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* the glass factory. *
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,~»/*§#@## several centuries after it had last ##@#§*/»~,
,,~»/*§#@# belonged to us, we went on an outing to #@#§*/»~,,
,,,~»/*§#@ the glass factory that bore our family @#§*/»~,,,
,,~»/*§#@# name. it had changed owners many times #@#§*/»~,,
,~»/*§#@## since our ancestors death, and then ##@#§*/»~,
,,~»/*§#@# stood abandoned for a long while. #@#§*/»~,,
,,,~»/*§#@ finally, the natural end station for @#§*/»~,,,
,,~»/*§#@# the buildings that survive: a museum, #@#§*/»~,,
,~»/*§#@## and a gift shop. ##@#§*/»~,
,,~»/*§#@# #@#§*/»~,,
,,,~»/*§#@ there's a long time since my family @#§*/»~,,,
,,~»/*§#@# made anything. by many, we would be #@#§*/»~,,
,~»/*§#@## considered poor. ##@#§*/»~,
,,~»/*§#@# #@#§*/»~,,
,,,~»/*§#@ there are two main factory buildings, @#§*/»~,,,
,,~»/*§#@# domed things of several floors, made in #@#§*/»~,,
,~»/*§#@## yellow brick. large but narrow windows, ##@#§*/»~,
,,~»/*§#@# reminescent of some cathedral. #@#§*/»~,,
,,,~»/*§#@ custom-made glass, of course, large and @#§*/»~,,,
,,~»/*§#@# leaded, and ashen. a bit too dark to be #@#§*/»~,,
,~»/*§#@## practical. on the eastern building, ##@#§*/»~,
,,~»/*§#@# some are shattered. #@#§*/»~,,
,,,~»/*§#@ @#§*/»~,,,
,,~»/*§#@# the other one is publicly open. there's #@#§*/»~,,
,~»/*§#@## a museum, with wax figures of my great ##@#§*/»~,
,,~»/*§#@# great great grandfather, or something. #@#§*/»~,,
,,,~»/*§#@ various tools (or replicas) laid out on @#§*/»~,,,
,,~»/*§#@# tables, with explaining texts. a lot of #@#§*/»~,,
,~»/*§#@## glass of varying thickness. ##@#§*/»~,
,,~»/*§#@# #@#§*/»~,,
,,,~»/*§#@ ** @#§*/»~,,,
,,~»/*§#@# ** ** #@#§*/»~,,
,~»/*§#@## »»»»»»» * * »»»»»»» ##@#§*/»~,
,,~»/*§#@# ** ** #@#§*/»~,,
,,,~»/*§#@ ** @#§*/»~,,,
,,~»/*§#@# #@#§*/»~,,
,~»/*§#@## i quickly sneak out, and climb into the ##@#§*/»~,
,,~»/*§#@# other building. the contrast is #@#§*/»~,,
,,,~»/*§#@ overwhelming. it must have stood @#§*/»~,,,
,,~»/*§#@# derelict for a long time, windows #@#§*/»~,,
,~»/*§#@## broken, metallic trash and pools of ##@#§*/»~,
,,~»/*§#@# dark glass all over the floor. no #@#§*/»~,,
,,,~»/*§#@ electric lights, but i can see by the @#§*/»~,,,
,,~»/*§#@# light that shines in wherever the dark #@#§*/»~,,
,~»/*§#@## windows are missing a pane. ##@#§*/»~,
,,~»/*§#@# #@#§*/»~,,
,,,~»/*§#@ however, the greatest difference is the @#§*/»~,,,
,,~»/*§#@# higher floors: this building has none. #@#§*/»~,,
,~»/*§#@## it is one massive hall, stretching away ##@#§*/»~,
,,~»/*§#@# infinitely above me. somewhere up there #@#§*/»~,,
,,,~»/*§#@ is some great iron latticework, from @#§*/»~,,,
,,~»/*§#@# where chains are suspended, and parts #@#§*/»~,,
,~»/*§#@## of machinery has been falling down. ##@#§*/»~,
,,~»/*§#@# #@#§*/»~,,
,,,~»/*§#@ there is, in the middle of the great @#§*/»~,,,
,,~»/*§#@# hall, a thin spiral staircase that #@#§*/»~,,
,~»/*§#@## leads up there. i sneak over there, and ##@#§*/»~,
,,~»/*§#@# take a few reluctant steps. after just #@#§*/»~,,
,,,~»/*§#@ a revolution, i notice that for each @#§*/»~,,,
,,~»/*§#@# step the building starts to glow, the #@#§*/»~,,
,~»/*§#@## bricks turning a dark red, and then ##@#§*/»~,
,,~»/*§#@# orange, all the piled up debree being #@#§*/»~,,
,,,~»/*§#@ lit from behind. @#§*/»~,,,
,,~»/*§#@# #@#§*/»~,,
,~»/*§#@## i stop ready to run down and out, but ##@#§*/»~,
,,~»/*§#@# there's someone else on the staircase #@#§*/»~,,
,,,~»/*§#@ with me now, pressed close. he's @#§*/»~,,,
,,~»/*§#@# looking like me, short hair and thin #@#§*/»~,,
,~»/*§#@## arms, but with ears from some animal, ##@#§*/»~,
,,~»/*§#@# and more disturbingly, completely made #@#§*/»~,,
,,,~»/*§#@ of dark liquid glass. @#§*/»~,,,
,,~»/*§#@# #@#§*/»~,,
,~»/*§#@## ** ##@#§*/»~,
,,~»/*§#@# ** ** #@#§*/»~,,
,,,~»/*§#@ »»»»»»» * * »»»»»»» @#§*/»~,,,
,,~»/*§#@# ** ** #@#§*/»~,,
,~»/*§#@## ** ##@#§*/»~,
,,~»/*§#@# #@#§*/»~,,
,,,~»/*§#@ my fear holds me in place while he @#§*/»~,,,
,,~»/*§#@# starts operating levers and dials set #@#§*/»~,,
,~»/*§#@## in the center of the staircase. slowly, ##@#§*/»~,
,,~»/*§#@# it starts spinning, circling upwards. #@#§*/»~,,
,,,~»/*§#@ it's an elevator! i start to run @#§*/»~,,,
,,~»/*§#@# downwards, but now the liquid boy #@#§*/»~,,
,~»/*§#@## creature grabs hold of me. i try to ##@#§*/»~,
,,~»/*§#@# shake him off, but he's too strong, and #@#§*/»~,,
,,,~»/*§#@ pulls me back up beside him. @#§*/»~,,,
,,~»/*§#@# #@#§*/»~,,
,~»/*§#@## this time, i turn angry instead. what ##@#§*/»~,
,,~»/*§#@# the hell? who is this guy, acting like #@#§*/»~,,
,,,~»/*§#@ this? i reach out my free arm and slam @#§*/»~,,,
,,~»/*§#@# a random lever. some metal bar is #@#§*/»~,,
,~»/*§#@## suddenly released between us, hitting ##@#§*/»~,
,,~»/*§#@# him on the arm, forcing my release. i #@#§*/»~,,
,,,~»/*§#@ shove him off of me, and he falls into @#§*/»~,,,
,,~»/*§#@# the levers, messing them up. #@#§*/»~,,
,~»/*§#@## immediately, a thin rusty chainmail ##@#§*/»~,
,,~»/*§#@# curtain is dropped around me. but the #@#§*/»~,,
,,,~»/*§#@ elevator also speeds up significantly. @#§*/»~,,,
,,~»/*§#@# #@#§*/»~,,
,~»/*§#@## the walls are flaring now, yellow, ##@#§*/»~,
,,~»/*§#@# white, almost blue. i close my eyes and #@#§*/»~,,
,,,~»/*§#@ curl into a ball. but then, the glass @#§*/»~,,,
,,~»/*§#@# boy screams, a piercing sound that #@#§*/»~,,
,~»/*§#@## forces my eyes back open. i watch as he ##@#§*/»~,
,,~»/*§#@# becomes too liquid, his body pooling #@#§*/»~,,
,,,~»/*§#@ down in his now massive tail, and the @#§*/»~,,,
,,~»/*§#@# tip of it suddenly breaks of in a glass #@#§*/»~,,
,~»/*§#@## drop that falls toward the factory ##@#§*/»~,
,,~»/*§#@# floor. #@#§*/»~,,
,,,~»/*§#@ @#§*/»~,,,
,,~»/*§#@# he's crawling on the stairs, unable to #@#§*/»~,,
,~»/*§#@## keep his body upright. can't reach the ##@#§*/»~,
,,~»/*§#@# levers, claws at my chainmail cage, #@#§*/»~,,
,,,~»/*§#@ while his body is turning into dark @#§*/»~,,,
,,~»/*§#@# pearls. finally, he's lost too much of #@#§*/»~,,
,~»/*§#@## himself and the scream is cut short. ##@#§*/»~,
,,~»/*§#@# the last of him rains down. #@#§*/»~,,
,,,~»/*§#@ @#§*/»~,,,
,,~»/*§#@# i still can't reach the levers from #@#§*/»~,,
,~»/*§#@## within my cage. looking up, i try to ##@#§*/»~,
,,~»/*§#@# make out the ceiling, but it's all a #@#§*/»~,,
,,,~»/*§#@ whirling sea of colours. below me glows @#§*/»~,,,
,,~»/*§#@# the hellfire of the factory walls, but #@#§*/»~,,
,~»/*§#@## very faint. i sit down, curl back up, ##@#§*/»~,
,,~»/*§#@# become still. #@#§*/»~,,
,,,~»/*§#@ @#§*/»~,,,
,,~»/*§#@# ** #@#§*/»~,,
,~»/*§#@## ** ** ##@#§*/»~,
,,~»/*§#@# »»»»»»» * * »»»»»»» #@#§*/»~,,
,,,~»/*§#@ ** ** @#§*/»~,,,
,,~»/*§#@# ** #@#§*/»~,,
,~»/*§#@## ##@#§*/»~,
,,~»/*§#@# a large clunk shakes my entire body, #@#§*/»~,,
,,,~»/*§#@ and snaps me back into reality. i'm @#§*/»~,,,
,,~»/*§#@# back at the factory floor, but the #@#§*/»~,,
,~»/*§#@## stairs are still moving slightly, ##@#§*/»~,
,,~»/*§#@# clicking in place, carrying me the last #@#§*/»~,,
,,,~»/*§#@ few centimeters. i came from below, @#§*/»~,,,
,,~»/*§#@# somehow. the chainmail is retracted, #@#§*/»~,,
,~»/*§#@## and i slowly dismount the stairs. ##@#§*/»~,
,,~»/*§#@# #@#§*/»~,,
,,,~»/*§#@ shaking and crying, i make my way over @#§*/»~,,,
,,~»/*§#@# the factory floor, wading through dark #@#§*/»~,,
,~»/*§#@## glass marbles. a quick glance down, and ##@#§*/»~,
,,~»/*§#@# i see there's something faint inside #@#§*/»~,,
,,,~»/*§#@ them. embryos? are these eggs? @#§*/»~,,,
,,~»/*§#@# #@#§*/»~,,
,~»/*§#@## i shudder, and climb back out. ##@#§*/»~,
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