THE GLASS FACTORY.           
                                        
                                        
                                      
                                  
                                  
                                          
 SEVERAL  CENTURIES  AFTER  IT  HAD  LAST 
 BELONGED TO US, WE WENT ON  AN OUTING TO 
 THE  GLASS FACTORY THAT  BORE OUR FAMILY 
 NAME.  IT HAD  CHANGED OWNERS MANY TIMES 
 SINCE  OUR  ANCESTORS  DEATH,  AND  THEN 
 STOOD  ABANDONED   FOR   A  LONG  WHILE. 
 FINALLY,  THE NATURAL  END  STATION  FOR 
 THE  BUILDINGS  THAT  SURVIVE: A MUSEUM, 
 AND A GIFT SHOP.                         
                                          
 THERE'S  A  LONG  TIME  SINCE  MY FAMILY 
 MADE  ANYTHING. BY  MANY,  WE  WOULD  BE 
 CONSIDERED POOR.                         
                                          
 THERE ARE  TWO MAIN  FACTORY  BUILDINGS, 
 DOMED THINGS OF SEVERAL FLOORS, MADE  IN 
 YELLOW BRICK.  LARGE BUT NARROW WINDOWS, 
 REMINESCENT    OF    SOME     CATHEDRAL. 
 CUSTOM-MADE GLASS, OF COURSE,  LARGE AND 
 LEADED, AND ASHEN. A  BIT TOO DARK TO BE 
 PRACTICAL.  ON   THE  EASTERN  BUILDING, 
 SOME ARE SHATTERED.                      
                                          
 THE OTHER ONE IS  PUBLICLY OPEN. THERE'S 
 A MUSEUM, WITH WAX  FIGURES  OF MY GREAT 
 GREAT  GREAT GRANDFATHER,  OR SOMETHING. 
 VARIOUS TOOLS (OR REPLICAS) LAID  OUT ON 
 TABLES,  WITH EXPLAINING TEXTS. A LOT OF 
 GLASS     OF      VARYING     THICKNESS. 
                                          
                                        
                                      
                          
                                      
                                        
                                          
 I QUICKLY  SNEAK OUT, AND CLIMB INTO THE 
 OTHER   BUILDING.   THE    CONTRAST   IS 
 OVERWHELMING.   IT   MUST   HAVE   STOOD 
 DERELICT   FOR  A  LONG   TIME,  WINDOWS 
 BROKEN,  METALLIC  TRASH  AND  POOLS  OF 
 DARK  GLASS  ALL   OVER  THE  FLOOR.  NO 
 ELECTRIC  LIGHTS, BUT I  CAN SEE BY  THE 
 LIGHT  THAT SHINES IN  WHEREVER THE DARK 
 WINDOWS    ARE    MISSING    A     PANE. 
                                          
 HOWEVER,  THE GREATEST DIFFERENCE IS THE 
 HIGHER FLOORS: THIS  BUILDING HAS  NONE. 
 IT IS ONE MASSIVE HALL, STRETCHING  AWAY 
 INFINITELY ABOVE  ME. SOMEWHERE UP THERE 
 IS  SOME  GREAT IRON  LATTICEWORK,  FROM 
 WHERE  CHAINS ARE SUSPENDED,  AND  PARTS 
 OF  MACHINERY  HAS  BEEN  FALLING  DOWN. 
                                          
 THERE  IS,  IN THE MIDDLE OF  THE  GREAT 
 HALL,   A  THIN  SPIRAL  STAIRCASE  THAT 
 LEADS  UP THERE. I SNEAK OVER THERE, AND 
 TAKE  A FEW  RELUCTANT STEPS. AFTER JUST 
 A  REVOLUTION, I  NOTICE  THAT FOR  EACH 
 STEP  THE BUILDING STARTS  TO  GLOW, THE 
 BRICKS  TURNING  A  DARK  RED, AND  THEN 
 ORANGE,  ALL THE  PILED  UP DEBREE BEING 
 LIT FROM BEHIND.                         
                                          
 I STOP READY TO  RUN DOWN AND  OUT,  BUT 
 THERE'S SOMEONE  ELSE  ON THE  STAIRCASE 
 WITH  ME   NOW,   PRESSED  CLOSE.   HE'S 
 LOOKING  LIKE  ME, SHORT  HAIR  AND THIN 
 ARMS, BUT  WITH EARS  FROM  SOME ANIMAL, 
 AND MORE  DISTURBINGLY,  COMPLETELY MADE 
 OF DARK LIQUID GLASS.                    
                                          
                                        
                                      
                          
                                      
                                        
                                          
 MY  FEAR  HOLDS  ME  IN PLACE  WHILE  HE 
 STARTS OPERATING  LEVERS  AND  DIALS SET 
 IN THE  CENTER OF THE STAIRCASE. SLOWLY, 
 IT  STARTS  SPINNING,  CIRCLING UPWARDS. 
 IT'S   AN  ELEVATOR!  I  START  TO   RUN 
 DOWNWARDS,   BUT  NOW  THE   LIQUID  BOY 
 CREATURE  GRABS HOLD  OF  ME.  I  TRY TO 
 SHAKE HIM OFF, BUT HE'S TOO STRONG,  AND 
 PULLS    ME   BACK   UP    BESIDE   HIM. 
                                          
 THIS TIME,  I  TURN ANGRY  INSTEAD. WHAT 
 THE HELL? WHO  IS THIS  GUY, ACTING LIKE 
 THIS?  I REACH OUT MY FREE  ARM AND SLAM 
 A  RANDOM  LEVER.  SOME  METAL  BAR   IS 
 SUDDENLY RELEASED  BETWEEN  US,  HITTING 
 HIM ON  THE  ARM,  FORCING MY RELEASE. I 
 SHOVE HIM OFF OF ME,  AND HE FALLS  INTO 
 THE    LEVERS,    MESSING    THEM    UP. 
 IMMEDIATELY,   A  THIN  RUSTY  CHAINMAIL 
 CURTAIN  IS  DROPPED  AROUND ME. BUT THE 
 ELEVATOR ALSO  SPEEDS UP  SIGNIFICANTLY. 
                                          
 THE  WALLS   ARE  FLARING  NOW,  YELLOW, 
 WHITE,  ALMOST BLUE. I CLOSE MY EYES AND 
 CURL  INTO A  BALL. BUT THEN, THE  GLASS 
 BOY  SCREAMS,  A  PIERCING   SOUND  THAT 
 FORCES MY  EYES BACK OPEN. I WATCH AS HE 
 BECOMES  TOO  LIQUID,  HIS  BODY POOLING 
 DOWN IN HIS  NOW  MASSIVE TAIL, AND  THE 
 TIP OF IT SUDDENLY  BREAKS OF IN A GLASS 
 DROP   THAT  FALLS  TOWARD  THE  FACTORY 
 FLOOR.                                   
                                          
 HE'S CRAWLING  ON  THE STAIRS, UNABLE TO 
 KEEP HIS BODY  UPRIGHT.  CAN'T REACH THE 
 LEVERS,  CLAWS  AT  MY  CHAINMAIL  CAGE, 
 WHILE HIS  BODY  IS  TURNING  INTO  DARK 
 PEARLS.  FINALLY, HE'S  LOST TOO MUCH OF 
 HIMSELF AND  THE  SCREAM  IS  CUT SHORT. 
 THE   LAST    OF    HIM   RAINS    DOWN. 
                                          
 I  STILL CAN'T  REACH  THE  LEVERS  FROM 
 WITHIN MY  CAGE.  LOOKING  UP, I TRY  TO 
 MAKE OUT THE  CEILING,  BUT  IT'S  ALL A 
 WHIRLING SEA OF COLOURS.  BELOW ME GLOWS 
 THE HELLFIRE  OF THE FACTORY  WALLS, BUT 
 VERY  FAINT.  I SIT  DOWN, CURL BACK UP, 
 BECOME STILL.                            
                                          
                                        
                                      
                          
                                      
                                        
                                          
 A  LARGE CLUNK SHAKES  MY  ENTIRE  BODY, 
 AND  SNAPS  ME  BACK  INTO  REALITY. I'M 
 BACK  AT  THE  FACTORY  FLOOR,  BUT  THE 
 STAIRS   ARE   STILL   MOVING  SLIGHTLY, 
 CLICKING  IN PLACE, CARRYING ME THE LAST 
 FEW  CENTIMETERS.  I  CAME  FROM  BELOW, 
 SOMEHOW.  THE  CHAINMAIL  IS  RETRACTED, 
 AND   I   SLOWLY  DISMOUNT  THE  STAIRS. 
                                          
 SHAKING AND CRYING,  I  MAKE MY WAY OVER 
 THE FACTORY  FLOOR, WADING  THROUGH DARK 
 GLASS  MARBLES. A QUICK GLANCE DOWN, AND 
 I  SEE THERE'S  SOMETHING  FAINT  INSIDE 
 THEM.   EMBRYOS?   ARE    THESE    EGGS? 
                                          
 I   SHUDDER,   AND   CLIMB   BACK   OUT.