&*/.,,,,,, ,,,,,,./*&
###&&*/~., ,.~/*&&###
##@&&*/~., ,.~/*&&@##
@&&*~.,,,, ,,,,.~*&&@
@&/~,,,,,, ,,,,,,~/&@
##@&&*/~., #### ##### ,.~/*&&@##
#&*/~.,,,, TAPE DREAM ,,,,.~/*&#
@&&/.,,,,, #### ##### ,,,,,./&&@
@&&&&*/~., ,.~/*&&&&@
##@&&*/~., FOR STORING MUSIC ON. ALSO DATA BUT ,.~/*&&@##
&&&**/.,,, AT THIS POINT IN TIME THAT'S NOT ,,,./**&&&
@&&/..,,,, REALLY IMPORTANT I THINK. ,,,,../&&@
&**/.,,,,, ,,,,,./**&
###&&*/~., ,.~/*&&###
@&*///~,,, //////// TYPES OF TAPE //////// ,,,~///*&@
##@&&*/~., ,.~/*&&@##
##@&&*/~., CLASS I - "BAD" IRON ,.~/*&&@##
@&&*/.,,,, CLASS II - GOOD CHROMIUM ,,,,./*&&@
@@&*~.,,,, CLASS III - BAD IRON PART TWO ,,,,.~*&@@
##@&&*/~., CLASS IV - DANGEROUS METALS ,.~/*&&@##
##@&&*/~., ,.~/*&&@##
##@&&*/~., RUMORS EXIST ABOUT A SECRET CLASS V TAPE ,.~/*&&@##
##@&&*/~., THAT IS ACTUALLY USEFUL. ,.~/*&&@##
##@&&*/~., ,.~/*&&@##
###@&&*/~. // BIAS // .~/*&&@###
##@&&*/~., ,.~/*&&@##
##@&&*/~., CLASS I USES ONE HUNDRED AND TWENTY ,.~/*&&@##
#&*/.,,,,, MICRO-SOMETHING WHILE THE OTHERS ALL ,,,,,./*&#
@&&**/~,,, USE SEVENTY OF THE SAME UNIT. ,,,~/**&&@
##@&&*/~., ,.~/*&&@##
###@&&/~., ,.~/&&@###
##@&&*/~., ********* AHA AND ********* ,.~/*&&@##
@&&&*~~~., ,.~~~*&&&@
&&&*~.,,,, CLASS IV IS APPARENTLY TOO STRONG TO ,,,,.~*&&&
@&/~~~..,, BE USED ON CLASS I PLAYERS. IT WILL ,,..~~~/&@
&*/.,,,,,, SOUND TOO LOUND AND IT CANNOT BE ,,,,,,./*&
@@@&&*/~., COMPLETELY ERASED. THIS IS VERY WELL. ,.~/*&&@@@
#@@&&*/~., MAYBE SOME WONDERFUL BLENDING EFFECTS ,.~/*&&@@#
###&&*/~., COULD BE ACHIEVED? ,.~/*&&###
@&&&*//~., ,.~//*&&&@
##@&&*/~., THEY ALSO GNAW AT THE TAPE HEADS A BIT ,.~/*&&@##
###@&*/~., BETTER THAN EARLIER TAPE TYPES. ,.~/*&@###
&*~.,,,,,, ,,,,,,.~*&
##@&&*/~., ,.~/*&&@##
&&*/~,,,,, //////// ARTIFACTS //////// ,,,,,~/*&&
&&&&&*/~., ,.~/*&&&&&
##@&&*/~., GOOD TAPES ARE DECENT AND HAVE A GOOD ,.~/*&&@##
##@&&*/~., HIGH FREQUENCY PRESENCE, BAD TAPES ARE ,.~/*&&@##
&&&*~.,,,, LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ,,,,.~*&&&
##@&&*/~., LIKE IT. ,.~/*&&@##
#@&/~~~.,, ,,.~~~/&@#
@@&/~,,,,, BIAS LOSS: IF YOU FORGET THE BIAS WHO ,,,,,~/&@@
##@&&*/~., KNOWS WHATS EVEN ON THERE ANYMORE ,.~/*&&@##
@&&*~.,,,, ,,,,.~*&&@
##@&&*/~., FLUTTER: KINDA QUICK PITCH VARIATIONS. ,.~/*&&@##
##@&&*/~., BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ,.~/*&&@##
&&/.,,,,,, ,,,,,,./&&
@@&&&*/~., WOW: A SLOWER FLUTTER, USUALLY SEVERAL ,.~/*&&&@@
@&&**~~,,, SECONDS LONG. WHAT UP. BOTH OF THESE ,,,~~**&&@
#&*//.,,,, INCREASE WHEN TAPE SPEED DECREASES. ,,,,.//*&#
@&&*~,,,,, ,,,,,~*&&@
&*/.,,,,,, PRINT THROUGH: TAPES RUB SOUND ON EACH ,,,,,,./*&
##@&&*/~., OTHER IF THEYRE ALONE FOR TOO LONG ,.~/*&&@##
#&*//.,,,, ,,,,.//*&#
##@&&*/~., ,.~/*&&@##
##@&&*/~., ,.~/*&&@##
@&&&&*/~., ,.~/*&&&&@
&&&*/.,,,, ,,,,./*&&&
##@&&*/~., ,.~/*&&@##