..@..@..@. .....@@.@@
@..@..@..@ @....@@.@@
@@..@..@.. .@...@@.@.
@@@..@..@. ..@..@@...
@.@@..@..@ @..@.@@@..
..@@@..@.. TRAIN DREAM @@...@.@@.
..@.@@..@. ######....,-,,..##################### @@@....@@@
@...@@@..@ ††† @.@@...@.@
@@..@.@@.. - ..@@@....@
.@@...@@@. - ..@.@@...@
.@@@..@.@@ ....@@@...
.@.@@...@@ (SITUATION) @...@.@@..
...@@@..@. @@....@@@.
...@.@@... YOU FIND YOURSELF IN A RIFT - A .@@...@.@@
@....@@@.. CLEARING, NARROW BUT IMMEASURABLY LONG. .@@@....@@
@@...@.@@. TO YOUR SIDES ARE WALLS MADE OF TREES, .@.@@...@.
@@@....@@@ THICK AND READY TO SWALLOW YOU. THE SUN ...@@@....
@.@@...@.@ IS NOWHERE TO BE SEEN, BUT NONTHELESS ...@.@@...
..@@@....@ IT IS VERY BRIGHT - THE AIR FEELS LIGHT .....@@@..
..@.@@...@ BLUE, ALMOST WHITE. .....@.@@.
....@@@... .......@@@
@...@.@@.. ALONG THE SPAN OF THE CLEARING LAY TWO .......@.@
@@....@@@. PARALLEL SILVERY LINES, DARK HARD .........@
.@@...@.@@ METAL. SOMEHOW YOU CAN SEE HOW HEAVY @........@
.@@@....@@ THEY ARE. @@........
.@.@@...@. @@@.......
...@@@.... THEY EMIT A HIGH PITCHED WHINE... @.@@......
...@.@@... ..@@@.....
.....@@@.. - ..@.@@....
.....@.@@. ..†.. @...@@@...
.......@@@ - @@..@.@@..
.......@.@ @@@...@@@.
.........@ (SITUATION) @.@@..@.@@
@........@ ..@@@...@@
@@........ YOURE AT THE TRAIN STATION, ON A ..@.@@..@.
@@@....... CATWALK ABOVE THE RAILS. YOUR TRAIN IS ....@@@...
@.@@...... LATE, OR YOU ARE LATE TO THE TRAIN. ....@.@@..
..@@@..... IT'S A SUMMER AFTERNOON AND THE STATION ......@@@.
..@.@@.... IS BUSY, FULL OF RELAXED CONFIDENCE. ......@.@@
@...@@@... ........@@
@@..@.@@.. YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ........@.
@@@...@@@. STRESSED ABOUT THE TIME, WHILE MOVING ..........
@.@@..@.@@ UP THE STAIRS TO YOUR PLATFORM. THE ..........
..@@@...@@ STATION IS IN SEVERAL LEVELS, ALL ..........
..@.@@..@. PLACED WITHIN EACHOTHER BY SOME @.........
....@@@... INTELLIGENT DESIGNER, AND FULL OF .@........
....@.@@.. STAIRS, ELEVATORS, SHORTCUTS, ..@.......
......@@@. BAZAARS... YOU SIGHT YOUR TRAIN THROUGH @..@......
......@.@@ SOME GLASS WINDOWS. IT'S... NOT WHERE .@..@.....
........@@ IT'S SUPPOSED TO BE? ..@..@....
........@. @..@..@...
.......... - .@..@..@..
.......... ,,%,, ..@..@..@.
.......... - @..@..@..@
@......... @@..@..@..
.@........ (SITUATION) @@@..@..@.
..@....... @.@@..@..@
@..@...... YOU'RE FINALLY ENTERING THE CITY. WHILE ..@@@..@..
.@..@..... IT IS INDEED A VERY HIGH SPEED TRAIN ..@.@@..@.
..@..@.... YOU'RE TRAVELING IN, THE JOURNEY HAS @...@@@..@
@..@..@... BEEN LONG. BUT IT'S ABOUT TO END! @@..@.@@..
.@..@..@.. .@@...@@@.
..@..@..@. SOCIETY IS GROWING DENSER AROUND YOU, .@@@..@.@@
@..@..@..@ THROUGH THE WINDOWS YOU SEE FIRST SMALL .@.@@...@@
@@..@..@.. SHACKS, BUILT OF METAL AND STONE, THEN ...@@@..@.
@@@..@..@. PROPER HOUSES WITH MORTAR TO KEEP THEM ...@.@@...
@.@@..@..@ TOGETHER... WHO IN TURN MAKE WAY FOR @....@@@..
..@@@..@.. THE INDUSTRIAL BUILDINGS, THE URBAN @@...@.@@.
..@.@@..@. MAZE, PROTECTIVE WALLS, JUNGLE @@@....@@@
@...@@@..@ NETWORK... @.@@...@.@
@@..@.@@.. ..@@@....@
.@@...@@@. THE TRACKS LEAVE THE GROUND, WHICH IS ..@.@@...@
.@@@..@.@@ NEEDED FOR OTHER PURPOSES. YOU ARE ....@@@...
.@.@@...@@ CARRIED GENTLY, CURVING UPWARDS UNTIL @...@.@@..
...@@@..@. YOU'RE MOVING UPWARD ALONG THE WALL OF @@....@@@.
...@.@@... A BUILDING. IT'S MADE OF SLABBY STONE, .@@...@.@@
@....@@@.. WITH GREAT GLASSLESS WINDOW HOLES .@@@....@@
@@...@.@@. LOOKING OUT THE WAY YOU CAME. IT IS .@.@@...@.
@@@....@@@ PITCH BLACK INSIDE. ...@@@....
@.@@...@.@ ...@.@@...
..@@@....@ .....@@@..
..@.@@...@ .....@.@@.
....@@@... .......@@@
@...@.@@.. .......@.@