,,,,,,:-** **-:,,,,,,
,,,,,:-**£ £**-:,,,,,
,,,,:-**£@ @£**-:,,,,
,,,:-**£@# #@£**-:,,,
,,:-**£@## ##@£**-:,,
,:-**£@### train dream ###@£**-:,
,,:-**£@## ######,,,,:-::,,##################### ##@£**-:,,
,,,:-**£@# *** #@£**-:,,,
,,,,:-**£@ - @£**-:,,,,
,,,,,:-**£ - £**-:,,,,,
,,,,,,:-** **-:,,,,,,
,,,,,,,:-* (situation) *-:,,,,,,,
,,,,,,,,:- -:,,,,,,,,
,,,,,,,,,: you find yourself in a rift - a :,,,,,,,,,
,,,,,,,,,, clearing, narrow but immeasurably long. ,,,,,,,,,,
,,,,,,,,,, to your sides are walls made of trees, ,,,,,,,,,,
,,,,,,,,,, thick and ready to swallow you. the sun ,,,,,,,,,,
,,,,,,,,,: is nowhere to be seen, but nontheless :,,,,,,,,,
,,,,,,,,:- it is very bright - the air feels light -:,,,,,,,,
,,,,,,,:-* blue, almost white. *-:,,,,,,,
,,,,,,:-** **-:,,,,,,
,,,,,:-**£ along the span of the clearing lay two £**-:,,,,,
,,,,:-**£@ parallel silvery lines, dark hard @£**-:,,,,
,,,:-**£@# metal. somehow you can see how heavy #@£**-:,,,
,,:-**£@## they are. ##@£**-:,,
,:-**£@### ###@£**-:,
,,:-**£@## they emit a high pitched whine... ##@£**-:,,
,,,:-**£@# #@£**-:,,,
,,,,:-**£@ - @£**-:,,,,
,,,,,:-**£ ,,*,, £**-:,,,,,
,,,,,,:-** - **-:,,,,,,
,,,,,,,:-* *-:,,,,,,,
,,,,,,,,:- (situation) -:,,,,,,,,
,,,,,,,,,: :,,,,,,,,,
,,,,,,,,,, youre at the train station, on a ,,,,,,,,,,
,,,,,,,,,, catwalk above the rails. your train is ,,,,,,,,,,
,,,,,,,,,, late, or you are late to the train. ,,,,,,,,,,
,,,,,,,,,: it's a summer afternoon and the station :,,,,,,,,,
,,,,,,,,:- is busy, full of relaxed confidence. -:,,,,,,,,
,,,,,,,:-* *-:,,,,,,,
,,,,,,:-** you're in high spirits, although a bit **-:,,,,,,
,,,,,:-**£ stressed about the time, while moving £**-:,,,,,
,,,,:-**£@ up the stairs to your platform. the @£**-:,,,,
,,,:-**£@# station is in several levels, all #@£**-:,,,
,,:-**£@## placed within eachother by some ##@£**-:,,
,:-**£@### intelligent designer, and full of ###@£**-:,
,,:-**£@## stairs, elevators, shortcuts, ##@£**-:,,
,,,:-**£@# bazaars... you sight your train through #@£**-:,,,
,,,,:-**£@ some glass windows. it's... not where @£**-:,,,,
,,,,,:-**£ it's supposed to be? £**-:,,,,,
,,,,,,:-** **-:,,,,,,
,,,,,,,:-* - *-:,,,,,,,
,,,,,,,,:- ::¤:: -:,,,,,,,,
,,,,,,,,,: - :,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,, (situation) ,,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,: you're finally entering the city. while :,,,,,,,,,
,,,,,,,,:- it is indeed a very high speed train -:,,,,,,,,
,,,,,,,:-* you're traveling in, the journey has *-:,,,,,,,
,,,,,,:-** been long. but it's about to end! **-:,,,,,,
,,,,,:-**£ £**-:,,,,,
,,,,:-**£@ society is growing denser around you, @£**-:,,,,
,,,:-**£@# through the windows you see first small #@£**-:,,,
,,:-**£@## shacks, built of metal and stone, then ##@£**-:,,
,:-**£@### proper houses with mortar to keep them ###@£**-:,
,,:-**£@## together... who in turn make way for ##@£**-:,,
,,,:-**£@# the industrial buildings, the urban #@£**-:,,,
,,,,:-**£@ maze, protective walls, jungle @£**-:,,,,
,,,,,:-**£ network... £**-:,,,,,
,,,,,,:-** **-:,,,,,,
,,,,,,,:-* the tracks leave the ground, which is *-:,,,,,,,
,,,,,,,,:- needed for other purposes. you are -:,,,,,,,,
,,,,,,,,,: carried gently, curving upwards until :,,,,,,,,,
,,,,,,,,,, you're moving upward along the wall of ,,,,,,,,,,
,,,,,,,,,, a building. it's made of slabby stone, ,,,,,,,,,,
,,,,,,,,,, with great glassless window holes ,,,,,,,,,,
,,,,,,,,,: looking out the way you came. it is :,,,,,,,,,
,,,,,,,,:- pitch black inside. -:,,,,,,,,
,,,,,,,:-* *-:,,,,,,,
,,,,,,:-** **-:,,,,,,
,,,,,:-**£ £**-:,,,,,
,,,,:-**£@ @£**-:,,,,
,,,:-**£@# #@£**-:,,,