...:-\*&£@ @£&*\-:...
..:-\*&£@# #@£&*\-:..
.:-\*&£@## ##@£&*\-:.
..:-\*&£@# #@£&*\-:..
...:-\*&£@ @£&*\-:...
....:-\*&£ slightly distorted sine, maybe a little £&*\-:....
.....:-\*& tri/sq-ish,,... no tips. bind velocity &*\-:.....
....:-\*&£ to semitone, to fine tune ############## £&*\-:....
...:-\*&£@ ##### one fifty bpm @£&*\-:...
..:-\*&£@# ##### dark drone . #@£&*\-:..
.:-\*&£@## ##### more and more ##@£&*\-:.
..:-\*&£@# ##### chaos and a #@£&*\-:..
...:-\*&£@ ##### little bit too @£&*\-:...
....:-\*&£ much £&*\-:....
.....:-\*& a woman an octave abov &*\-:.....
....:-\*&£ e, a crudely looped aaah as a lead instr £&*\-:....
...:-\*&£@ ument, and drums from the microphone (?) @£&*\-:...
..:-\*&£@# #@£&*\-:..
.:-\*&£@## ##@£&*\-:.
..:-\*&£@# #@£&*\-:..
...:-\*&£@ @£&*\-:...
....:-\*&£ £&*\-:....
.....:-\*& &*\-:.....