...@@@..@.                                          .@..@...@.
...@.@@..@                                          ..@..@...@
@....@@@..                                          @..@..@...
.@...@.@@.                                          .@..@..@..
..@....@@@                                          ..@..@..@.
...@...@.@         ....††@# VäXJö #@††....          ...@..@..@
@...@....@                                          ....@..@..
.@...@...@ THE  APARTMENT SMELLS OF OLD COFFEE  AND .....@..@.
..@...@... SWEETENERS. I DON'T  KNOW HOW  I LET  IT ......@..@
@..@...@.. GET LIKE  THIS.  IT'S  NOT  INTENTIONAL. .......@..
.@..@...@.                                          ........@.
..@..@...@ I  WEAR  YELLOW TINTED GLASSES. THE ROOM .........@
@..@..@... CHANGES  SHAPE  A LOT. RIGHT NOW THERE'S @.........
.@..@..@.. A   BLUE   SOFA  WITH  YELLOW  SEAMS.  I .@........
..@..@..@.     EXPERIMENT WITH DIFFERENT COLORED    ..@.......
...@..@..@       LIGHTS. I'M LEARNING THINGS.       ...@......
....@..@..                                          ....@.....
.....@..@. MY  THOUGHTS ARE REVOLVING  AROUND TIME, .....@....
......@..@ AND THE PERCEPTION OF  IT. CAN I MAKE IT ......@...
.......@.. RIGID? IF  I REALLY WANT TO, CAN  I MAKE @......@..
........@. IT  FEEL LIKE  THERE  IS  ENOUGH  OF IT? .@......@.
.........@     ALSO, AND MAYBE, ULTIMATELY, MORE    ..@......@
@......... IMPORTANT -  CAN I  MAKE IT FEEL LIKE IT @..@......
.@........              DOESN'T MATTER?             @@..@.....
..@.......                                          .@@..@....
...@......                                          .@@@..@...
....@.....                                          .@.@@..@..
.....@....                                          ...@@@..@.
......@...                                          ...@.@@..@