,.=/*§#### ####§*/=.,
,.=/*$§### ###§$*/=.,
,.=/*$§### ###§$*/=.,
,,,,..=*§# #§*=..,,,,
,.=/*$§### ###§$*/=.,
,,,,,,=/$# the skyscraper that moves #$/=,,,,,,
,.=/*$§### ###§$*/=.,
,,,..//*§# tainaron is a building owned and #§*//..,,,
,.=/*$§### operated by amata texnologiyasi placed ###§$*/=.,
,.===//**§ closed to the harbor in malmÖ. it's §**//===.,
,.=/*$§### roughly sixty floors high (real number ###§$*/=.,
,.=/*$§### unknown), dark blue and completely ###§$*/=.,
,.==/*$$§# rectangular. it features no signs, #§$$*/==.,
,.=/*$§### lights, or ornaments, apart from a ###§$*/=.,
,,,.==***§ helipad on top. most floors have §***==.,,,
,,,.=//$$# exterior walls completely made of glass. #$$//=.,,,
,.=/*$§§§§ §§§§$*/=.,
,,,,=/$$$# in late evenings, shrouded by malmö's #$$$/=,,,,
,.=/*$§### signature fog rolling in from the sea, ###§$*/=.,
,,,,./*§§# the building comes to life: it moves on #§§*/.,,,,
,,.=///$§§ a thousand robotic legs to another §§$///=.,,
,.=/*$§### (secret) part of town, or perhaps out ###§$*/=.,
,.=/*$§### to sea. this signals a new and more ###§$*/=.,
,.===/$§§§ viscious phase of the tainaron §§§$/===.,
,.=/*$§### ecosystem. ###§$*/=.,
,,,,==**$§ §$**==,,,,
,.=/*$§§## the guests arriving during the early ##§§$*/=.,
,.=//**$§# evening are treated to food and drink, #§$**//=.,
,.=/***$§# live music, beatutiful views, and a #§$***/=.,
,.=/*$§### comfortable but maze-like interior ###§$*/=.,
,,,,,./$§# structure (the building features a #§$/.,,,,,
,.=/*$§### multitude of stairwells and elevators, ###§$*/=.,
,.=/*§#### placed seemingly at random, none going ####§*/=.,
,.=//**$$§ further than a few floors). §$$**//=.,
,.=/*$§### ###§$*/=.,
,,,,,.=/$# as time goes on, the lights slowly dim, #$/=.,,,,,
,,,,.==*§§ until the air inside has taken on the §§*==.,,,,
,,,,,.=**§ same quality as the surrounding mist: §**=.,,,,,
,.=/*$$$§§ blue-gray, sprinkled with the small red §§$$$*/=.,
,.=/*$§### dot's by door locks and control panels. ###§$*/=.,
,.==/**§## if you would look through the windows ##§**/==.,
,.=/*$§### you would see the mist rolling by, and ###§$*/=.,
,.=/*$§### perhaps the outline of some other ###§$*/=.,
,,,,../$§# building, far below. #§$/..,,,,
,.=/*$§### ###§$*/=.,
,.=/*$§### during the night, after tainaron has ###§$*/=.,
,.=/*$§### started moving, the lower floors are ###§$*/=.,
,.=/*$§§§# shut off, preventing entry or exit for #§§§$*/=.,
,.=/*$§### the guests. food is no longer served, ###§$*/=.,
,..==*$§## but the drinks become more extravagant. ##§$*==..,
,...==**§# it's at this point that the second set #§**==...,
,.=/*$§### of guest arrives, via helicopter - ###§$*/=.,
,,,,,./*§# amata texnologiyasi and their friends. #§*/.,,,,,
,.=///*$§# #§$*///=.,
,.=/*$§### ===== ###§$*/=.,
,.=/*$§### ###§$*/=.,
,.=/*$§### in my dream i am invited as a friend of ###§$*/=.,
,.=/*$§### one of the servers, and thus safe. we ###§$*/=.,
,.=/*$$§§§ sit in one of the large windows, §§§$$*/=.,
,.=/*$§### looking through the mist for any ###§$*/=.,
,,,,.=*$## landmarks to pierce through the mist. ##$*=.,,,,
,,,,===*§# she tells me that apart from coming and #§*===,,,,
,.=/*$§### going from work, she's never seen the ###§$*/=.,
,,,==*$$## building from the outside. we both sigh. ##$$*==,,,
,.=/*$§### ###§$*/=.,
,,,=//$§## the next day i am invited to the public ##§$//=,,,
,.=/*$§### demonstration of the exobubble. ###§$*/=.,
,,,.==***§ §***==.,,,
,,,,,../$§ §$/..,,,,,
,.=/*$§### ###§$*/=.,
,.=/*$§§§# #§§§$*/=.,
,,,.=**§§§ §§§**=.,,,