,,-;*@## ##@#&*;-,,
,,,,,;;;&£ £&;;;,,,,,
,,,,,;*&£@ @£&*;,,,,,
,,,,--;*## ##*;--,,,,
,,,,,,-; #&;-,,,,,,
,,-;*#££ Train Dream ££##&*;-,,
,,-;*£@# ######,,,,,-,,,,##################### #@£#&*;-,,
,,-;*£@# ;;; #@£#&*;-,,
,,-;*£@# - #@£#&*;-,,
,,-;*£@# - #@£#&*;-,,
,,,,,,,;&£ £&;,,,,,,,
,,-;*££@ (Situation) @££#&*;-,,
,,,,,-;*#@ @#*;-,,,,,
,,-;*£## You Find Yourself In A Rift - A ##£#&*;-,,
,,-;*£@@ Clearing, Narrow But Immeasurably Long. @@£#&*;-,,
,,,,,-;# To Your Sides Are Walls Made Of Trees, ##&;-,,,,,
,,-;**&& Thick And Ready To Swallow You. The Sun #&&&**;-,,
,,-;*£@# Is Nowhere To Be Seen, But Nontheless #@£#&*;-,,
,,-;**** It Is Very Bright - The Air Feels Light #&****;-,,
,,-;*££@ Blue, Almost White. @££#&*;-,,
,,,,,;*&£@ @£&*;,,,,,
,,,,,---*# Along The Span Of The Clearing Lay Two #*---,,,,,
,,-;*£@@ Parallel SilverY Lines, Dark Hard @@£#&*;-,,
,,-;*£@# Metal. Somehow You Can See How Heavy #@£#&*;-,,
,,,-;;#£ They Are. £##&;;-,,,
,,-;*£@@ @@£#&*;-,,
,,-;*@## They Emit A High Pitched Whine... ##@#&*;-,,
,,,,,;*#£@ @£#*;,,,,,
,,-;*£@# - #@£#&*;-,,
,,,----*#@ ,,*,, @#*----,,,
,,-;*£@# - #@£#&*;-,,
,,-;*£@@ @@£#&*;-,,
,,-;;*#@ (Situation) @##&*;;-,,
,,,,,;;*## ##*;;,,,,,
,,-;*£@# Youre At The Train station, On A #@£#&*;-,,
,,,,,,;# Catwalk Above The Rails. Your Train Is ##&;,,,,,,
,,,,,;;@ Late, Or You Are Late To The Train. @#&;;,,,,,
,,-;*£@# It'S A Summer Afternoon And The Station #@£#&*;-,,
,,-;*£@# Is Busy, Full Of Relaxed Confidence. #@£#&*;-,,
,,,,-**##£ £##**-,,,,
,,-;*£@# You'Re In High Spirits, Although A Bit #@£#&*;-,,
,,--;;&& Stressed About The Time, While Moving #&&&;;--,,
,,,,,,;; Up The Stairs To Your Platform. The #&;;,,,,,,
,,-;*£## Station Is In Several Levels, All ##£#&*;-,,
,,,,,-*&&£ Placed Within Eachother By Some £&&*-,,,,,
,,,,,,-*## Intelligent Designer, And Full Of ##*-,,,,,,
,,-;*£@# Stairs, ElevatorS, ShortcutS, #@£#&*;-,,
,,-;*&£@## Bazaars... You Sight Your Train Through ##@£&*;-,,
,,-;*£@# Some Glass Windows. It'S... Not Where #@£#&*;-,,
,,---;** It'S Supposed To Be? #&**;---,,
,,-;*££@ @££#&*;-,,
,,,,,;## - ###&;,,,,,
,,-;*##£ ,,&,, £###&*;-,,
,,,,,,;*#£ - £#*;,,,,,,
,,-;*£@# #@£#&*;-,,
,,-;*£@# (Situation) #@£#&*;-,,
,,-;*£## ##£#&*;-,,
,,-;*£@# You'Re Finally Entering The City. While #@£#&*;-,,
,,,,,,-*&£ It Is Indeed A Very High Speed Train £&*-,,,,,,
,,-;*£@# You'Re Traveling In, The Journey Has #@£#&*;-,,
,,,,,,--*# Been Long. But It'S About To End! #*--,,,,,,
,,-;*£@# #@£#&*;-,,
,,-;*&£@## Society Is Growing Denser Around You, ##@£&*;-,,
,,,,,--; Through The Windows You See First Small #&;--,,,,,
,,-;*&&£ Shacks, Built Of Metal And Stone, Then £#&&&*;-,,
,,,,,-*##£ Proper Houses With Mortar To Keep Them £##*-,,,,,
,,-;*£@@ Together... Who In Turn Make Way For @@£#&*;-,,
,,-;*&£@## The Industrial Buildings, The Urban ##@£&*;-,,
,,-;*£@# Maze, Protective Walls, Jungle #@£#&*;-,,
,,-;*£## Network... ##£#&*;-,,
,,-;****&£ £&****;-,,
,,,,---*&£ The Tracks Leave The Ground, Which Is £&*---,,,,
,,,,,;## Needed For Other Purposes. You Are ###&;,,,,,
,,,,,--*## Carried Gently, Curving Upwards Until ##*--,,,,,
,,,,,,,; You'Re Moving Upward Along The Wall Of #&;,,,,,,,
,,-;*&## A Building. It'S Made Of Slabby Stone, ###&&*;-,,
,,,,,;*£ With Great Glassless Window Holes £#&*;,,,,,
,,,,,--*#£ Looking Out The Way You Came. It Is £#*--,,,,,
,,-;*£££ Pitch Black Inside. £££#&*;-,,
,,-;*£@# #@£#&*;-,,
,,;*£@## ##@£#&*;,,
,,,,,,-* #&*-,,,,,,
,,,,,,-*## ##*-,,,,,,
,,-;*@## ##@#&*;-,,