,^~;†$@@## ##@@$†;~^,
.,^~;=$#@# #@#$=;~^,.
¨:«*^¤£### ###£¤^*«:¨
.,^~*^@@## ##@@^*~^,.
,~==§%@### ###@%§==~,
,.,~/%$£## statuette ##£$%/~,.,
.-==^$#### ####$^==-.
¨.,~\*$### %*%$£%&£%&@*$¤£*«~«=~»«»§&£*%$£§%§£$§%§& ###$*\~,.¨
,:«/$$£### @&%%$@%¤$ ###£$$/«:,
¨.^«^%*@## ##@*%^«^.¨
¨.~^%¤#@## forests around my childhood home. thick ##@#¤%^~.¨
.,,~/†$### pine arcades that were planted and ###$†/~,,.
¨:«^%¤@### forgotten. wild boars roaming ###@¤%^«:¨
¨¨^=:*§¶## underneath, sniffing at the ground. it ##¶§*:=^¨¨
.^~;*$@### is dark and moist, the canopy having ###@$*;~^.
¨¨-«/*¤£@# already soaked up all the sun. #@£¤*/«-¨¨
,,~††§£### ###£§††~,,
,.^~^%%#@# there's a river passing by, from east #@#%%^~^.,
.,«:%£@@## to west, getting broader and deeper and ##@@£%:«,.
,¨,=†%$¶@# slower as it goes. equisetum grow just #@¶$%†=,¨,
¨^~/§£#### where the pine hands start to let ####£§/~^¨
,,^»^†$@@# through light, horsemint on the rocky #@@$†^»^,,
¨~~:§@#### river bed. ####@§:~~¨
.,^-/§§£@# #@£§§/-^,.
,-»==£#@## \ ##@#£==»-,
.¨,=;†$¶## ##¶$†;=,¨.
..~*%$#@## the riverbanks reek of magic. tonight ##@#$%*~..
..~-**&£## they had been a swampworld with sylvan ##£&**-~..
¨.~*†§#### water, stone rings and floating moss. ####§†*~.¨
¨¨-=^%£@## you could've found me wallowing around ##@£%^=-¨¨
..«*%¤£### on the southern shores until i got ###£¤%*«..
¨,^-;*§¶## bitten. ##¶§*;-^,¨
.-=^*$@### ###@$*^=-.
,¨^«;§$@## but now i'm further back, on solid ##@$§;«^¨,
.,«;=£#### ground, in shoulder-high grass, with an ####£=;«,.
.¨--^*¤@## orange tin radio and a translucent ##@¤*^--¨.
,.~:%&¶### umbrella which i'm sitting on. ###¶&%:~.,
.¨~~;§¤£## ##£¤§;~~¨.
¨~«=%£#### \ ####£%=«~¨
¨,--:^£@@# #@@£^:--,¨
.^-:**£### somethings moving in the grass. it's ###£**:-^.
¨.,~\^*#@# invisible to my eyes but i can feel #@#*^\~,.¨
,.~;*¤£### through the ground just how large it is. ###£¤*;~.,
¨¨~~†%$### ###$%†~~¨¨
,:»\^*£### the soil is muddy. i slip when trying ###£*^\»:,
,¨:=:*£@## to get up, still looking at the ##@£*:=:¨,
¨,«^*¤@@## direction of sound rather than at my ##@@¤*^«,¨
¨¨.«;$*@@# hands, who are busy putting things in #@@*$;«.¨¨
¨^-^†%@### my pockets. ###@%†^-^¨
...«=†$### ###$†=«...
.:~=**@### then i run east toward my home. ###@**=~:.
¨¨-~/%*¶## ##¶*%/~-¨¨
..-^*@## † ##@#&*^-..
¨.,~\%%£## ##£%%\~,.¨
,-«=^### i am not followed, and slow down in the ####&^=«-,
,¨:«\$&@@# clearing where you at first can spot #@@&$\«:¨,
¨,«=**@### the house, not yet really in the ###@**=«,¨
.¨.»†*§¶@# backyard. from my pockets i retrieve my #@¶§*†».¨.
¨:=*§@## radio (now dented) but also a small ##@#&§*=:¨
..-~:%££@# clay figure i've never seen before. it #@££%:~-..
..-^=%@@## must have been laying in the wet dirt, ##@@%=^-..
,.^~^^&£## and i must've picked it up with my ##£&^^~^.,
,~~^=&£### other belongings. ###£&=^~~,
,,^~^†%### ###%†^~^,,
¨-~:%@#@## it's a statuette of a girl laying naked ##@#@%:~-¨
..~«*^£#@# on her stomach, feet in the air, #@#£^*«~..
,.»=^*@### roughly seven centimeters long. it's ###@*^=».,
,,-=\%£### freshly made, not yet completely dried. ###£%\=-,,
¨:~^*§@### ###@§*^~:¨
,¨:=†%$£@# my mom is here now. i ask her for some #@£$%†=:¨,
¨,=*†£@### particle board for it to dry on, but ###@£†*=,¨
,¨^-^%£@## she is worried and wants me to ##@£%^-^¨,
,^»†§$#@## throw it away. ##@#$§†»^,
¨.~»†^%### ###%^†»~.¨
,,-^§§£### ###£§§^-,,
,¨-~:%@¶## ##¶@%:~-¨,
..-=*$@### ###@$*=-..
..,~^†*@## ##@*†^~,..
,.~;*%¶### ###¶%*;~.,