,,,~~~$¤§§ §§¤$~~~,,,
,,,,,~:$$§ §$$:~,,,,,
,,,,,,-:¤§ §¤:-,,,,,,
,-:$¤§#@## ##@#§¤$:-,
,,,,~$$§§§ §§§$$~,,,,
,,,,-::¤¤§ train dream §¤¤::-,,,,
,-~::$$$¤§ ######,,,,-~--,,##################### §¤$$$::~-,
,-~:$¤§#@@ ::: @@#§¤$:~-,
,-~:$¤§#@# ~ #@#§¤$:~-,
,,,~:$$$$§ ~ §$$$$:~,,,
,-~:$¤§§## ##§§¤$:~-,
,,,,,-:$§§ (situation) §§$:-,,,,,
,,,,,,-~$§ §$~-,,,,,,
,,,,-:$¤¤# you find yourself in a rift - a #¤¤$:-,,,,
,-~:$¤§§#@ clearing, narrow but immeasurably long. @#§§¤$:~-,
,-~:$¤§### to your sides are walls made of trees, ###§¤$:~-,
,-~:$§#@## thick and ready to swallow you. the sun ##@#§$:~-,
,-~:$¤§#@# is nowhere to be seen, but nontheless #@#§¤$:~-,
,-~:$¤§### it is very bright - the air feels light ###§¤$:~-,
,-~:$¤§#@@ blue, almost white. @@#§¤$:~-,
,-~:$¤§#@# #@#§¤$:~-,
,-~:$¤§#@# along the span of the clearing lay two #@#§¤$:~-,
,,,,,~:¤#@ parallel silvery lines, dark hard @#¤:~,,,,,
,,,--~$$§§ metal. somehow you can see how heavy §§$$~--,,,
,,,,,-:¤§@ they are. @§¤:-,,,,,
,,,-~~~$§§ §§$~~~-,,,
,,,,--:$$§ they emit a high pitched whine... §$$:--,,,,
,-~:$¤§### ###§¤$:~-,
,-~:$¤§@## ~ ##@§¤$:~-,
,-~:$¤§##@ ,,$,, @##§¤$:~-,
,-~:$¤§#@# ~ #@#§¤$:~-,
,-~:$¤§#@@ @@#§¤$:~-,
,,,--~~$¤# (situation) #¤$~~--,,,
,-~:$¤§#@# #@#§¤$:~-,
,,,-:$$$¤# youre at the train station, on a #¤$$$:-,,,
,,,--~$$¤§ catwalk above the rails. your train is §¤$$~--,,,
,--~~~$§#@ late, or you are late to the train. @#§$~~~--,
,,,,,,~$§@ it's a summer afternoon and the station @§$~,,,,,,
,-~:$¤#@## is busy, full of relaxed confidence. ##@#¤$:~-,
,-~:$¤§#@# #@#§¤$:~-,
,,,,--:¤## you're in high spirits, although a bit ##¤:--,,,,
,-~:$¤¤¤§§ stressed about the time, while moving §§¤¤¤$:~-,
,-~:$¤§#@# up the stairs to your platform. the #@#§¤$:~-,
,-~:$¤§#@# station is in several levels, all #@#§¤$:~-,
,-~:$§#@## placed within eachother by some ##@#§$:~-,
,-~:$¤§#@# intelligent designer, and full of #@#§¤$:~-,
,,,,,,-:¤§ stairs, elevators, shortcuts, §¤:-,,,,,,
,-~:$¤§#@# bazaars... you sight your train through #@#§¤$:~-,
,-~:$¤§#@# some glass windows. it's... not where #@#§¤$:~-,
,,,,-~$§§# it's supposed to be? #§§$~-,,,,
,,,,,-:$§@ @§$:-,,,,,
,-~:$¤§§§# ~ #§§§¤$:~-,
,-~:$¤§#@# --¤-- #@#§¤$:~-,
,-~:$¤§#@# ~ #@#§¤$:~-,
,----~:¤§@ @§¤:~----,
,,,,,,,~$§ (situation) §$~,,,,,,,
,-~:$¤§#@# #@#§¤$:~-,
,-~:::¤¤§# you're finally entering the city. while #§¤¤:::~-,
,,,-~$$$¤# it is indeed a very high speed train #¤$$$~-,,,
,,,,,,~:¤# you're traveling in, the journey has #¤:~,,,,,,
,,,,,~~:¤# been long. but it's about to end! #¤:~~,,,,,
,-~:$§#@## ##@#§$:~-,
,---:$¤¤§@ society is growing denser around you, @§¤¤$:---,
,-~:$¤§#@# through the windows you see first small #@#§¤$:~-,
,,,,,~$§§# shacks, built of metal and stone, then #§§$~,,,,,
,-~:$¤§#@# proper houses with mortar to keep them #@#§¤$:~-,
,-~:$¤§#@# together... who in turn make way for #@#§¤$:~-,
,,,,--:¤## the industrial buildings, the urban ##¤:--,,,,
,-~:$$$§## maze, protective walls, jungle ##§$$$:~-,
,---~::$¤§ network... §¤$::~---,
,,,,,-~$$§ §$$~-,,,,,
,-~:$¤§#@# the tracks leave the ground, which is #@#§¤$:~-,
,-~:$¤§### needed for other purposes. you are ###§¤$:~-,
,-~:$¤§### carried gently, curving upwards until ###§¤$:~-,
,-~:$¤§#@@ you're moving upward along the wall of @@#§¤$:~-,
,-~:$¤§#@# a building. it's made of slabby stone, #@#§¤$:~-,
,-~:$¤§#@# with great glassless window holes #@#§¤$:~-,
,-~:$¤§#@# looking out the way you came. it is #@#§¤$:~-,
,-~:$¤§@## pitch black inside. ##@§¤$:~-,
,-~:$¤§### ###§¤$:~-,
,-~:$$$¤¤§ §¤¤$$$:~-,
,----:$$$§ §$$$:----,
,-~:$¤§#@# #@#§¤$:~-,
,-~:$¤§#@@ @@#§¤$:~-,