.-=*†%&@@# #@@&%†*=-.
.-=*%&@@## ##@@&%*=-.
.....-*†&& &&†*-.....
.-=*†%&@@# #@@&%†*=-.
.-=*†%&@@@ @@@&%†*=-.
.-=*†%&@@# THE SKYSCRAPER THAT MOVES #@@&%†*=-.
.=*†%&@@## ##@@&%†*=.
...=**%%@@ TAINARON IS A BUILDING OWNED AND @@%%**=...
.-=*†%&@@# OPERATED BY AMATA TEXNOLOGIYASI PLACED #@@&%†*=-.
....--*%@@ CLOSED TO THE HARBOR IN MALMÖ. IT'S @@%*--....
.......=†& ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER &†=.......
....---*%@ UNKNOWN), DARK BLUE AND COMPLETELY @%*---....
......=*%& RECTANGULAR. IT FEATURES NO SIGNS, &%*=......
.-=*†%&@@# LIGHTS, OR ORNAMENTS, APART FROM A #@@&%†*=-.
.-=*†%&&&@ HELIPAD ON TOP. MOST FLOORS HAVE @&&&%†*=-.
.-=*†%&@@# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #@@&%†*=-.
.-=*†%&&@@ @@&&%†*=-.
.-=*†††%@@ IN LATE EVENINGS, SHROUDED BY MALMö'S @@%†††*=-.
.-=*†%&@@# SIGNATURE FOG ROLLING IN FROM THE SEA, #@@&%†*=-.
.-=*†%&@@# THE BUILDING COMES TO LIFE: IT MOVES ON #@@&%†*=-.
.-=*†%&@@# A THOUSAND ROBOTIC LEGS TO ANOTHER #@@&%†*=-.
......-*%@ (SECRET) PART OF TOWN, OR PERHAPS OUT @%*-......
.-=*†%&@@@ TO SEA. THIS SIGNALS A NEW AND MORE @@@&%†*=-.
.-=**†%%&@ VISCIOUS PHASE OF THE TAINARON @&%%†**=-.
.-=**††&@@ ECOSYSTEM. @@&††**=-.
.-=*†%&@@# #@@&%†*=-.
.-=*†%&@@# THE GUESTS ARRIVING DURING THE EARLY #@@&%†*=-.
.-=*†%&@@@ EVENING ARE TREATED TO FOOD AND DRINK, @@@&%†*=-.
.-=*†%&@@@ LIVE MUSIC, BEATUTIFUL VIEWS, AND A @@@&%†*=-.
.-=*†%&@## COMFORTABLE BUT MAZE-LIKE INTERIOR ##@&%†*=-.
.-=*†%&@@# STRUCTURE (THE BUILDING FEATURES A #@@&%†*=-.
.....-*†&& MULTITUDE OF STAIRWELLS AND ELEVATORS, &&†*-.....
.-=*†%&@@@ PLACED SEEMINGLY AT RANDOM, NONE GOING @@@&%†*=-.
.-=*†%&@@# FURTHER THAN A FEW FLOORS). #@@&%†*=-.
......=†%& &%†=......
...-==†%%& AS TIME GOES ON, THE LIGHTS SLOWLY DIM, &%%†==-...
.-=*†%&@@@ UNTIL THE AIR INSIDE HAS TAKEN ON THE @@@&%†*=-.
.-=*†%&@@# SAME QUALITY AS THE SURROUNDING MIST: #@@&%†*=-.
......=*†& BLUE-GRAY, SPRINKLED WITH THE SMALL RED &†*=......
.-=*†%&@@# DOT'S BY DOOR LOCKS AND CONTROL PANELS. #@@&%†*=-.
.-=*†%&@@# IF YOU WOULD LOOK THROUGH THE WINDOWS #@@&%†*=-.
.-=*†%%&&& YOU WOULD SEE THE MIST ROLLING BY, AND &&&%%†*=-.
....-=†&&& PERHAPS THE OUTLINE OF SOME OTHER &&&†=-....
......==†& BUILDING, FAR BELOW. &†==......
.-=*†%&@## ##@&%†*=-.
.-=*†%&@@@ DURING THE NIGHT, AFTER TAINARON HAS @@@&%†*=-.
.-=*†%&@@# STARTED MOVING, THE LOWER FLOORS ARE #@@&%†*=-.
.-=*†%&@@# SHUT OFF, PREVENTING ENTRY OR EXIT FOR #@@&%†*=-.
.-=*†%&@@@ THE GUESTS. FOOD IS NO LONGER SERVED, @@@&%†*=-.
....-*††&& BUT THE DRINKS BECOME MORE EXTRAVAGANT. &&††*-....
....-=*%&& IT'S AT THIS POINT THAT THE SECOND SET &&%*=-....
.--=**%%%& OF GUEST ARRIVES, VIA HELICOPTER - &%%%**=--.
.-=*†%&@## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ##@&%†*=-.
.-=*†%&@@@ @@@&%†*=-.
.....--=†& ===== &†=--.....
.-=*†%&@@@ @@@&%†*=-.
.-=*†%&@@# IN MY DREAM I AM INVITED AS A FRIEND OF #@@&%†*=-.
.-=*†%&@@# ONE OF THE SERVERS, AND THUS SAFE. WE #@@&%†*=-.
.-=*†%&@## SIT IN ONE OF THE LARGE WINDOWS, ##@&%†*=-.
...=**†††& LOOKING THROUGH THE MIST FOR ANY &†††**=...
...--*%%&& LANDMARKS TO PIERCE THROUGH THE MIST. &&%%*--...
.-=*†%&@## SHE TELLS ME THAT APART FROM COMING AND ##@&%†*=-.
.-=*†%%&&@ GOING FROM WORK, SHE'S NEVER SEEN THE @&&%%†*=-.
.-=*†%&@@# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #@@&%†*=-.
....==†%@@ @@%†==....
....=*%&&@ THE NEXT DAY I AM INVITED TO THE PUBLIC @&&%*=....
.-===††&&& DEMONSTRATION OF THE EXOBUBBLE. &&&††===-.
....--*††& &††*--....
...-=†††&& &&†††=-...
...-==††%& &%††==-...
.-=*†%&@@# #@@&%†*=-.
.....=*%&@ @&%*=.....