#&&*:-.... ....-:*&
@&*-...... ......-*&@
###@&*:-.. ..-:*&@###
#&**--.... ....--**
@&*-...... ......-*&@
#@**---... TRAIN DREAM ...---**@#
@*:::---.. ######.....-....##################### ..---:::*@
#@*:-..... ::: .....-:*@#
@***::-... - ...-::***@
###@&*:-.. - ..-:*&@###
@@&*:..... .....:*&@@
###@&*:-.. (SITUATION) ..-:*&@###
###@&*:-.. ..-:*&@###
###@&*:-.. YOU FIND YOURSELF IN A RIFT - A ..-:*&@###
####@&*-.. CLEARING, NARROW BUT IMMEASURABLY LONG. ..-*&@####
@&::-..... TO YOUR SIDES ARE WALLS MADE OF TREES, .....-::&@
#@@&&*:-.. THICK AND READY TO SWALLOW YOU. THE SUN ..-:*&&@@#
##@@&*:-.. IS NOWHERE TO BE SEEN, BUT NONTHELESS ..-:*&@@##
#&:....... IT IS VERY BRIGHT - THE AIR FEELS LIGHT .......:
###@&*:-.. BLUE, ALMOST WHITE. ..-:*&@###
###@&*:-.. ..-:*&@###
@&**-..... ALONG THE SPAN OF THE CLEARING LAY TWO .....-**&@
###@&*:-.. PARALLEL SILVERY LINES, DARK HARD ..-:*&@###
#@@@&*:-.. METAL. SOMEHOW YOU CAN SEE HOW HEAVY ..-:*&@@@#
#@@&**:-.. THEY ARE. ..-:**&@@#
@&:-...... ......-:&@
####@*:-.. THEY EMIT A HIGH PITCHED WHINE... ..-:*@####
##&*:..... .....:*#
####&*:-.. - ..-:*###
#@*:...... ..*.. ......:*@#
@****::-.. - ..-::****@
###@&*:-.. ..-:*&@###
@*::----.. (SITUATION) ..----::*@
#&**:::-.. ..-:::**
###@&*:-.. YOURE AT THE TRAIN STATION, ON A ..-:*&@###
###@&*:-.. CATWALK ABOVE THE RAILS. YOUR TRAIN IS ..-:*&@###
#@&&*--... LATE, OR YOU ARE LATE TO THE TRAIN. ...--*&&@#
###@&*:-.. IT'S A SUMMER AFTERNOON AND THE STATION ..-:*&@###
###@&*:-.. IS BUSY, FULL OF RELAXED CONFIDENCE. ..-:*&@###
@@***:-... ...-:***@@
###@&*:-.. YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ..-:*&@###
###@&*:-.. STRESSED ABOUT THE TIME, WHILE MOVING ..-:*&@###
#&:::..... UP THE STAIRS TO YOUR PLATFORM. THE .....:::
@&&:...... STATION IS IN SEVERAL LEVELS, ALL ......:&&@
###@&*:-.. PLACED WITHIN EACHOTHER BY SOME ..-:*&@###
###@&*:-.. INTELLIGENT DESIGNER, AND FULL OF ..-:*&@###
#&&&&*:-.. STAIRS, ELEVATORS, SHORTCUTS, ..-:*&&&
###@&*:-.. BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ..-:*&@###
###@&*:-.. SOME GLASS WINDOWS. IT'S... NOT WHERE ..-:*&@###
@&:-...... IT'S SUPPOSED TO BE? ......-:&@
###@&*:-.. ..-:*&@###
##&*::.... - ....::*#
###@&*:-.. ..&.. ..-:*&@###
@&**:..... - .....:**&@
###@&*:-.. ..-:*&@###
###@&*:-.. (SITUATION) ..-:*&@###
###@&*:-.. ..-:*&@###
###@&*:-.. YOU'RE FINALLY ENTERING THE CITY. WHILE ..-:*&@###
###@&*:-.. IT IS INDEED A VERY HIGH SPEED TRAIN ..-:*&@###
###@&*:-.. YOU'RE TRAVELING IN, THE JOURNEY HAS ..-:*&@###
#@**:..... BEEN LONG. BUT IT'S ABOUT TO END! .....:**@#
###@&*:-.. ..-:*&@###
@&:....... SOCIETY IS GROWING DENSER AROUND YOU, .......:&@
#@&&*:.... THROUGH THE WINDOWS YOU SEE FIRST SMALL ....:*&&@#
##@***:-.. SHACKS, BUILT OF METAL AND STONE, THEN ..-:***@##
#@**:..... PROPER HOUSES WITH MORTAR TO KEEP THEM .....:**@#
###@&*:-.. TOGETHER... WHO IN TURN MAKE WAY FOR ..-:*&@###
@&**::.... THE INDUSTRIAL BUILDINGS, THE URBAN ....::**&@
###@&*:-.. MAZE, PROTECTIVE WALLS, JUNGLE ..-:*&@###
#@&&*:--.. NETWORK... ..--:*&&@#
####@&:-.. ..-:&@####
#@@&&*:-.. THE TRACKS LEAVE THE GROUND, WHICH IS ..-:*&&@@#
#&:::-.... NEEDED FOR OTHER PURPOSES. YOU ARE ....-:::
###@&*:-.. CARRIED GENTLY, CURVING UPWARDS UNTIL ..-:*&@###
@*-....... YOU'RE MOVING UPWARD ALONG THE WALL OF .......-*@
###@&*:-.. A BUILDING. IT'S MADE OF SLABBY STONE, ..-:*&@###
##@&::.... WITH GREAT GLASSLESS WINDOW HOLES ....::&@##
@&::...... LOOKING OUT THE WAY YOU CAME. IT IS ......::&@
###@&*:-.. PITCH BLACK INSIDE. ..-:*&@###
###@&*:-.. ..-:*&@###
##@&&*:-.. ..-:*&&@##
@*:-...... ......-:*@
@&*::..... .....::*&@
#&**:..... .....:**