¤@*/«=,,
.--:†*#£## orange tin radio and a translucent ##£#*†:--.
,-~=%§%£@# umbrella which i'm sitting on. #@£%§%=~-,
¨¨¨¨,.~%%# #%%~.,¨¨¨¨
¨.~:^¤@#@# * #@#@¤^:~.¨
.,~*%£@¶## ##¶@£%*~,.
,-»==†$*£# somethings moving in the grass. it's #£*$†==»-,
,,=†=%&£¤# invisible to my eyes but i can feel #¤£&%=†=,,
¨:~=§%£### through the ground just how large it is. ###£%§=~:¨
..,¨.~;/^£ £^/;~.¨,..
,¨,¨.»§¤@# the soil is muddy. i slip when trying #@¤§».¨,¨,
,,¨¨,»»%§¤ to get up, still looking at the ¤§%»»,¨¨,,
,,-*=:%£@# direction of sound rather than at my #@£%:=*-,,
,-»/^%#@## hands, who are busy putting things in ##@#%^/»-,
,,-\*%*¤## my pockets. ##¤*%*\-,,
,:«*%$§### ###§$%*«:,
¨^»*%#@@## then i run east toward my home. ##@@#%*»^¨
¨-«/**§#@# #@#§**/«-¨
,,=/*$&@@# / #@@&$*/=,,
,.-\*%§#@# #@#§%*\-.,
¨¨.«»»\*§# i am not followed, and slow down in the #§*\»»«.¨¨
,~-==;$%@@ clearing where you at first can spot @@%$;==-~,
.,.,:-=*§£ the house, not yet really in the £§*=-:,.,.
,~~:=%££## backyard. from my pockets i retrieve my ##££%=:~~,
¨,,.»††£*£ radio (now dented) but also a small £*£††».,,¨
¨,~/%§¤@## clay figure i've never seen before. it ##@¤§%/~,¨
¨.«*%%##@# must have been laying in the wet dirt, #@##%%*«.¨
,.=;*%¤%@# and i must've picked it up with my #@%¤%*;=.,
..,...-%@& other belongings. &@%-...,..
¨~»^$%££## ##££%$^»~¨
.-~/†£§@## it's a statuette of a girl laying naked ##@§£†/~-.
,^~:*¤@@@# on her stomach, feet in the air, #@@@¤*:~^,
.¨,~=-%&&@ roughly seven centimeters long. it's @&&%-=~,¨.
.:=:^$## freshly made, not yet completely dried. ###&$^:=:.
¨:=\=&*%%@ @%%*&=\=:¨
.,~†%§#@## my mom is here now. i ask her for some ##@#§%†~,.
.¨.,.«§^£¶ particle board for it to dry on, but ¶£^§«.,.¨.
.,==§§§@## she is worried and wants me to ##@§§§==,.
¨^~=†*£££@ throw it away. @£££*†=~^¨
¨^-†%@@@## ##@@@%†-^¨
,¨¨.~«»/££ ££/»«~.¨¨,
.¨,,=«=§&¶ ¶&§=«=,,¨.
,:~;=¤##@# #@##¤=;~:,
.,=*%£@### ###@£%*=,.
¨^-=%§¤### ###¤§%=-^¨