,~-;§@&@##                                          ##@&@§;-~,
,,~-;§@&@#                                          #@&@§;-~,,
,,,~-;§@&@                                          @&@§;-~,,,
,,~-;§@&@#                                          #@&@§;-~,,
,~-;§@&@##                                          ##@&@§;-~,
,,~-;§@&@#               TRAIN DREAM                #@&@§;-~,,
,,,~-;§@&@   ######,,,,~-~~,,#####################  @&@§;-~,,,
,,~-;§@&@#                   ;;;                    #@&@§;-~,,
,~-;§@&@##                    -                     ##@&@§;-~,
,,~-;§@&@#                    -                     #@&@§;-~,,
,,,~-;§@&@                                          @&@§;-~,,,
,,~-;§@&@#               (SITUATION)                #@&@§;-~,,
,~-;§@&@##                                          ##@&@§;-~,
,,~-;§@&@# YOU  FIND  YOURSELF  IN   A  RIFT   -  A #@&@§;-~,,
,,,~-;§@&@ CLEARING, NARROW BUT IMMEASURABLY LONG.  @&@§;-~,,,
,,~-;§@&@# TO  YOUR SIDES ARE WALLS MADE OF  TREES, #@&@§;-~,,
,~-;§@&@## THICK AND READY TO SWALLOW YOU. THE  SUN ##@&@§;-~,
,,~-;§@&@# IS NOWHERE  TO  BE  SEEN, BUT NONTHELESS #@&@§;-~,,
,,,~-;§@&@ IT IS VERY BRIGHT -  THE AIR FEELS LIGHT @&@§;-~,,,
,,~-;§@&@#            BLUE, ALMOST WHITE.           #@&@§;-~,,
,~-;§@&@##                                          ##@&@§;-~,
,,~-;§@&@# ALONG THE SPAN OF  THE CLEARING  LAY TWO #@&@§;-~,,
,,,~-;§@&@    PARALLEL SILVERY LINES, DARK HARD     @&@§;-~,,,
,,~-;§@&@# METAL. SOMEHOW  YOU  CAN  SEE  HOW HEAVY #@&@§;-~,,
,~-;§@&@##                THEY ARE.                 ##@&@§;-~,
,,~-;§@&@#                                          #@&@§;-~,,
,,,~-;§@&@ THEY  EMIT   A  HIGH  PITCHED   WHINE... @&@§;-~,,,
,,~-;§@&@#                                          #@&@§;-~,,
,~-;§@&@##                    -                     ##@&@§;-~,
,,~-;§@&@#                  ,,§,,                   #@&@§;-~,,
,,,~-;§@&@                     -                    @&@§;-~,,,
,,~-;§@&@#                                          #@&@§;-~,,
,~-;§@&@##                (SITUATION)               ##@&@§;-~,
,,~-;§@&@#                                          #@&@§;-~,,
,,,~-;§@&@ YOURE   AT   THE   TRAIN STATION,  ON  A @&@§;-~,,,
,,~-;§@&@# CATWALK ABOVE  THE RAILS. YOUR TRAIN  IS #@&@§;-~,,
,~-;§@&@## LATE, OR  YOU  ARE  LATE  TO THE  TRAIN. ##@&@§;-~,
,,~-;§@&@# IT'S A SUMMER  AFTERNOON AND THE STATION #@&@§;-~,,
,,,~-;§@&@ IS BUSY,  FULL  OF  RELAXED  CONFIDENCE. @&@§;-~,,,
,,~-;§@&@#                                          #@&@§;-~,,
,~-;§@&@## YOU'RE  IN HIGH  SPIRITS, ALTHOUGH A BIT ##@&@§;-~,
,,~-;§@&@# STRESSED  ABOUT THE  TIME, WHILE  MOVING #@&@§;-~,,
,,,~-;§@&@ UP  THE STAIRS  TO  YOUR  PLATFORM.  THE @&@§;-~,,,
,,~-;§@&@# STATION  IS  IN  SEVERAL   LEVELS,   ALL #@&@§;-~,,
,~-;§@&@##      PLACED WITHIN EACHOTHER BY SOME     ##@&@§;-~,
,,~-;§@&@#     INTELLIGENT DESIGNER, AND FULL OF    #@&@§;-~,,
,,,~-;§@&@      STAIRS, ELEVATORS, SHORTCUTS,       @&@§;-~,,,
,,~-;§@&@# BAZAARS... YOU SIGHT  YOUR TRAIN THROUGH #@&@§;-~,,
,~-;§@&@## SOME GLASS  WINDOWS. IT'S...  NOT  WHERE ##@&@§;-~,
,,~-;§@&@#           IT'S SUPPOSED TO BE?           #@&@§;-~,,
,,,~-;§@&@                                          @&@§;-~,,,
,,~-;§@&@#                    -                     #@&@§;-~,,
,~-;§@&@##                   ~~@~~                  ##@&@§;-~,
,,~-;§@&@#                    -                     #@&@§;-~,,
,,,~-;§@&@                                          @&@§;-~,,,
,,~-;§@&@#               (SITUATION)                #@&@§;-~,,
,~-;§@&@##                                          ##@&@§;-~,
,,~-;§@&@# YOU'RE  FINALLY ENTERING THE CITY. WHILE #@&@§;-~,,
,,,~-;§@&@ IT  IS INDEED  A  VERY  HIGH SPEED TRAIN @&@§;-~,,,
,,~-;§@&@# YOU'RE TRAVELING  IN,  THE  JOURNEY  HAS #@&@§;-~,,
,~-;§@&@## BEEN   LONG.  BUT  IT'S  ABOUT  TO  END! ##@&@§;-~,
,,~-;§@&@#                                          #@&@§;-~,,
,,,~-;§@&@ SOCIETY IS  GROWING DENSER  AROUND  YOU, @&@§;-~,,,
,,~-;§@&@# THROUGH THE WINDOWS YOU  SEE FIRST SMALL #@&@§;-~,,
,~-;§@&@## SHACKS, BUILT  OF METAL AND  STONE, THEN ##@&@§;-~,
,,~-;§@&@# PROPER  HOUSES WITH  MORTAR TO KEEP THEM #@&@§;-~,,
,,,~-;§@&@ TOGETHER... WHO IN  TURN  MAKE  WAY  FOR @&@§;-~,,,
,,~-;§@&@#   THE INDUSTRIAL BUILDINGS, THE URBAN    #@&@§;-~,,
,~-;§@&@##      MAZE, PROTECTIVE WALLS, JUNGLE      ##@&@§;-~,
,,~-;§@&@#                NETWORK...                #@&@§;-~,,
,,,~-;§@&@                                          @&@§;-~,,,
,,~-;§@&@# THE TRACKS LEAVE THE  GROUND,  WHICH  IS #@&@§;-~,,
,~-;§@&@## NEEDED  FOR  OTHER  PURPOSES.  YOU   ARE ##@&@§;-~,
,,~-;§@&@#   CARRIED GENTLY, CURVING UPWARDS UNTIL  #@&@§;-~,,
,,,~-;§@&@ YOU'RE MOVING  UPWARD ALONG THE  WALL OF @&@§;-~,,,
,,~-;§@&@# A BUILDING. IT'S MADE OF  SLABBY  STONE, #@&@§;-~,,
,~-;§@&@##     WITH GREAT GLASSLESS WINDOW HOLES    ##@&@§;-~,
,,~-;§@&@# LOOKING  OUT  THE WAY  YOU  CAME. IT  IS #@&@§;-~,,
,,,~-;§@&@            PITCH BLACK INSIDE.           @&@§;-~,,,
,,~-;§@&@#                                          #@&@§;-~,,
,~-;§@&@##                                          ##@&@§;-~,
,,~-;§@&@#                                          #@&@§;-~,,
,,,~-;§@&@                                          @&@§;-~,,,
,,~-;§@&@#                                          #@&@§;-~,,