¨¨§§¨§¨§§¨ ¨§¨§¨§§¨¨¨
¨§¨§¨§¨¨§¨ ¨§¨§¨¨§¨¨¨
§§¨§¨§¨§§¨ ¨§¨§¨§§¨¨¨
¨§¨§¨§¨¨§¨ ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ THE SKYSCRAPER THAT MOVES ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ TAINARON IS A BUILDING OWNED AND ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ VISCIOUS PHASE OF THE TAINARON ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ ECOSYSTEM. ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ THE GUESTS ARRIVING DURING THE EARLY ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ STRUCTURE (THE BUILDING FEATURES A ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ FURTHER THAN A FEW FLOORS). ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ SAME QUALITY AS THE SURROUNDING MIST: ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ PERHAPS THE OUTLINE OF SOME OTHER ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ BUILDING, FAR BELOW. ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ DURING THE NIGHT, AFTER TAINARON HAS ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ STARTED MOVING, THE LOWER FLOORS ARE ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ IT'S AT THIS POINT THAT THE SECOND SET ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ ~~~~~ ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ IN MY DREAM I AM INVITED AS A FRIEND OF ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ SIT IN ONE OF THE LARGE WINDOWS, ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ LOOKING THROUGH THE MIST FOR ANY ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ SHE TELLS ME THAT APART FROM COMING AND ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ DEMONSTRATION OF THE EXOBUBBLE. ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ ¨§¨§¨¨§¨¨§
¨§¨§¨§¨§§¨ ¨§¨§¨§§¨§§
¨§¨§¨§¨¨§¨ ¨§¨§¨¨§¨¨§