##@&$*«-,, ,,-«*$&@##
###@&$*«-, ,-«*$&@###
##@&$*«-,, ,,-«*$&@##
#@&$*«-,,, ,,,-«*$&@#
##@&$*«-,, ,,-«*$&@##
###@&$*«-, # ,-«*$&@###
##@&$*«-,, ,LIZARDRY ,,-«*$&@##
#@&$*«-,,, « @ #@ ### ################## ,,,-«*$&@#
##@&$*«-,, ## THE ART OF C-NNECTING ,,-«*$&@##
###@&$*«-, , WITH THE OLD MIND ,-«*$&@###
##@&$*«-,, ,,-«*$&@##
#@&$*«-,,, MY MIND IS BEING SKEWED. MI ,,,-«*$&@#
##@&$*«-,, SKELETON IS STRINGY AND OLD AND ALIEN ,,-«*$&@##
###@&$*«-, THE SITUATION IS LITERALLY ,-«*$&@###
##@&$*«-,, PRESSED OUT THROUGH MY EYES, IT'S ,,-«*$&@##
#@&$*«-,,, ECHOING LIKE ,,,-«*$&@#
##@&$*«-,, THE SUNSET OF THE ETERNAL ,,-«*$&@##
###@&$*«-, OCEAN ,-«*$&@###
##@&$*«-,, PERSISTENTLY AGAINST MY EMULSION ,,-«*$&@##
#@&$*«-,,, ,,,-«*$&@#
##@&$*«-,, IT'S UNGRASPABLE TO ME, WHAT OTHER ,,-«*$&@##
###@&$*«-, HUMANS ARE DOING AND ABSTRACTING, ,-«*$&@###
##@&$*«-,, AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,,-«*$&@##
#@&$*«-,,, HOW LONG A TIME HAS PASSED, FOR THEM? ,,,-«*$&@#
##@&$*«-,, , ,,-«*$&@##
###@&$*«-, , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ ,-«*$&@###
##@&$*«-,, CONTINUOUSLY I'M CROWDING THROUGH ,,-«*$&@##
#@&$*«-,,, , THE FOURTH WALL -OUTWARDS IS WHAT , ,,,-«*$&@#
##@&$*«-,, ,, I'M THINKING BUT IT'S WRONG.. A NEW ,,-«*$&@##
###@&$*«-, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,-«*$&@###
##@&$*«-,, - - AWARE OF THE PREVIOUS ONE, DEEPER , ,,-«*$&@##
#@&$*«-,,, - - DOWN IN THE DRAGONS THROAT. ,,,-«*$&@#
##@&$*«-,, - ,,-«*$&@##
###@&$*«-, - ,-«*$&@###
##@&$*«-,, ,,-«*$&@##
#@&$*«-,,, ,,,-«*$&@#
##@&$*«-,, ,,-«*$&@##
###@&$*«-, ,-«*$&@###
##@&$*«-,, ,,-«*$&@##
#@&$*«-,,, ,,,-«*$&@#