,:-/*$¤@## ##@¤$*/-:,
,,:-/*$¤@# #@¤$*/-:,,
,,,:-/*$¤@ @¤$*/-:,,,
,,,,:-/*$¤ ¤$*/-:,,,,
,,,,,:-/*$ $*/-:,,,,,
,,,,,,:-/* #### ##### */-:,,,,,,
,,,,,:-/*$ TAPE DREAM $*/-:,,,,,
,,,,:-/*$¤ #### ##### ¤$*/-:,,,,
,,,:-/*$¤@ @¤$*/-:,,,
,,:-/*$¤@# FOR STORING MUSIC ON. ALSO DATA BUT #@¤$*/-:,,
,:-/*$¤@## AT THIS POINT IN TIME THAT'S NOT ##@¤$*/-:,
,,:-/*$¤@# REALLY IMPORTANT I THINK. #@¤$*/-:,,
,,,:-/*$¤@ @¤$*/-:,,,
,,,,:-/*$¤ ¤$*/-:,,,,
,,,,,:-/*$ //////// TYPES OF TAPE //////// $*/-:,,,,,
,,,,,,:-/* */-:,,,,,,
,,,,,:-/*$ CLASS I - "BAD" IRON $*/-:,,,,,
,,,,:-/*$¤ CLASS II - GOOD CHROMIUM ¤$*/-:,,,,
,,,:-/*$¤@ CLASS III - BAD IRON PART TWO @¤$*/-:,,,
,,:-/*$¤@# CLASS IV - DANGEROUS METALS #@¤$*/-:,,
,:-/*$¤@## ##@¤$*/-:,
,,:-/*$¤@# RUMORS EXIST ABOUT A SECRET CLASS V TAPE #@¤$*/-:,,
,,,:-/*$¤@ THAT IS ACTUALLY USEFUL. @¤$*/-:,,,
,,,,:-/*$¤ ¤$*/-:,,,,
,,,,,:-/*$ // BIAS // $*/-:,,,,,
,,,,,,:-/* */-:,,,,,,
,,,,,:-/*$ CLASS I USES ONE HUNDRED AND TWENTY $*/-:,,,,,
,,,,:-/*$¤ MICRO-SOMETHING WHILE THE OTHERS ALL ¤$*/-:,,,,
,,,:-/*$¤@ USE SEVENTY OF THE SAME UNIT. @¤$*/-:,,,
,,:-/*$¤@# #@¤$*/-:,,
,:-/*$¤@## ##@¤$*/-:,
,,:-/*$¤@# ********* AHA AND ********* #@¤$*/-:,,
,,,:-/*$¤@ @¤$*/-:,,,
,,,,:-/*$¤ CLASS IV IS APPARENTLY TOO STRONG TO ¤$*/-:,,,,
,,,,,:-/*$ BE USED ON CLASS I PLAYERS. IT WILL $*/-:,,,,,
,,,,,,:-/* SOUND TOO LOUND AND IT CANNOT BE */-:,,,,,,
,,,,,:-/*$ COMPLETELY ERASED. THIS IS VERY WELL. $*/-:,,,,,
,,,,:-/*$¤ MAYBE SOME WONDERFUL BLENDING EFFECTS ¤$*/-:,,,,
,,,:-/*$¤@ COULD BE ACHIEVED? @¤$*/-:,,,
,,:-/*$¤@# #@¤$*/-:,,
,:-/*$¤@## THEY ALSO GNAW AT THE TAPE HEADS A BIT ##@¤$*/-:,
,,:-/*$¤@# BETTER THAN EARLIER TAPE TYPES. #@¤$*/-:,,
,,,:-/*$¤@ @¤$*/-:,,,
,,,,:-/*$¤ ¤$*/-:,,,,
,,,,,:-/*$ //////// ARTIFACTS //////// $*/-:,,,,,
,,,,,,:-/* */-:,,,,,,
,,,,,:-/*$ GOOD TAPES ARE DECENT AND HAVE A GOOD $*/-:,,,,,
,,,,:-/*$¤ HIGH FREQUENCY PRESENCE, BAD TAPES ARE ¤$*/-:,,,,
,,,:-/*$¤@ LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA @¤$*/-:,,,
,,:-/*$¤@# LIKE IT. #@¤$*/-:,,
,:-/*$¤@## ##@¤$*/-:,
,,:-/*$¤@# BIAS LOSS: IF YOU FORGET THE BIAS WHO #@¤$*/-:,,
,,,:-/*$¤@ KNOWS WHATS EVEN ON THERE ANYMORE @¤$*/-:,,,
,,,,:-/*$¤ ¤$*/-:,,,,
,,,,,:-/*$ FLUTTER: KINDA QUICK PITCH VARIATIONS. $*/-:,,,,,
,,,,,,:-/* BEAUTIFUL, WONDERFUL, EXTRAORDINARY. */-:,,,,,,
,,,,,:-/*$ $*/-:,,,,,
,,,,:-/*$¤ WOW: A SLOWER FLUTTER, USUALLY SEVERAL ¤$*/-:,,,,
,,,:-/*$¤@ SECONDS LONG. WHAT UP. BOTH OF THESE @¤$*/-:,,,
,,:-/*$¤@# INCREASE WHEN TAPE SPEED DECREASES. #@¤$*/-:,,
,:-/*$¤@## ##@¤$*/-:,
,,:-/*$¤@# PRINT THROUGH: TAPES RUB SOUND ON EACH #@¤$*/-:,,
,,,:-/*$¤@ OTHER IF THEYRE ALONE FOR TOO LONG @¤$*/-:,,,
,,,,:-/*$¤ ¤$*/-:,,,,
,,,,,:-/*$ $*/-:,,,,,
,,,,,,:-/* */-:,,,,,,
,,,,,:-/*$ $*/-:,,,,,
,,,,:-/*$¤ ¤$*/-:,,,,
,,,:-/*$¤@ @¤$*/-:,,,