##¶¤§*/=-, ,-=/*§¤¶##
##¶¤§*/=-, ,-=/*§¤¶##
##¶¤§*/=-, ,-=/*§¤¶##
¶§/--,,,,, ,,,,,--/§¶
#¶¤¤§*/=-, ,-=/*§¤¤¶#
#¤¤¤§*/=-, TRAIN DREAM ,-=/*§¤¤¤#
¶¶¤**=,,,, ######,,,,-=--,,##################### ,,,,=**¤¶¶
¶§**///=-, /// ,-=///**§¶
¶§/-,,,,,, = ,,,,,,-/§¶
##¶¤§*/=-, = ,-=/*§¤¶##
##¶¤§*/=-, ,-=/*§¤¶##
###¶¤*/=-, (SITUATION) ,-=/*¤¶###
##¶¤§*/=-, ,-=/*§¤¶##
##¶¤§*/=-, YOU FIND YOURSELF IN A RIFT - A ,-=/*§¤¶##
¶¶¶¤§*/=-, CLEARING, NARROW BUT IMMEASURABLY LONG. ,-=/*§¤¶¶¶
###¶¤*/=-, TO YOUR SIDES ARE WALLS MADE OF TREES, ,-=/*¤¶###
##¶¤§*/=-, THICK AND READY TO SWALLOW YOU. THE SUN ,-=/*§¤¶##
#¶¶¤§*/=-, IS NOWHERE TO BE SEEN, BUT NONTHELESS ,-=/*§¤¶¶#
¤§/--,,,,, IT IS VERY BRIGHT - THE AIR FEELS LIGHT ,,,,,--/§¤
##¶¤§*/=-, BLUE, ALMOST WHITE. ,-=/*§¤¶##
#¶¤*=,,,,, ,,,,,=*¤¶#
##¶¤§*/=-, ALONG THE SPAN OF THE CLEARING LAY TWO ,-=/*§¤¶##
#¶§*====-, PARALLEL SILVERY LINES, DARK HARD ,-====*§¶#
#¶§§§*/=-, METAL. SOMEHOW YOU CAN SEE HOW HEAVY ,-=/*§§§¶#
¤§/---,,,, THEY ARE. ,,,,---/§¤
¤§**=-,,,, ,,,,-=**§¤
##¶¤§*/=-, THEY EMIT A HIGH PITCHED WHINE... ,-=/*§¤¶##
###¤§*/=-, ,-=/*§¤###
¤*/-,,,,,, = ,,,,,,-/*¤
¤¤¤*//=--, ,,*,, ,--=//*¤¤¤
¶§§§/===-, = ,-===/§§§¶
#¶§//--,,, ,,,--//§¶#
¶¤**/=,,,, (SITUATION) ,,,,=/**¤¶
¤§****/=-, ,-=/****§¤
¶§§//----, YOURE AT THE TRAIN STATION, ON A ,----//§§¶
¶§/=-,,,,, CATWALK ABOVE THE RAILS. YOUR TRAIN IS ,,,,,-=/§¶
##¶¤§*/=-, LATE, OR YOU ARE LATE TO THE TRAIN. ,-=/*§¤¶##
¤§/---,,,, IT'S A SUMMER AFTERNOON AND THE STATION ,,,,---/§¤
#¶§§*=-,,, IS BUSY, FULL OF RELAXED CONFIDENCE. ,,,-=*§§¶#
#¶¶¤§*/=-, ,-=/*§¤¶¶#
##¶¤§*/=-, YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ,-=/*§¤¶##
##¶¤§*/=-, STRESSED ABOUT THE TIME, WHILE MOVING ,-=/*§¤¶##
¤*/=--,,,, UP THE STAIRS TO YOUR PLATFORM. THE ,,,,--=/*¤
##¶¤§*/=-, STATION IS IN SEVERAL LEVELS, ALL ,-=/*§¤¶##
##¶¤§*/=-, PLACED WITHIN EACHOTHER BY SOME ,-=/*§¤¶##
¤*////==-, INTELLIGENT DESIGNER, AND FULL OF ,-==////*¤
¤¤§§/=-,,, STAIRS, ELEVATORS, SHORTCUTS, ,,,-=/§§¤¤
#¤*/=,,,,, BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ,,,,,=/*¤#
#¤§/=-,,,, SOME GLASS WINDOWS. IT'S... NOT WHERE ,,,,-=/§¤#
##¶¤§*/=-, IT'S SUPPOSED TO BE? ,-=/*§¤¶##
##¶¤§*/=-, ,-=/*§¤¶##
¤¤§*=-,,,, = ,,,,-=*§¤¤
##¶¤§*/=-, --§-- ,-=/*§¤¶##
###¶¤§/=-, = ,-=/§¤¶###
##¶¤§*/=-, ,-=/*§¤¶##
¤¤*=-,,,,, (SITUATION) ,,,,,-=*¤¤
##¶¤§*/=-, ,-=/*§¤¶##
###¶¤*/=-, YOU'RE FINALLY ENTERING THE CITY. WHILE ,-=/*¤¶###
¤¤*====--, IT IS INDEED A VERY HIGH SPEED TRAIN ,--====*¤¤
##¶¤§*/=-, YOU'RE TRAVELING IN, THE JOURNEY HAS ,-=/*§¤¶##
¶§*/-,,,,, BEEN LONG. BUT IT'S ABOUT TO END! ,,,,,-/*§¶
##¶¤§*/=-, ,-=/*§¤¶##
¤*=,,,,,,, SOCIETY IS GROWING DENSER AROUND YOU, ,,,,,,,=*¤
###¤§*/=-, THROUGH THE WINDOWS YOU SEE FIRST SMALL ,-=/*§¤###
#¶§*///=-, SHACKS, BUILT OF METAL AND STONE, THEN ,-=///*§¶#
¤§§*///=-, PROPER HOUSES WITH MORTAR TO KEEP THEM ,-=///*§§¤
¤¤*=,,,,,, TOGETHER... WHO IN TURN MAKE WAY FOR ,,,,,,=*¤¤
¶¤¤*//=--, THE INDUSTRIAL BUILDINGS, THE URBAN ,--=//*¤¤¶
##¶¤§*/=-, MAZE, PROTECTIVE WALLS, JUNGLE ,-=/*§¤¶##
¤**=---,,, NETWORK... ,,,---=**¤
¤§§*=-,,,, ,,,,-=*§§¤
#¤§§§*/=-, THE TRACKS LEAVE THE GROUND, WHICH IS ,-=/*§§§¤#
¤§*/--,,,, NEEDED FOR OTHER PURPOSES. YOU ARE ,,,,--/*§¤
¤§*/-,,,,, CARRIED GENTLY, CURVING UPWARDS UNTIL ,,,,,-/*§¤
###¶¤§*/-, YOU'RE MOVING UPWARD ALONG THE WALL OF ,-/*§¤¶###
##¶¤§*/=-, A BUILDING. IT'S MADE OF SLABBY STONE, ,-=/*§¤¶##
##¶¤§*/=-, WITH GREAT GLASSLESS WINDOW HOLES ,-=/*§¤¶##
##¶¤§*/=-, LOOKING OUT THE WAY YOU CAME. IT IS ,-=/*§¤¶##
#¤¤§§*/=-, PITCH BLACK INSIDE. ,-=/*§§¤¤#
##¶¤§*/=-, ,-=/*§¤¶##
##¶¤§*/=-, ,-=/*§¤¶##
¤§/===,,,, ,,,,===/§¤
##¶¤§*/=-, ,-=/*§¤¶##
¤¤§§§*/=-, ,-=/*§§§¤¤