.-=:=¤@### ###@¤=:=-.
..-=:=¤@## ##@¤=:=-..
.-=:=¤@### ###@¤=:=-.
..-=:=¤@## ##@¤=:=-..
.-=:=¤@### ###@¤=:=-.
..-=:=¤@## TRAIN DREAM ##@¤=:=-..
.-=:=¤@### ######....-=--..##################### ###@¤=:=-.
..-=:=¤@## ::: ##@¤=:=-..
.-=:=¤@### = ###@¤=:=-.
..-=:=¤@## = ##@¤=:=-..
.-=:=¤@### ###@¤=:=-.
..-=:=¤@## (SITUATION) ##@¤=:=-..
.-=:=¤@### ###@¤=:=-.
..-=:=¤@## YOU FIND YOURSELF IN A RIFT - A ##@¤=:=-..
.-=:=¤@### CLEARING, NARROW BUT IMMEASURABLY LONG. ###@¤=:=-.
..-=:=¤@## TO YOUR SIDES ARE WALLS MADE OF TREES, ##@¤=:=-..
.-=:=¤@### THICK AND READY TO SWALLOW YOU. THE SUN ###@¤=:=-.
..-=:=¤@## IS NOWHERE TO BE SEEN, BUT NONTHELESS ##@¤=:=-..
.-=:=¤@### IT IS VERY BRIGHT - THE AIR FEELS LIGHT ###@¤=:=-.
..-=:=¤@## BLUE, ALMOST WHITE. ##@¤=:=-..
.-=:=¤@### ###@¤=:=-.
..-=:=¤@## ALONG THE SPAN OF THE CLEARING LAY TWO ##@¤=:=-..
.-=:=¤@### PARALLEL SILVERY LINES, DARK HARD ###@¤=:=-.
..-=:=¤@## METAL. SOMEHOW YOU CAN SEE HOW HEAVY ##@¤=:=-..
.-=:=¤@### THEY ARE. ###@¤=:=-.
..-=:=¤@## ##@¤=:=-..
.-=:=¤@### THEY EMIT A HIGH PITCHED WHINE... ###@¤=:=-.
..-=:=¤@## ##@¤=:=-..
.-=:=¤@### = ###@¤=:=-.
..-=:=¤@## ..=.. ##@¤=:=-..
.-=:=¤@### = ###@¤=:=-.
..-=:=¤@## ##@¤=:=-..
.-=:=¤@### (SITUATION) ###@¤=:=-.
..-=:=¤@## ##@¤=:=-..
.-=:=¤@### YOURE AT THE TRAIN STATION, ON A ###@¤=:=-.
..-=:=¤@## CATWALK ABOVE THE RAILS. YOUR TRAIN IS ##@¤=:=-..
.-=:=¤@### LATE, OR YOU ARE LATE TO THE TRAIN. ###@¤=:=-.
..-=:=¤@## IT'S A SUMMER AFTERNOON AND THE STATION ##@¤=:=-..
.-=:=¤@### IS BUSY, FULL OF RELAXED CONFIDENCE. ###@¤=:=-.
..-=:=¤@## ##@¤=:=-..
.-=:=¤@### YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ###@¤=:=-.
..-=:=¤@## STRESSED ABOUT THE TIME, WHILE MOVING ##@¤=:=-..
.-=:=¤@### UP THE STAIRS TO YOUR PLATFORM. THE ###@¤=:=-.
..-=:=¤@## STATION IS IN SEVERAL LEVELS, ALL ##@¤=:=-..
.-=:=¤@### PLACED WITHIN EACHOTHER BY SOME ###@¤=:=-.
..-=:=¤@## INTELLIGENT DESIGNER, AND FULL OF ##@¤=:=-..
.-=:=¤@### STAIRS, ELEVATORS, SHORTCUTS, ###@¤=:=-.
..-=:=¤@## BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ##@¤=:=-..
.-=:=¤@### SOME GLASS WINDOWS. IT'S... NOT WHERE ###@¤=:=-.
..-=:=¤@## IT'S SUPPOSED TO BE? ##@¤=:=-..
.-=:=¤@### ###@¤=:=-.
..-=:=¤@## = ##@¤=:=-..
.-=:=¤@### --¤-- ###@¤=:=-.
..-=:=¤@## = ##@¤=:=-..
.-=:=¤@### ###@¤=:=-.
..-=:=¤@## (SITUATION) ##@¤=:=-..
.-=:=¤@### ###@¤=:=-.
..-=:=¤@## YOU'RE FINALLY ENTERING THE CITY. WHILE ##@¤=:=-..
.-=:=¤@### IT IS INDEED A VERY HIGH SPEED TRAIN ###@¤=:=-.
..-=:=¤@## YOU'RE TRAVELING IN, THE JOURNEY HAS ##@¤=:=-..
.-=:=¤@### BEEN LONG. BUT IT'S ABOUT TO END! ###@¤=:=-.
..-=:=¤@## ##@¤=:=-..
.-=:=¤@### SOCIETY IS GROWING DENSER AROUND YOU, ###@¤=:=-.
..-=:=¤@## THROUGH THE WINDOWS YOU SEE FIRST SMALL ##@¤=:=-..
.-=:=¤@### SHACKS, BUILT OF METAL AND STONE, THEN ###@¤=:=-.
..-=:=¤@## PROPER HOUSES WITH MORTAR TO KEEP THEM ##@¤=:=-..
.-=:=¤@### TOGETHER... WHO IN TURN MAKE WAY FOR ###@¤=:=-.
..-=:=¤@## THE INDUSTRIAL BUILDINGS, THE URBAN ##@¤=:=-..
.-=:=¤@### MAZE, PROTECTIVE WALLS, JUNGLE ###@¤=:=-.
..-=:=¤@## NETWORK... ##@¤=:=-..
.-=:=¤@### ###@¤=:=-.
..-=:=¤@## THE TRACKS LEAVE THE GROUND, WHICH IS ##@¤=:=-..
.-=:=¤@### NEEDED FOR OTHER PURPOSES. YOU ARE ###@¤=:=-.
..-=:=¤@## CARRIED GENTLY, CURVING UPWARDS UNTIL ##@¤=:=-..
.-=:=¤@### YOU'RE MOVING UPWARD ALONG THE WALL OF ###@¤=:=-.
..-=:=¤@## A BUILDING. IT'S MADE OF SLABBY STONE, ##@¤=:=-..
.-=:=¤@### WITH GREAT GLASSLESS WINDOW HOLES ###@¤=:=-.
..-=:=¤@## LOOKING OUT THE WAY YOU CAME. IT IS ##@¤=:=-..
.-=:=¤@### PITCH BLACK INSIDE. ###@¤=:=-.
..-=:=¤@## ##@¤=:=-..
.-=:=¤@### ###@¤=:=-.
..-=:=¤@## ##@¤=:=-..
.-=:=¤@### ###@¤=:=-.
..-=:=¤@## ##@¤=:=-..