,-~*£@@### ###@@£*~-, ,-~*=£@@## ##@@£=*~-, ,-~*=£@@## ##@@£=*~-, ,-~*=£@@## ##@@£=*~-, ,,,,,,-*=@ @=*-,,,,,, ,-~*=£@@## #### ##### ##@@£=*~-, ,-~=£@@### TAPE DREAM ###@@£=~-, ,-~**==£@@ #### ##### @@£==**~-, ,---**=££@ @££=**---, ,,,,~*££@# FOR STORING MUSIC ON. ALSO DATA BUT #@££*~,,,, ,,,~**=@@@ AT THIS POINT IN TIME THAT'S NOT @@@=**~,,, ,-~*=£@@## REALLY IMPORTANT I THINK. ##@@£=*~-, ,-~*=£@### ###@£=*~-, ,,,,,--*£@ @£*--,,,,, ,-~*=£@@## ******** TYPES OF TAPE ******** ##@@£=*~-, ,-~*£@@### ###@@£*~-, ,,,----*£@ CLASS I - "BAD" IRON @£*----,,, ,-~*=£@### CLASS II - GOOD CHROMIUM ###@£=*~-, ,,,,~*££@# CLASS III - BAD IRON PART TWO #@££*~,,,, ,--~~==@@# CLASS IV - DANGEROUS METALS #@@==~~--, ,,,,,-*£@# #@£*-,,,,, ,,,-*==@@@ RUMORS EXIST ABOUT A SECRET CLASS V TAPE @@@==*-,,, ,,,,,,-~=@ THAT IS ACTUALLY USEFUL. @=~-,,,,,, ,-~*=£@@## ##@@£=*~-, ,-~*=£@@## ** BIAS ** ##@@£=*~-, ,,,,,~*=@@ @@=*~,,,,, ,,--~*=@@@ CLASS I USES ONE HUNDRED AND TWENTY @@@=*~--,, ,-~*=£@@## MICRO-SOMETHING WHILE THE OTHERS ALL ##@@£=*~-, ,-~*=£@@## USE SEVENTY OF THE SAME UNIT. ##@@£=*~-, ,-~*=£@### ###@£=*~-, ,-~*=£@### ###@£=*~-, ,,,,,,-*=@ ========= AHA AND ========= @=*-,,,,,, ,,,,-**==@ @==**-,,,, ,-~*=£££@# CLASS IV IS APPARENTLY TOO STRONG TO #@£££=*~-, ,-~*=£@### BE USED ON CLASS I PLAYERS. IT WILL ###@£=*~-, ,-~*=£@@## SOUND TOO LOUND AND IT CANNOT BE ##@@£=*~-, ,,,,,,~=£@ COMPLETELY ERASED. THIS IS VERY WELL. @£=~,,,,,, ,-~*=£@@## MAYBE SOME WONDERFUL BLENDING EFFECTS ##@@£=*~-, ,,,,-**£@# COULD BE ACHIEVED? #@£**-,,,, ,-~*=£@@## ##@@£=*~-, ,-~*£@@### THEY ALSO GNAW AT THE TAPE HEADS A BIT ###@@£*~-, ,-~*=£@@## BETTER THAN EARLIER TAPE TYPES. ##@@£=*~-, ,-~*=£@@@@ @@@@£=*~-, ,,,,,-*£@# #@£*-,,,,, ,,,-~*££@@ ******** ARTIFACTS ******** @@££*~-,,, ,-~*=£@@## ##@@£=*~-, ,,,,-*=£@@ GOOD TAPES ARE DECENT AND HAVE A GOOD @@£=*-,,,, ,-~*£@@### HIGH FREQUENCY PRESENCE, BAD TAPES ARE ###@@£*~-, ,-~*=££££@ LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA @££££=*~-, ,,,,--~~=@ LIKE IT. @=~~--,,,, ,-~*=£@@## ##@@£=*~-, ,-~*=£@### BIAS LOSS: IF YOU FORGET THE BIAS WHO ###@£=*~-, ,-~*=£@@## KNOWS WHATS EVEN ON THERE ANYMORE ##@@£=*~-, ,-~*=£@@## ##@@£=*~-, ,-~*=£@@## FLUTTER: KINDA QUICK PITCH VARIATIONS. ##@@£=*~-, ,,,,,-*=£@ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. @£=*-,,,,, ,,,--*££@# #@££*--,,, ,,,,,-~=@@ WOW: A SLOWER FLUTTER, USUALLY SEVERAL @@=~-,,,,, ,-~*===£@@ SECONDS LONG. WHAT UP. BOTH OF THESE @@£===*~-, ,-~*=£@@## INCREASE WHEN TAPE SPEED DECREASES. ##@@£=*~-, ,,--~~*£@# #@£*~~--,, ,-~*=£@@## PRINT THROUGH: TAPES RUB SOUND ON EACH ##@@£=*~-, ,-~*=£@@## OTHER IF THEYRE ALONE FOR TOO LONG ##@@£=*~-, ,,,,-***£@ @£***-,,,, ,-~*=£@### ###@£=*~-, ,-~*=£@@@# #@@@£=*~-, ,-~*=£@### ###@£=*~-, ,-~*=£@### ###@£=*~-, ,,,,,,-*£@ @£*-,,,,,,