..~-:§@### ###@§:-~..
...~-:§@## ##@§:-~...
..~-:§@### ###@§:-~..
.~-:§@#### ####@§:-~.
..~-:§@### ###@§:-~..
...~-:§@## THE SKYSCRAPER THAT MOVES ##@§:-~...
..~-:§@### ###@§:-~..
.~-:§@#### TAINARON IS A BUILDING OWNED AND ####@§:-~.
..~-:§@### OPERATED BY AMATA TEXNOLOGIYASI PLACED ###@§:-~..
...~-:§@## CLOSED TO THE HARBOR IN MALMÖ. IT'S ##@§:-~...
..~-:§@### ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ###@§:-~..
.~-:§@#### UNKNOWN), DARK BLUE AND COMPLETELY ####@§:-~.
..~-:§@### RECTANGULAR. IT FEATURES NO SIGNS, ###@§:-~..
...~-:§@## LIGHTS, OR ORNAMENTS, APART FROM A ##@§:-~...
..~-:§@### HELIPAD ON TOP. MOST FLOORS HAVE ###@§:-~..
.~-:§@#### EXTERIOR WALLS COMPLETELY MADE OF GLASS. ####@§:-~.
..~-:§@### ###@§:-~..
...~-:§@## IN LATE EVENINGS, SHROUDED BY MALMö'S ##@§:-~...
..~-:§@### SIGNATURE FOG ROLLING IN FROM THE SEA, ###@§:-~..
.~-:§@#### THE BUILDING COMES TO LIFE: IT MOVES ON ####@§:-~.
..~-:§@### A THOUSAND ROBOTIC LEGS TO ANOTHER ###@§:-~..
...~-:§@## (SECRET) PART OF TOWN, OR PERHAPS OUT ##@§:-~...
..~-:§@### TO SEA. THIS SIGNALS A NEW AND MORE ###@§:-~..
.~-:§@#### VISCIOUS PHASE OF THE TAINARON ####@§:-~.
..~-:§@### ECOSYSTEM. ###@§:-~..
...~-:§@## ##@§:-~...
..~-:§@### THE GUESTS ARRIVING DURING THE EARLY ###@§:-~..
.~-:§@#### EVENING ARE TREATED TO FOOD AND DRINK, ####@§:-~.
..~-:§@### LIVE MUSIC, BEATUTIFUL VIEWS, AND A ###@§:-~..
...~-:§@## COMFORTABLE BUT MAZE-LIKE INTERIOR ##@§:-~...
..~-:§@### STRUCTURE (THE BUILDING FEATURES A ###@§:-~..
.~-:§@#### MULTITUDE OF STAIRWELLS AND ELEVATORS, ####@§:-~.
..~-:§@### PLACED SEEMINGLY AT RANDOM, NONE GOING ###@§:-~..
...~-:§@## FURTHER THAN A FEW FLOORS). ##@§:-~...
..~-:§@### ###@§:-~..
.~-:§@#### AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ####@§:-~.
..~-:§@### UNTIL THE AIR INSIDE HAS TAKEN ON THE ###@§:-~..
...~-:§@## SAME QUALITY AS THE SURROUNDING MIST: ##@§:-~...
..~-:§@### BLUE-GRAY, SPRINKLED WITH THE SMALL RED ###@§:-~..
.~-:§@#### DOT'S BY DOOR LOCKS AND CONTROL PANELS. ####@§:-~.
..~-:§@### IF YOU WOULD LOOK THROUGH THE WINDOWS ###@§:-~..
...~-:§@## YOU WOULD SEE THE MIST ROLLING BY, AND ##@§:-~...
..~-:§@### PERHAPS THE OUTLINE OF SOME OTHER ###@§:-~..
.~-:§@#### BUILDING, FAR BELOW. ####@§:-~.
..~-:§@### ###@§:-~..
...~-:§@## DURING THE NIGHT, AFTER TAINARON HAS ##@§:-~...
..~-:§@### STARTED MOVING, THE LOWER FLOORS ARE ###@§:-~..
.~-:§@#### SHUT OFF, PREVENTING ENTRY OR EXIT FOR ####@§:-~.
..~-:§@### THE GUESTS. FOOD IS NO LONGER SERVED, ###@§:-~..
...~-:§@## BUT THE DRINKS BECOME MORE EXTRAVAGANT. ##@§:-~...
..~-:§@### IT'S AT THIS POINT THAT THE SECOND SET ###@§:-~..
.~-:§@#### OF GUEST ARRIVES, VIA HELICOPTER - ####@§:-~.
..~-:§@### AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ###@§:-~..
...~-:§@## ##@§:-~...
..~-:§@### ----- ###@§:-~..
.~-:§@#### ####@§:-~.
..~-:§@### IN MY DREAM I AM INVITED AS A FRIEND OF ###@§:-~..
...~-:§@## ONE OF THE SERVERS, AND THUS SAFE. WE ##@§:-~...
..~-:§@### SIT IN ONE OF THE LARGE WINDOWS, ###@§:-~..
.~-:§@#### LOOKING THROUGH THE MIST FOR ANY ####@§:-~.
..~-:§@### LANDMARKS TO PIERCE THROUGH THE MIST. ###@§:-~..
...~-:§@## SHE TELLS ME THAT APART FROM COMING AND ##@§:-~...
..~-:§@### GOING FROM WORK, SHE'S NEVER SEEN THE ###@§:-~..
.~-:§@#### BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ####@§:-~.
..~-:§@### ###@§:-~..
...~-:§@## THE NEXT DAY I AM INVITED TO THE PUBLIC ##@§:-~...
..~-:§@### DEMONSTRATION OF THE EXOBUBBLE. ###@§:-~..
.~-:§@#### ####@§:-~.
..~-:§@### ###@§:-~..
...~-:§@## ##@§:-~...
..~-:§@### ###@§:-~..
.~-:§@#### ####@§:-~.