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##@#£*\~^. .^~\*£#@##
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@£&\~^.... ....^~\&£@
@£**~..... .....~**£@
@£££&*\~^. THE SKYSCRAPER THAT MOVES .^~\*&£££@
#@#£&*\~^. .^~\*&£#@#
#££&&*\~^. TAINARON IS A BUILDING OWNED AND .^~\*&&££#
#£&**~~... OPERATED BY AMATA TEXNOLOGIYASI PLACED ...~~**&£#
##@#£&\~^. CLOSED TO THE HARBOR IN MALMÖ. IT'S .^~\&£#@##
#@#£&*\~^. ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER .^~\*&£#@#
@@#£&*\~^. UNKNOWN), DARK BLUE AND COMPLETELY .^~\*&£#@@
#@#£&*\~^. RECTANGULAR. IT FEATURES NO SIGNS, .^~\*&£#@#
#@#£&*\~^. LIGHTS, OR ORNAMENTS, APART FROM A .^~\*&£#@#
#@#£&*\~^. HELIPAD ON TOP. MOST FLOORS HAVE .^~\*&£#@#
#£**~^.... EXTERIOR WALLS COMPLETELY MADE OF GLASS. ....^~**£#
@@#£&*\~^. .^~\*&£#@@
£*\\~..... IN LATE EVENINGS, SHROUDED BY MALMö'S .....~\\*£
##@#£&*\~^ SIGNATURE FOG ROLLING IN FROM THE SEA, ^~\*&£#@##
#££&&*\~^. THE BUILDING COMES TO LIFE: IT MOVES ON .^~\*&&££#
££&&\~^... A THOUSAND ROBOTIC LEGS TO ANOTHER ...^~\&&££
@@#£&*\~^. (SECRET) PART OF TOWN, OR PERHAPS OUT .^~\*&£#@@
##££&*\~^. TO SEA. THIS SIGNALS A NEW AND MORE .^~\*&££##
#@#£&*\~^. VISCIOUS PHASE OF THE TAINARON .^~\*&£#@#
#£**\^.... ECOSYSTEM. ....^\**£#
###£&*\~^. .^~\*&£###
@@#£&*\~^. THE GUESTS ARRIVING DURING THE EARLY .^~\*&£#@@
#£**~~^... EVENING ARE TREATED TO FOOD AND DRINK, ...^~~**£#
#&&**~~^.. LIVE MUSIC, BEATUTIFUL VIEWS, AND A ..^~~**&
###£&*\~^. COMFORTABLE BUT MAZE-LIKE INTERIOR .^~\*&£###
##@#&*\~^. STRUCTURE (THE BUILDING FEATURES A .^~\*@##
###£&*\~^. MULTITUDE OF STAIRWELLS AND ELEVATORS, .^~\*&£###
#@#£&*\~^. PLACED SEEMINGLY AT RANDOM, NONE GOING .^~\*&£#@#
£&*\\^.... FURTHER THAN A FEW FLOORS). ....^\\*&£
@@#£&*\~^. .^~\*&£#@@
##@#£*\~^. AS TIME GOES ON, THE LIGHTS SLOWLY DIM, .^~\*£#@##
#&\~^^.... UNTIL THE AIR INSIDE HAS TAKEN ON THE ....^^~\
#@#£&*\~^. SAME QUALITY AS THE SURROUNDING MIST: .^~\*&£#@#
##£&\\\~^. BLUE-GRAY, SPRINKLED WITH THE SMALL RED .^~\\\&£##
£****~.... DOT'S BY DOOR LOCKS AND CONTROL PANELS. ....~****£
£&**~^.... IF YOU WOULD LOOK THROUGH THE WINDOWS ....^~**&£
#@#£&*\~^. YOU WOULD SEE THE MIST ROLLING BY, AND .^~\*&£#@#
#£&&\^^... PERHAPS THE OUTLINE OF SOME OTHER ...^^\&&£#
@@#£&*\~^. BUILDING, FAR BELOW. .^~\*&£#@@
£****~^... ...^~****£
###£&*\~^. DURING THE NIGHT, AFTER TAINARON HAS .^~\*&£###
£&*\~~~~^. STARTED MOVING, THE LOWER FLOORS ARE .^~~~~\*&£
#@#£&*\~^. SHUT OFF, PREVENTING ENTRY OR EXIT FOR .^~\*&£#@#
#@#£&*\~^. THE GUESTS. FOOD IS NO LONGER SERVED, .^~\*&£#@#
£**\~^^... BUT THE DRINKS BECOME MORE EXTRAVAGANT. ...^^~\**£
££&\^^^^^. IT'S AT THIS POINT THAT THE SECOND SET .^^^^^\&££
££*~~..... OF GUEST ARRIVES, VIA HELICOPTER - .....~~*££
@£&\~~^^^. AMATA TEXNOLOGIYASI AND THEIR FRIENDS. .^^^~~\&£@
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##@#£*\~^. ~~~~~ .^~\*£#@##
#@#£&*\~^. .^~\*&£#@#
#@#£&*\~^. IN MY DREAM I AM INVITED AS A FRIEND OF .^~\*&£#@#
#@#£&*\~^. ONE OF THE SERVERS, AND THUS SAFE. WE .^~\*&£#@#
@£*\^^^^.. SIT IN ONE OF THE LARGE WINDOWS, ..^^^^\*£@
#@#£&*\~^. LOOKING THROUGH THE MIST FOR ANY .^~\*&£#@#
#£&&*\\~^. LANDMARKS TO PIERCE THROUGH THE MIST. .^~\\*&&£#
#@#£&*\~^. SHE TELLS ME THAT APART FROM COMING AND .^~\*&£#@#
#@#£&*\~^. GOING FROM WORK, SHE'S NEVER SEEN THE .^~\*&£#@#
#@#£&*\~^. BUILDING FROM THE OUTSIDE. WE BOTH SIGH. .^~\*&£#@#
@#£*~..... .....~*£#@
###£&*\~^. THE NEXT DAY I AM INVITED TO THE PUBLIC .^~\*&£###
@#££&*\~^. DEMONSTRATION OF THE EXOBUBBLE. .^~\*&££#@
@£*~~^.... ....^~~*£@
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