.:«/§§¤### ###¤§§/«:.
¨^»\%@@£## ##£@@%\»^¨
.,,««§¤$@# #@$¤§««,,.
,.~:*%§£@# #@£§%*:~.,
.,¨¨.::%$§ §$%::.¨¨,.
,.«*%@¶# statuette #¶#&@%*«.,
¨-=*=%## ###&%=*=-¨
.:»†$%¤@## *$%§$£¤££%$&£§*%~=»~»»~-§§@$*@@%¤¤£$£&£& ##@¤%$†»:.
.,¨,-,~%§£ §*£*£$&*% £§%~,-,¨,.
.,¨,¨¨~§@# #@§~¨¨,¨,.
.-»*$%§### forests around my childhood home. thick ###§%$*»-.
¨:~\%@@£## pine arcades that were planted and ##£@@%\~:¨
,¨,¨¨,~* forgotten. wild boars roaming #&*~,¨¨,¨,
¨,-.»%%£## underneath, sniffing at the ground. it ##£%%».-,¨
,^»\^£@¶## is dark and moist, the canopy having ##¶@£^\»^,
,,,,,~†@£@ already soaked up all the sun. @£@†~,,,,,
,~-/*£%¤@& &@¤%£*/-~,
..^~=»\@## there's a river passing by, from east ##@\»=~^..
¨.,:~~*\%@ to west, getting broader and deeper and @%\*~~:,.¨
,:«^§£&£§# slower as it goes. equisetum grow just #§£&£§^«:,
¨-~††%@@@# where the pine hands start to let #@@@%††~-¨
,,~^=*§### through light, horsemint on the rocky ###§*=^~,,
.~~/$@¤§@¶ river bed. ¶@§¤@$/~~.
¨,¨~:%$%%@ @%%$%:~¨,¨
¨,..¨,«/$& : &$/«,¨..,¨
¨~»:**§£## ##£§**:»~¨
,,,.,.-=&@ the riverbanks reek of magic. tonight @&=-.,.,,,
,,-^†¤@@## they had been a swampworld with sylvan ##@@¤†^-,,
¨¨.¨,=;$££ water, stone rings and floating moss. ££$;=,¨.¨¨
.,=^*$¤### you could've found me wallowing around ###¤$*^=,.
,^«-;%$*£¤ on the southern shores until i got ¤£*$%;-«^,
.^~/†@#¶## bitten. ##¶#@†/~^.
:-:§%#@### ###@#%§:-:
.,»:%##### but now i'm further back, on solid #####%:»,.
,~«**$¶@## ground, in shoulder-high grass, with an ##@¶$**«~,
,.,.¨»-%@@ orange tin radio and a translucent @@%-»¨.,.,
,,,,,,~:$£ umbrella which i'm sitting on. £$:~,,,,,,
,~=**%¶### ###¶%**=~,
¨,«^%¤§### * ###§¤%^«,¨
¨.~†%@£#@# #@#£@%†~.¨
.^«=†@£@@# somethings moving in the grass. it's #@@£@†=«^.
.:»:%§¤£## invisible to my eyes but i can feel ##£¤§%:»:.
.:»;^%&@## through the ground just how large it is. ##@&%^;»:.
¨:~*=§@¶## ##¶@§=*~:¨
..~\%@£@## the soil is muddy. i slip when trying ##@£@%\~..
..~\*%$#¶# to get up, still looking at the #¶#$%*\~..
.,~\%%*§%§ direction of sound rather than at my §%§*%%\~,.
¨.=*^£¤@## hands, who are busy putting things in ##@¤£^*=.¨
,.=;%$£#@# my pockets. #@#£$%;=.,
¨^~=§$@¶## ##¶@$§=~^¨
,,¨.:;†£## then i run east toward my home. ##£†;:.¨,,
.,,¨.^~^=£ £=^~^.¨,,.
,,~*^£&£¤@ * @¤£&£^*~,,
¨^»†%*§**¶ ¶**§*%†»^¨
¨-~^§¤§@## i am not followed, and slow down in the ##@§¤§^~-¨
.~†*%@## clearing where you at first can spot ##@#&%*†~.
¨^-=%£#### the house, not yet really in the ####£%=-^¨
¨:-:§%@¶@# backyard. from my pockets i retrieve my #@¶@%§:-:¨
.,«;%£#### radio (now dented) but also a small ####£%;«,.
,,.,,«*=$@ clay figure i've never seen before. it @$=*«,,.,,
,.»:†%¤@## must have been laying in the wet dirt, ##@¤%†:».,
,,«:§$## and i must've picked it up with my ###&$§:«,,
,,«†*$&£## other belongings. ##£&$*†«,,
.,¨,,-=*£# #£*=-,,¨,.
¨-«†%£@@@# it's a statuette of a girl laying naked #@@@£%†«-¨
.,:~=\;†£# on her stomach, feet in the air, #£†;\=~:,.
,--/%@£#@# roughly seven centimeters long. it's #@#£@%/--,
.~~†$%#### freshly made, not yet completely dried. ####%$†~~.
¨--:;%^%§# #§%^%;:--¨
¨^~†*¤§@@# my mom is here now. i ask her for some #@@§¤*†~^¨
,^~†$%&¶¶@ particle board for it to dry on, but @¶¶&%$†~^,
¨¨.¨¨-~=£# she is worried and wants me to #£=~-¨¨.¨¨
,¨,..¨~§$§ throw it away. §$§~¨..,¨,
¨~«/=$£@## ##@£$=/«~¨
,~~^$@¤£## ##£¤@$^~~,
¨,»==§¤#@# #@#¤§==»,¨
¨,-;^%£### ###£%^;-,¨
..-;*$&@#@ @#@&$*;-..
¨,.¨,««$ #&$««,¨.,¨