.....~*¤¤¤ ¤¤¤*~..... .:~;*%¤£## ##£¤%*;~:. .:~;*%¤£## ##£¤%*;~:. .::::~~;%£ £%;~~::::. ....~*%%¤¤ ¤¤%%*~.... ....~****¤ TRAIN DREAM ¤****~.... .:~;*%¤£## ######....:~::..##################### ##£¤%*;~:. .:~;*%%%¤¤ ;;; ¤¤%%%*;~:. ....:;%¤¤¤ ~ ¤¤¤%;:.... .:~;***%££ ~ ££%***;~:. ....:;*%££ ££%*;:.... .:~;*%£### (SITUATION) ###£%*;~:. .:~;*%¤¤£# #£¤¤%*;~:. ......:;%¤ YOU FIND YOURSELF IN A RIFT - A ¤%;:...... .:~;*%¤£## CLEARING, NARROW BUT IMMEASURABLY LONG. ##£¤%*;~:. ....~~**¤¤ TO YOUR SIDES ARE WALLS MADE OF TREES, ¤¤**~~.... .:~;*%¤£## THICK AND READY TO SWALLOW YOU. THE SUN ##£¤%*;~:. ....:;;;%£ IS NOWHERE TO BE SEEN, BUT NONTHELESS £%;;;:.... .:~;*%¤£## IT IS VERY BRIGHT - THE AIR FEELS LIGHT ##£¤%*;~:. .....~;%£# BLUE, ALMOST WHITE. #£%;~..... .:~;*%¤£££ £££¤%*;~:. .:~~;;**¤¤ ALONG THE SPAN OF THE CLEARING LAY TWO ¤¤**;;~~:. .:~;*%¤£## PARALLEL SILVERY LINES, DARK HARD ##£¤%*;~:. ..::~;;%%£ METAL. SOMEHOW YOU CAN SEE HOW HEAVY £%%;;~::.. .:~;*%¤£££ THEY ARE. £££¤%*;~:. .....:~*¤£ £¤*~:..... .:~;*%¤£## THEY EMIT A HIGH PITCHED WHINE... ##£¤%*;~:. ....:;*¤££ ££¤*;:.... .:~;*%¤£## ~ ##£¤%*;~:. .:~;*%¤£## ..*.. ##£¤%*;~:. .:~;*%¤£## ~ ##£¤%*;~:. .....~**%¤ ¤%**~..... ...::~;*¤¤ (SITUATION) ¤¤*;~::... ....:~~*¤# #¤*~~:.... ...:~~**¤# YOURE AT THE TRAIN STATION, ON A #¤**~~:... .:~;*%¤£## CATWALK ABOVE THE RAILS. YOUR TRAIN IS ##£¤%*;~:. .:~;*%%¤¤£ LATE, OR YOU ARE LATE TO THE TRAIN. £¤¤%%*;~:. ....~;*¤£# IT'S A SUMMER AFTERNOON AND THE STATION #£¤*;~.... .:~;*%¤£## IS BUSY, FULL OF RELAXED CONFIDENCE. ##£¤%*;~:. ....~;*%%£ £%%*;~.... .:~;*%¤£## YOU'RE IN HIGH SPIRITS, ALTHOUGH A BIT ##£¤%*;~:. .:~;*%¤£## STRESSED ABOUT THE TIME, WHILE MOVING ##£¤%*;~:. .:~;*%¤££# UP THE STAIRS TO YOUR PLATFORM. THE #££¤%*;~:. ....~~;**¤ STATION IS IN SEVERAL LEVELS, ALL ¤**;~~.... .:;*%¤£### PLACED WITHIN EACHOTHER BY SOME ###£¤%*;:. .:~;*%¤£## INTELLIGENT DESIGNER, AND FULL OF ##£¤%*;~:. ....:~**%£ STAIRS, ELEVATORS, SHORTCUTS, £%**~:.... .:~;*%¤£## BAZAARS... YOU SIGHT YOUR TRAIN THROUGH ##£¤%*;~:. ..:~;**%¤# SOME GLASS WINDOWS. IT'S... NOT WHERE #¤%**;~:.. ......:;%¤ IT'S SUPPOSED TO BE? ¤%;:...... .....:~~*¤ ¤*~~:..... .:~;*%¤£## ~ ##£¤%*;~:. .:~;*%£### ::%:: ###£%*;~:. .....~**¤£ ~ £¤**~..... .:~;***¤¤¤ ¤¤¤***;~:. .:~;*%£### (SITUATION) ###£%*;~:. .:~;;**%¤¤ ¤¤%**;;~:. .:~;*%¤£## YOU'RE FINALLY ENTERING THE CITY. WHILE ##£¤%*;~:. .:~;*%¤¤¤£ IT IS INDEED A VERY HIGH SPEED TRAIN £¤¤¤%*;~:. ....~~;%¤# YOU'RE TRAVELING IN, THE JOURNEY HAS #¤%;~~.... .:~;*%¤££# BEEN LONG. BUT IT'S ABOUT TO END! #££¤%*;~:. .:~;*%¤£## ##£¤%*;~:. .:~;*%¤£## SOCIETY IS GROWING DENSER AROUND YOU, ##£¤%*;~:. ...:~~*%%¤ THROUGH THE WINDOWS YOU SEE FIRST SMALL ¤%%*~~:... ..:~~~;%%£ SHACKS, BUILT OF METAL AND STONE, THEN £%%;~~~:.. ..::;;;%£# PROPER HOUSES WITH MORTAR TO KEEP THEM #£%;;;::.. ....~~;%¤¤ TOGETHER... WHO IN TURN MAKE WAY FOR ¤¤%;~~.... .:~;*%¤¤££ THE INDUSTRIAL BUILDINGS, THE URBAN ££¤¤%*;~:. .:~;*%¤£## MAZE, PROTECTIVE WALLS, JUNGLE ##£¤%*;~:. ...:;*%¤¤£ NETWORK... £¤¤%*;:... .:~;*%¤¤££ ££¤¤%*;~:. .:~;***¤¤¤ THE TRACKS LEAVE THE GROUND, WHICH IS ¤¤¤***;~:. ....:;**%£ NEEDED FOR OTHER PURPOSES. YOU ARE £%**;:.... ..:~~;*¤£# CARRIED GENTLY, CURVING UPWARDS UNTIL #£¤*;~~:.. .:~;*%¤£## YOU'RE MOVING UPWARD ALONG THE WALL OF ##£¤%*;~:. .:~;*%¤£## A BUILDING. IT'S MADE OF SLABBY STONE, ##£¤%*;~:. .:~;*%¤£## WITH GREAT GLASSLESS WINDOW HOLES ##£¤%*;~:. ...~;;;%¤# LOOKING OUT THE WAY YOU CAME. IT IS #¤%;;;~... .:~;*%¤£## PITCH BLACK INSIDE. ##£¤%*;~:. .:~;*%¤£## ##£¤%*;~:. .....~;**¤ ¤**;~..... .:~;*¤£### ###£¤*;~:. .::~;;%¤¤£ £¤¤%;;~::. .:~;*%¤£## ##£¤%*;~:.