.,«=^$¤&@# #@&¤$^=«,.
,.~\=&¤@#@ @#@¤&=\~.,
.-=\*%£&¤# #¤&£%*\=-.
,,~/†*@# #@#&*†/~,,
,--=$£#@## ##@#£$=--,
.^~;**#### statuette ####**;~^.
,.,.~$££ #&££$~.,.,
.--*§§£### *§*¤%*¤¤$&$*$%¤¤~~=-»-»«*%@%%§¤§§@¤%$££$ ###£§§*--.
¨,-/*%£### £$$%£%$&* ###£%*/-,¨
.,«=%£@@@¶ ¶@@@£%=«,.
¨-«;$§@@@# forests around my childhood home. thick #@@@§$;«-¨
¨¨¨,===%@# pine arcades that were planted and #@%===,¨¨¨
¨.~/^@#@@# forgotten. wild boars roaming #@@#@^/~.¨
...,¨,»%## underneath, sniffing at the ground. it ##%»,¨,...
,,«†*¤#### is dark and moist, the canopy having ####¤*†«,,
,.,,¨.¨~§# already soaked up all the sun. #§~¨.¨,,.,
¨-~\%$£#@# #@#£$%\~-¨
,,~:;^*;¤£ there's a river passing by, from east £¤;*^;:~,,
¨,»^^§§@## to west, getting broader and deeper and ##@§§^^»,¨
¨,~^$&&¶@# slower as it goes. equisetum grow just #@¶&&$^~,¨
,^«*==§£@# where the pine hands start to let #@£§==*«^,
.,~=%%##§@ through light, horsemint on the rocky @§##%%=~,.
,.-^^£§### river bed. ###§£^^-.,
.^»»-=%@£# #£@%=-»»^.
¨,.¨¨~%*§§ ; §§*%~¨¨.,¨
,.,..,-\%& &%\-,..,.,
.^=*†$@### the riverbanks reek of magic. tonight ###@$†*=^.
¨,.¨.¨«*£@ they had been a swampworld with sylvan @£*«¨.¨.,¨
.:-**%£#@# water, stone rings and floating moss. #@#£%**-:.
¨.,.¨,=**¤ you could've found me wallowing around ¤**=,¨.,.¨
.:-\*&£@## on the southern shores until i got ##@£&*\-:.
.~~*=@@@## bitten. ##@@@=*~~.
.:-«»»*#@# #@#*»»«-:.
,~-/*§#### but now i'm further back, on solid ####§*/-~,
¨-~/=£@¶## ground, in shoulder-high grass, with an ##¶@£=/~-¨
¨,»;*%#@## orange tin radio and a translucent ##@#%*;»,¨
.~»;/:=*## umbrella which i'm sitting on. ##*=:/;»~.
,:-;%£*%¤@ @¤%*£%;-:,
..,¨,^**†@ ^ @†**^,¨,..
,~~;†%£¶@# #@¶£%†;~~,
¨:~*=§^¤#@ somethings moving in the grass. it's @#¤^§=*~:¨
¨..¨,»%§£@ invisible to my eyes but i can feel @£§%»,¨..¨
,.^-^^$&@@ through the ground just how large it is. @@&$^^-^.,
,¨¨¨¨:^%££ ££%^:¨¨¨¨,
.¨.,~«;:£# the soil is muddy. i slip when trying #£:;«~,.¨.
.,~;^$£@## to get up, still looking at the ##@£$^;~,.
.-«/†£§@ direction of sound rather than at my @§£#&†/«-.
.~^*£#¶@## hands, who are busy putting things in ##@¶#£*^~.
.-=/%£&@## my pockets. ##@&£%/=-.
.^-=$%§@@# #@@§%$=-^.
,.¨,¨-*§§¶ then i run east toward my home. ¶§§*-¨,¨.,
¨¨..^~%%@# #@%%~^..¨¨
,,»=$£#£@# † #@£#£$=»,,
,:-==%@#@@ @@#@%==-:,
..=†%*§£## i am not followed, and slow down in the ##£§*%†=..
¨~~«=~^££# clearing where you at first can spot #££^~=«~~¨
.:»\*$## the house, not yet really in the ###&$*\»:.
¨,¨,,.^;^£ backyard. from my pockets i retrieve my £^;^.,,¨,¨
,:-†$%£%@# radio (now dented) but also a small #@%£%$†-:,
¨.-»†*%**¤ clay figure i've never seen before. it ¤**%*†»-.¨
...,-:††§& must have been laying in the wet dirt, &§††:-,...
¨,.^~*†§¤£ and i must've picked it up with my £¤§†*~^.,¨
.¨-^=~~%§# other belongings. #§%~~=^-¨.
¨:«/%$¤#@# #@#¤$%/«:¨
,,«/%@#### it's a statuette of a girl laying naked ####@%/«,,
,.¨,«~~*$& on her stomach, feet in the air, &$*~~«,¨.,
¨..¨,./§@@ roughly seven centimeters long. it's @@§/.,¨..¨
¨-~/*£¤£## freshly made, not yet completely dried. ##£¤£*/~-¨
.¨¨~=-%#@£ £@#%-=~¨¨.
¨:«;$&@£## my mom is here now. i ask her for some ##£@&$;«:¨
¨...~«†£ particle board for it to dry on, but #&£†«~...¨
.,«†%$£¶## she is worried and wants me to ##¶£$%†«,.
.^«\^£&@## throw it away. ##@&£^\«^.
.^~=§£¤#@@ @@#¤£§=~^.
,-»††@$£¤¤ ¤¤£$@††»-,
¨-«†*%&£@# #@£&%*†«-¨
¨,»=/%£¤¶# #¶¤£%/=»,¨
¨:~/^$@£## ##£@$^/~:¨
¨~-\§££@@# #@@££§\-~¨