.#.#.#..##                                          .##..##.#.
##.#.#.#.#                                          #.#.#.#.#.
.#.#.#.#.#                                          #.#.#.#.#.
##.#.#.#.#                                          #.#.#.#.#.
.#.#.#.#.#                                          #.#.#.#.#.
##.#.#.#.#             $ DREAM PALACE $             #.#.#.#.#.
.#.#.#.#.#             ^ ----- ------ ^             #.#.#.#.#.
##.#.#.#.#             $ ..... ...... $             #.#.#.#.#.
.#.#.#.#.#             * ..... ...... *             #.#.#.#.#.
##.#.#.#.#             ^ ..... ...... ^             #.#.#.#.#.
.#.#.#.#.#             ^ ..... ...... ^             #.#.#.#.#.
##.#.#.#.#             . ..... ...... .             #.#.#.#.#.
.#.#.#.#.#                                          #.#.#.#.#.
##.#.#.#.#                                          #.#.#.#.#.
.#.#.#.#.# NOT ACTUALLY A PALACE. A  COTTAGE IN THE #.#.#.#.#.
##.#.#.#.#   WOODS (TEMPERATE CLIMATE, RAINS EVERY  #.#.#.#.#.
.#.#.#.#.# OTHER  DAY,  SPRINGS  AND   STREAMS  AND #.#.#.#.#.
##.#.#.#.#   MYSTERIOUS IRON AND STONE ARTIFACTS,   #.#.#.#.#.
.#.#.#.#.#    BIRDLAND-ISH ETERNAL SPRING (LATE     #.#.#.#.#.
##.#.#.#.#                 SPRING))                 #.#.#.#.#.
.#.#.#.#.#                                          #.#.#.#.#.
##.#.#.#.#                     «                    #.#.#.#.#.
.#.#.#.#.#                                          #.#.#.#.#.
##.#.#.#.# I WAKE UP EVERY MORNING AT  SIX AM. IT'S #.#.#.#.#.
.#.#.#.#.# DARK, AND  THE  STARS ARE  OUT, BUT  THE #.#.#.#.#.
##.#.#.#.# SUN IS ABOUT TO  RISE.  ITS A  LONG DAY, #.#.#.#.#.
.#.#.#.#.# BEFORE  IT FADES  TO  NIGHT  AGAIN,  AND #.#.#.#.#.
##.#.#.#.# THEN IT STAYS  SO  UNTIL  I FALL ASLEEP. #.#.#.#.#.
.#.#.#.#.# IT  DOESN'T  RISE  UNLESS  I'VE  HAD  MY #.#.#.#.#.
##.#.#.#.#                  DREAMS.                 #.#.#.#.#.
.#.#.#.#.#                                          #.#.#.#.#.
##.#.#.#.#                    =                     #.#.#.#.#.
.#.#.#.#.#                                          #.#.#.#.#.
##.#.#.#.# IN THIS COTTAGE THERE'S  A LOT OF  RADIO #.#.#.#.#.
.#.#.#.#.#   EQUIPMENT, SOUND STUFF, SYNTHS, TAPE   #.#.#.#.#.
##.#.#.#.# PLAYERS.  PEN AND PAPER, BOOKS, CAMERAS, #.#.#.#.#.
.#.#.#.#.# MIRRORS,  PRISMS,  AND VARIOUS THINGS TO #.#.#.#.#.
##.#.#.#.# DO ART WITH. THE FRIDGE IS  FILLED  WITH #.#.#.#.#.
.#.#.#.#.# DIFFERET FOODS, ALL  OF THEM INTRIGUING, #.#.#.#.#.
##.#.#.#.#              SLIGHTLY WEIRD.             #.#.#.#.#.
.#.#.#.#.#                                          #.#.#.#.#.
##.#.#.#.#                    #                     #.#.#.#.#.
.#.#.#.#.#                                          #.#.#.#.#.
##.#.#.#.# I HAVE FRIENDS  -  THERE'S A CAT, AND  A #.#.#.#.#.
.#.#.#.#.# DOG  (WHO  IS  RIDICOLOUSLY  LARGE   AND #.#.#.#.#.
##.#.#.#.# WANTS TO BE  THE BIG SPOON). I LISTEN TO #.#.#.#.#.
.#.#.#.#.# THE SHORTWAVE RADIO, AND  TRANSMIT A BIT #.#.#.#.#.
##.#.#.#.# MYSELF,  SONGS  AND  POETRY,  AND  FOUND #.#.#.#.#.
.#.#.#.#.# SOUNDS FROM THE FOREST. THE  OTHERS TELL #.#.#.#.#.
##.#.#.#.# OF THEIR LIVES,  PLAY THE GUITAR FOR ME, #.#.#.#.#.
.#.#.#.#.# AND TELL  TALES  OF  THE  OLD  WORLD.  I #.#.#.#.#.
##.#.#.#.#      CONSIDER THEM FRIENDS AS WELL.      #.#.#.#.#.
.#.#.#.#.#                                          #.#.#.#.#.
##.#.#.#.#                     ¶                    #.#.#.#.#.
.#.#.#.#.#                                          #.#.#.#.#.
##.#.#.#.# MOST IMPORTANTLY,  THERE'S  A TWO SQUARE #.#.#.#.#.
.#.#.#.#.# METER  AREA  ON  THE FLOOR  WHERE  I CAN #.#.#.#.#.
##.#.#.#.# "SAVE" THINGS. WHATEVER I  PUT  IN  HERE #.#.#.#.#.
.#.#.#.#.# WILL  NOT  BE  AFFECTED  BY THE  NIGHTLY #.#.#.#.#.
##.#.#.#.#    RESET. EVERYTHING ELSE, HOWEVER, IS   #.#.#.#.#.
.#.#.#.#.#     COMPLETELY RESET OVERNIGHT: SYNTH    #.#.#.#.#.
##.#.#.#.#  PATCHES REMOVED, FOOD UNEATEN, WOUNDS   #.#.#.#.#.
.#.#.#.#.# HEALED,  AND  WHEREVER  AND WHENEVER I'D #.#.#.#.#.
##.#.#.#.# FALL ASLEEP  I'D  ALWAYS  WAKE UP  FULLY #.#.#.#.#.
.#.#.#.#.# RESTED  IN  MY  BED.  SOMETIMES  THERE'S #.#.#.#.#.
##.#.#.#.# ACCIDENTS   WHERE   I   LOSE  STUFF   BY #.#.#.#.#.
.#.#.#.#.# FORGETTING  TO  PUT THEM IN  THE SQUARE. #.#.#.#.#.
##.#.#.#.#                                          #.#.#.#.#.
.#.#.#.#.#                    .                     #.#.#.#.#.
##.#.#.#.#                                          #.#.#.#.#.
.#.#.#.#.# AT  NIGHT,  I   HAVE  DEMI-LUCID  DREAMS #.#.#.#.#.
##.#.#.#.# WHERE THE SPIRITS OF THE  FOREST  AROUND #.#.#.#.#.
.#.#.#.#.# THE COTTAGE TRIES TO COMMUNICATE.  HERE, #.#.#.#.#.
##.#.#.#.# IT'S  NOT ENDLESS  BUT  CONNECTED  TO  A #.#.#.#.#.
.#.#.#.#.# LARGE  SPRAWLING  CITY,  WHERE  MY RADIO #.#.#.#.#.
##.#.#.#.# FRIENDS  LIVE. WE GO  EXPLORING TOGETHER #.#.#.#.#.
.#.#.#.#.# - THINGS ARE DEEP AND DARK -  BUT UNLIKE #.#.#.#.#.
##.#.#.#.# ME, THEY  NEVER REMEMBER DURING THE DAY. #.#.#.#.#.
.#.#.#.#.# THIS  IS A  MYSTERY  WE  OFTEN  DISCUSS. #.#.#.#.#.
##.#.#.#.#                                          #.#.#.#.#.
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