,.~;†*@¶@# #@¶@*†;~.,
¨:«:^@&£@# #@£&@^:«:¨
¨~«/*£#@## ##@#£*/«~¨
,^~†$%§¶## ##¶§%$†~^,
,¨..-~%†£# #£†%~-..¨,
¨~==%%§### statuette ###§%%==~¨
,,»=%£¤¶@@ @@¶¤£%=»,,
¨.-=*§@#@# %@&£&£%%**£§$@%£«-»«~~-«@*£££$%@%@¤$£%%£ #@#@§*=-.¨
,,~†\=%¤## £§§%**¤&¤ ##¤%=\†~,,
,,=-;^%%&& &&%%^;-=,,
.,,~^;%@#@ forests around my childhood home. thick @#@%;^~,,.
,¨,:.\;%#@ pine arcades that were planted and @#%;\.:,¨,
,-«*$§£@## forgotten. wild boars roaming ##@£§$*«-,
¨^=/^*†$## underneath, sniffing at the ground. it ##$†*^/=^¨
..,,.^*$¤§ is dark and moist, the canopy having §¤$*^.,,..
¨-:,~†:£*¶ already soaked up all the sun. ¶*£:†~,:-¨
.,¨,^==^@# #@^==^,¨,.
.,~=*%&¶## there's a river passing by, from east ##¶&%*=~,.
.¨.¨.,-/&& to west, getting broader and deeper and &&/-,.¨.¨.
.,~=*%§#@# slower as it goes. equisetum grow just #@#§%*=~,.
..¨.:=/*£# where the pine hands start to let #£*/=:.¨..
,,«;=%£*&£ through light, horsemint on the rocky £&*£%=;«,,
,.~†^£§¤@# river bed. #@¤§£^†~.,
,^:-~%£§## ##§£%~-:^,
...¨,~*%£@ = @£%*~,¨...
¨--:$*§### ###§*$:--¨
.,,~*^*%§¤ the riverbanks reek of magic. tonight ¤§%*^*~,,.
,--†*§§### they had been a swampworld with sylvan ###§§*†--,
,,-^%@§%@@ water, stone rings and floating moss. @@%§@%^-,,
¨.-;†&¤### you could've found me wallowing around ###¤&†;-.¨
.,=;§%§@@# on the southern shores until i got #@@§%§;=,.
,¨¨.-~=@%# bitten. #%@=~-.¨¨,
¨.~†=&§### ###§&=†~.¨
,^~-~:@%#@ but now i'm further back, on solid @#%@:~-~^,
,..::††£¶@ ground, in shoulder-high grass, with an @¶£††::..,
¨:^~»~=*£¶ orange tin radio and a translucent ¶£*=~»~^:¨
¨,~/%@## umbrella which i'm sitting on. ##@#&%/~,¨
¨¨,¨.~/&@@ @@&/~.¨,¨¨
.,¨¨~\%##@ ; @##%\~¨¨,.
¨,«:%%#@## ##@#%%:«,¨
¨,~:†¤@¶@# somethings moving in the grass. it's #@¶@¤†:~,¨
.,,,.\§¤@# invisible to my eyes but i can feel #@¤§\.,,,.
,,=/%££### through the ground just how large it is. ###££%/=,,
,.~;%%## ###&%%;~.,
.,¨.~^*%$# the soil is muddy. i slip when trying #$%*^~.¨,.
¨.=†=%¤#@# to get up, still looking at the #@#¤%=†=.¨
.-~^$§#### direction of sound rather than at my ####§$^~-.
.~»*%$&£## hands, who are busy putting things in ##£&$%*»~.
¨,-\=%¤#@# my pockets. #@#¤%=\-,¨
¨^»;§@¤##@ @##¤@§;»^¨
.,¨¨,«%$## then i run east toward my home. ##$%«,¨¨,.
.,»;†$£### ###£$†;»,.
¨,»/%%§@## ; ##@§%%/»,¨
¨.¨.,:;**§ §**;:,.¨.¨
,-==%¤&¶@# i am not followed, and slow down in the #@¶&¤%==-,
.¨.,¨=††¤£ clearing where you at first can spot £¤††=¨,.¨.
¨~=:§*@%§§ the house, not yet really in the §§%@*§:=~¨
,~-/=£&@#@ backyard. from my pockets i retrieve my @#@&£=/-~,
..»=§$&@@# radio (now dented) but also a small #@@&$§=»..
,.,¨¨~^*£@ clay figure i've never seen before. it @£*^~¨¨,.,
...,,¨^-$£ must have been laying in the wet dirt, £$-^¨,,...
,,,¨¨.~*^& and i must've picked it up with my &^*~.¨¨,,,
¨-~=^§%&§# other belongings. #§&%§^=~-¨
¨^»^§%¤@@# #@@¤%§^»^¨
,~~/*¤@### it's a statuette of a girl laying naked ###@¤*/~~,
.~-/*£§@¶# on her stomach, feet in the air, #¶@§£*/-~.
.¨.¨:,,^&@ roughly seven centimeters long. it's @&^,,:¨.¨.
,.,,.¨,~§§ freshly made, not yet completely dried. §§~,¨.,,.,
,.¨,¨¨~^¤# #¤^~¨¨,¨.,
,:-:*%§### my mom is here now. i ask her for some ###§%*:-:,
.,~;^&£¶@# particle board for it to dry on, but #@¶£&^;~,.
,,¨~*^*§#@ she is worried and wants me to @#§*^*~¨,,
,-«=%*@#@# throw it away. #@#@*%=«-,
,~:$*@@### ###@@*$:~,
,,¨¨¨^«$¤# #¤$«^¨¨¨,,
¨,~~†§$# ##&$§†~~,¨
.¨,.¨»=*$£ £$*=»¨.,¨.
,:==†§@@## ##@@§†==:,
¨.~\%%§@## ##@§%%\~.¨