,:~;%£@@## ##@@£%;~:,
,,,~~~~;£@ @£;~~~~,,,
,,,::~;%@@ @@%;~::,,,
,:~;%£££@@ @@£££%;~:,
,:~;%£@@## ##@@£%;~:,
,,,,,,:;£@ THE SKYSCRAPER THAT MOVES @£;:,,,,,,
,,,,:;;;£@ @£;;;:,,,,
,,,,~~%%%@ TAINARON IS A BUILDING OWNED AND @%%%~~,,,,
,:~;%£@@## OPERATED BY AMATA TEXNOLOGIYASI PLACED ##@@£%;~:,
,:~;%£@@@# CLOSED TO THE HARBOR IN MALMÖ. IT'S #@@@£%;~:,
,:~;%£@@## ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ##@@£%;~:,
,,,,:~~%£@ UNKNOWN), DARK BLUE AND COMPLETELY @£%~~:,,,,
,,,,:~~%@@ RECTANGULAR. IT FEATURES NO SIGNS, @@%~~:,,,,
,,,,,~%££@ LIGHTS, OR ORNAMENTS, APART FROM A @££%~,,,,,
,:~;%£@@## HELIPAD ON TOP. MOST FLOORS HAVE ##@@£%;~:,
,,,~~~;££@ EXTERIOR WALLS COMPLETELY MADE OF GLASS. @££;~~~,,,
,,,:;%%£@# #@£%%;:,,,
,:~;%%%@@@ IN LATE EVENINGS, SHROUDED BY MALMö'S @@@%%%;~:,
,:~;%£@### SIGNATURE FOG ROLLING IN FROM THE SEA, ###@£%;~:,
,,,,:;££@@ THE BUILDING COMES TO LIFE: IT MOVES ON @@££;:,,,,
,,,,,,~%@@ A THOUSAND ROBOTIC LEGS TO ANOTHER @@%~,,,,,,
,:~;£@@### (SECRET) PART OF TOWN, OR PERHAPS OUT ###@@£;~:,
,:~;%£@### TO SEA. THIS SIGNALS A NEW AND MORE ###@£%;~:,
,,,,:~;;%@ VISCIOUS PHASE OF THE TAINARON @%;;~:,,,,
,:~;%£@@@@ ECOSYSTEM. @@@@£%;~:,
,,,,~~%£@@ @@£%~~,,,,
,:~;%£@@## THE GUESTS ARRIVING DURING THE EARLY ##@@£%;~:,
,:~;%£@@## EVENING ARE TREATED TO FOOD AND DRINK, ##@@£%;~:,
,,,,~;£@@@ LIVE MUSIC, BEATUTIFUL VIEWS, AND A @@@£;~,,,,
,:~;%£@@## COMFORTABLE BUT MAZE-LIKE INTERIOR ##@@£%;~:,
,,,,,::~%@ STRUCTURE (THE BUILDING FEATURES A @%~::,,,,,
,,,,~%%%@@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @@%%%~,,,,
,:~;£@@### PLACED SEEMINGLY AT RANDOM, NONE GOING ###@@£;~:,
,:~;%£@@## FURTHER THAN A FEW FLOORS). ##@@£%;~:,
,,,,,,:~%@ @%~:,,,,,,
,:~;%£@@## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##@@£%;~:,
,,,,,:~~%@ UNTIL THE AIR INSIDE HAS TAKEN ON THE @%~~:,,,,,
,:~;%£@### SAME QUALITY AS THE SURROUNDING MIST: ###@£%;~:,
,:~;%£@@@@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @@@@£%;~:,
,:~;%%£@@# DOT'S BY DOOR LOCKS AND CONTROL PANELS. #@@£%%;~:,
,:~;%£@@## IF YOU WOULD LOOK THROUGH THE WINDOWS ##@@£%;~:,
,:~;%£@@## YOU WOULD SEE THE MIST ROLLING BY, AND ##@@£%;~:,
,:~;%£@@## PERHAPS THE OUTLINE OF SOME OTHER ##@@£%;~:,
,:~;%£@### BUILDING, FAR BELOW. ###@£%;~:,
,,,,,,~;£@ @£;~,,,,,,
,:~;%£@@## DURING THE NIGHT, AFTER TAINARON HAS ##@@£%;~:,
,,,,,~%@@@ STARTED MOVING, THE LOWER FLOORS ARE @@@%~,,,,,
,:~;%£@@## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##@@£%;~:,
,,,,,:;£@# THE GUESTS. FOOD IS NO LONGER SERVED, #@£;:,,,,,
,,,,~%£@@@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @@@£%~,,,,
,::~~~;%@# IT'S AT THIS POINT THAT THE SECOND SET #@%;~~~::,
,:~;%£@@## OF GUEST ARRIVES, VIA HELICOPTER - ##@@£%;~:,
,:~;%%£££@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. @£££%%;~:,
,:~;%£@@@@ @@@@£%;~:,
,:~;%£@@## ~~~~~ ##@@£%;~:,
,,,,~~%%@@ @@%%~~,,,,
,:~;%%%%@@ IN MY DREAM I AM INVITED AS A FRIEND OF @@%%%%;~:,
,:~;%£@@@@ ONE OF THE SERVERS, AND THUS SAFE. WE @@@@£%;~:,
,:~;%£@@## SIT IN ONE OF THE LARGE WINDOWS, ##@@£%;~:,
,:~;%££££@ LOOKING THROUGH THE MIST FOR ANY @££££%;~:,
,:~;%£@@## LANDMARKS TO PIERCE THROUGH THE MIST. ##@@£%;~:,
,,,,,:~~%@ SHE TELLS ME THAT APART FROM COMING AND @%~~:,,,,,
,:~;%£@@@@ GOING FROM WORK, SHE'S NEVER SEEN THE @@@@£%;~:,
,:~;%£@@@# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #@@@£%;~:,
,:~;£@@### ###@@£;~:,
,:~;%£@@## THE NEXT DAY I AM INVITED TO THE PUBLIC ##@@£%;~:,
,:~~;;%%@# DEMONSTRATION OF THE EXOBUBBLE. #@%%;;~~:,
,:~;%£@@## ##@@£%;~:,
,:~;%%%@@# #@@%%%;~:,
,:~;%£@@## ##@@£%;~:,
,:~;%£@@## ##@@£%;~:,
,,,::;%@@# #@@%;::,,,