,~«/%&@£@#                                          #@£@&%/«~,
,,,,,,,«%@                                          @%«,,,,,,,
,~«///&&&@                                          @&&&///«~,
,~«/%&@@@@                                          @@@@&%/«~,
,~«/%&@£@@                                          @@£@&%/«~,
,~~~~/%%&@                    ~~                    @&%%/~~~~,
,,~«««/%&@                   ~&&~                   @&%/«««~,,
,~«/%&@£@#                  ~&##&~                  #@£@&%/«~,
,~«/%&@£@#                   ~&&~                   #@£@&%/«~,
,~«/%&@£##                    ~~                    ##£@&%/«~,
,~«/%&@£@#                                          #@£@&%/«~,
,,,~««/&@@                                          @@&/««~,,,
,,,,,,«/&£   /// teenage engineering presents ///   £&/«,,,,,,
,~«/%&@££@ #&««««««  the pocket operators  ««««««&# @££@&%/«~,
,~«/%&@@£@           ~~~ ~~~~~~ ~~~~~~~~~           @£@@&%/«~,
,~«/%&@£@#                                          #@£@&%/«~,
,~«/%&@£@#            they break easily             #@£@&%/«~,
,~«/%&@£@@ for example if you would be to  put them @@£@&%/«~,
,~«/%&@£@@              in your pocket              @@£@&%/«~,
,~«/%&@£@#                                          #@£@&%/«~,
,~«/%&@£@#                 ,%@#@%,                  #@£@&%/«~,
,~«/%&@£££ here presented  in  an ascending fashion £££@&%/«~,
,~«/%&@£##                  ,%@#@%,                 ##£@&%/«~,
,~«/%&@£@@                                          @@£@&%/«~,
,~~««/%@@@                                          @@@%/««~~,
,~«/%&@£@#              && po twelve &&             #@£@&%/«~,
,~«/%&@£##      (drum machine, see po twelve)       ##£@&%/«~,
,~/%&@£@##                                          ##@£@&%/~,
,~«/%&@££@                                          @££@&%/«~,
~«/%&@£@##            && po fourteen &&             ##@£@&%/«~
,~«////&@@ lame   base  synth   i   had   and  sold @@&////«~,
,~~~«%&&&£                                          £&&&%«~~~,
,~«/%&@£##                                          ##£@&%/«~,
,,,,«««%%@             && po sixteen &&             @%%«««,,,,
,~«/%&@£@#    (melody and stuff, see po sixteen)    #@£@&%/«~,
,~«/%&@£@#                                          #@£@&%/«~,
,~«/%&@£@#                                          #@£@&%/«~,
,~«/%&@@##              && po twenty &&             ##@@&%/«~,
,,,,,~/&@@  a chiptune-sounding blip blop machine   @@&/~,,,,,
,~«/%&£@## good for chords and stuff. never used it ##@£&%/«~,
,,,,,,~«%@                                          @%«~,,,,,,
,~«/%&&&@@                                          @@&&&%/«~,
,~«/%&@£@#           && po twentyfour &&            #@£@&%/«~,
,,,,~//&£@     office rompler? for what reason?     @£&//~,,,,
,~«/%&&@£@                                          @£@&&%/«~,
,~«/%&@@@@                                          @@@@&%/«~,
,~«/%@£@##           && po twentyeight &&           ##@£@%/«~,
,~«/%&@£@#         melody and stuff mark two        #@£@&%/«~,
,,,,,,~/%@        (only melodies this time)         @%/~,,,,,,
,~«/%@£@##                                          ##@£@%/«~,
,~«/%&@££@                                          @££@&%/«~,
,~«/%&@£££            && po thirtytwo &&            £££@&%/«~,
,~«/%&@£@#           drum machine mark two          #@£@&%/«~,
,,,,,«%&@@ runs  on some computer  software to make @@&%«,,,,,
,~«/%&£@## your own drums  and  whatnot. but  it is ##@£&%/«~,
,,~«//&@@@            expensive this one            @@@&//«~,,
,~«/%&@£@#                                          #@£@&%/«~,
,,,,,,«%&£                                          £&%«,,,,,,
,~«/%&@£@#                                          #@£@&%/«~,
,~«/%&@@£@                                          @£@@&%/«~,
,~«/%&@£@@                                          @@£@&%/«~,