,.-†*£&¶@@ @@¶&£*†-.,
,,,,--*£¶¶ ¶¶£*--,,,,
,.---†££&@ @&££†---.,
,...†*£&&& &&&£*†...,
,.-†**£&&¶ ¶&&£**†-.,
,,,,,-†*&& TRAIN DREAM &&*†-,,,,,
,,,.--†£&& ######,,,,.-..,,##################### &&£†--.,,,
,,,,,-††£& ††† &£††-,,,,,
,.-†*£&&&& - &&&&£*†-.,
,.-†*£&¶@# - #@¶&£*†-.,
,.-†*£&¶@@ @@¶&£*†-.,
,,,,,.†**& (SITUATION) &**†.,,,,,
,.-†*£&¶## ##¶&£*†-.,
.-†*£&¶@## YOU FIND YOURSELF IN A RIFT - A ##@¶&£*†-.
,.-†*£&¶@# CLEARING, NARROW BUT IMMEASURABLY LONG. #@¶&£*†-.,
,,,...†£&& TO YOUR SIDES ARE WALLS MADE OF TREES, &&£†...,,,
,.-†*£&¶@@ THICK AND READY TO SWALLOW YOU. THE SUN @@¶&£*†-.,
,,,..††*&@ IS NOWHERE TO BE SEEN, BUT NONTHELESS @&*††..,,,
,,.--†£&&¶ IT IS VERY BRIGHT - THE AIR FEELS LIGHT ¶&&£†--.,,
,,,,,,-†£& BLUE, ALMOST WHITE. &£†-,,,,,,
,,,.-†**&@ @&**†-.,,,
,,,,,.--*& ALONG THE SPAN OF THE CLEARING LAY TWO &*--.,,,,,
,.-†*£&¶@# PARALLEL SILVERY LINES, DARK HARD #@¶&£*†-.,
,.-†*£&¶¶@ METAL. SOMEHOW YOU CAN SEE HOW HEAVY @¶¶&£*†-.,
,.-†*£&¶@# THEY ARE. #@¶&£*†-.,
,.-†*£&¶@# #@¶&£*†-.,
,.-†*£&@## THEY EMIT A HIGH PITCHED WHINE... ##@&£*†-.,
,.-†*£&¶## ##¶&£*†-.,
,.-†*£&¶## - ##¶&£*†-.,
,.-†††£&&@ ,,*,, @&&£†††-.,
,.-†£&¶@## - ##@¶&£†-.,
,.-†*£&¶@# #@¶&£*†-.,
,.-†*£&¶@# (SITUATION) #@¶&£*†-.,
,.-†*£&¶@# #@¶&£*†-.,
,,,,,,.†£¶ YOURE AT THE TRAIN STATION, ON A ¶£†.,,,,,,
,,,,.-*&&@ CATWALK ABOVE THE RAILS. YOUR TRAIN IS @&&*-.,,,,
,.-†*£&¶¶@ LATE, OR YOU ARE LATE TO THE TRAIN. @¶¶&£*†-.,
,.-†††££&& IT'S A SUMMER AFTERNOON AND THE STATION &&££†††-.,
,.-†*£&¶@# IS BUSY, FULL OF RELAXED CONFIDENCE. #@¶&£*†-.,
,.-†*&¶@## ##@¶&*†-.,
,,,,-*£&&¶ YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ¶&&£*-,,,,
,.-†*£&¶@@ STRESSED ABOUT THE TIME, WHILE MOVING @@¶&£*†-.,
,.-†*£&¶@# UP THE STAIRS TO YOUR PLATFORM. THE #@¶&£*†-.,
,.-†*£&@## STATION IS IN SEVERAL LEVELS, ALL ##@&£*†-.,
,.-†*£&¶@# PLACED WITHIN EACHOTHER BY SOME #@¶&£*†-.,
,,,.-**&&@ INTELLIGENT DESIGNER, AND FULL OF @&&**-.,,,
,,,,--†£¶@ STAIRS, ELEVATORS, SHORTCUTS, @¶£†--,,,,
,.-†*£&¶¶¶ BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ¶¶¶&£*†-.,
,.-†*£&¶@# SOME GLASS WINDOWS. IT'S... NOT WHERE #@¶&£*†-.,
,,..††*£&¶ IT'S SUPPOSED TO BE? ¶&£*††..,,
,,,,,,.†£¶ ¶£†.,,,,,,
,.-†*£&¶@# - #@¶&£*†-.,
,,,,,..†*& ..£.. &*†..,,,,,
,.-†*£&¶@# - #@¶&£*†-.,
,.-†*£¶@## ##@¶£*†-.,
,,,,.†££&¶ (SITUATION) ¶&££†.,,,,
,.-†*£&¶## ##¶&£*†-.,
,.--†*£&&¶ YOU'RE FINALLY ENTERING THE CITY. WHILE ¶&&£*†--.,
,.-†*£&&¶@ IT IS INDEED A VERY HIGH SPEED TRAIN @¶&&£*†-.,
,,,,,,--*& YOU'RE TRAVELING IN, THE JOURNEY HAS &*--,,,,,,
,.-†*£&¶@# BEEN LONG. BUT IT'S ABOUT TO END! #@¶&£*†-.,
,...--†£&@ @&£†--...,
,,..--†££& SOCIETY IS GROWING DENSER AROUND YOU, &££†--..,,
,.-†*£&¶@# THROUGH THE WINDOWS YOU SEE FIRST SMALL #@¶&£*†-.,
,.-†*£&¶@@ SHACKS, BUILT OF METAL AND STONE, THEN @@¶&£*†-.,
,,,,,,.†*& PROPER HOUSES WITH MORTAR TO KEEP THEM &*†.,,,,,,
,.-†***££¶ TOGETHER... WHO IN TURN MAKE WAY FOR ¶££***†-.,
,,,..-*££& THE INDUSTRIAL BUILDINGS, THE URBAN &££*-..,,,
,.-†*£&¶@# MAZE, PROTECTIVE WALLS, JUNGLE #@¶&£*†-.,
,,,,-†**&¶ NETWORK... ¶&**†-,,,,
,.-†*£&¶@# #@¶&£*†-.,
,,,.-**££& THE TRACKS LEAVE THE GROUND, WHICH IS &££**-.,,,
,,,,,-†£¶¶ NEEDED FOR OTHER PURPOSES. YOU ARE ¶¶£†-,,,,,
,,,,,.†£¶¶ CARRIED GENTLY, CURVING UPWARDS UNTIL ¶¶£†.,,,,,
,.-†*£&¶@# YOU'RE MOVING UPWARD ALONG THE WALL OF #@¶&£*†-.,
,.-†*£&¶¶@ A BUILDING. IT'S MADE OF SLABBY STONE, @¶¶&£*†-.,
,,.-††*££¶ WITH GREAT GLASSLESS WINDOW HOLES ¶££*††-.,,
,,,,,,.†*& LOOKING OUT THE WAY YOU CAME. IT IS &*†.,,,,,,
,.-†*£&¶@@ PITCH BLACK INSIDE. @@¶&£*†-.,
,,,,.††££¶ ¶££††.,,,,
,,,---**&¶ ¶&**---,,,
,.--††**&¶ ¶&**††--.,
,,,,,.†*&¶ ¶&*†.,,,,,
,.-†*£&¶## ##¶&£*†-.,